1 200 2444 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP15 Pickard's Prize Subject The topic of the resource Social History Variety Theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Date A point or period of time associated with an event in the lifecycle of the resource 1909-1961 Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Paul Swinton Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Identifier An unambiguous reference to the resource within a given context BP15 Description An account of the resource This Scrapbook contains a wealth of newspaper clippings relating to the constantly changing programme of Pickard's Casino Cinema, dating from approximately between 1912 and 1916. Tickets admitting entry to various Glasgow cinemas can also be found, as well as a humorous article relating to an escaped bull entering La Scala Picture-House. Also present is an article detailing Pickard's being honoured by the city carters for allowing them to use the Panopticon for meetings during their strike, as well as a short, presumably semi-autobiographical, story entitled 'The Millionaire's Gratitude'. Newspaper cutting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP15.02-11 Title A name given to the resource [Untitled] Format The file format, physical medium, or dimensions of the resource Newsprint cutting Source A related resource from which the described resource is derived Pickard's Papers: Pickard's Prize Description An account of the resource Short article detailing the enormous success of each of Pickards cinemas: the Casino, The Panopticon, the Clydebank Gaiety and the Ibrox Picture Palace. In particular, the luxurious interior of the Casino is celebrated, being described asamong the cosiest and most comfortable halls in St.Mungo. The article also mentions Mr Christie Grant, the manager of the Casino, describing his popularity among picture-goers as avery…courteous manager. Language A language of the resource English Type The nature or genre of the resource Newspaper cutting Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. casino Christie Grant Clydebank Gaiety Ibrox Picture Palace Panopticon Pickard Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP15 Pickard's Prize Subject The topic of the resource Social History Variety Theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Date A point or period of time associated with an event in the lifecycle of the resource 1909-1961 Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Paul Swinton Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Identifier An unambiguous reference to the resource within a given context BP15 Description An account of the resource This Scrapbook contains a wealth of newspaper clippings relating to the constantly changing programme of Pickard's Casino Cinema, dating from approximately between 1912 and 1916. Tickets admitting entry to various Glasgow cinemas can also be found, as well as a humorous article relating to an escaped bull entering La Scala Picture-House. Also present is an article detailing Pickard's being honoured by the city carters for allowing them to use the Panopticon for meetings during their strike, as well as a short, presumably semi-autobiographical, story entitled 'The Millionaire's Gratitude'. Newspaper cutting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP15.12-10 Title A name given to the resource [Untitled] Format The file format, physical medium, or dimensions of the resource Ticket Stub Source A related resource from which the described resource is derived Pickard's Papers: Pickard's Prize Description An account of the resource Complimentary Ticket admitting entry of one person to the family circle area of Princesss Theatre, Glasgow. Most interesting here is the fact that the ticket has been date-stamped with blue ink, as well as a second time with a stamp readingSECOND HOUSE. The former indicates that the ticket was used on Wednesday, June 11th, 1913. Language A language of the resource English Type The nature or genre of the resource Text Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Princesss Theatre second house stamp ticket stub Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP15 Pickard's Prize Subject The topic of the resource Social History Variety Theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Date A point or period of time associated with an event in the lifecycle of the resource 1909-1961 Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Paul Swinton Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Identifier An unambiguous reference to the resource within a given context BP15 Description An account of the resource This Scrapbook contains a wealth of newspaper clippings relating to the constantly changing programme of Pickard's Casino Cinema, dating from approximately between 1912 and 1916. Tickets admitting entry to various Glasgow cinemas can also be found, as well as a humorous article relating to an escaped bull entering La Scala Picture-House. Also present is an article detailing Pickard's being honoured by the city carters for allowing them to use the Panopticon for meetings during their strike, as well as a short, presumably semi-autobiographical, story entitled 'The Millionaire's Gratitude'. Newspaper cutting Newspaper Title of the newspaper, if given Glasgow News Date Date of newspaper article 21/10/1913 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP15.13-28 Title A name given to the resource [Untitled] Format The file format, physical medium, or dimensions of the resource Newsprint cutting Source A related resource from which the described resource is derived Pickard's Papers: Pickard's Prize Description An account of the resource Brief account of the Casino cinemas weekly programme, notable for the inclusion of the amusingly titledFun in a Chinese Laundry: agenuinely humorous acrobat sketch by comedy duo Sydney and Hobart. Language A language of the resource English Type The nature or genre of the resource Newspaper cutting Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. casino sketch comedy Sydney and Hobart Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP15 Pickard's Prize Subject The topic of the resource Social History Variety Theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Date A point or period of time associated with an event in the lifecycle of the resource 1909-1961 Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Paul Swinton Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Identifier An unambiguous reference to the resource within a given context BP15 Description An account of the resource This Scrapbook contains a wealth of newspaper clippings relating to the constantly changing programme of Pickard's Casino Cinema, dating from approximately between 1912 and 1916. Tickets admitting entry to various Glasgow cinemas can also be found, as well as a humorous article relating to an escaped bull entering La Scala Picture-House. Also present is an article detailing Pickard's being honoured by the city carters for allowing them to use the Panopticon for meetings during their strike, as well as a short, presumably semi-autobiographical, story entitled 'The Millionaire's Gratitude'. Newspaper cutting Newspaper Title of the newspaper, if given The Evening Times Date Date of newspaper article 03/03/1914 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP15.16-01 Title A name given to the resource [Untitled] Format The file format, physical medium, or dimensions of the resource Newsprint cutting Source A related resource from which the described resource is derived Pickard's Papers: Pickard's Prize Description An account of the resource Short article detailing a humorous mix-up with the newspapers birth column. The article describes how Pickard had recently announced his 40th birthday through the column, however, afirm of patent food experts mistakenly took this as an announcement of Pickards birth and proceeded to send their companys circulars to Mrs Pickard in the hope of gaining her business. Language A language of the resource English Type The nature or genre of the resource Newspaper cutting Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Birthday Evening Times forty Pickard Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP15 Pickard's Prize Subject The topic of the resource Social History Variety Theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Date A point or period of time associated with an event in the lifecycle of the resource 1909-1961 Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Paul Swinton Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Identifier An unambiguous reference to the resource within a given context BP15 Description An account of the resource This Scrapbook contains a wealth of newspaper clippings relating to the constantly changing programme of Pickard's Casino Cinema, dating from approximately between 1912 and 1916. Tickets admitting entry to various Glasgow cinemas can also be found, as well as a humorous article relating to an escaped bull entering La Scala Picture-House. Also present is an article detailing Pickard's being honoured by the city carters for allowing them to use the Panopticon for meetings during their strike, as well as a short, presumably semi-autobiographical, story entitled 'The Millionaire's Gratitude'. Newspaper cutting Newspaper Title of the newspaper, if given The Bioscope Date Date of newspaper article 25/05/1916 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP15.28-02 Title A name given to the resource [Untitled] Format The file format, physical medium, or dimensions of the resource Newsprint cutting Source A related resource from which the described resource is derived Pickard's Papers: Pickard's Prize Description An account of the resource Short article describing the introduction of the Amusement Tax. The article posits that, according to a claim by Mr. A.E. Pickard, the first person in the UK to pay the tax was Master Hugh Brown, who, upon paying the entry fee to the American Museum on the 15th of May, 1916, was given a £1 note to honour the occasion. The article also features a cartoon which depicts an elegantly dressed, cigar-smoking Pickard handing the note over to an excited young Master Brown, with the caption below reading:Wed gladly pay our taxes down, if wed the luck of Master Brown. Language A language of the resource English Type The nature or genre of the resource Newspaper cutting Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. American Museum Amusement Tax bioscope Pickard Reward Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP09 Zoological Items Subject The topic of the resource Social history Animals Zoos Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Paul Swinton. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP09 Zoological Items Description An account of the resource Newspaper articles and ephemera relating to sale of Scottish Zoo, and about animals held in it Newspaper cutting Newspaper Title of the newspaper, if given Evening Citizen Date Date of newspaper article 22/04/1908 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP09.06-07 Title A name given to the resource A Cargo of Alligators. Format The file format, physical medium, or dimensions of the resource Newspaper cutting Source A related resource from which the described resource is derived Pickard's Papers: Zoological Items Description An account of the resource Short article from the Evening Citizen describing the voyage of the biggest consignment of live alligators ever shipped across the Atlantic. According to a wireless message received from the ship the animals were travelling on (the Minnetonka), all the alligators were faring well and none [were] sea sick. The article states that that the cargo was comprised of 300 alligators, some up to 18 feet in length. Language A language of the resource English Type The nature or genre of the resource Newsprint cutting Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Alligators Bostock Earls Court Minnetonka ship travel Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP09 Zoological Items Subject The topic of the resource Social history Animals Zoos Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Paul Swinton. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP09 Zoological Items Description An account of the resource Newspaper articles and ephemera relating to sale of Scottish Zoo, and about animals held in it Newspaper cutting Newspaper Title of the newspaper, if given The Evening Times Date Date of newspaper article 05/03/1909 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP09.15-03 Title A name given to the resource A Civic Zoo. Format The file format, physical medium, or dimensions of the resource Newspaper cutting Source A related resource from which the described resource is derived Pickard's Papers: Zoological Items Description An account of the resource Article from the Evening Times supporting the decision of the Glasgow Town Council to reject the motion that the possibility of a zoological garden be considered and reported upon by the Parks Committee. Although the author states that there would have been no particular harm in passing the motion, he/she questions the appropriateness of such an expensive hobby during a time of implied economic hardship in Glasgow. They also point out that Glasgows climate would not be hospitable for animals in the way that the climates of continental cities which house zoos are. The writer then concludes that theoretically a municipal zoo is an excellent idea, but [owing to the factors outlined] the time is not yet. Language A language of the resource English Type The nature or genre of the resource Newsprint cutting Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Glasgow City Corporation Glasgow Town Council Parks Committee rejected motion zoo Zoological Garden Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP09 Zoological Items Subject The topic of the resource Social history Animals Zoos Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Paul Swinton. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP09 Zoological Items Description An account of the resource Newspaper articles and ephemera relating to sale of Scottish Zoo, and about animals held in it Newspaper cutting Newspaper Title of the newspaper, if given Glasgow News Date Date of newspaper article 01/05/1909 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP09.26-06 Title A name given to the resource A Glasgow Zoo. Promising Movement Begun. Format The file format, physical medium, or dimensions of the resource Newspaper cutting Source A related resource from which the described resource is derived Pickard's Papers: Zoological Items Description An account of the resource Short article from the Glasgow News alerting readers to the fact that a committee tasked with the planning of a zoological garden in the city is in the process of being formed, with the support of several influential gentleman and strong financial backing. The tone of the article is extremely optimistic, describing the projects realisation as practically assured. Language A language of the resource English Type The nature or genre of the resource Newsprint cutting Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Glasgow News Glasgow Zoo Zoological Garden Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP09 Zoological Items Subject The topic of the resource Social history Animals Zoos Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Paul Swinton. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP09 Zoological Items Description An account of the resource Newspaper articles and ephemera relating to sale of Scottish Zoo, and about animals held in it Newspaper cutting Newspaper Title of the newspaper, if given Evening Citizen Date Date of newspaper article 27/09/1909 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP09.27-03 Title A name given to the resource A Rare Monkey. Format The file format, physical medium, or dimensions of the resource Newspaper cutting Source A related resource from which the described resource is derived Pickard's Papers: Zoological Items Description An account of the resource Short article from the Evening Citizen describing the arrival of a rare monkey named the white-nosed saki at the Berlin Zoological Garden. The article describes the physical appearance and attributes of the monkey, while noting that the animal is probably the first living example to reach Germany. An article such as this, which details the happenings of a zoo in as far-removed a country from Scotland as Germany, highlights the level of interest and curiosity which animals held for the people of Glasgow at this time, helping to explain the fervour with which said citizens pursued the goal of their own zoological garden. Language A language of the resource English Type The nature or genre of the resource Newsprint cutting Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Berlin Zoological Garden Evening Citizen rare monkey white-nosed saki Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP21 Adverts for Ibrox cinema Subject The topic of the resource Social History Variety Theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Alekss Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP21 Description An account of the resource Newspaper adverts for Pickard's Ibrox Picture Palace. Newspaper cutting Newspaper Title of the newspaper, if given Daily Record and Mail Date Date of newspaper article November 14, 1913 Author Author of piece, if given Unknown Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP21.63-12 Title A name given to the resource A.E.Pickard Subject The topic of the resource Ibrox Picture Palace Source A related resource from which the described resource is derived Pickard's Papers Description An account of the resource Advertisment for the Ibrox Picture Palace Format The file format, physical medium, or dimensions of the resource Newspaper Cutting Contributor An entity responsible for making contributions to the resource Alekss Levsunovs Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. cinema Comedian Dancer House Ibrox Ibrox Picture Palace Matinee Music Musicians Palace Pickard Picture road seamore Singers Vaudeville woodside Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP15 Pickard's Prize Subject The topic of the resource Social History Variety Theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Date A point or period of time associated with an event in the lifecycle of the resource 1909-1961 Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Paul Swinton Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Identifier An unambiguous reference to the resource within a given context BP15 Description An account of the resource This Scrapbook contains a wealth of newspaper clippings relating to the constantly changing programme of Pickard's Casino Cinema, dating from approximately between 1912 and 1916. Tickets admitting entry to various Glasgow cinemas can also be found, as well as a humorous article relating to an escaped bull entering La Scala Picture-House. Also present is an article detailing Pickard's being honoured by the city carters for allowing them to use the Panopticon for meetings during their strike, as well as a short, presumably semi-autobiographical, story entitled 'The Millionaire's Gratitude'. Newspaper cutting Newspaper Title of the newspaper, if given Glasgow News Date Date of newspaper article 09/09/1912 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP15.05-12 Title A name given to the resource Aeroplane for Glasgow: Mr A.E. Pickards Enterprises. Format The file format, physical medium, or dimensions of the resource Newsprint cutting Source A related resource from which the described resource is derived Pickard's Papers: Pickard's Prize Description An account of the resource Short article describing Pickards purchase of a monoplane at auction. Pickard is described as battlingspirited competition from fellow bidders in order to emerge successful during the auction. The article also describes Pickards wish to apply for permission to take his new aircraft on small flights from Glasgow Green. Language A language of the resource English Type The nature or genre of the resource Newspaper cutting Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. auction Glasgow Green monoplane Pickard Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP15 Pickard's Prize Subject The topic of the resource Social History Variety Theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Date A point or period of time associated with an event in the lifecycle of the resource 1909-1961 Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Paul Swinton Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Identifier An unambiguous reference to the resource within a given context BP15 Description An account of the resource This Scrapbook contains a wealth of newspaper clippings relating to the constantly changing programme of Pickard's Casino Cinema, dating from approximately between 1912 and 1916. Tickets admitting entry to various Glasgow cinemas can also be found, as well as a humorous article relating to an escaped bull entering La Scala Picture-House. Also present is an article detailing Pickard's being honoured by the city carters for allowing them to use the Panopticon for meetings during their strike, as well as a short, presumably semi-autobiographical, story entitled 'The Millionaire's Gratitude'. Newspaper cutting Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP15.35b Title A name given to the resource Argyle Electric Theatre, Limited. Format The file format, physical medium, or dimensions of the resource Prospectus for Shares Source A related resource from which the described resource is derived Pickard's Papers: Pickard's Prize Description An account of the resource Prospectus for Preference Shares in The Argyle Electric Theatre Limited. The prospectus provides a detailed run-down of how many shares it is possible to purchase at the time of its publishing, as well as information on how to pay for theseCumulative Participating Preference Shares. Language A language of the resource English Type The nature or genre of the resource Text Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Cumulative Participating Preference Shares The Argyle Electric Theatre Limited. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP21 Adverts for Ibrox cinema Subject The topic of the resource Social History Variety Theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Alekss Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP21 Description An account of the resource Newspaper adverts for Pickard's Ibrox Picture Palace. Newspaper cutting Author Author of piece, if given Unknown Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP21.58C Title A name given to the resource Attendance of Office-Bearers at Lodge Meetings Subject The topic of the resource Ibrox Picture Palace Source A related resource from which the described resource is derived Pickard's Papers Description An account of the resource Attendance of Office-Bearers at Lodge Meetings Format The file format, physical medium, or dimensions of the resource Newspaper Cutting Contributor An entity responsible for making contributions to the resource Alekss Levsunovs Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. architect bard bearer bible chaplain deacon director guard historian Ibrox Ibrox Picture Palace jeweller list marshal master organist Palace Pickard Picture secretary staff steward sword treasurer tyler warden https://www.pickardspapers.gla.ac.uk/files/original/39b3dac88178b6472ca768a98af3d53a.jpg fa9c70a0d6f8874f05ff5df509d80d5c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP10 Bostock Press Cuttings Subject The topic of the resource Social history Music hall Zoos Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP10 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource Advertising matter including handbills and posters for various venues. Date A point or period of time associated with an event in the lifecycle of the resource September 1910-March 1911 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01 Inside back cover Title A name given to the resource BP01 Inside back cover Scrapbook page Subject The topic of the resource Social History, Variety Theatre, Zoos Source A related resource from which the described resource is derived Pickard's Papers: Bostock Press Cuttings Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/a72d6edf28f3bd16436440e202afeeb1.jpg da9e4f7f347791c0438932634d6697c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01 Inside back cover Title A name given to the resource BP01 Inside back cover Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 72 Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/4d31fa0129e6727921de22f5852a4c5d.jpg 319670a406b03d0e3ee1093053499f8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP10 Bostock Press Cuttings Subject The topic of the resource Social history Music hall Zoos Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP10 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource Advertising matter including handbills and posters for various venues. Date A point or period of time associated with an event in the lifecycle of the resource September 1910-March 1911 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01 Inside front cover Title A name given to the resource BP01 Inside front cover Scrapbook page Subject The topic of the resource Social History, Variety Theatre, Zoos Source A related resource from which the described resource is derived Pickard's Papers: Bostock Press Cuttings Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/ae70eb4c6bd3a1e392c6db757bd70a68.jpg 5d47f4ffb361ba64d47fec24ae39946c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01 Inside front cover Title A name given to the resource BP01 Inside front cover Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 71 Description An account of the resource Cheque and photograph of A.E. Pickard and 2 of his exhibits. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/74c09f93c3425ebdbe15dec01315130a.jpg ac8ec8001b9bc4be92fba35ebab55430 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Text Any textual data included in the document THE PANOPTICON. " At '• OF ENTERTAINMENT. fa */$. TEE BRITANNIA PANOPTICON. | ; J ■ : •' -Vs ' Si-nr o :h«-, ;. : ys when the Britannia Theatre oi v &x»et: s in the Trongate had only one riv tv l in Glasgow, it .has passed through- tin any vicissitudes. A few months ago Mr A.L •Ih Rickard took it over, and in the interval] ; he' has converted it into a unique place of j penterrainuient. The Panopticon, as the] .place has been named, was ripened yester- ■ ’] day, the first performance being given in . i presence of a party of pressmen, reprosen- ♦ i tatives of public bodies, and friends of (he * & prdnrietor. tS The programme informs us that Mr t ; Pickard has spared neither nains nor ex- f | pc-nse to make the old “ Brit.” and Panop- [ -d ticon the most attractive place of amusement | -j — as well as the cheapest — in the world, j .B’or twopence visitors will h^ve much tow .interest and amuse them. The interior ofi •the did music hall has been entirely re-' • constructed, and equipped for the most part t;with novelties of a most varied description- i ..There are statues - and paintings I • of celebrities, jnechanioal forking models ( ’ and automatic machinoR, distorting mirrore, | s t][electric shooting saloon, and several tableaux , v 3cnr , "en t i.".g human sacrifices in Dahomey,’ r torture cb . iber and rack of the seventeenth , j- century. • 1 the story of a crime in seven j | chapters jo ev^ry case figures are. admirable, ’ -ha ng been made in Paris for the. • Museum Grevin, and afterwards exhibited v 'at Earl's Court Exhibition, London. In the entertainment, hall, which can ac- |. - commodate about 500 persons, enjoyable > j turns are r 'ven this week bv Miss Kate r fj Gourlav, ]• r.le Victoria Connor, and the f Bi-'mc. i o. Music is provided by the Japa - j iqf nos.* lad' rd orchestra, the members of which p -i acquit, h *rr».-elvve with credit, ^here are w , } no fcwei than six performances daily, the j t j first beg. ine at one o’clock arid the laet L I 9.30. The lighting arrangement is a fca- r | fnre. incandescent gas lames of 400 candle- 1 i power bc.ing used in some parts, as well as f j elect ricitv. | The V) opticon is dek'ghtfullv fresh arid, j clean, tV* entertainment, iu novel and whole- i 1 some, and the general arrangements, includ- | ipg entrances and cxifo. leave nothing to bo | -[ ( ]e?ired. This >\ew place of entertainment f {should appea 1 to larrc .numbers of town- - [ I people, as well as visitors front the country, L during the holiday season. The old-established place of entertainment in Trongate has been resuscitated, and is now known as the Britannia Theatre of Varieties and Grand Panopticon, or Pickard’s Pleasure Palace. It is open all day and has numerous attractions, including realistic scenes in wax- work and diverse busts, figur<_ , paintings, mechanical de > ices, punching balls, an olectric rifle shooting saloon, and very amusing dis- torted mirrors. Among the curiosities may be j noted the mummified body of a cat which was ' discovered in a cellar beneath the theatre. Conspicuous among th’o decorations is an admir- able. scries • of transparencies representing British Kings and Queens, artistically painted by Professor Hctkomer and bis pupils. Six times daily — thrice in the afternoon and thrice in the evening — there are variety performances in the theatre, and biosoopic views are shown. The drop curtain has a realistic picture of the last exhibition at Kelvingrovc, and the or- chestra consists of a quartet of young ladies in Japanese costume. Throughout the building the Corporation Gas Department have fitted up their effective system of incandescent lighting, including 30 of the 100-candle power lamps which have given so much satisfaction in the City Chambers — seven of which brilliantly il- luminate trie theatre — while there arc also numerous small lamps similar to those used with electricity. Altogether the Brit, in its new form is a very cheap .and attractive house of entertainment. I e?pec WHAT A BOY SHOULD KNOW. A very successful man, In speaking of wltat a young man 3bould know to begin business life in right way, summarised the qualifications abdfit as j ; follows He should be able te write a good legible hand. . To spell all the words that he know* how to Use. To wime an ordinary receipt. To speak and write good English. i To wr»te a good social or business letter. To add a column of figures rapidly. To make out an ordinary account. j To deduct 5 per cent, froni the face of the J account. To receipt an account when it is paid. To reckon the interest or the discount on a j promissory note for years; months or days. To tell the number of yards of carpet required foirihe parlour. To tell something about the great authors and the statesmen of the presthut tim*. If. vay‘: the successful business man. a boy can h do all this, it is probable that be lias enough education to make his way in the world. \Ty, WAXWORKS AND VARIETIES. Speaking of attractions to the townspeople and the j ' visitors in the way of popular amusements, we would U not overlook a very prominent little corner situated i at 101 Trongate, where Mr. Pickard, an enterprising' '» Englishman, has a variety exhibition open from 10 | a.m. till 10 p.m. which is really worthy of a visit. It j is without exception the cleanest and smartest show j of the kind in the city. There are innumerably attractions, almost any one of which is worth the coppers paid for admission. We advise our country friends specially in visiting the city to look in at Pickard’s and they will long remember the wonders they will see there. , . Cl BRITANNIA. A novelty in the way of cheap and excellent entertain merit has been afforded by Mr A. E. Piokard, the new proprietor of rho Bri- tannia Theatre of Varieties. The hous.cv'haa boon entirely reconstructed from top to bot- tom, the internal embellishments in the way of art and sculpture, &c., being such as to make tho old ‘‘Brit.” unrecognisable to its former patrons. There is a spacious promen- ’ ado. with numerous side-shows— apart alto- gether from a capital variety entertainment in the theatre itself. Some of those shows, which arc novel und wonderful examples of mechanical ingenuity, are placed in what is termed the Panopticon, which may be con- strued as a collection of all sorts of things while the collection includes working models, • a fine orchestrion, paintings, statuettes, elec- tric rifle shooting and tattooing saloons. There are also some very mirth-provoking : magic mirrors, while those who are morbidly 1 inclined can revel in the horrors of a French -••xecution in seven tableaux — life-size figures— : human sacrifices in Dahomey, a victim of the rack, and numerous pictures representing Chineso tortures. There are to be staged six performances daily, beginning at one o’clock in the afternoon, and the price is only two- pence. It should be added that a strong fca ture of tho establishment is the faultless light mg arrangements. Yesterday afternoon the formal opening ceremony was performed in presenoe of a numbor of guests, the public (xung admitted in the evening. A MINER MUMMY, > SUBJECT OF THE INCAS. I The mummified body of a miner who lost his ; life 2000 years ago is to be put up for auction at : a London rooms shortly. j The miner ?._? a subject of the Incas, and! death overtook him while he was at work in what is now the Antono Copper Mine, Sierra Atahualpa. Antofagasta, Chili. The body was , J mummified by the actiorAif the copper oxido in the mine. With the exception of a small hole in the | • head, tho mummy is perfect, and everything — feet, hands, and" f-.ieo — is beautifully preserved. But tho body is green nearly all' over from the . I effects bf the copper oxide. A rug and two hammers made of stones tied . with leather straps into a bent stick made up as a double handlo were found lying on the ground • by- the minor’s Bide. 14 was* with, those stone hammers that the miner*— who never learned ; the secret of working iron — extracted . the,- i copper, which was valued by them even more, v than gold. There is supposed to to only one other) ! mummy of -this kind in existence. It waa i recently bought for £1000 by the Central Pari* Museum, New- York. f - Britannia and Panopticon. Whilst there are many of us who think that Instruction is a great desideratum, there are not a few who pleasurably hanker after Amusement. At the Brit- annia Panopticon we get both, blended in the right proportions to suit our varied requirements, and when people get what they want in this world, they generally go in crowds to appreciate it. This then accounts for the success of the Britannia Theatre of Varieties and Grand Pano- pticon, at 115 Trongate. The nroprietor Mr. A. E. Pickard, is no novice in this matter, for he has successfully catered for the public for a long time past. He and the masses understand each other thoroughly, and to miss the Britannia for a long space would, they feel, decided- ly put them off colour. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.1 Title A name given to the resource BP01.1 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 1 Description An account of the resource Newspaper cuttings about The Britannia Panopticon and museum, the auction of an Inca mummy, plus an article about what boys should know to start a business life. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. amusement bioscope mummy variety https://www.pickardspapers.gla.ac.uk/files/original/bb7782f83bd6928342c6a2110fc96c62.jpg 436a769ce8ae12dcea5e75c470472973 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Evening Citizen, Author Author of piece, if given February 14 1907, November 11 1906 Text Any textual data included in the document . - ; ■"fwssm EVEN ING CITIZEN, Thurs day, February 14, 1007. •THE JJAN WHO IS ED TO HANG ' ' HIMSELF.” A PHYSICAL PHENOMENON'. One of tli* most original music-hall charac- ters, known as “L© Pendu,” or the man "who used to hang himself, has just, died (saws the Paris correspondent of the “Telegraph”) at Sollies Pont, near Toulon. His real name was Simeon Aiguter, and he was born at Sollies Vi lie in 1361. Unlike Fregoli, who imitates various personages by sudden changes of clothes, he could in a way trans- form his body, and possessed the most curi- ous physical adaptabilities ever known. When a young man he surprised and puz- zled the army doctors. As he presented him- self for physical examination, he appeared as & thin, spare-ribbed fellow, almost a skeleton, and before the < xamination was over he stood in the presence of the army doctor with an 1 enormously-inflated abdomen, as if he had dropsy. Virile the physician was examining I this abnormal development the abdomen re- j treated, and a big bloated tumour suddenly j • grew on the young man’s throat, as if he had r an immense goitre. He had. apparently, in • an instant tranferred the swelling from the - lower part of his body to his throat. When tire examination was over, ho stood there, a. skeleton-like fellow, as before. HIS GIFTS IN BODILY TRANSFORMATION soon became known all over his native dis- j t-riefc. and he was induced to show himself on j the music-hall stage. For a. long time he was j known as the skeleton man, though he also j exhibited himself as the far man. His physical transformations did not stop || here. He was able to imitate the process of i dying and death itself to perfection. Scicn- ! tists and the members of various medical li faculties often wished to examine his strange jf faculties, but he constantly refused to divulge ;S the secret of his transformations. When he imitated the state of a dead person he threw himself into a perfect coma. His heart ap- I patently ceased to beat, and the most expert I phvsicians are said to have been unable to,! detect the slightest movement of his pulse, j They went so far as to apply various instru- J ments to detect life, without success, and even through * THE STETHOSCOPE I&aeL* JfaVJt* ' 9 oi - , Tattooed Man Starved to Death. IJ ■ — Samuel Jackson, on whom an inquest ‘ ,i - was held at Whitechapel on Tuesday, ; * was said to have been starved to death. , ; ” On the right arm were tattooed some , 9 r crossed flags and a hand ; at the back 1 • of the right Wrist*. J£e. head and ; .; shoulders of £ Yvoiffiui ;”Sn life left : arm a crucifix and underneath a ,. diagram of crossed squares, with the letters P. P. F.in the small spaces. Onftfhe ba,ck of his; left arm ! ■ were an anchor ah® shin with sails ; ' ’ -- , on the left leg two swhrdk crossed, '. : with lefctdrs B.andF. over the handled ' - His ,jrig|t Big bore illustratidHs <jjul dog's headMd calf. 'The verdict was “ D#ath from natural causes.” nc-t the slightest action of the heart could he 1 perceived. The- most export doctors would have declared him dead, and vet in the next instant he would jump up and crack jokes and be as much alive as anyone. His last trick, and the one which kept audi- hences spell-hound, was when he used to hang himself by the neck with a cord. There was no mere make-believe about it. He would hang himself, or allow himself to be hanged, from a nail in the ceiling in the presence of a large audience. The rope would fasten round his throat, his muscles would stiffen, and the frightened public — MPOVSt Udv.-Q , rqnio ••■•»K"83'‘:s>KV99t’0 piao 11 -It)g ST goasK 8 ■JV K -.gt,g i ..(.ss -»s) <snowo u'lAivt -x siv; 8 z •<{«&■■ UBZ9 «*«0 /*»!I?3s.irw n <>P n(y I snoj, -iaurorg ■fOKniVS ATXHDItCJ.tTOd J.- ‘OSKOIOD PBS \UA03 ‘KnjVK S 'Bnuasavry ’iivj.T. iiaio i* *am’o VTNVKSVJ, CI.VV ‘aKVTvax mils: 'vnvaxsay ox Miyjy r I V AO JJ- JL MH IHQ cjo ‘odoj'is 'fMPOf . xv java vo w i) i Moss Empires* Ltd. j The annual meeting of Moss Empires, Ltd., j j was held at Edinburgh to-day, Sir Edward Moss presiding. The Chairman, in moving the adoption of the report, referred to the , I music-hall strike. None of their halls had : been affected, and as this dispute was in a I fair way to settlement satisfactory to all par- ! ties, he did not think it would bo happy to ; I go into details. The directors had purchased 1 t\ie Grand Theatre, Birmingham, and as there was a prospect of turning it into a musio-h&ll, j the directors bought it for £52,000, and the present proprietor left £25,000 on five years , mortgage. Answering a shareholder, the Chairman said ] none of the directors were associated with the theatre formerly and had not made a penny | of profit in the purchase. j Several shareholders attacked Mr Stoll s J position and his salary of £350Q. L j Mr Stoll answered— Buy- mine and my i 1 mother’s holdings and you oan conclude the J j agreement now. * _ OPERATION ON A MONKEY. All New- York is talking to-day. (6ays a message of Tuesday, from the Empire dity) j of the operation performed last night by a faehionable*city surgeon^n the unfortunate Orang-outang Dohcmg, the ZoV> here, 'who had eaten a portion of his blanket, and 'Fallowed signs of violent stomach pains. The ; Zoo veterinary saw that the valuable (orea- | ture was dangerously ill, and after trying alb the relief measures that he knew, sum- j moire d a fashionable surgeon, j The latter placed the monkey under j ansesthetics, then opened up the animal’s ! digestive organs, which were clogged by , flannel. This was removed, the monkey was sewn up, and this afternoon is reported to be fairly convalescent. Dohong has achieved a reputation hero : almost equal to Jumbo’s record at the Lon- don Zoo. He is no ordinary orang, but j educated, an enthusiastic cyclist, quiok type- 1 writer, and well drilled in etiquette and i table manners. Dohong’ s mother died young, and He was brought up on a feed- * ing- bottle. , A $ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.10 Title A name given to the resource BP01.10 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 10 Description An account of the resource Newspaper cuttings about the death of two men with unusual features/abilities, an operation on an orangatang in New York, and a Moss Empires Ltd meeting. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. music-hall https://www.pickardspapers.gla.ac.uk/files/original/cade16f5364c81eb244d983694b0b829.jpg e6f31dc1eafb021e777226164eff824d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Daily Express (London), The Standard, London Evening News, Glasgow Times, Glasgow News, The Daily News Date Date of newspaper article November 1906 Text Any textual data included in the document XfeuLj * TaONckfti. Nov 7^ t$o6. . O- a FASTING MAN’S PERIL. S PHYSICIAN DECLARES HE fov IS DYING. 1 POLICE INTERVENE. TI3E GREAT LASTING FEAT IN GLASSGV/. Victor Beaute, a Swiss who has been fast-'j ■ ing in a glass case in a Glasgow museum j 1 since October 1, is determined to die rather | than not break the world’s record by ab- ■ staining from food for forty -six days. The position is a carious one. Beaute’s : $ medical attendant told him on Monday that j. I he must give up the fast; yesterday the 'i j doctor said he was dying, and declared that j 8 he would take no further responsibility. |J The Procurator Fiscal intimated last j night that the ‘.exhibition must 6top, and B declared that in the event of Beau to e death ; U he will hold the proprietor of the museum , fj criminally responsible. Beaute, however, declines absolutely to j fj take food, and the proprietor declares that E] he is 'powerless in the matter. || The fasting man looked very ill when an H Fxprees ” representative saw him last h H night. He was terribly emaciated— he has 1 B lost two stone in weight during his fast — i U but he declared in a very weak voice that he , Hi .was well save for a pain in his head, vicak- I H ness in his legs, and slight giddiness. He Uj also asserted that he was confident of his jjj ability to fast for forty-six days. Arrangements have been made for three | Hi Died i cal men to examine him to-day. Beaute, who is thirty-one years old, is a j B native of Zurich. He has already completed E nineteen fa.de., but the longest was only * B thirty-two days. His only nourishment is B g>o d a- water. ^ nJUvJu NoV 8 ^ 1906. NOT ALLOWED TO DIE. Beaute’s Condition. Mons. Beaute, the Swiss, to-day entered upon the thirty-third day of his fast, and in doing so he defeated his own previous record of thirty-two days accomplished at New Brighton. Last night and throughout the night Mons. Beaute was very ill— so ill, indeed, that his medical attendant, Dr Jofm P. Granger, came this morning prepared to stop the fast. This forenoon the doctor on his arrival, and after careful examination, pro- nounoed Beaute to be “somewhat better,” and he certainly looked it. The doctor, indeed, is satisfies that his “patient” can go on till the end of the week at least. After his examination the doctor issued and signed his usual bulletin, which showed that Beaute weighs 9st. O^lb ... and that he had lost 1st. 13-ilb. His respiration was 16; pulse, 75; temperature, 94.6: temperature of room, 72.2F. During yesterday the Swiss drank one bottle of soda water and smoked four cigarettes. As is well known, Beaute is accomplishing his self-imposed task in Pickard’s American Museum at 101 Trongate, and he is very deter- mined, if the doctor allows him to proceed to accomplish 46 days, which would be world’s record. Beaute is attracting increased atten- tion daily, both by the medical profession and the public in general. There has been a con- stant stream of visitors, and even during the night many persons, out of sheer curiosity, have entered the Museum to have a look at Beaute. It may be mentioned that Beaute is a highly intelligent man, middle-aged, and speaks fluently four or five different languages. fiyvuLew JowjH tkwS /VOV ji POLICE STOP FASTING MAN. At a result of the intervention of the Glasgow magistrates,, the fasting performance of the man Beaute is to terminate this evening. The abrupt termination of the exhibition is due to the statement that the man’s life was in danger, and that the whole of the medical profession in Glasgow declined to pay a visit to him so long as he continued his fast. Beaute, when informed of the situation, seemed at first to ho pleased with the prominence which had been conferred upon him, hut afterwards lapsed into ,a mood of disappointment. lie expresses the opinion that the Glasgow people have no sense of art. “I could have gone on for another ten days " he said plaintively. He has already concluded 38 days. He desires it to he understood that he has not broken down, but has merely given in to the appeals of his manager, who would bo liable to a criminal prose- cution in case of any serious outcome of the ex- hibition. ■ — The Glasgow police interfered la&t even- j | ing in the case of H. Beaute, who has f fasted for thirty-seven days, and is do- j j termined to hold out for forty-six days. j The police intimate that they will hold I the manager criminally responsible in the j event of Beaute’s death. The medical at- f ! tendant says the faster will die, and lie j has thrown over his responsibility. Beaute, however, is resisting all attempts I Lto force food into his stomach. — , If the Boilermakers are to he much I longer on strike, how would it do if sotn& j of their number made an attempt :oii~ ll Victor Beaute’s record fukfcl Perhaps Mr Pickard might then give some of • fc$eeaitt»jpC?tti his Amenc&nJMuseum. T-lnviZA Nos/ 8 4 /906. Y THE FASTING MAN IN GLASGOW. Last ©ay of Exhibition. The adjourned meeting of tho Magistrates with reference to M. Beauto’s exhibition of fasting in Mr Pickard’s American Museum, Trongate, was held this forenoon. Since yesterday they have been in consultation with Sheriff Guthrie and Mr James Hart, Pro- curator-Fiscal. Mr Pickard was present at the meeting to-day, along with his agent, Mr Angus Campbell. On the assurance of the latter that tho exhibition would cease at 12 o’clock to-night, the Magistrates decided to mako no pronouncement. At 3.45 this after- noon M. Beaute completed 39 days’ fast. Beaute’s Explanation. (To the Editor of the “Evening Times.”) Glasgow Thursday. O'r— I 1< ' arn with regret that tho city nutnoritios have felt it their duty to interfere with my protracted fast, and that notwith- standing that I am at tho present moment in perfect, health and quite able to complete my undertaking. Mr- Pickard, however, quite im- peratively insists that my contract with him shall terminate at midnight to-night, and ter- minate it shall. Even had I been permitted to complete my contract I should have required to refrain from food for a day or so and I therefore propose only beginning ’ taking nourishment to-morrow at 3.30 p.m., when I shall have completed forty days’ fast, and therein constitute a record. — Assuring you that 1 am in perfect health, and reoeating the ex- pression of my regret that I should have been prevented completing my undertaking. I Bm , etc -’ V. Beaute. nunMI «... — the fasting man. magisterial action. Yesterday communication was forwarded : to Mr Pickard from Mr Hart, Procurator- I I iseal, in connection with the fasting feat I which is being attempted at Pickard’s f Museum, warning him that in the event of 5 Mons. Beaute’s death, he (Mr Pickard) I won Id be held criminally liable. The letter also intimated that, as there seemed i reason to believe that the life of Mons. | Beaute was in danger, the fast would have to cease. '*n To-day a meeting of the Magistrates was I held in the Municipal Chambers in con- J nection with the matter. Mr Hart inti- I" mated that * ’ iuovL N ovj. ']'? l f W<uX / . fi took. 'ASTING MAN'S RISK. AUTHORITIES ORDER THE SHOW TO STOP. Mons. Beaute, tho fasting man, who is I attempting in Pickard’s Museum, Glasgow, _ i to exist without food for 46 days, yesterday - j reached tho thirty-seventh day of this ext-ra- ! ordinary trial of endurance, j From now, however, if he goes on with ;.J the fast, he will do so at his own risk, Dr. J Grainger, who has been watching the experi- *3 ment from the beginning, having thrown up ! all responsibility in connection with tho ! caa ee. In tho course of Monday the medical man j paid three visits to Mons. Beaute, and be- came anxious as the evening went on. In I the early hours of yesterday morning he per- , sonaily warned the experimentalist, and ' -wrote a letter to the management stating i that the trial had entered , on “ dangerous i ground, and that “the fast must cease. Mons. Beaute, however, refused to aban- don the test, saying good-humouredly, j “You frightened! All r-r-ight. I no ■ j frightened. All r-r-ight!” j In a letter dated 1.55 p.m. yesterday from j the County Buildings, Mr. Hart., the Pro- | curator -Fiscal, advised Mr. Pickard that s from information received by him “ there | *j seems reason to believe that the life of Mons. • Beaune is now in some danger. “I therefore,” he added, “beg to intimate I j to you that this exhibition must now be I ! stopped, and that, in the event of tho death \ of Mons. Beaute as the result of the fasting 1 you will bo held criminally liable.” | Mr. Pickard has put tho matter into the j hands of a solicitor. Before doing so, he j asked Mons. Beaute to give up the fast, and he firmly refused to do so. no said ho knew that his condition was better than it had ! been for two or three days past, and that j j no concern should bo felt about him, as bo ' would give ample warning if he felt himself j succumbing. Further, ho said he had en- J tered into a contract to fast, for 46 days, J and he meant to carry it out. j Arrangements have been made by Mr. Pickard to have a, 11. necessary restoratives i ready at. a moment’s notice and to have a 1 medical man also near at hand. 2>-cdif7fcuri fyav tjob, FASTED THIRTY-EIGHT DAYS. (From Our Own Correspondent.) GLASGOW, Wednesday..^* Ecaulp, the Swiss, who has fasted at Glasgow in tho thirty-eight days, lias been reluctantly ’ | to agree- to bring his fast to an end to-morrow at I midnight. This afternoon he was told the magis- ' trates’ decision to prohibit the continuance of j the fast. He expressed deep disappointment. Questioned as to his feelings, lie replied, with I a wistful look, “ I try not to think of your beef- - steak.” Beaute added that this was his nine- . teentli fast, his longest previous feat of endur- | ance having been for thirty-two days. Magistrates had tSb°Ltten ^iheniMev. I thirty. eight days, has been reluctantly compelled- he would drop proceedings. Mr Angus Campbell, who appeared along wnh Mr Pickard, intimated that the latter had . agreed to voluntarily stop the ex- hibition at 12 o’clock to-morrow night. The meeting was adjourned, and the Magistrates will consult with the Procura- tor-FiscaL Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.11 Title A name given to the resource BP01.11 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 11 Description An account of the resource Newspapers cuttings about A.E. Pickard's exhibit 'The Fasting Man'. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/1c8a2b9953466a1888eab329e6c1d29e.jpg 04fc3af69486cbf5ed47aa30ae25bc9a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Date Date of newspaper article November 1906, April 1907 Newspaper Title of the newspaper, if given Daily Record and Mail Text Any textual data included in the document A 6.A. OJyJj 'W FASTING FEAT. * TIMS* JfoV- A no SS- SHI RE FASTING GIRL. j November 7. J 4 Sir, view of the interest, at present taken j in Beaute, the “ fasting - man,” it may be men- | tionecl that although he does succeed in break- i j Dr Tanner’s record, ho will still bo far ! "] short of having made a world’s record, as will I.- A be seen from the following : — In the year 1772 E evatherino Macleod, a girl in the parish of | ; Kincardine, Ross-shire, lay sick of a fever. On S' < becoming convalescent her eyelids closed, and p | her parents declared that for' a year and three- L quarters no food went down her throat. Her j, ca -so 'was thoroughly investigated at the time, 1 and a full account of it is given in “ The Philo- r 5 sophical^ Transactions ” (1777), duly certified F r i by the Sheriff of Ross-shire and other reliable j ? 1 i persons.— I am, etc., ft. j SWISS LADY'S EXHIBITION IN GLASGOW. 1 Those who were interested some time j| a 2° ln the exhibition of Mons. Beaute in I Glasgow as a fasting man are provided j another attraction this week, the j essential difference being that a yonn- lady undertakes the fast. Miss Marie Buschart, described as the f Continental lady fasting champion, began yesterday in Stewart’s Waxwork, Cow-! caddens a fast which is to last for 28 days. She is a plump young woman of twenty-six, weighing 9* stones, and ,v , of , Switzerland. She has already accomplished similar achievements in various cities on the Continent during the last two years. Her longest fast, extending for thirty- three days, took place in Dresden, and as was stated to the "Daily Record and! Mail yesterday, having "done that," her prospective ordeal possesses no terrors. All the customary arrangements for such an exhibition have been made. A . my medical man has been commissioned I to pay periodical visits, with the object i °lr tChmS the Physical effects of the | The lady is enclosed in a. soeeiallv- erected and sealed cabinet, her only diver - 1 sion being that furnished by reading, f h w t“F h0Ut T, he twenty-eight days the i exhibRuon will bo under the supervision f^.. f M ° ns ' Baante . whose record fast of foity-seven days, completed recently in dmburgh, has not been approached bv of business nS lndiridua,s in this line j Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.12 Title A name given to the resource BP01.12 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 12 Description An account of the resource Newspaper cuttings about a fasting women. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/d66b08b0ed5a09c16ef883db17910b3c.jpg 605ddd1f3e4dae76ba63137baeab8186 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Morning Reader, The Partick Star, Daily Record and Mail Date Date of newspaper article November 1906 Text Any textual data included in the document TANTALISED HIM DAINTY MORSELS. The hungriest man in Scotland, or, for that matteT, in the United Kingdom, is the Swiss named Beaute, who completed the thirty-eighth day of his fast at Glasgow at mid-day yesterday. But during all those 38 weary days of >■ yearning he was never so hungrv as yester- day, When a number of youths held up dainties to him in his “cage.” The tan- talisation was short-lived, however,- foT the youths were speedily ejected. Much interest has been added to the exhibition,” as the man was said to be dying ; and yesterday the premises could not contain all who desired to view Beaute. Ninety per cent, of the visitors were women, one of whom expressed a wish to marry that “poor starving Swiss.” Beaute was informed last night that his fast must end to-day, as that is the decision of the authorities. When he heard this a gleam of pleasure shot into his face, but it .was quickly followed by a look of un- mistakable Tegret. “ I am very disappointed,” said Beaute, to a “ Morning Leader ” representative, “ but, mind you, I did not break down, could go on for another ten days. He has lost 2st. 31b. since he began his long fast. No doctor has seen him since Tuesday, as all the medical profession of the city have thrown over any responsi- bility. A FASTISG AT AX. i! c Nest month M. Beaute. the gentleman |; whose fasting performances at Brighton and j ;ij Southend-on-Sea of 24 and 23 day* respec- r . dj lively attf'Scted so much attention in Eng- ; -f land, will endeavour to fast for 46 days in 1 Glasgow. < • (I ■ The record for a fast ie 40 days, and M. • - j Beaute will attempt to break that record in J specially-constructed house in the i; Britannia, Argyle Street, Glasgow. During f long period all he will take will be j. ) drinks of Seltzer water and some four or j! : fcvc cigarettes each day. ! Several medical practitioners of the c : ty & ! will examine M. Beaute each day, and their long trial of endurance, under the super- opinions will bo published in tho form of r- ' i . r Tr TTM , „ |f , bulletin. The fast will commence o .nc am ' j his : Brif-a jitha;. Mr A. E. Pickard is determined to j i keep abreast of the times, and has I j secured for his American Museum, 101 ■ | Trongate, one of the greatest novelties of ; j the day. He has secured Mons Victor ; j Beaute, who will attempt to put up a i i world’s record for fasting. Up to the $ j present the record stands at 40 days, but t 'j| M. Beaute will endeavour to abstain from I food for 46 days. There was a crowd of interested spectators on Monday afternoon in Pickard’s American Musetom, when M. Beaute entered the little cabin from which he will not issue again until "Wed- nesday, the 15th November next. This cabin, which has been specially made for the fasting man, is built of i| ! wood with glazed windows on all sides, so that he is open to view both by night and by day. It is di\ided into two parts by hanging curtains — one part containing an iron bedstead with mattress bed, the other an arm-chair, one small chair, a chest of drawers, and a table with toilet gjj requisites. There is no door in the cabin, and l;| i when M. Beaute stepped inside through jjl J one of the windows, the gap was closed i'jjj I up and sealed by the Star representative. ;i‘j • There he will remain until the end cf his | 4 October 1. STCLl FASTING. tves a of| Mons. Beanies, th. gentleman who on the J fiT'-.i of the month entered upon a 46 da s at. Mr A. <!.' l'ip!:ard> Mnaenm in the | Trongate. tip to last rv an ns,'? hat alwta n<-rt J successfully from foljd for *iaht day-. 1 still leaves :« <Uys «;• }'?• vathout toae i (jic food of any def-cription. As .1 tt .•'stated. Mons. Beaute during In.-; entirely, on cicrarovi^.s and 1 - foi m r he - - . - ; •bet dailv. He is rxattiwd dar!?; bv a W'ti !' cal gentleman, who a mi letm of h-* I condition: ami «!> '<! .the present all reports Ih„ l.»en of .1 highly favourable nature I Afi-eniot to. create .s -world's ^eord <>1 j Tu 'irfen<e‘ from P'3 Ins ■ oV.r, -i cr: to icr . .t j,n<r since Hie fast began t Tons...., Is j ',.r interested and enrious spectatoiw oavo uniseuu* daily to v. r ue- ci£r&i<sk*s and \va' ,r . ami 01 ] > consi^nes nuite a large ruro*l ; vision of Mr Harry Hill, foreman to Mr i Pickard. Every morning the gauze covering a j small sliding panel will be removed, bis j temperature taken by the doctor in attendance, and his weight will also be taken. The medical man will then fasten the panel again and seal it as he leaves it day by day. M. Beaute lias visit, d the Boya Infirmary and surprised the doctors there by the soundutss of his health and the strength of his bone and muscle after undergoing so much fasting as he ha:* done. As a guarantee of good faith he gives them permission to come down and “Tho fasting mac” — which is Mo-ne. Beauio’b popular title — has ended his fast. After being shut up in a wooden hut somo j 12 feet long by 9, the rivets, bolts, and bars j wore removed at midnight last night, and he] shook hands through th© window with a small \;r crowd who cheered and hoped ’for him f “ better luck next time.” Outside Mr. A. Pickard’s establishment in ^ Trongate there was a big crowd waiting the $ event ; inside there were about two score of '/t people, as excited looking as the man who was th© reason of their presence. Two .£ policemen represented th© authorities, so fax 'J, as could be ascertained, and. contrary to ex- pectation, there were no doctors. Three : days ago the attending doctor had withdrawn ; ’ his visits, and then th© authorities took up the matter, urging that Mons. Reauto was t : endangering his life, and threatening the ft| management of tihe place with liability if IS anything serious should occur. But the fasting man treated the interfer- $1 enoe of the authorities not as a kindness but as a hardship, and when tho fast had per- « force to cease, ho wa6 annoyed, as he be- -If lieved that he could have accomplished the $ feat of remaining for 46 days without food. ( 5 Certainly when ho emerged from his hut last f? night he seemed fit. And ho himself said l|? he was, emphasing his statement by giving [3 those^ around him a handshake which hardly jfl eecmed that of a man whose life was in j-fl danger. He was thin, no doubt, but. without the )y knowledge that he had lost 2st. 31b. since he fl began the ordeal one would not iiave guessed r that such a change had taken place. He began on Is*. October, when lie was list. exactly: now he is 8st. lllb. Mr. Mitchell, ^B manager for Mr. Packard, explained that the X fast had been given up against the per- jn former’s wish, and at the request of the fl authorities, and characterised the fact os ‘ bard 1 lines.” This expression was endorsed by Mons. 'ig Beaute, who in a speech, delivered in an un- faltering voice, said he was quite confident p* of being able to fulfil the self-imposed task, j AVhen he came out of the “house” he [JSS drank a half cup of Bovril. and received : the congratulations— and the sympathies — f of those present with smiling face, and after HE conversing for a few minutes he returned to \ J his seclusion, wihere he told a “ Daily jS Record and Mai) ” man that be was feeling fairly fit. and that in the course of eight or nine weeks he would be ready again to ^ undertake another fast, of 46 days or longer. This is the nineteenth fast he has under- "< gone in public, and his achievement con- stitutes a record, the previous longest being 32 days. Mons. Beaute will cease his fast after mid- night, to-night, when t.he doors of his cabin in Pickard’s Museum will be opened, and ho will proceed to live as other men. Tho stoppage of tho self-inflicted task not of Boaute’s own seeking, and last night he expressed his confidence that ho could havo fasted on till the 46 days he had set .himself were passed. Ho said he felt well, but he is certainly! very weak now. Yesterday there was a meeting of the magistrates to consider what action should be 1 taken in th© matter. A lawyer appeared j with Mr. Pickard, and offered to end the 1® fasting exhibition at midnight to-night. Th© - magistrates, however, came to no decision, ad- ; journing the meeting until to-day in order . that they might consult Mr. Ilaxt, the Pro- Curator-Fiscal. In a letter to Mr. Hart, tho Sheriff’s Pro- j curafor-Fiscal. and to Dr. Noilson, the Police |[ Fiscal, AD. Pickard’s lawyer says that, as l[* advised by his client, he was quit© satisfied | that there was no danger whatsoever v to 1 . Mons. lioaute’s life in what was taking plab^i 1 “I may ’mention.” ho continues, “that T U had an interview with that gentleman this! (Tuesday) morning, and, except that ho is ' somewhat thin, as contrasted with his con- 1 >y dition when his fast began, he presented no : , indications of danger to ho-a-lth. In tho couraa of .our conversation his articulation j ' was quite distinct, and he expressed himself thoroughly convinced that he oould, without, danger, complete the period of his proposed ! fast.” II is pulse, adds the writer, which could easily lie counted through the glass window, indicated fully 40 beats to the minute, each pulsation being perfectly distinot through hi« wrist. " What, however, more than any- thing satisfied me, was the clearness and dis- 1 tinotness of his articulation, and his assur- ance to me fhat, he felt sufficiently well to complete his undertaking without abnormal ; risk. At tho same time, should you feel it your duty to order an examination of Mona Bea.ute, I trust you will afford my client an opportunity of being represented thereat by some gentleman of standing. “ It. is but right that I should inform you that, according to my information, there i« no novelty in Alone. Beanie's prolonged fasts which have been tho subject of ex- 1 hibition for a considerable time, and that without any resultant injury whatever. “ At the same time it. is but right, that T should say on Mr. Pickard’s behalf that he will not be a party to any exhibition, however interesting, that would be danger- ous to life, or that would withdraw from him that confidence which he has hitherto enjoyed at. the hands of our Magistrates and police.” jfiLu. k . ' 7-A Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.13 Title A name given to the resource BP01.13 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 13 Description An account of the resource Newspaper cuttings about A.E. Pickard's exhibit 'The Fasting Man'. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. fasting record https://www.pickardspapers.gla.ac.uk/files/original/ca4133f5823859627dcec0b3a68caad6.jpg 4151cdf7901f01e29bb965058c455ba6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Text Any textual data included in the document How a State Lottery is Arranged. ROMANCES OF SOME BIG PRIZES. HA 1 fickle goddess. Fortune, has just smiled upon an English in- vestor in some foreign State lottery. jeW h M0 UCky a ■^ rs * Savage, received It is seldom that such a stroke of luck tails to the lot of a British speculator, be- cause the percentage of lottery tickets and foreign premium bonds held by home and Colonuil investors is so very small, but on the Continent hundreds of persons are yearly winning prizes ranging in value from thousands of pounds to a few sliil- lings, and they have not the least suspicion that the drawings for the prizes are con- ducted in any but the fairest manner. HOW NUMBERS ARE DRAWN. I he drawings for French Government, municipal and other loans, in connection with which numerous prizes or premiums j i f ary in g values are always offered, are held with open doors; anyone may bepre- sent whop a drawing takes place at the Credit Fonder; it is presided over by the governor of the bank and other high otfr cials. ^ Ihe tickets to be drawn, representing the numbers of the bonds issued, are con- tained in a large metal wheel having glass suits. They -are hidden in small brass cartridges, and until one of these is un- rolled, after being drawn freak the wheel, the number within canjiot bt jten. The wheel itself is.js3dJ.ed mth heavy seals and fastened wififra double or triple '-I auu laotruvu >' 1 ( ipr <1. UU U Ukt! O l tripte lock, the keys of which, .are always held by responsible officials. Brought: forth from responsible officials. jurougui; lortn rrom the strong room where the wheel reposes ni the interval between drawings, the seals ire broken, the small door in the periphery unlocked. Particulars of the prizes to bo drawn for and the number of bonds to be redeemed are read out; the wheel is revolved to mix the tickets. Then a small boy from an orphan school steps forward, his arm bared to above the elbow. He shows his hand empty, fingers apart. The door in the wheel is opened, and he plunges his hand in. and withdraw- I ing a ticket, holds it aloft to show that onlv j one ticket has been I di awn. Then it is handed to the governor, who, uir- | rolling _ it, announces i.the winning number. And the process is re- peated till all the prizes have been drawn. Like many others who, putting their luck to the test, have sold their chances at a small profit, and found later, to their great disgust, their lxtncLs have drawn prizes, Mrs. Savage was tempted by an offer of ,£500 to part, with her ticket. Fortunately, she refused. Far less fortunate was a wineshop-keeper in the Faubourg Mont- martre, Paris. He held a bond in Town of Drawing the Winhing Ticket in a French Lottery nous to a drawing lie sold Jus bond at l‘,s market value, and his state of mind ean be imagined when he learned that it had drawn a prjze of .£8,000. Some time since a Manchester publican was agreeably surprised to hear that be me amoum came to nana. Still he thought he might as well try to cash it; so, accompanied by a few fighting friends who were going to get the money or know why, he set out for Paris. The crowd descended on the Hotel de Ville in battle array to meet a great dis- appointment. There was no fighting, fox, of course, the cheque was cashed a.t Most winners are not anxious- that their good fortune shall be noised in the Press. If it is. they are inundated with thou- sands of begging letters, offers of marriage, epistles from inventors, and the like. ] i <s - ; -o # u. B . i ar.d a ran re of shops in Springbum Road and \ ulcan Street. Sprmgburn. i Albert Ernest Pickard, public entertainer. Britannia ttv de-Hal), Glasgow, to make alterations oa^aii] music 1 hall. Glasgow Royal Asylum, to erect a bowling green house, ad join’rg bowling green, at Gartnaval Asylum.' Glasgow. The Anchor Line (Henderson Brothers), Limited. 45 Union Street. Glasgow, to erect buildings at. the comer of St Vincent Place and East St Vincent Lane, Glasgow. T>ahoan*ori and Henderson, measurers, 1J5 West :g George Street. Glasgow, to erect six tenements dwelling- -houses, with billiard room behind, on the east side of Battlefield Avenue, south side of Battlefield Koad. Lang ,»idp, Glasgow. v _ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.14 Title A name given to the resource BP01.14 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 14 Description An account of the resource Newspaper cuttings about the French lottery, the engagement of Fraulein Barbara Krupp, and the Glasgow Dean of Guild Court. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. lottery marriage https://www.pickardspapers.gla.ac.uk/files/original/39e06b7816460a4a35f77d507410ecbb.jpg 8beec253104cee0278c794aa65733678 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Weekly Record, The Partick Star, Glasgow News, The Era Date Date of newspaper article July 14 1906 Text Any textual data included in the document HOUSES OF JOY- Tin: WONDERFUL SOSE. am a. very nervaui man, and always in fi’l.k, when I’m | PLEASURE PAJUA«jt. Passing Glimpse at Some of Glasgow’sOId Music; Halls; Famous Dancers Born in Second City . 1 Glasgow has long been famed for the nusn- jj her of its music-halls, says a. casual con- tributor to the “ Weekly Record.” Some 60 years ago music-halls were confined to the .Salt market, when such houses existed as the , Oddfellows, Jupiter, Waveriev, Shake - jspoare, and Rob Boy. In addition, there was a goodly round of “ free an<i easies.” Each of these had bars for the supplying j of drink. The proprietor charged no price | of admission. When you went into tine ' hall a waiter followed you, and you called a pint of beer, or a glass of whisky, or a 'bottle of ginger, for which you paid the 1 sum of threepence. For this you saw the ; entertainment. ! Mr. Bran was the proprietor of the Odd- | fellows,” and opened the Britannia Musi, j Hall in 1847. Mr. Baylis, who was Bran's 4 head waiter, opened the Coliseum, in the. ■ I Gowcaddens, and then the Scotia Music I Hall, in Stock well Street. Then sprang up | j such halls at the Whitebait, St. Enoch’s i j Wynd, which was opened by William Teller, ' J a music seller; Davie Brown's, Dunlop | Street ; The Victoria, And erst on Cross 'jt 1 j(Q.)w the Ooli)'.) the Alexandria., Cow, jeaddens; the Globe, Tobago Street. C-alton; land the Albert, Bridgeton (now the Greeu- hoad Pubic Hall). At that time all the stars of the English music-halls visited Glasgow, including such f ! comedians as the great Vance. George Ley- i bourne, Fred Albert, and Jennie Hill, while [1 Glasgow itself supplied such talent as Marie Loftus, J. C. M'DonaJd (Scotch comedian)., j! and W. H. Lana-gan (the Lion Scotch comic). :i These artistes had their songs written for 'j: them by such writers as James Curran, Tom Aj M ‘Aus land (who v.rcte for W. H. Lanagan m “ Be Kind to the Auld Folk,” “He’s only From Anri that is why X never Isiss policemen drunk. I hate to hear some people speak before they to talk. And someviites l would rather take a ;lr:ufc than ; take a walk. East niyht I - found a. sixpence in another fellow’s coat, 1 So I 'save it. to a tramp to buy a knife to cut his !' thToai ; 'he;' I sot op in my sleep m a lodging-house: close by, \nd I shoved my umbrella in another fellow's eye. ;j Of course. I couldn't help it, and I told the fellow so, j But. bo lifted up tiro window, aud right over T. did go, I fell* just like, an earthquake, on a big policeman’s ) hat. Now, where could you find a man to do a braver thing I than that? Chorus. Who belongs to that old hat? I asked him with a ! smile. I’ll take some of the bruises out LT you lend it to me i for a while. He raised h>'« baton gently an dgave my heal a bat. j And told me to go home and take the bruises out of th-t. Music-hall proprietors in those days en- couraged all the champion clog dancers to visit Glasgow. Among these wore Tom Ward, Tom R$t>son,Ned Cunningham (father of the well-known- comedienne, Minnie Cun- ningham), all of whom showed such an example to Glasgow youths that there sprung up in the city well-known dancers — Johnnie Coggans, Arthur O’Neal, Johnnie Muiheron, Tommy MTntyre, Peter Elliot, Willie Oox, Bob Hannah," Tom Berrick, and Joe Low. The latter competed against the late Ban Lenc for the world’s champion- ship, and was second in the contest. J. G. Burns, of Glasgow, vron the world’s championship at L ed:, a few years ago. This dancer lost his leg by a tram car acci- dent In the Trongate about the latter end of 1898. Arthur O’Neal joined Frank Folloy, and as first-class Irish comedians they visited all the principal music-halls of the United Kingdom. They algo went on a tour to Australia, in company with Brown, Newlands. and Le CJere, and Marie Loftus. Arthur O'Neal returned to his native city ar.d retired into private life. Johnnie Coggans about this time joined the Rainbow F.C., where he figured in the half-back line. But football, like dancing, had no great fascination for Coggans, and he also retired into private life. Since that time a revolution lias taken place in music-hall business. There are no double turns, now by negro or Irish eome- | dims, while artistes are paid higher salaries. .tan 1 THE “ BRIT.” AND PANOPTICON. the lj a Poor Pollen 'Brother,” and | Cradle to iho Grave”). | Then came such song writers as Alexander j Melville, who wrote for Harry Lauder some 1 „f his most popular songs. There was also j John Alexander, .James MuJarky, Frank I Curran, John Ferguson, Dan Cannon, and | Frank Folloy, who wrote for Harry Lauder J “ Stop your ticklin', Jock.” Famous Song Writer. It. has been admitted in the music-hall [profession that the late James Curran was I bne of the greatest ■■distortionist” song lj writers that ever lived. Here is a spen- j irinn of ids writings: — ,, j Another place of amusement was on Mon- |cl.4y added to the already large number that the city now possesses— the Britannia j Theatre of Varieties and Grand Panopti- j eon. The building is situated in the Tron- igate, and is the old “ Brit.” renovated, in- jdeed in such a magnificent scale as to Imake this old and popular hall unknown | to its frequenters of the past. The new ) pleasure palace is under the proprietor- ship of Mr A. B. Pickard, who has been j connected with the providing of amuse- S ment in all parts of the kingdom for many j yeaTs past. A genial and enterprising i caterer, Mr Pickard has worked wonders with his latest venture, and so perfect is j it in every detail that its success is as- sured. In his efforts he has an able and j energetic manager in Mr Mitchell, and in these two gentlemen the public can rest assured of originality and up-to-dateness being the chief factors of the show. „ In presenting “The New Idea,” Mr Pickard observes that after years of study and labour, and an immense outlay of capital, he is enabled to produce an ex- hibition that he can submit to his patrons with greatest confidence, feeling assured that the Britannia Panopticon and Theatre of .Varieties is the best in value and the cheapest place of amusement, not only in Glasgow, but in any city in the world. New and novel attractions, comprising the latest and newest, ideas in regard to mechanical and scientific ingenuity and invention, will continually be added, without any regard to the expense. The Panopticon (which means a collection of all sorts of things) is most interesting, including as it does statuettes, busts, paintings., and historical tableaux in wag of famous men and women, whileMhere is also a grand cosmorama and art gallery, electric rifle shooting range, ate. In addition to this is the entertain- ijje.it hall, with pit stalls and gallery, all redecorated and upholstered in the latest style. The whole is lighted by electricity, each lamp being 400 candle power, arid the excellent lighting is another testimony to the excellence of this department oi the Corporation and the superintendent, Mr Wilson. A splendid company of art, fetes [sustain the programme, while all the latest 'films are shown on the cinematograph. A ladies' orchestra supplies the music. , . , , , ,, , , The Panopticon is open all day. while six submitted, and all four performances perfo ^ ncss are given during tire 1 well patronised yesterday. Stuart ^ and day the first at ons o'clock and the last at' Worth are a clever couple, who have good h::lf-pa*t nine o’clock. The admission to comedy business, which creates much ■ this .splendid exhibition is only twopence, amusement. The Reefs r ive an enjoyable a price within the reach of all. Many new turn, and .as dancers they excel. Barry; exits and entrances have been made, and ■ Gilmour is an eccentric comedian, whip altogether the shew is cne of the most : pleases with his contribution. Tom Wood-j entertaining and compact at present in the ' BRITANNIA VARIETIES. At the Britannia a capital programme ie "■*•**• cm " wo | «r avi bino is a clever instrumentalist ; Martin city, Melia, champion clog dancer, furnishes smart exhibition of hie abilities, smart exhibition of hie abilities, and is * accorded a hearty reoep tion; Doris Thorne smgs in a ... charming manner; Agnes Ludgate is a de-x ot Britannia in the Trongate, Glasgow, lightful vocalist; and Nellie Colwyn also vf 8 been converted into the New Panopticon by contributes a good number. A Ties of M u r : A * ... / n the ncw establishment, an excellent all* W - 1C1 ,s delightfully fresh and clean, the enter- 1 tainment will be novel and wholesome, and the ' general arrangements, including entrances and , exits, leave nothing to be desired. C TH+: PANOPTICON. PLACE OF ENTERTATNMTCSTE. Since the days when the Britannia Theatre of Varieties in the Trongate had only one rival in Glasgow, it has passed through many vicissitudes. A few months ago Mr A. E. Pickard took it over, and in the interval he has converted it into a unique place of entertainment. The Panopticon, as the place has been named, war pened yester- day, the first performance being given in presence of a party of pressmen, represen- tatives of public bodies, and friends of the proprietor. The programme informs us that Mr Pickard has spared neither pains nor ex- pense to make the old “ Brit. ’ and Panop- ticon the most attractive place of amusement — as well as the cheapest — in the world. For twopence visitors will have much to interest and amuse them. The interior of the old music hall has been entirely re- constructed, and equipped for the most part with novelties of a most varied description. There are statues and paintings of celebrities, rqechanical working models and automatic machines, distorting mirrors, electric shooting saloon, and several tableaux g representing human sacrifices in Dahomey, m' torture chamber and rack of the seventeenth century, and the story of a crime in seven chapters. In every case THE FIGURES ARE ADMIRABLE, some having been made in Paris for the & Museum G-revin, and afterwards exhibited ; t at Earl’s Court Exhibition, London. In the entertainment hall, which can ac- | : commodate about 500 persons, enjoyable turns are given this week by Miss Kate Gourlay, Little VictoT& Connor, and the Bioscope. Music is provided by the Japa- nese ladies’ orchestra, the members of which, i acquit themselves with credit. There aTe no fewer than six performances daily, the first beginning at one o’clock and the last at 9.30. The lighting arrangement, is a fea- • ture, incandescent gas lamps of 400 candle- ; power being used in some parts, as well as f electricity. The Panopticon is delightfully fresh and clean, the entertainment is novel and whole- I- some, and the general arrangements, includ- |Sj ing entrances and exits, leave nothing to be || desired. This new place of entertainment I - should appeal to large 'numbers of towns- gj people, as well as visitors from the country, 7 especially during the holiday season. fiu*- "+/y/<r£. j Since the days when the Britannia Theatre of j Varieties in the Trongate, Glasgow, had only one rival in Glasgow, it has passed through many i vicissitudes. A few months ago Mr. A. E. Pickard took it over, and in the interval he has j converted it into a unique place of entertainment, i which opened on Monday. The interior of the old music hall has been entirely reconstructed, and equipped for the most I part with novelties of a most varied description. There are statues and paintings of celebrities, mechanical working models and automatic machines, distorting mirrors, electric shooting Abloon, and several tableaux representing human sacrifices in Dahomey. ^animated pictures conclud; -(round programme. In the entertainment hall, which can accommo- date about 500 persons, enjoyable turns are given' i this week by Miss Kate Gourlay, Little Victoria l Connor, and the Bioscope. Music is provided by the Japanese ladies’ oichestra. There are no fe ,r er than six performances. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.15 Title A name given to the resource BP01.15 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 15 Description An account of the resource Newspaper cuttings about the opening and programme of The Britannia Panopticon, and the music-halls in Glasgow. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. music-hall https://www.pickardspapers.gla.ac.uk/files/original/811de74f6b12f10dd60b00133a682f7c.jpg 31a2e60ff9fd19b8302d59deb7eba145 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Weekly Record Date Date of newspaper article December 15 1906 Text Any textual data included in the document SANDOW ANECDOTES. INCIDENTS FROM THE EVENTFUL LIFE OF MR. SANDOW. Mr. Sandow — the celebrated strong man —did not have his greatness thrust upon liim, but only achieved it by hard work and persistent efforts. His adventure at Brussels was the means of bringing him prominently before the public and secur- ing a much needed engagement. ■Sandow had tried to secure an engage- ment in the town as a strong man, but had tailed, and .as a last resource he played the following trick. He went round the town at midnight, and by means of his enor- mous strength wrecked every weight-lifting machine there was. Next day the papers were full of surmises as to “the gang of wreckers’’ who had destroyed property in this manner, for, of course, they did hot think one man was able to do it. When the excitement had subsided and the machines been repaired, Sandow went round the town again and re- floated the feat. Then special police were put on to watch the machines and capture the offenders. Hearing of this, Sandow intended to.be caught, and one night, when going tfip round” of machine-breaking, he was surrounded by a number of police He allowed himself to be captured and taken to the station, where he explained that he had paid his money and tried his strength in the ordinary way. He gave the names of several influential friend's of his in the town, and when they identified him he vvat» released. Through this feat of strength Sandow was inundated with offers of engagements at more than double the salary bo had we- viously asked, and had been refused Auy reader writing to No. 22, Sandow Hall, Victoria Embankment. London, " L., will be supplied with a free copy of the new beautifully-illustrated Book, en- titled Sandow’s Way to Health ayd DECEMBER 15, WEEKLY RECORD SHOOTING GALLERY SECRET. The fair ground was empty, and the shoot- ing gallery man was closing for the night. “Do you see this e-lasg bail?” he said. It was a ball of hollow glass, an airy glass ! soap-bubble, tha| had swung at the end "of ! foreground of the clay pipes, Strength,” showing h ow ‘” Sandow won Itn and lame, and explaining oow Healt_ explaining oow every man and woman cun obtain robust health and perfect development by dec. — l_.lU.Yf la a thread in the pipes, , bottles, and what-not that had made up the j gallery’s targets. “Then glass ball.” the man went on, “ is | my great money-maker. Ail day long people try to hit this ball — it is bigger and nearer i than any other target— and everybody fails, f Thousands of bullets aro fired at the ball ; | thousands of pennies are spent on it ; yet | here it is, still untouched, my best bread- winner. “All wise shooting-gallery men have ai glass ball like this. It makes such a tempt- ! ing target, yet it is never hit. It is never j hri because the air that precedes a gun ' charge is suEcient to blow the ball aside, out of the wav. You might fire a hundred shots at it, but, like a living thing, like a timid soldier, for instance, it would dodge j each shot.’-’- E Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.16 Title A name given to the resource BP01.16 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 16 Description An account of the resource Newspaper cuttings about Mr Sandow 'The Strong Man' and an article about shooting gallery secrets. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. shooting https://www.pickardspapers.gla.ac.uk/files/original/20ab504bac72ae018e92f7afda6165f2.jpg 31a2e60ff9fd19b8302d59deb7eba145 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Glasgow News, Evening News Date Date of newspaper article August 1906, October 1906, November 1906 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.17 Title A name given to the resource BP01.17 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 17 Description An account of the resource Newspaper cuttings and advertisement about The Britannia Panopticon opening and programme and the Queen's Theatre. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. entertainment theatre https://www.pickardspapers.gla.ac.uk/files/original/76be02c30793847ddfec6c351cd93d05.jpg 8180f2f0d7b4ceed41f3ea61bbecb111 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Weekly Record Date Date of newspaper article July 28 1906 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.18 Title A name given to the resource BP01.18 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 18 Description An account of the resource Newspaper cuttings about The Britannia Panopticon opening. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. entertainment https://www.pickardspapers.gla.ac.uk/files/original/519676245ee6221f6ac45eca54e6fe5e.jpg e8ba96efebec3acd2b9b3b2b0190f0a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Partick Star Date Date of newspaper article August 1906, September 1906 Text Any textual data included in the document THE BRITANNIA. A novelty in the way of cheap and excellent entertainment has been afforded by Mr A. ' E. Pickard, the new proprietor of the Bri- tannia Theatre of Varieties. The house* has ; Jbeen entirely reconstructed from top to bot- tom, the internal embellishments in the way of art and sculpture, &c., being such as to 1 make the 'old “Brit.” unrecognisable to its former patrons. There is a spacious promen- | •ado. with numerous side-shows — apart ojto- j B gether from a capital variety entertainment' in the theatre itself. Some of these shows, l n which are novel and wonderful examples of j Is mechanical ingenuity, are placed in what is ; rA, termed the Panopticon, which may be con- ' etruecl as a collection of all sorts of things I while the collection includes working models, i a fine orchestrion, paintings, statuettes, elec- ?A trio rifle shooting and tattooing saloons. There are also some very mirth-provoking X magic mirrors, while those who are morbidly [ gt inclined can revel in the horrors of a French j y execution m seven tableaux — life-size figures — 31 human sacrifices in Dahomey, a victim of the 1 dl rack, and numerous pictures representing | gj Chinese tortures. There are to be staged six performances daily, beginning at one o’clock J v in the afternoon, and the price is only two- |i £ pence. It should, be added that a strong fca- j y tore of the establishment is the faultless light l mg arrangements. Yesterday afternoon the p ^.formal opening ceremony was performed in 1 ^ presence of a number of guests, the public being admitted in the evening. BRITANNIA PANOPTICON. The old-established place of entertainment in l 'Trcngate has been resuscitated, and is now 1 known as the Britannia Theatre of Varieties ! and Crand Panopticon, or Pickard’s Pleasure) Palace. It is open all day and has numerous I i attractions, including realistic scenes in wax j . work and diverse busts, figures, paintings, j . mechanical devices, punching balls, an electric ! 'rifle ^looting saloon, and very amusing dis- It torted mirrors. Among the curiosities may bo , noted the mummified body of a cat which was ! discovered in a cellar beneath the theatre. Conspicuous among the decorations is an admir- able series of transparencies representing British Kings and Queens, artistically painted i j by Professor Hcrkomcr and his pupils. oix , times daily — thrice in the afternoon and thrice in the evening — there are variety performances! ; in the theatre, and. bioscopic views are shown. The drop curtain has a realistic picture of the last exhibition at Kelvingrove, and the or- . chestra consists of a quartet of young ladies in Japanese costume. Throughout the building ; the Corporation Gas Department have fitted up • their effective system of incandescent lighting, including 30 of the 400-candle power lamps which have given so much satisfaction in the City Chambers — seven of which brilliantly il- luminate the theatre — while there are also numerous small lamps similar to those used with electricity. Altogether the Brit, in its new form is a very cheap and attractive house of entertainment. sr/rK~ BRITANNIA. It is pleasing to learn that the enterprise I of Mr Pickard in taking over the old $ Britannia is meeting with well deserved H success. This is no doubt due to the ex- Sj cellent show contained in the house itself, | as also the fact that every week a fresh H caste of entertainers appear. Among those ii appearing this week are Ada Whitton. Fred HBurnand, etc. Some very fine views are H shown by the American bioscope. N I A, BRITAN PANOPTICON. BEST,. Variety Company, inclcding— Jji/A 1 , 1 k VEST A RAV, I JACK J-iLs JACK ELSTON, LILLIE JOYCE. RAYMOND AND COLBY. . LILY ALMORE. TOM MELROSE. GRAND AMERICAN BIOSCOPE. The Talk of the City. 10 HOTJR8’ AMUSEMENT FOR 2d. PICKARD'S BIG SHOWS. BRITANNIA VARIETIES. At the Britannia this week a programme [ of an excellent, nature is submitted, and [ good houses ruled yesterday at all perform- j ances. Bruce and Ross are a couple who 1 furnish a clever “turn,” being especially 1 smart in top-toot dancing. Tom M'Kay is a [ Scotch comedian who sings and talks "in an [ amusing way. Hal Franks is eccentric in [ his ways, and provides an enjoyable number. I A clever vocalist k is Victoria Connor, her! singing calling forth applause. Nellie Col j wj-n sings in*#.' charming manner, while I the comedv : bfisiness of I’adley’s Comedy f Four fcvokes liearty laughter. THE BRITANNIA (GLASGOW). The "Britannia” TIIF, PANOPTICON. Among the manv places of amusement in the city, the old Britannia, or, a6 it is now named," the Panopticon, is a capital addi- tion to the amusement world. Since com- ing under the direction of Mr A. F,. Pickard, the establishment has under. - n» complete renovation. A strong variety bill is nib- mitted, four performances taking place daily, and yesterday large crowds of holittay- makere were attracted. The variety part of the entertainment, which is of an ex- cellent character, was greatly appreciated by all. A very clever performance in that sub- VAR IE 1 Another splendid company is this week the attraction at this now popular place * of enteitainment. Charles Ousley holds , premier place for his patter and clever j clog dancing. Kate Moore, comedienne, ' also proves a great draw. “ Capita,” the | living Marionette, lends variety to an j all-round agreeable programme. Tessie i Vandean, descriptive vocalist, is also! heartily encored for her pleasing singing. S The Britannia Bioscope is a feature of j the entertainment. Among other attrao “ tions may he mentioned the Electric Rifle 1 Range, with J ,ce Metford and Winches: er y rifles. A scooting competition for a gold | medal, open to ail comers, commences i next week, and should prove a attraction to volunteers and others. treat BRITANNIA. The energetic proprietor of the Britan- nia, Mr A. E. Pickard, has arranged for a very special show at this popular music- hall during the coming week, and patrons can rely on having an excellent musical bill opiate served up. Among the numer- ous artistes engaged may be mentioned Kid Johnston, comedian ; Archie Cameron, Mary Gray, Scottish ballad vocalist ; Yett- mah, Carrie Bernhardt (Irish comedienne). May Francis, and Norah Bremner. In I addition to the above Mr Pickard has ar- j ranged a clog dancing competition for the [ championship of Scotland and is offering j a championship belt valued at £50. now under the manage- [a of Mr A. E. Pickard has, since coming under j 1 his direction, been practically transformed, j j Tor Hie past week it has been in the hands j 9t decorators, and extensive alterations have. • I . \ also been" made in the seating accoinmoda- j ! lion, with She result that there is now room ! ;for 200 more persons than formerly. Four J . Cl performances are given within the theatre! , daily. The programme presented this week 'j ?■ is of an excellent and varied nature, and K © j good houses have been the rule. Dainty h i Vesta Ray is the chief attraction. She is a ' Tf. burlesque artist, and sings a couple of “ mil ted by Empr pulator. Among T.ynn, vocalist : dancer: the lady handcuff tnani- the other turn* are Arthur C. II. Fergus, a Smart, us Deave m a, clever mili- tary seem •t,n orches there is sine and Sphinx' an 1ad*e;v rend: jjtfl!" eel of ated Dietin’ df?phinx ; while sr selections, and .interesting and » «- catchy ’ songs, which are well received. Tom Melrose makes a successful appear- 1 j ance, and sings and dances in pleasing J style. Nellie Joyce is a clever comedienne, who excels in dancing, for which her efforts " are loudly applauded. Raymond and Colby ! furnish an entertaining turn, and in patter j | thev amuse greatly. Jack Elston is a clever! sand-dancer, who merits applause by his E i exhibition. The programme is completed j£ i with an excellent set of pictures on i the bioscope,.. . - , t The fasting champion, Mons. Beaute, is [j ■ tiff. | still at his feat of endurance at'the Arosri “THE PANOPTICON.” At the “Panopticon” this week, another ixcellent variety entertainment is provided. May Yorke, burlesque artist, furnishes a delightful “turn,” singing her songs in 1 spirited style. Geo. Westland, a clever Scotch comedian, is also on the bill. Ilis ! patter and songs and quaint style cause I much amusement. Dan Noble is a come- 1 dian who also furnishes a smart number. He f Bings smart songs' and gives a neat exhi- 1 bition of dancing. Miss L. Ferguson, bal- | lad vocalist, also contribuies a good “ turn ” ! The animated pictures, wliieh are amusin'* | and interesting, conclude a smart little en- I tertainment. can Museum, and by Tuesday of next week I Marie Liston end the Weldons htc tho principals at the Britannia, whore also will appear the Sisters Du Barrie, duettiets and dauoem, Dunlop and Gould, and Ilowarth. Under new management tne Britannia is a popular resort. can muKuia, 1 J,/ , , ■ . ] will have completed the halt%£ his wonder- j ful task. * • . i -T— ’ TT "■ . ‘ *' * lift* ' VARIETY AT THE BRITANNIA. Crowded houses are the order at the Britannia this week, where some really capital turns are to be witnsssed. Marie Liston heads the hill and is heartily encored for her spirited singiag. Fred and Marie Weldon also give a pleasing turn and are well received. Sisters Du Barrie, male impersonaters, are heard to advantage in the singing of their catchy songs. Dualop <fc Gould make a decided iiit in their representation of the quaint one and the swell. All the other turns are well received, and Mr Pickard deserves credit for producing such a splen lid program. A feature of the entertainment this week is the Highland dancing competition for three valuable prizes. BRITANNIA Theatre of Varieties and Panopticon*.* = Marie Liston. Burlesque Actress '• Fred & Marik Weldon, in their Pot Pourn Act Sisters Dr Barrie, Male Impersonators Chas. Howartii, the Collegian at the Music Hall Bioscope, with New Films Di nlop Gould, the Quaint One and the Swell Amateur Night every Friday. Ferformanees at 2, 4, 7, and 9. ADMISSION, 2d. BRITANNIA VARIETIES. A first-class company is this week entertaining the patrons of the now popular Britannia Theatre, and crowded houses are the result. Marie || Yorke, a chic and dainty artiste, heads | the bill, and is accorded an enthusiastic reception Geo. Westland, Scotch comedian is also well received, his songs and patter being up-to-date. Dan. Noble, a popular comedian and vocalist, is heartily encored for his singing, and an all-round enjoyable evening is assured to visitors Mr Pickard backed up by an indefatigable staff, is putting forward bis best efforts tg, cater j for the public. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.19 Title A name given to the resource BP01.19 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 19 Description An account of the resource Newspaper cuttings about the opening and programme of The Britannia Panopticon . Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. bioscope clog-dancing theatre variety https://www.pickardspapers.gla.ac.uk/files/original/a1dd9a08f110c97a0c89d8ebd8b22075.jpg 996f73c04d7ef82d6ddabcfc68563497 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.2 Title A name given to the resource BP01.2 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 2 Description An account of the resource Reference letter from Marble Arch Auction and Estate offices for A.E. Pickard Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/9701b0bccdd210189c804d245504b80c.jpg 34d41d25b39bae2d7ce78cf7214270fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.20 Title A name given to the resource BP01.20 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 20 Description An account of the resource Reference letter from the United Automatic Machine Company for A.E. Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/ca4b8b6254971d39226011f8acf2b2df.jpg d1699bbdfacefa19757dce00dc7bece6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Partick Star, The Glasgow News Date Date of newspaper article August 1906, September 1906, November 1906, December 1906 Text Any textual data included in the document Britannia’ varieties. The management of the Britannia are keeping up their reputation and have this [ week another excellent programme. The I clever Lady Empress heads the bill and E is prepared to extricate herself from any [ fastenings in the same fashion as Houdini i who created such a sensation some time ; ago. 'The other turns include Sisters t Deare, comedy duettists, C. H. Fergus, I Sphinx and Sphinx, Arthur Lynn, etc. p BRITAN N I j % -a— ^ ^T‘ IETIES. The programme at the Britannia this j .fye^^P^Second to none. The realistic j t&hhia entitled “ Remorse ” by the j Antericah Bioscope is in itscli a treat j and worth the admission money many j| times over. The other attractions are c lily Almor . coon vocalist and dancer, 1 11 l^odac, ” versatile comedian, J. "W. | Taylor, whistler and bird rein'd/’, Aliofti Townend, etc / I This popular hlouse is keeping a breast j of the times. The programme this week ; is one of the best, and includes such stars | I as Alice Townend, the Yorkshire | j nightingale, Ed Stevens, eccentric and . ' knockabout comedian, Ada Whitton. ; comedienne, Walter Ross, comedian and dancer, etc. The American bioscope is c also up-to date with new and effective I j pictures, and altogether an excellent j I evening's entertainment .is the resuk. A PLEASING PROGRAMME. At, the Britannia this week Mr Pickard j presents a fiist-iato varwtiy programme. At ■| all four peifofmanocs yesterday the com- j 1 fort.able little ‘theatre was crowded. The ' Britannia is graduallv attaining its old-timo l j popularity. Barney Noble, comedian is the f i chief attraction, and furnishes a clever ] ! “turn.” Dunlop and Gould are diverting ; i comedians, and. a capital turn, is that of 1 Sardou, with a cleverly executed cabinet 1 mvstcrv which causes no end of amusement. [ ■ Olive Veno. Marie’ Rivers, Little Venus (a . child songstress), and Marie Bey provide good contributions, and an enjoyable pro- gramme is completed with a new and in- teresting scries of pictures, on tile bioscope. Britannia and Panopticon Whilst there are many of us who think that Instruction is a great desideratum, there are not a few who pleasurably hanker after Amusement. At the Brit- annia Panopticon we get both, blended in the right proportions to suit our varied requirements, and when people get what they want in this world, they generally go in crowds to appreciate it. This then accounts for the success of the Britannia Theatre of Varieties and Grand Pano- pticon, at 115 Trongate. The proprietor Mr. A. E. Pickard, is no novice in this matter, for he lias successfully catered for the public for a long time past. He and the masses understand each other thoroughly, and to miss the Britannia for a long space would, they leel, decided- ly put them off colour. BRITANNIA PANOPTICON. FOUR SHOWS DAILY. 3 2— 4— 7— 9. The BEST VARIETY COMPANY in the City, In- . v] dud In? EMPRESS, the Lady Lioudini, who will Extn- tv | on te ilerself from any Fastenings that may bo put l . fen hor. GRAC'D LADIES’ ORCHESTRA. ELECTRIC TIT FT /E R ANGE. 10 TIG-ri. WiCNEMEVT Vm\ TWOPENCE, fcwi Um** A.V si *)°t (J BRITANNIA PANOPTICON. Under the recent and present proprietorship j of Mr A. E. Pickard, and the energetic manage- ment of Mr G. Mitchell, the old “Brit.,” as it j was popularly known, is enjoying a large [ j measure of prosperity. There are no fewer than | four performances daily — at 2, 4, 7, and 9 i , o’clock, and, as a rule, there are large attend- j; j anros at each. A popular feature' is the (■ | amateur competition every Friday night at 7| i and 9, when extra admission has to be charged. ■ 1 > This week there is an excellent programme, j { Besides selections by the ladies’ orchestra, there f are Bruce and Ross, comedy artists and expert dancers; Hal Frank, refined eccentric * 1 | comedian and dancer; Little Victoria Connor, child actress and vocalist; Tom M‘Kay. Scotch I comedian and topical vocalist; the Carvers, clever duettists and dancers; to say nothing of an admirable series of pictures by tiie American bioscope. BRITANNIA VARIETIES, At the Britannia this week a programme of an excellent, nature is submitted, and jj good houses i;uled yesterday at all perform- ] ances. Bruce and R-oss are a couple who ' furnish a clever “turn,” being especially ! smart, in top-boot dancing. Tom M‘Kay is a ! Scotch comedian who sings and talks in an amusing way. Hal Franks is eccentric in J his ways, and provides an enjoyable number. A clever vocalist is Victoria Connor, her S singing calling forth applause. Nellie Col- w,yn sings in a charming manner, while the oomedy business of Padley’s Comedy Four evokes hearty laughte?-.. N • THE BRITANNIA PANOPTICON. The old-established place of entertainment in Trongate has been resuscitated, and is now known as the Britannia Theatre of Varieties and Grand Panopticon, or Pickard's Pleasure Palace. It is open all day and has numerous attractions, including realistic scenes in wax- work and diverse busts, figures, paintings, mechanical devices, punching balls, an electric rifle shootipg saloon, and very amusing dis- torted mirrors. Among the curiosities may be noted the mummified body of a cat which was discovered in a cellar beneath the theatre. Conspicuous among the decorations is an edrnir- y-ble series of transparencies representing British Kingfe and Queens, artistically painted by 1 rofessor Herkomer and his pupils. Six times daily— thrice in the afternoon and thrice in the evening— tiiQre are variety performances mu ^ 'j ^catre, and bioscopic views are shown. The drop curtain has a realistic picture of the last exhibition at Kelvingrove, and the or- chestra consists of a quartet of young ladies in Japanese costume. Throughout the building the Corporation Gas Department have fitted up their effective system of incandescent lighting, ^eluding 30 of the 400-candle power iarnns whmh have given so much satisfaction in the City Chambers — seven of which brilliantly il- luminate the theatre— while there are “also numerous small lamps similar to those used with electricity. Altogether the Brit, in its new form is a very cheap and attractive house oi entertainment. BRITANNIA GRAND VARIETY COMPANY, Including— g MARIE LISTON. THE WELDONS. | 1 SISTERS DU BARRIE. DUNLOP and GOULD 'HOW ART H. Sj BIOSCOPE. Tha Modern Prodigal’s Return. i AMATEUR COMPETITION Every FRIDAY “t 7 and 9. 1 ADMISSIO N-’QD \ OD-G E N E R A L •u Orchestra Stalls (Reserved). 2d Extra. Balcony Free. Amateur Nights and Saturday Nights— Balcony Seats, Id. BRITANNIA Theatre of Varieties and Panopticon. = = dainty and sprightly burlesxue Marie Yorkk, Artiste. Gko. Westland, Scotch Comedian Johnnie (^ri.vs, Versatile Comedian. I, kva Barton, Vocalist Dan Noble, Com edian Amateur Night every Friday. I I erformanees at 2, 4, 7, and 9. ADMISSION, 2d. ’THE BRITANNIA. ! A novelty in the way of cheap and excellent j entertainment has been afforded by Mr A. E. Pickard, the new proprietor of the Bri- tannia Theatre of Varieties. The house*- has j boon entirely reconstructed from top fa/ bot- f tom, the internal embellishments in the way j of art and sculpture, &c., being such as to 1 make the old “Brit.” unrecognisable to its former patrons. There is a spacious promen- ade. with numerous side-shows — apart alto- gether from a capital variety entertainment in tho theatre itsolf. Some of these shows. | : which arc novel and wonderful examples of mechanical ingenuity, are placed in what is termed the Panopticon, which may bo con- strued as a collection of all sorts of things " while the- collection includes working models, -- a fino orchestrion, paintings, statuettes* elec- f I trie rifle shooting and tattooing saloons. I ’ There are also some very mirth-provoking j . magic mirrors, while those who are morbidly jj inclined can rove l in the horrors of a French execution in seven tableaux — life-size figures — ' human sacrifices in Dahomey, a victim of the rack, and numojeus pictures representing - Chinese tortures. There arc to be staged six performances daily, beginning at ono o'clock in the afternoon., and the price is only two- pence. It should be added that a strong fea- ture of the establishment is the faultless "Tight mg arrangements. Yesterday afternoon the formal opening ceremony , was performed in presence of a number of guests, the publio being admitted in the evening. THE LYONS MU-STC-HALL SCHEME. A CRITICISM. Mr Walter Gibbons, who represents a large group of privately-owned music halls, and Mr G. Adney Payne, who controls an im- portant group of syndicate halls, discussed the Lyons inns i<>: ball scheme with an “Even- ing Standard” reporter yesterday. “ There is not the slightest doubt,” said Mr Gibbons, “ that the directors of the Lon- don music halls will fight Mr Lyons tooth and nail. It is ridiculous for Mr Lyons to talk as he does about the middle-class woman being quite uncatered for at. the music halls. “ Tho music hall run on temperance lines is nothing new. Most of my halls are Tem- perance.’ Mr Lyons is not going on tem- perance lines only from choice ; he would not be able to get licenses. “ Ho says, too, that that there is a great unexplored field of artistes, and that the present music halls are so much booked ahead that tTiev have no room for new turns. My reply is that the man who would bring me a hundred bright new turns to-day would be mv greatest friend. I could book them all in fifteen or twenty minutes. There is always plenty of room on the programme for anything new which is good. The diffi- culty is to find it.” The programme at the Britannia this week ? | includes several good turns which, take well. ! i The Shamrock Trio proves a pleasing act, while Charles Bentley, Amv Bathurst, J&6 | | Leonard and Bertie Howard sustain in «- creditable manuen* the rest of the entertain- i ~ ! ment. farts -ZW. /o ^06, The Chronograph, a combinalion of the, ' era map!) one and bioscope, is the special- i feature of the Panopticon programme. .It <s a marvellous machine, and the results I attained are quite (he best of the-many ex- ■ I periments that, have been made. Homard, | the maid of the sea. il the freak at the ! neighbouring museum under the same man- | agement. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.21 Title A name given to the resource BP01.21 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 21 Description An account of the resource Newspaper cuttings about The Britannia Panopticon, and the Lyons Music Hall Scheme. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. bioscope chronograph music-hall variety https://www.pickardspapers.gla.ac.uk/files/original/43b663fa5cd549f3f6fea023beafceba.jpg ac79ae62c5dd170b8255efb5dacdfa06 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.22 Title A name given to the resource BP01.22 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 22 Description An account of the resource Reference letter from the London Armoury Company ltd for A.E. Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/0d7c08d9740854d674ada478a6fea768.jpg 9863f4e99bdc5fb82febc90a79a4b881 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Scottish Referee, The Glasgow Star,The Evening Times, Daily Record and Mail Date Date of newspaper article December 1906 Text Any textual data included in the document THE BRITANNIA (GLASGOW), i The clog dancing championship com- | petition arranged by Mr G. Mitchell, the j energetic, manager of the Britannia, has | aroused keen interest among patrons of the ■ halL Two of the amateurs appeared at t each performance, and some smart and j clever exhibitions have been furnished. | * The^ final takes place to-morrow afternoon K ' { at tbe first performance, when the building ? \ is certain to be crowded in every part. The j j variety bill submitted this week is of anj | excellent nature. Miss Amy Bathurst is a j j delightfully vivacious comedienne, who f 1 sings and dancee in a manner that makes J her performance thoroughly enjoyable, * Merit and Moore in a sketch arouse much J- merriment. Eva Lynn is a dainty dancer. ‘ while Bert Leedo sings a couple of smart! songs. Jack Harvey is a good comedian,: while Syd Norman pleases as a vocalist. A> | very amusing set of pictures on the bio-‘ scope completes a good entertainment. Mr A. E. Pickard, the genial proprietor of j the Britannia, is always on the hunt forf noveltes, and on Monday first there will be introduced an instrument called the ‘I Chronograph, which Mr Pickard has pur- | chased at enormous expense. Bioscope and | phonograph are combined, the artist being j shown on the screen while the machine ' plays the song, which he is singing. It will ■ be worked for the first time in this country. L ftaih jl yicuSL • 2>ec. S. y ob BRITANNIA PANOPTICON. TUB BEST VARIETY COMPANY IN THE CITY. FINEST AMERICAN BIOSCOPE IN THE WORLD. AMATEUR CLOG DANCING COMPETITION lor tbo CHAMPIONSHIP OF SCOTLAND CONTINUES TO-NIGHT (WEDNESDAY}. MATINEE TO-DAY at 2 p.m. goto Proprietor A. E. PICKARD, Unlimited. PICKARD’S AMERICAN MUSEUM, TRONGATE. EXTRAORDINARY ENTERPRISING ATTRACTION. JUST SECURED, at an ENORMOUS EXPENSE, HOWARD, THE MAID OF THE SEA. MOSS. BEAUTE, the Fasting Champion, Bocohwa Friends Dally until Further Notloe. 11 M. Proprietor A- E. PICKARD, UnltnHta*. f! f {ijlvite. 2>e.c. *j % yob. r !frtCiv)\bfL $ r g)of>< i V6YI J. %t[. i, 7 190 6 . (0 . f$o(>. BRITANNIA. THE GAIETY THEATRE. New Licensee. The Glasgow City Magistrates sat today in The great amateur clog-dar-cing compe- tition for the championship of Scotland ; is creating no end of excitement in Glas- ! gow, and during the week Mr Pickard’s ,, .. . _ ^ m 1 popular music hall was crowded to its ,‘ho Burgh Court Hall-Bailio R. S. Brown pre- utmost capacity. The semi-final will take 'sidmg— and heard an application by Mr ffm. : place at seven o’clock on Friday evening, Henry Howard for a license for the Gaiety j while the final will come off at two o’clock Theatre, Anderston. on Saturday. The competitors represent! Superintendent Douglas explained that appli- the principal amateur clog dancers in cant had been travelling recently, but that for 13 years prior to August, 1904, Scotland. The decision of the final will be given at two o’clock on Saturday, when Mr Pickard will present the winner with the championship belt, value £50. BRITANNIA PANOPTICON. GLASGOW AHEAD OF LONDON. THE GREAT CHRONOPHONE. NO LONDON MANAGER AS YET HAS SHOWN THE OHPJONOPHONE TO THE PUBLIC. GRAND VARIETY COMPANY. Sole Proprietor A. El PICKARD, Unlimited. | he was manager of the Empire. The license, which was formerly held by Mr Bernard Armstrong, ex- pired on 10th inst., and the theatre had been J closed since 17th ult. He also read a report J by the Master of Works and the Firemaster, jin which it was stated that certain by-laws had ' j not been' fully complied w’ith. ! Mr Ballantyne, on behalf of applicant, said | they had done everything in their power to. | make the theatre thoroughly safe and comforfc- | able. . | The Depute Town-Clerk (Mr John Lindsay) f pointed out that within recent years there ha' 1 been a number of licensees of this house. Mr Ballantyne said it was the intention of 1 Mr Howard and those behind him to raise the j status of the house, and make it a desirable J place to which to go. ! The Depute Town-Clerk — Suppose the Magis- I trafces said they would give you this license on condition that you ao not apply to the Excise for a liquor license? ! Mr Ballantyne — I would earnestly *ask that I j that condition bo not imposed. Continuing, he ! said that if they left it to Mr I Howard, the bars of tic theatre would | ! be conducted on the very best lines. They also desired the relaxation of the regula- I | tion as to smoking. The house was to bo con- I j ducted as a music-hall. There would be no I boxing competitions, and they would accept a ) condition that there should be no such contests. ] except with the specific permission of the j| I Magistrates. I Bailie Brown Is Mr Howard the proprietor : hero? I Mt Ballantyne — He is manager really for a company. i Bailie Campbell— But. the management j ] would be practically in Mr Howard’s hands? \ Mr Ballantyne — Oh, yes. The Depute Town-Clerk — And Mr Howard j will tftko the responsibility of carrying out the - J conditions? 1 Mr Ballantyne — He will be responsible to the 1 :[ M d gistra+es. . ’ \ j Bailie Brown — Have the company behind ■ vour client any connection with the late | jicensee ? Mr Ballantyne None whatever. They arc | 1 entirely out of it. The Court, after retiring, granted a full i theatrical license till May, with the relaxation j 1 retarding smoking. %v-&yuidj Jibuti PICKARD’S AMERICAN MUSEUM, TRONGATE. EXTRAORDINARY ENTERPRISING | ATTRACTION. j JUST SECURED. ftt An ENORMOUS, EXPENSE. HOMABD, THE MAID OF THE SEA. MONS. BEAL^TE, the Fasting Champion. Receirea i . Friends daily until Further Notice. •'Sole Proprietor .....A. E. PICKARD. Unlimited. HECTOR AND THE ACTOR. SCENE IN A GLASGOW MUSIC- HALL. At the Central Police Court, a lad named- Hector M'Dougall was charged with assaulting j a performer in the Britannia Music-Hall, i ' named Sydney Norman, by throwing a glass! , bottle at him, with the intention of striking, him. He denied the charge. Complainor said tho bottle was thrown from the gallery,) and dropped at his feet. The stage-manager stated that a noisy crowd of youths was pre- ! sent, and he saw prisoner throw the bottle. . Mr George Mitchell,, the manager, said^/he j was in the stalls at. the time. The house was { crowded, and the incident might have led to J a panic. Police-Judge Maclay, who presided, * ; commented upon the danger of bottle-throwing f in places of entertainment, and imposed a fine i; - of £1 10s, the alternative being 14 days’ imprisonment Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.23 Title A name given to the resource BP01.23 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 23 Description An account of the resource Newspaper cuttings about The Britannia Panopticon, licence of the Gaiety Theatre, and the assault to a performer. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. bioscope chronophone clog-dancing theatre https://www.pickardspapers.gla.ac.uk/files/original/132eef21979934c5b2120eb08ae9d06e.jpg 879fc2907677c3ae0b4fd13153a0b9de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.24 Title A name given to the resource BP01.24 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 24 Description An account of the resource Parts of a handwritten letter to A.E.Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/a4632f236af1f749672b420f588bc781.jpg 6e99b8bca16c9e8e67104eef4dbc49c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Evening Times, The Evening Citizen Date Date of newspaper article December 11 1906 Text Any textual data included in the document GLAS60W MUSIC-HALL MANAGER’S LOSSES. AFFAIRS of BARNEY ARMSTR0NG. Mr Seott Gibson's Interest in the Concern. Bernard M. Armstrong, late manager of the Tivoli and Queen's Music-Halls in Glasgow, \va 9 examined in bankruptcy to-day b®f ore Sheriff Balfour in the County Buildings, as gow. Mr Angus Campbell, writer, appeare as agent in the sequestration. Bankrupt, in reply to Mr Campbell, sai c was 38 years of age. He had been in t e variety profession for about 20 years, and or eight years he had been lessee of music-hallsin Glasgow. He began on his own account when the partnership of Colqnhoun and Armstrong was formed. He continued in partnership for about four years. He took the Tivoli Theatre, lately known as the Gaiety Theatre and eight years ago designated the Victoria Theatre. . In the first instance he put a capital of £800 into that concern, and altogether he had put about ! £2000 into it That was his savings. Col 9/’ I houn put in about the same amount. In 1902 they created it into a limited liability company, with a capital of £8000. He n<#er realised any- thing from that stock. The concern f°|| a P““> and no dividend nor composition had been paid to its. creditors. On the formation of this company a large sum was expended m struc- tural alterations. The capital of the new Tivoli was £15,000. The theatre never paid. Can you ascribe any reason for that. The structural alterations had a great dea do with it They were very unsatisfactory, esneciallv as regarded the dress circle, ine S elation, after the «oO"tm£ was about 1800, whereas they used to be^ abte to scat more when it was the old Vi Wore you managing director . xes- What was your salary /-£* P er , he appeared as a variety artiste his salary was about £20 per week. His position as manager, however, took him away, from the stag e, as had to give it his undivided attention. Afte that he resigned from the co ™P5 n 7'afterwards Colquhoun and Armstrong (Ltd.) afterwards acquired the Queen's Theatre Frnm the be- ginning that theatre paid. H I) re. From the be He had no interest fn IJ the°limited liability company. After that company went into liquidation did yoi possess yourself of the Queen's Theatre -Yea in September, 1905. I continued in that business down to shortly before the sequestra- U His P wife d tad 8 ’a dwelling-house in Glasgow, and he lived with her. It was rented bv her. That had been the case for about 13 months. The furniture all belonged to his wife, being purchased bv her own savings. She was a variety artiste, and when engaged she would earn from £8 to £10 per week bhe ; £100 in the company, and that was all los - : Continuing, be said he did not think he ba one paving week m the Tivoli since the cltera tions and the profit made in .the Queen s Theatre was absorbed by the loss m the Tivoli. Did you gel more capital ?-Yes, I borrowed ^Hatf^ou a partner within the past year?— Mr Gibson was assisting me, and Knott a nartner if I had been able to secure an agreement. In a contract that was drawn up if was. set forth that it was contemplated to have a new lease of the Queen s theatre from the Corporation, and also a lease of the livoli, 4 a promise’ of a right of purchase of tee itter. Did not Mr Gibson about the time >f ihc execution of the contract, and since, advance capital for the P u g,° a ® f ! this business?— Yes, several times. There was, a joint bank account opened. ‘ How much money did Mr Scott Gibson advance in connection with the business. I should think about £350 but I got so many sums of £10, £15. and £25 from him that I am not quite certain of the total. * £ k?“ ld think, however, that it would amount to about £350 Did you give any voucher for the money advanced? — No, never. What was tho first sum Mr Gibson put into this proposed partnership ?— Tho first was, I think about £130. That was before he thought of going into tho business. ... The joint, bank account opened with a credit of £106 ? — That was in the business when Mr Gibson came into it. . Was any of the money advanced to you tor business paid into that account ?-Yes, on several occasions. f , ; . The considerations under which Mr Gibson was to become a partner failed, I take it. Y You neither got a lease from the Corpora- tion nor any right to the Tivoli Theatre . The Tivoli Theatre is now let to some other P Did you, with Mr Gibson, instruct your solicitor to prepare deeds for the partnership which eventually failed?— Yes but that deed has never been subscribed. Mr Gibson never drew a shilling from the concern. Mr Gibson says he put £500 into the con- cern. Is that the case ?— No, I do not thins, it would reach that amount. Continuing, lie agreed that Mr Gibson had been the prime loser during the past eight or nine months and that he had lost more money in that time than bankrupt had. . . ; , I understand that tho joint bank account was operated as occasion required by both }dr Gibson and yourself ! — Yes, for the pur- poses of the business. , Did Mr Gibson assist in the management of the business? — A little, not much. Not to put too fine a point upon it, had tho business been successful and resulted in con- siderable profit instead of a large loss would not Mr Scott Gibson have participated in tho profit along with you ?— Yes, if tho agreement for a partnership had been gone on with. Of the liabilities amounting to £4000 was more than £3000 incurred before there was any talk of partnership ?.— Yes, it must have bS \Vas anv right of possession of the Tivoli Theatre ever transferred to Mr Gibson.— No. What was the reason of the non-success of the Tivoli Theatre?— It is hard to tell you, but I should say the structural alterations as they turned out were somewhat to blame, and also the competition of the high-class music h8 0n the motion qf Mr Campbell, the examina- tion was adjourned. J diky— :Dec ' • 11 / ttyolt music hall. — +- — Variety Artiste in Bankruptcy-court. MR SCOTT GIBSON'S LOSSES. A PROFITLESS PARTNERSHIP. More than ordinary interest attached to an | . examination in bankruptcy which took place) in Glasgow County Buildings this forenoon. Tho bankrupt was Mr Bernard Armstrong | described as a theatrical proprietor and I variety entertainer. Queen s Theatre, a son I street, and the New Gaiety (Tivoli) Theatre, I Argvle-street. Glasgow. There was a fair, attendance of creditors in Sheriff Balfour s j I Chambers, in which the proceedings took ff place, those present including Counolllo ] U Scott Gibson, whose financial interest in th j ^ examination was «bnwn to be very con- ) flrtLr to Mr Angus Campbell, who] appeared as agent in the ^ | [Arlhslrong ^ ^ „^ god pHoar,. For a number^^s he had been j i^he' and U Mr Colquhoun entered into a I then ! the Tivoli, and formerly the old | 1 Vhtoria Hall. Into that lie paid l m § a ca 4i £2000, the result of his savings fron H precession, and Mr Colquhoun paid alike 1 amount. Thn concern was created I iiw-as about £ a P te^k-£4.d00 each- l! bSl he li i Never Realised a Single Penny , f opl of the company. That company collapsed J 1 out of the company, i .y fonT , a - S I and was now in liquidation. On i< , , f I {idn it expended a large sum on struct t' ra ^ a ' teW'ions in the Tivoli, amounting o ^ j B limited titbit-*' II. tgob ■ I GLASGOW AHEAD OF LONDON. TO-NIGHT AT THE BRITANNIA PANOPTICON, THE CHEONOPHONE, THE SENSATION OF THE AGE. No London Manager has yet shown the CHRONO- , PHONE to the Public. Sole Prop rietor— A. E. PICKA R D, Unlimited. ” PICK ARU’S AMERICAN MUSEUM, TRONGATE. EXTRAORDINARY EN TKRPR1SIN Q ATTRACTION, Ju&t Secured at an Enormous Expense, 1 HOMARD, THE MAID OF THE SEA., i , Mons. BEAUTS, the Fasting Caaaipion, receives lgar^^ a -'- t -'A: C k°FicK3PP (Un.ln.ltem: PfutlSu liability company was f 1S 'Suerati<m«, w« a very large proportion ’ wpioh proved to he very ; Oh the opening night, for * i a verv serious defect was found in the circle and altogether the reconstruction only a lowed for from 1800 to 2000 people Th ,ni even less than the old Victoria Ha.ll iJ-ould have accommodated. I Continuing; Mr Armstrong said he ww-ap- p^totod managing director at a^alarvofLAa week. That' was a loss, as he made about £20 a week by taking professional engage- ments Being the manager he was unable to appear on the variety stage, except on very rare occasions. He resigned the managership . j after a time. The limited liability oo rotjany actmitfed the Queen’s Theatre in Watson -street. 1 That concern embraced both theatres, but the \\ GWrgow Corporation held that the original I partnership of Colquhoun and Armstrong *' till existed, and had proceeded on that, ^sumption. _ OVtM-iZjj Cifcuj(Av ^ Ij'kMnuecl'J' ^ The Qneents Theatre Paid. All the lass was incurred bv the Tivoli. Mr Campbell — So that you had the dead horse tacked on to the living steed? j.’Sj jj (Laughter.) Mr Armstrong — Exactly. After the company went into liquidation, j Mr Armstrong continued, he repossessed him-] “ self of the "Queen’s Theatre, which he re-*! opened in September 18, 1905. He continued . there till proceedings were begun against pig Colquhoun and Armstrong for non-payment raR of rent, and had taken proceedings fitun ' -j which he had withdrawn all opposition. He 1 had no dwelling-house in Glasgow, but hist wife rented a house in her own name, and f , ’ owned all the furniture. This had been I ' purchased out of her own money, she also [ . being a variety artiste, and earning from £8 \ to £10 a week while she was fulfilling an en- IV 1 gagement. That she possessed means was i’ '* shown bv the fact that she had put £100 into i ,*: the business, all of which, of course, she had lost. Mr Campbell— Did the Tivoli ever pay? Mr Armstrong — f do not. remember one . paving week in the Tivoli since it opened. Did you have a partner within tho lastbi| rear ? Well. Mr Gibson Would Have Been a Partner had the conditions of the lease been carried m through. 'Ll . I understand your agreement was reduced to writing in the form of a contract? Yes; I had in contemplation a new lease|\ ;_ with the Corporation. ' v Did Mr Gibson, about the time of the I execution of that contract, and since then,’ ^ advance capital for the purposes of this busi-, ^ ness? Yes, several times. There was a- joint bank account in thefekgj Union Bank of Scotland, Ltd., Anderstonj,- branch? Yes. How much money did Mr Gibson advancel; . t-o this business? It would amount in all, I should say, toijjgs > about £350. When asked if the books would showj • tho actual payments made. Mr Armstrong they would not probably show them all. Mr pH Gibson paid him so many small sums, in and £10 at different times, that he could net ig exactly remember tlhem all. Asked if lie could raj not remember any single item, he said ibereHj was one cheque for £70 which Mr Gibson hnd given him to pay the Tivoli artistes’ salaries for a week’s engagement. Tho first j|jl sum paid by Mr Gibson was about £130. which wa« given him befovn coming into the Qj business as a partner. Their bank account !^ was in the name of Bernard! 'Armstrong. Esq.. and Andrew S-ectt Gr'ibtqn, Esq., and woa t *,/ opened with £106 to their credit. That money was in the business when Mr Gibson came into it. He was not sure but the amount pro- ■ bably represented the Saturday night’s draw- vS ings. All the money advanced to him for Jfe- business purposes was paid into that account. rC Tt was mixed up with the other moneys. Mrs ; Armstrong had an account with the National { Bank, and it was with that he was working g the business before Mr Gibson came into it. All the moneys were applied for- the business. B Going on, Mr Armstrong said that J he oon- ; sideration on which Mr Gibson was to become t ; a partner failed- Bankrupt admitted that /he j- I neither got the • lease from the Corporation j nor any right to the Tivoli. The conditions, j therefore, failed absolutely. He and Mr i Gibson instructed their solicitor, Mr Turn- j | bull, to prepare a document to thnt 0! efrVfct, ]*■ but that document had never been subscribed, j | Did Mr Gibson make auy money out of ft&u i concern? Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.25 Title A name given to the resource BP01.25 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 25 Description An account of the resource Newspaper cuttings about the sequestration of Bernard Armstrong's Tivoli Music-hall and advertisements of The Britannia Panopticon and Museum. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. chronophone music-hall https://www.pickardspapers.gla.ac.uk/files/original/17b681c1a16792e7e5ba7cefb7c4e502.jpg ba37d7e63033bb697d325ef2a17cb78b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.26 Title A name given to the resource BP01.26 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 26 Description An account of the resource Cheques and handwritten reference letter from Charles Cain for A.E.Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/7fc4ea6784bfb413b8137bf42989b7e2.jpg 7d5f5650a2543615231c9c94ea3a4e55 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.27 Title A name given to the resource BP01.27 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 27 Description An account of the resource Handwritten letter from Leggat Bros to A.E. Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/8d4321d1c5b144e7b8bbba49a212f2b8.jpg 83e30e24512902f944928332af1eb772 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Evening, Citizen, Daily record and Mail Author Author of piece, if given December 1906 Text Any textual data included in the document Mr Gibson Never Drew a Shilling out of the Business. If Mr Gibson says that ho paid about £500 into the concern, would that be true? Well. I don’t know if it would bo as much. But I have had several sunis of £20 and £25 i nd smaller amounts that >vere. not entered. "The heaviest sufferer during the last, eight i nine months in these ventures,” added Air .. V. m strong, ‘‘was Councillor Scott Gibson. Ie has lost more than I havo.” In further examination Mr Armstrong' said 'that the amounts would not all be found in j the books, probably, but the comparisons of the drawings at the theatre with the dis- .1 buraementg of tho moneys would show that 5, he must have had money from someone, wj On a suggestion from an agent for tho gjoroditor*. Mr Campbell asked if bankrupt Sg oould give them any specific sum paid by Mr Gibson. ■rJ The reply wfls to the effect that the £<0 tel cheque was one particular instance in which £1 Mr Gibson had transferred the amount from SSm his own bank to the Anderston branch. >9 The amount would be seen by the gra acoount, lx>ok and the cheaue book. Ifle The bank account was operated upon by both Mr Gibson and himself, for business 9 purposes only. Mr Gibson assisted a little Ml in the management of the Tivoli, and ordered a goods occasionally when circumstances re- quired him to do so. Had the business been a flourishing concern. Mr Gibson would have jra shared in the profits just as he hat! partici- #1 pa ted in the losses. . jggll ■ The greater part of the liabilities, some •,$ £5000. had been incurred before there was anv talk of a partnership. The only docu- ?;«ment ,3 about the partnership were the two deeds mentioned already— rone of them sub- ■fl scribed, and the other not subscribed . As to The Cause of the Tivoli's Failure. S S bankrupt said it. was very hard to give an j y ji explanation. He had never made up the loss • . j of the reconstruction, and never seemed to got the old audiences back again. The keenness of compitition in the music-hall business also had a deal to do with it. f. ili Mr Armstrong said he was at present carry- tfRing out a four weeks’ engagement as a variety ' , - (artiste in England. He had been travelling jfijjl night to attend the examination, and Jr to would have to go back immediately. : After some further questioning if was ar- ranged that the examination should be ad- mm journed till early in the new- year. ' 3 Mr Gibson, who had V*>en keenly watching a the proceedings from the window alcove, and tvine manv quaint knot* in the cord of the hi window blind. %hon fetched Mr # Armstrong s coat and haf: which he assisted him to put on. They then left the olva-mbers in company. j MUSIC-HALL INCIDENT. — Throwing: a Bottle on the Stage. NEW LICENSE GRANTED. I A LOSING VENT CUE i A peouliar caso was heard at Glasgow Cru. I tral Police-court to-day— before Polico-Judgo Wm. M a cl ay. A lad named Hector- ! M'Douprall was ehariod with having on Saturday night in the Britannia Moaie-halJ assaulted ona of the artistes, Sydney Norman, | bv throwing a glass bottle at him with tho I intention of striking him. . - Accused pleaded not i I tuts was a — which t.hev were told to watch They both spoke to seeing accused throw the bottle ! Mr George Mitchell, manager, said that ho was in the stalls. Tho house was crowded I and the incident., he stated, might have led I to a serious panic. I The Magistrate commented on the danger I of throwing a bottle, and imposed sentence I of 30* ‘fine or four icon day8*_irnpri8onme^ A committee of the Glasgow 'Magistrates r was hold in the Burgh-court Hall of the City Chambers to-day. when a numbrf of applica- i, tions for licenses were disposed ibf. Bathe R.i S. Brown presided. • \ j Tho most inm resting was that of Mr HeWy I Howard, who applied for a license for whkt J is now known as the Gaietv Theatre. \ j Superintendent Douglas, of ifro AV ester n j Division, said that applicant had for 13 years been manager of t'he Empire, and for the last two year* was travelling. The (icc-nso was formerly held by Mr Bernard Arm- strong, and expired yesterday, the theatre having. (however, been closed since the k7t.h ulfco. Superintenlant Douglas thereafter read the report of the Master of Works and Firemaster, which .showed that alterations had been carried out, one of which, howeer, was not fully in accordance with the bye-laws. The aceom- modation was 1360 sitting, and 22 standing. J Mr Ballantyne. on behalf of applicant, j said everything had been done in their power jj to make the theatre thorough^- safe and £ comfortable. A passage to whicr* objection had been made, so far as possible, having ^ been rendered perfectly safe. f Mr Lindsay suggested that he should speak [• to the applicant, as within recent years there 1 had been a number of licensees of this house. £ Mr Ballantyne said Mr Howard was pretty j well-known to tho magistrates and public of Glasgow. He had been manager of the old -t Gaiety, and subsequently of the Empire for f many years — until a couple of years ago, and | they knew that the house had been conducted j on the best lines. Applicant’s personal char- acter would 6tand the olosest scrutiny, and he j had no doubt the new Gaiety would'be equally . well conducted. It was his intention, as well { as those behind him, to raise the status of the \ house and make it a desirable place to go to \ for those in the west end, where there was no | place of entertainment and where there ]j was every need for it. Mr Lindsay — Suppose the Magistrates said. j Wo will giive you a license on condition that \ you don’t apply to the Excise, what would you j say ? ' j Mr Ballantyne — I would earnestly ask that, j that condition be not imposed. In Mr Howard , we have a man of outstanding dhanaoter, and if you’jdo&Ve it to him the bars will be conducted on tho very best lines. Mr Lindsay Ho asks a relaxation in regard , to smoking- Is it to be conducted practically j as a music-hall, much on the same lines as the Empire? ?<Sr Balla.ntvne — Yes. Mr Lindsay— Is there to be any boxing com- j f petition? „ , Mr Ballantyne — No; nothing of that kind. ( ,i Mr Lindsay — Will you accept a condition jj that there will be no boxing competition ex- | J oopt with the. specific permission of the Magis- j trates. j Mr Ballantyne — Yea. Tho Chairman— Is Mr Howard the pro- ! prietor? : >rr Ballantyne- He is the manager really for a company, and he would bo responsible. 1 Mr Lindsay— Tbo chairman wants io know j if the company behind vou have any connec- i tion with tho former lessee. Mr Ballantvne— None whatever. Bail in Dunlop— A different crowd alto J gather? i Mr BaBautyne— Yes. . After a brief retiral the chairman said the 1 Idccisidh was that, a full theatrical license be ' rant odd ill next ^Iay. and W' the relaxation }th' regard to smoking he agreed to. ! FINANCING A GLASGOW MUSIC- HALL. MR. SCOTT GIBSON’S INTEREST. ! Sequestration proceedings of interest tool i£j plaoo yesterday in Glasgow before Sherifl Balfour, the bankrupt under examination ' <3 being Mr. Bernard M. Armstrong, for some « years manager and part proprietor of tho j Queen’s anil Tivoli Music Halls. Amongst ra tho creditors present was Councillor Scott gj Gibson, who seems to havo been considerably 3j interested in the unfortunate venture. . . . . Mr. Armstrong stated that he had., been! fi engaged in the variety profession for about' 20 years, and for eight years he had been |a lessee of musito-halls fn Glasgow.'' ' About eight years ago he went into partnership with. j*| Mr. Colquhoun, and continued in business with him for four years. !j They took the Tivoli, then known *as the Victoria, and now as tho New Gaiety, Into & that concern he put altogether £2000. saved from his earnings, and Mr. Colquhoun con- .’] tributed about tne same amount of capital, j In 1902 the co-partnery was formed into a limited company with a capital of £8000. Each of them received £4000 in shares, but I he never realised anything from that stock. The concern collapsed, and had been in | liquidation for over a year. On the forma- i tion of the company between £12,000 and ,1 £13.000 was spent in structural alterations, -J which proved very unsatisfactory. He was ij managing director, with a salary of £4 per 1 week. When he appeared as a variety | artiste his salary was about £20 per week. Tile com-pany embraced botl^ the Tivoli and dthe Queen’s Theatre, but the City Im.prove- :| ment Trust, who owned the latter property, j refused to recognise the company as lessees, a holding that Colquhoun and Armstrong were ; still the tenants. The Queen’s Theatre ■i paid ; all the loss was incurred by the Tivoli. He had no residence in Glasgow, but his ] wife rented a house in her own name, and ] owned all the furniture. ~ Ho did not. re- 3 member one “ paying ” week in the Tivoli 3 since it opened. Did you ha.ve a partner within the last | year? — Well. Mr. Gibson would have boon a ■j partner had the conditions of the lease been. ! carried through, Mr. Gibson several time* 1 advanced money, and a joint bank account •jwas opened with the Andexston branch of the* ij Union Bank. THE ADVANCES . How much money did Mr. Gibson adva.ncO in connection with this business? — It would amount in ail, I should say, to about £350.' Mr. Gibson paid me so many small sums, in £5, £10, £15, and £25 at different times tha4 I cannot exactly remember them all*. I never gave any voucher for the money. Asked if he could not remember any ■: single item, Mr. Armstrong said there was one cheque for £70 which Mr. Gibson had ; given him to pay the Tivoli artistes’ salaries t for a week's engagement. The first sum | paid by Mr. Gibson was about £130 before . he thought of entering the business as a . partner. The bank account was in the name of ; “B. M. Armstrong, Esq., and A. Scott (Jib- f son, Esq..” and opened . with a of edit ol ] £106. That money was in the business I when Mr. Gibson came into it. The considerations under which Mr. Gib- > son agreed to become a partner failed al> \ solutely. Mr. Gibson never drew a shilling 1 out of the business. “ The heaviest suffcrei : during tho last eight or nine months in those ventures.’’ he added, “ was Councillor Scott Gibson. He has lost more than I have.” The hank account was operated upon by both Mr. Gibson and himself for business purposes only. Mr. Gibson assist^?] a little in the management of the Tivoli, and ordered goods occasionally when circum- stances required him to do so. Had the t'opineas been a flourishing concern Mr. Gibson would have shared in the profi*'- : ust as he hqd partic'natod in the looses Of the £4000 fqf liabilities, rn ore than £3000., must have ’l>een incurred l before there was miv talk of partnership. ■ Mr Gibson’s name was not in the Ieasetof the Oueen ,, s. and with regard to the Tivoli, no risrht of possession was ever transferred G-> Lha.t gent le’na.u. The examination was adioumed until fho . end of January or the beginning of Feb- ruary. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.28 Title A name given to the resource BP01.28 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 28 Description An account of the resource Newspaper cuttings about the sequestration of Bernard Armstrong's Queen's and Tivoli music-halls, the assault to a performer at The Britannia Panopticon, and a licence for the Gaiety Theatre. Plus advertisements of The Britannia Panopticon and museum. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/e5745ed1418af7aab80177b1e7bab477.jpg 9d5b8f385ad35d06dc271a65af6ab105 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.29 Title A name given to the resource BP01.29 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 29 Description An account of the resource Handwritten letter. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/809616130aa9acceebbc90e6a5d7b296.jpg f536a25a0f5a5a81ac3a5c6d6459cae7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Glasgow Times, Glasgow News, Glasgow Citizen, The People's Journal. Date Date of newspaper article October 1906, November 1906 Text Any textual data included in the document FASTIN We are breaking, to. toy wit! Mons. Viet at the pres Museum al this romar he prop os world's rt build, and per ament, who wool ordinary < of age, th particular experimen gone was accompli si Beaute is erected c an exami: impossible any desci with nott from 10 Before c examined beat to b. beam at. future p interest r professior 54 TI | At 3.4 j pleted i j America Grangei start, hi being s longej, dangerc term i no world’s while tfc crowds. Proci Mr F letter fr 1 Fiscal, 'has rco Beaut© he begg > oxh jtho I in the result o 1 held cri TviMAi). Ocb yob. ylaMtvcir Octf/z ~i Hetirt > , ^ yob. FASTING FEAT IN §LAS®@W. We are truly living in an ago of record- breaking. But all the same, it is given to few to. toy with the human system as, for example, Mons. Victor Beaute, a young Swiss' is doing \ at the present time in Mr Pickard’s American j Museum at 101 Trongate. Yesterday afternoon {■ this remarkable man commenced a fast which jj he proposes to last 46 days, and thus break j world’s record. Small of stature, light of | build, and displaying a nervous-looking tom- peramont, Beaute looks anything but the man | who would care to undergo such an extra- j. ordinary ordeal. But although only 31 years r, of age, the Swiss has great experience in this j particular line — it is, in fact, his eighteenth jj experiment. The longest fast he has under- |i gone was 32 days, and his last was 24 days, 1 accomplished recently at New Brighton. | Beaute is confined in a neat and specially- if erected cabinet measuring 10 foot, by 7, | an examination of which will show that it is [I impossible for him to receive nour&hment of J any description. Indeed, Beaute is supplied il with nothing but soda water and cigarettes, l from 10 to 12 of which he smokes daily. '! Before entering the cabinet. Beaute wstsj examined by Dr Grainger, who found his pulse- ; beat to be 114, and on weighing he - tipped the I beam at. exactly 11 stone. Doubtless his future progress will be watched with keen interest not only by members of the medical \ profession,, but the pubiio generally. uT 7* cyvtc^, Nov/ b ‘b i<jo(> THE FASTING MAN IN GLASGOW. Beaute’s Condition. At. 3.45 this afternoon M. Victor Beaute com- j pletcd the 37th clay of his fast in Pickard’s American Museum, Trongate. Dr John P. Granger, who has attended Beaute from the I start, has now ceased his professional services, being satisfied that, should the fast continue I longer, Beaute will be “ venturing upon very j dangerous ground.” Beaute. however, is do- ! termiuod to go on until he has established i world’s record, namely, 40 days, and mean- j while the Museum is bcinfc visited by enormous ! crowds. Procurator-Fiscal Intervenes. Mr Pickard has this afternoon -received a letter from Mr James N. Hart, the Procurator- j Fiscal, stating that from information -which he has received ho bolieves that the* life of M. : fleaute is now in some danger, and, therefore, ! he bogged to intimate to him (Mr Pickard) that the exhibition must now bo stopped, and that in the event of the death of Beaute as tho result of the fasting he (Mr Pickard) would ba held criminally liable. WITHOUT FOOD FOR 46 DAYS. ATTEMPT TO BREAK THE RECORD. Yesterday afternoon, within Mr A. E. - Pickard’s Museum in the TTongate, there was begun by Mons. Beaute, a native of Zurich, the task of abstaining from food for a period of 46 days, and, if the gentleman i who has undertaken the task is successful, \ a worlds record will be established. When \ the feat was entered upon yesterday there ' was a considerable crowd of interested spec- | tators when M. Beante entered the little ' cabin from which he will not issue again J until Wednesday, the 15th of November , next. | The “little house” has beeiT specially con- | etrocted) and is divided into two paTts. There is no door, the four sides of the cabin j being windowed. There is one apartment 1 curtained off, which contains bedding ac- ! commodation, and in the other apartment ] are a small chest of drawers, an arm chair, a small chair, and toilet requisites. Dur- ing his long fast, Mons. Beaute will live en- ( tirely on cigarettes, of which he smokes on an average 10 a day. He will drink seidhtz t water. Every morning he is to be examined \ by a doctor, who will take his termpera- '3 turn, and hie weight will also be taken. ] Before commencing his fast Mons. Beaute | visited the Royal Infirmary, and underwent an examination by the doctors in that in | stitution, who were surprised at his health j and strength. As a guarantee of good faith j he has invited the medical gentlemen to j egarn ino his stomach, at the expiry of the ICuT Toinet, r it iqffS . THE FASTING MAN IN GLASGOW Nov. J Decision of Magistrates. As stated < in our later editions yesterday afi Boon, Mr Pickard, of the American Musei Trongate, received a letter from Mr James Hart, the Procurator-Fiscal, stating that, fr »nformation which he had received he belie that the life of M. Beaute is now m so thngcr.and, therefore, he begged to inti m jo Mr Pickard that the exhibition must® *>e stopped, and that m the event, of the de. J * l re . s J ult - of tho fasting 1 lickard would be held criminally liable. This morning Mr Angus Campbell, agent i I.Ir P.ckard, called upon, Mr Hart, and stat "rt. • ? ° f the Ma S is t r ates hod bo fhev r , \ f0ren .u 0n fo con3i<Jpr what act! they should take m the matter. Mr Hart stat that in view of that meeting he would not ta any proceedings in the meantime. When t wd»h*M*P* { nCt j Mr S ! * , 2P b * !l «Ppe»red .llo • yj-th Mr Pickard, and aHewd ’ to. end -*be : fa .ng exhibition at 12 o’clock to-morrow night the. Magistrates, after consultation ■ private, intimated that they had decided adjourn their meeting until to-morrow in ord that they might consult with Mr Hart In conversation with M. Beaute to-day *till expresses his confidence, if permitted go on, to create world’s record To-dav entered upon the 38th day of his task. For oays is world a record. i SfoM oJ car CihtyW' ^ # 906 . There was quite a "run” on Mr Pickard’s American Museum at 101 Trongate yesterday * 1 j to see Mons. Victor Beaute, the fasting man, j j nailed up in the apartment which he hopes ' ; to make his home for the next 46 days. “A - j Swiss. 31, single,” was how the man described ■! i himsetf - to the doctor who examined him j j prior to hi3 entering the apartment. “If ! ;j you were double, I don’t suppose you would last tivice as long,” laughingly replied' the [ I meSical man, as he intimated to the modern ■ | Dr Tanner that his pulse was 114 to the ! | minute. The unusual rapditiy, however, 1 (i was owing, in part at least, to the excitement ' jj under which the fasting man laboured as he j j completed his arrangements. In his box— I for, measuring as it does, 10 feet by 7, it is c little more— Beaute had a good supply oft Mackenzie’s cigarettes and Barr’s soda-water, j and theso will for the next 45 days be both i food and drink to him. As a guarantee of I good faith, Massrs Thomaa (Limited) were 1 asked to supply the furniture and fittings for | the apartment. Nov 6 * THE FASTING MAN PROCURATOR FISCAL INTER. VENES. FURTHER EXHIBITION FORBIDDEN. I This afternoon Mr A. E. Pickard, of ! !j Pickard’s Museum, Glasgow, was the re- i I cipient of the following letter from Mr J. j tj N. Hart, the Procurator-Fiscal j Sir,— My attention has been called to the t fact that there is at present being held in j j the premises tenanted by you at 101 Tron- ' ■■ gate, called Pickard’s Museum, a public : j exhibition of .Monsieur Beaute, the fasting i: man, who is stated fo have lasted for 35 | or 36 days successively, f From information received by me there ! seems reason to believe that the * life of Mons. Beaute is now in some 1 j danger. 1. therefore, beg to '-intimate to i | you that this exhibition must now be I j stopped, and that in the event of the ;; death of Mons. Beaute as the result of S the fasting, you will be held criminally j liable. * \ j Mr Pickard has placed the matter in the hands of Mr Angus Campbell, writer, and : I meantime Mon. Beaute refuses to listen to any suggestion that he should shorten the | term of the fast. Mr Pickard, however, \ has all manner of restoratives, &e., ready 1 : in case of emergency. J i ^Peop *7o rev.vnX , (rcjte&eL 6 r? THE FASTING CHAMPION Living on Cigarettes and Water. Endurance Feat in Glasgow 1 Show’ (“ Journal ” Special.) Many and varied are the ways in which some men seek to earn notoriety or a livelihood, ono of tho most original and sensational being volunta ry starvation for a given period. There are sections of the public who think that such exhibitions of human endurance should not be allowed, but, after all, the chief sufferer is the individual himself, and there is also the off-chance that medical science may indirectly benefit. Ono of the most enthusiastic and during of the fasting men, M. Victor Beaute, has just entered on an ordeal in Glasgow, which, if successful, will create a record for such ex- hibitions. On .Monday last, 'in Pickard’s American Museum; Trongate, M. Beaute was sealed up in his self-selected orison, where he hopes to remain till Wednesday, 15th Novem- ber. His apartment, which is 10 feet bv 7, is constructed of wood and glass, and is divided in two by a curtain. He has an iron bedstead on ono side, while the other is occupied by M. Beaute’s chairs, chest of drawers, table, &c. His temperature is taken every morning by a doctor, who opens a email sliding panel for the purpose. - it *' -xrui qiSnoo jo aqSnvjp 3u:deo[S is qjuw smoddu jo^9jg aotpw Aq pire Aq UMoaij si sjuoiyed etq jo aquiqj eq 'uo.qorpouoq srq uidqf) oaiJb puB ui ojdoad siq jjonj iqoAij’Bjn.ffy' oj semoo eq eqjj 20 } li'BO jstq siq ‘buiu jy *suu.oj pojoafep pue suossaadxo pda ij oqj oifon uoos ueojj siq pu-u ‘ ‘dn sajnj uiu^B uhui fooipom oiqj 3joo|0 4 o xre jy I s['Bjjoui sso|5jonf oqj ‘ipeq o% pajpunq ea’u Aoqj >[oeq ‘joulioj aqj ji — ejnj'aioduio’j moj jo q«^iq v OAuq BJOMod aui3j[«M Jioq'j SuTSiajaxe uooq ©Auq oqM osoqj jt oos 6^ pun? f joti jo jotraip joj dn jeS Ainu Aeqj ji sjuidr^vd poq oqj tn joau ; oj ‘ooou am uoaq Wq dcop s^ueijvd •u ji ojmbui Of) Suuuow eqs ui — Aup v eeunj reach whie! with; the ] been order Beau to on tain : plete ditior the o and \ that as, if to-mo have meno her h stone displi rperfo: ternii he w< In ; ard i no lo althoi Beaul time Las fast v bund Moi I lea: have protr that feet ] unde impe him (Thu had tract from prop: to-mi shall there prese high tervi men feet 1 of ir vent port .is Beanie he wo: 'to day labour Xe^CT 4 ^. , iC - 1 Nov.y? ijob. (sj'fcL^CI ow Nov. | K&j Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.3 Title A name given to the resource BP01.3 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspapers cuttings about A.E. Pickard's exhibit 'The Fasting Man'. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. fasting record https://www.pickardspapers.gla.ac.uk/files/original/6abccfc7fd98f5624364a4bc9734cf0a.jpg 93b6918e5c831f02d454d69343c89039 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Glasgow Herald, Glasgow News, Daily Record and Mail Text Any textual data included in the document ■ GLASGOW THEATRICAL MANAGER’S bankruptcy. y> Bernard M.,Armstrong was yesterday examined fin bankruptcy before Sheriff Balfour in the Sheriff ’Court. Glasgow. Mr Angus Campbell, writer, appeared fjs agent in the sequestration. Bankrupt, in reply to Mr Campbell, said he was thirty-eight years of age. He had been in the variety profession for about twenty years, and for eight years he had been lessee of ipusic-balls in j Glasgow. He began on his own account when the partnership of Colquhoun and Armstrong was formed, and he continued iu partnership for about | four years. He took the Tivoli Theatre, lately known as the Gaiety Theatre. In the first instance he put a capital of £300 into that con- cern, and altogether he bad put about £2000 into it. TWat was from his own savings. Cdiquhoun 8 put i/ about the same amount. In 1902 they ] created it a limited liability company, and they " put capital to the amount of £4000 each into it. He never realised anything from that stock. The concern collapsed, and no dividend or composition had been paid to its creditors. On the formation of this company a large sum, between £12,000 and £13,000 he should say, was expended m struc- tural alterations. The capital of the new Tivoli was £15,000. The theatre never paid. The structural alterations had a great deal to do with that. Were you managing director? — Yes. What was your salary ?— £4 per week. When he appeared as a variety artist his salary was about £20 per week. His position as manager, however, took him away from the stage as the duties I required his undivided attention. Colquhoun and I Armstrong (Limited) afterwards acquired the 1 Queers Theatre. From the beginning that 1 theatre paid. It suffered, however, from its con- j nection with the Tivoli Theatre. After that company went into liquidation did you possess yourself of the Queen’s Theatre? — Yes, in September, 1905. I continued in that business down to shortly before the sequestration proceedings. His wife had a dwelling-house in Glasgow. It was rented by her. That had been the case for about thirteen months. The fur- niture all belonged to his wife, being pur- chased out of her own savings. She was a ; variety artiste, and when engaged she would earn from £8 to £10 per week. She invested £100 in the company, and that was all lost. He did not think he had one paying week in the Tivoli since the alterations, and .the profit made in the Queen’s Theatre was absorbed by the loss in the Tivoli. Did you get more capital ? — Yes, I borrowed more capital. Had you a partner within the past year? — Mr Scott Gibson was assisting me, and would have been a partner if I had been able to secure an agreement. In a contract that was drawn up it was set forth that it was contemplated to have a new lease of the Queen’s Theatre, from the Cor-.' pqration, and also a lease of the Tivoli, with a promise of a right of purchase of the latter. Did not Mr Gibson about the time of the execu- tion of the contract, and since, advance capital for the purpose of this business? — Yes, several times. There was a joint bank account opened. Mr Scott Gibson advanced in connection with the business, be should think, about £350. but he got so many sums of £10, £15, and £25 from him that he was not quite certain of the total. Fie never gave any voucher for the money advanced. The joint bank account opened with a credit of £1C6. That was in the business when Mr Gibson came into it. The considerations under which Mr Gibson was to become a partner failed. Did you, with Mr Gibson, instruct your solicitor to prepare deeds for the partnership which eventually failed? — Yes, but that deed has never been subscribed. Mr Gibson never drew a shilling from the concern. Mr Gibson says he put £500 into the concern. Is that the case? — No, I do not think it would reach that amount. He agreed that Mr Gibson had been the prime loser during the past eight or nine months, and that he had lost more money in that time than bankrupt had. I understand that the joint bank , account was operated as occasion required by both Mr Gibson and yourself? — Yes, for the purposes of the business. Did Mr Gibson assist in the management of the business? — A little, not much. Had the business been successful and resulted in considerable profit instead of a large loss, would not Mr Scott Gibson have participated in j the profit along with you ? — Yes, if the agreement for a partnership had been gone on with. Of the liabilities amounting to £4000 was more than £3000 incurred before there was any talk of partnership? — Yes, it must have been. Was any right of possession of the Tivoli Theatre ever transferred to Mr Gibson? — No. What was the reason of the non-success of the Tivoli Theatre? — It is hard to tell, but I should say the structural alterations as they turned out were somewhat to blame, and also the competition of the high-class music halls. On the motion of Mr Campbell, the examination r was adjourned. THE NEW GAIETY. ADDITION TO GLASGOW’S PLACES OF AMUSEMENT. The old Tivoli Variety Muisdo Hall in AnderstOn district was yesterday granted a new Tease of life, under new management, at ; • a Lansing Court of the Glasgow Miagis- t t rates, and is to be re-opened under the name ! of the New Gaiety. An agent stated that Mr. Hentry Howard, who applried for the licence, was well known r to the Magistrates and 'public of Glasgow, /j Fie had been manager of the old Gaiety and - subsequently of the Empire for many years, | until about a couple of years ago. Everyone i knew that the Empire was conducted on the ; t best lines. Mr. Howard’s personal character 1 would bear the very closest scrutiny. “ Suppose,” said Mr. John Lindsay, Depute Town Clerk, “ the Magistrates were willing , to give you a Licence on condition that you r did not apply to the Excise, what would you j say ? ” The agent hoped the Magistrates would j ' not insist on that condition. If a Licence ' were granted, the house and the hairs would J be condu ted on the very best lines. It was j to be conducted as a music-hall very much [*£ on the same lines as the Empire. There 1'- were to be no boxing competitions. He was | willing to accept a condition that there would , bo no boxing competition except with the $• . express permission of the Magistrates. In reply to fuirthec questions the agent ex- W plained that Mr. Howard was manager for \ a company, and he would be responsible. f'| The company had no connection whatever j '' with the former lessee. It was. in fact, “ a different crowd altogether.” The Magistrates then retired, and on their ['■ return verv soon afterwards, the Chairman L ’ said the decision was that a full theatrical f-'g licence be granted until next May, and that !>| the relaxation with regard to smoking be also i t conceded, 1 3 iowJ&u# JJecj. ii t it t*r ]WfJl : Djcj- 190 f>. ; 2 n. p o £ § * g\g ; § g 22 3 g § ~ d 1 - a 5- 1 **' ?S? r I _J ® ° c 34 * 5 gg.s;» . ~- a — SJ" D © P “ 8 3 ° S j °- =TI i-H.sj-’g 3 *3^0 asifii.Ssng g i'g g g .2 ° » S ’*• 3 * 3 S § k| s-S-3 s-§ 3 . 5 ;^ ® a < Cj^ u *- • £ © is* . © 3 - » 5 -i r* a sS >i I If g Nf iio § ol P * | i n si. 5 -? > ^ & 25 ^ 2 £•» 2 s-i 6 1 : 8- 5 ^qr 2.® § i ft. © cro ix • 2 . i2? a vj XZlKlQk' i-s *•! * |-s*«s S-PflB S, 8 — ^ ° s’gls“r»i- r!:: ’Ti a -r|pgg- 5 — ® a © ^ IS’n S ' O * z <-> S-B-S S-S'SS 8 a--i I . 5 7TO Cra : — * £ 0) C"T3 2 ft. B - 2 C o " S-^ f' 8 Hg sr| “-g a olfgfS sf - s ” = 2..=-3tr5 g 3 5- 3 5'2 * , .Jo 4 9 ei Ba ZL r!n r-. ST. /». l-r- ea .-*T $-33 „ 2(t c - SJ — • O — • p 1 © is ° T2 3 F'g ft 'a 3 § i 3 r.g se S : Is 55=2 I S'.O.S'lS » •* s-S-l 3 O IT 33 laf s-gi 1 § s.-g.g'i' i.l 'jq 51. » ©*< ©-'© 3. I trs-? .,5'5 0 5 ! © ®.tTT $ ° W8 =r.» - I 5 s\ % ^ * ""8 II %-zZ.S-ifo-g ►a S S > W’" 2* ©DP 5* ■ ® «*■ Jf: I - L ' ^ H < a- o V. S’s*!? -j “’^3 c O „ ©-♦ft . & c P *— -5 ,® 0 » ° a? o-L . . - Xs. n® s " , © 3 O © VP r l CT) ' — ’ C © C g © o i. a S 1 Sj-S'g's'Pt L a'© r- © l_ ! a il Cfc §, RICKARD’S AMERICAN MUSEUM. Trongato EXTRAORDINARY ENTERPRISING ATTRACTION JUST SEOTTBED. at a.n ENORMOUS EXPENSE, HOMARD, THE MAID OF THE SEA. MONS BEAUTE, tlia Fasting Ohamptou, H«od»i4 St-Iao.b. Daily until Fartii^- Notice. : fielo Bioprtetor .. — ... A , E- PICKARD, Doffttltad, THE BRITANNIA. ' ; The Chronophon6 is the name given to a : clever combination of the phonograph and ! bioscope, by which every movement of an H artist is shown on a screen, while a ■ maohine at the side of the stage “voices’’ I . the song. Six different films were shown j yesterday in the Britannia, and they were * j tliorouglily enjoyed by the large audience • assembled. The variety programme is also j - of an enjoyable nature. Nellie Fergus is a ' | smart, and dainty vocalist. J. H. Harris, i l who is known locally, made a decided i “hit,” and was repeatedly encored. His,,, style is good, and he has attractive eongs. f The Panopticon has been renovated j within the past week, and many new- novel- ! ties have been added. [QUEEN’S AND TIVOLI. MR B. ARMSTRONG’S AFFAIRS. TO-DAY’S EXAMINATION. j POSITION OF MR SCOTT GIBSON- Mr Bernard M. Armstrong, for some ; years associated with the Queen’s and jl Tivoli Music-Halls, and well known on the l i variety stage as Barney Armstrong, was i , examined in bankruptcy before Sheriff j Balfour in the County Buildings to-day. In reply to Mr Angus Campbell, agent »n v , the sequestration, Mr Armstrong eaid he || was 38 years of age, and had been engaged j ; in the variety profession for 20 years. ! • About eight years ago he went into part- f nership with Mr Colquhoun, under the i name of Colquhoun and Armstrong, and , ' ,r } continued in business with him for four j j years. Thev began with the Tivoli, then /j known as the Victoria, and now as the New j Gaiety. He put £500 into the business I - j then, and altogether had put in £2,000 ' 4 which money he had saved from his earn- ' r a ings. Mr Colquhoun put in about the r ' same. In 1902 they formed the co-partnery { 1 into a limited liability company, and they • each received £4,000 in shares. He NEVER REALISED ANYTHING | from that stock. The original property • paid, but the limited company collapsed, ■ ! and had been in liquidation for over a j i year. After the formation of the company • : a large sum— between £12,000 and £13,000— was spent in structural alterations. The I l capital was £15,000, and the business never j paid. It wae over capitalised, and the |j l structural alterations were very unsatis- |i J - j factory. He was managing director of the , j company and had a salary of £4 a week. ! i His average weekly salary when working ' j j; on the variety stage was about £20 a w^eek, ' j 1 and it was largely from that source that he [i , saved sufficient/ to start the co-partnery. •j; The limited liability company embraced |j 3 both the Tivoli and Queen’s 'Theatre, but -j J j the City Improvement Trust, who owned ] j the latter property, refused to recognise f the company as lessees, holding that f i H Colquhoun and Armstrong were still l ; the tenants. He hart now no interest r • in the company and had no claim against ; I it. When the company went into liquida- i i tion he re-possessed himself of the Queen’s, ■ j re-opening on September 18. 1905, and con- j finned in that business till ehortly before J j the jeequestration. Ilia preeent residence J in Glasgow was RENTED BY HIS WIFE, j and had been for thirteen months. All the ! furniture in the house belonged to Mrs t Armstrong, having been purchased by her f with her savings. She was a variety artist i too, and was working now, making from £8 i to £10 a week. She was a shareholder in rtlie company to the extent_of £100. Cc* J& ma&o yi tifc ■ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.30 Title A name given to the resource BP01.30 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 30 Description An account of the resource Newspaper cuttings about the sequestration of Bernard Armstrong's Queen's and Tivoli music-halls, the new licence of the Gaiety Theatre (old Tivoli music-hall), and advertisements of The Britannia Panopticon and Museum. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/76a760749a29f2089f80b99be69b0363.jpg c618c0a05c13485c8f9d0b3b4ea5de53 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Text Any textual data included in the document “The Unwritten Law.” AN AMERICAN PLEA IN CRIMES OF VIOLENCE. sought Butler out and shot him down in the public street, fixing shot after shot into liis body after the first bullet had brought him to the ground. This happened iin Mississippi. Fullest effort was made to get the sym- pathy of the jury. The children of the de- fendant hung to her skirts while the case vms being tried, and the defending counsel pleaded the justification of tho “ Unw ritten Law ” with commanding eloquence. The lawyer and his associates in the defence were so confident of an acquittal that they were prepared to submit the case without a defence. Yet the jury found a verdict of guilty of manslaughter, and Mrs. Birdsong, unless an appeal brings sorno relief, must spend five years in jail, at hard labour, bemuse in this instance the “ Unwritten Law ” did not held good with American jurymen. The Southern States of America have fur- nished another case of a s im ila r kind, only in this instance the husband himself executed the vengeance. Baton Rouge society sus- tained its greatest shock of two decades re- cently, when Congr eesman -elect George K- Favrot shot to death Ur. II- A. Aldrich. Favrot was a man who should have known tiho law, for previous to his election to Con- gress he had been a respeotod judge. \et when arrested ho said that the deed man had injured him in a way for which the prooees of the law furnished no adequate requital. He had slandered his wife. This, Ib.vrot said, was abundant, excuse for taking Aldrich’s life. Forthwith Judge Kernen. who advocated the principle of the “ Un- written Law' ” at the American Bar Aaaoc; One of the most popular photographs ev«r taken of Airs. Harry K. Thaw. M UCH has been heard in America re- cently of the phrase, the “ Unwritten Law.” Hardly is there committed any crime of violence, to avenge a woman, into which can bo introduced sympathetic circumstances which seem to pailliato the murder, but the assassin pleads for his justification the “ Unwritten Law. When Mr. Harry Thaw Shot Mr. White he did more than remove a rival He pat i»to criminal court procedure a phrase whiah, I although not new, had bean but seldom heard. Since then several Americans accused of murder have used this plea. Briefly expressed, tho ‘‘Unwritten Law” assumes that over and above any earthly regulations to be found in the works of Jus- tinian, Coke, Littleton, or Blackstono, is a higher law based on. an abstract of justice, which provides that •'whore the law docs not specify a proper revenge for a woman wronged, it is within the right of the woman or her male defender to execute vengeance. The plea is absolutely one of sentiment. Nowhere in the entire range of le^al lore will be found a word that supports it. It is opposed to the belief of the oourts that the worst thing that ejn b^PP 611 a cotn ' m unity 13 for individuals to take the Law into their own hands, even though it bo to punish their wrongs. Yet tho “ Unwrit- ten Law” is very popular in America, not only aa a means of defence, but as an ap- peal for sympathy. The Thaw caso is an illustration. In casting about for counsel to fight his case Thaw seat to California for Mr. Dol- phin Delmas, a lawyer who had made his reputation by cases won on the plea of justi- fication. This caso launched the u Unwritten Law” into tho fashion iu homicides. Tho oass of Mrs. Angie Birdsong, of Mississippi, decided recently, is an indication of this. Her physioian and close friend, Dr. Butler, was discovered by the woman to be circulating slander concerning her char- acter. JSvidoncc of his guilt in this tattling role must have been convincing to Mrs. Bird- song, for she at onoo took moans to punish her traduccr. The average woman would have gone to her husband and suggested that he adjust tho matter, but Mrs. Birdsong aition’s annual meeting, was retained to de- fend Favrot. . . , .. This caso is still pending ; so is that at Mrs. Anna M. Bradley, who shot Mr. Arthur Brown, once a United States Senator from Utah, because he would not marry her after a divorce case. .... Mrs. Anna M. Bradley, a woman of ability, was secretary of the Republican Stale dele- gation from Utah to the National Convention of 1396 that 'nominated Mr. M'Kinley. Mrs. Bradley has based her defence on the Un- written Law.” All these persons — Thaw, Mrs. Birdsong, Mrs. Bradley, and Favrot— go back for a precedent to "the first great case of tho “ Un- written Law,’* a clastic in murder finals— that of General Sickles for killing Key, a son of the famous author of The Star- Spangled Banner. ” Sickles at tho time was am honoured mem- bur of Congress. Returning homo one day he caught Mr. Key waving a farewell to Mrs. Sickles, who leaned from a window to say good-bye. Pursuing Key, Sickles told him that his offence could only be atoned for by death, and he allot him down. American sympathy with Sickles from the start was heightened when, during the trial, it transpired that, the murdered man had boasted bo cared little for Mrs. Sickles. Sickle© was acquitted; and tlion offered to TAka back his wife. They lived vary happily till she died. This probably began the “ Unwritten Law ” in America. It is almoet the favourite precedents and, if Mr. Thaw should be freed on the same plea, its popularity will take another bound in that country. The most recent portrait of Mr. Harry K. Thaw, taken in prison while be was awaiting his trial. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.31 Title A name given to the resource BP01.31 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 31 Description An account of the resource Newspaper cutting about 'The Unwritten law' plea in American murder cases. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. law https://www.pickardspapers.gla.ac.uk/files/original/5a638aa099372b9931030d56b29e1cf8.jpg 28ac1f75c2202fe120057aa76d8c845e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Scottish Weekly Record, Evening Times, Scottish Referee, The Glasgow Star. Text Any textual data included in the document BRITANNIA PANOPTICON, TRONGATE, GLASGOW. BIG VARIETY COMPANY. Four Shows Daily, 2 , 4 , 7 & 9 - OPEN ALL DAY. Entire Change Weekly. Electric Rifle Range. Parisian Tableux. Musical Promenade. NOTHING LIKE IT EVER SEEN BEFORE Sole Proprietor, A. E. PICKARD, Unlimited. PICKARD’S MUSEUM, TRONGATE, GLASGOW. EXTRAORDINARY ENTERPRISING ENGAGEMENT of the WORLDS GREATEST FREAKS OF NATURE, HOMARD, MAID OF THE SEA. The World’s Greatest Prodigy. LEONINE, LOCI0M SOLD FOR £119,000. London, Thursday.. — Th© historic Lyceum Theatre was put up for sale, and sold at tho mart, this afternoon for £119,500. Th© auction* room was very scantily filled with buyers or on- lookers while the auctioneer was making his statement. The bidding was very tame. It began at £100,000, ana ran up in fives to .*>115,000, when it dropped to thousands ,and was finally knocked down at £119,500. Th© auctioneer, after referring to his instructions as to the teserve price, declared the building sold. Ma.it 3>ec</. \4$ yob Sale of the Lyceum. The Lyceum Theatre, th© scene of the late Sir Henry Irving’s greatest triumphs, was put up at auction this afternoon, and sold for £119,500. Sentiment did not enter into the transaction. Historic associations — unless, indeed, they can be combined with special attractions for the cheap tripper — have no cash value in these eminently utili- \ barian days. I have hoard of a certain noble . I lord who makes a handsome addition to hjs income by charging a shilling per head for permission to view a ruined abbey situated on his estate. The capitalised value of his- toric associations in this case would be some- thing considerable. The price paid for the Lyceum site is rather more than £5 per square foot. Str^e DtuJUr 13* ^6. The possibilities of the chrono-mega- bhone as an entertainer can readily be Wised, as a full evening’s programme an b© arranged with it. Among the demonstrations given at a trial de- : bnonstration were: — Joe Mack in a, comio ditty, followed by the Swing song” from V eronique, 4 The Lord High , 'Executioner” from The Mikado , "This i little girl and that little girl” from" The . ! TMtle Mirhus, and “ The Miserere from j ii Trovatorc. On Monday tho chrono- gg* , megaphone was introduced at the London i >" 1 Hippodrome and at .some of Mr. StoU ^| other hills in tho country. _ ! Britannia (Sole Proprietor, 'Mr. A. E. rfl ( Pickard; Manager, Mr. G. Mitchell).— L. Gau- mont and company’s Ohronophone, introduced ! by Mr. Mitchell, was exhibited here for the first time last Saturday, and ii> very successful. J. H. Harris is a, popular comedian. Johnnie Guinn pleases the audience. Jeanie Fergus is a ; smart comedienne. Harry Jennings gains ap-jd? plause for his (lancing. _ T tt THE BRITANNIA (GLASGOW). The latest acquisition to the Britannia programme — the Chronophone — a French invention, has caught on already, and the three excellent pictures shown at each per- formance are highly appreciated. It is, indeed, a wonderful combination, the clearness with which the subjects are seen and the perfect tones emitted by the machine, makes the performance a most enjoyable one. Mr Pickard’s enterprise is certain to meet with success. The variety bill submitted this week is also of an ex- cellent character. The leading item is by that popular local entertainer, J. H. Harris. He is assisted in his performance by his son, who has a voice of exceptionally wide range and power. Harris has to respond to encores at every appearance. Nellie Fer- gus is a clever vocalist, who furnishes an enjoyable contribution. Johnnie Quinn, a local artist, appears in several new songs which arc of a. catchy nature, and sung in excellent style. The programme is one that is thoroughly enjoyable. The Panopticon has been thoroughly re- novated, and quite a host of new novelties for the holidays have been added by Mr Edmunds, Mr Pickard’s amusemeut caterer. The various new and novel ideas introduced should prove a great source of attraction to visitors during the New-Tear holidays. THE FASTING MAN. Mens. Beaute, whose record fast during the month of October created such wide- spread interest with his wonderful endux- [ance, will conclude his engagement at the American Museum, Glasgow, tomorrow evening. Since coming to Glasgow, the fasting man has made many friends. Al- though hie engagement terminates tomor- row, Beaute will remain in the city for some time. He will again undergo a fast extend- ing 28 days, to commence on the 7th Janu- ary, 1907. On this occasion, howeveT, the test will be more of a private and experimen- tal than jiublic character. It will take place within the Glasgow University. The* De- ! partment of Physiology there have engaged Mona. Beaute for the period stated. ■ej iri ijob. GLASGOW AHEAD OF LONDON. AT THE BRITANNIA PANOPTICON. THE CHRONOPHONE, THE SENSATION OF THE J.GE. DAILY at 2, 4, 7. and 9. Sole Proprietor — A. E. PICS.AJSH, Unlimited. — ~ BOY A ND WAX WORK. DOORKEEPER TAKES : lA W&Mo HIS OWN HAKa&tuX A crowd of people stood round" /’he window j of a waxwork exhibition. m Argyie ^Street.* last. Friday. The group, of ro v m*#© ? ’Oontaimxi the Usual large porccntagoe of inquisitive ’ j bo\s. Ooe of these in some way raised the j anger of tho doorkeeper, and was -shoved I back two or three times, and eventually cuffed on tho side of the head. The action on the part of the doorkeeper I brought, him before the presiding Magistrate at tho Glasgow- Central Court this morning, charged with striking th© youngster a blow on the face ‘To the effusion ofc blood.” Ono I or two bystanders declared they. saw. no reason or excuse for the a&ault." ***■•*• ? Five or six people connected with the wax- . work testified that the boy had provoked the doorkeeper by spitting on the window, re- turning twice or thrice when told to go away, and using insolent and obsoeme lan- guage. Addressing the accused, the Magistrate, said there was no doubt he might' haVo re- ceived some provocation from, hoys. Rut. if they would put an attraction in th owin- dew to draw a. crowd, they must be prej»a re^ to expect’ something of the kind*. Whilst prisoner might think .he. received provocation, the authorities could Jiot allow anybody, in. the city td take the law iiftc his owi hands. When ho w ishod a ’ crowii . dispersed ho had better call fri th© aid of a constable. ^Ho had no r.igiit to lift/ hi$ hin« 3 f<> st rik'oj ‘ *** -TihSB '• What made me strike the boy.” the ac- cused declared, (i was his taking put a knuckle-duster to strike me with.” His Honour reminded accused that there was a previous conviction against him, and considered he was dealing very leniently with him in imposing a fine of 15s, with the native of ten days imprisonment. . ? v * 1 THE BRITAXNTT. | Without the least, doubt, ’the most | enterprising entertainer of the public iu Glasgow is ilr A. E. Pickard, the geyial 1 proprietor of the. Britannia Theatre oi l Varieties and Grand Panopticon, in Tion- i gate. He has given many evidences of liis j j *’ go-aheadness " in the past, but his latest .! j efiort in securing the cronophone should I I p,rove the most successful. The machine,-! jAlfrench invention, as explained oh Mon- | Ifay by Mr M’Leod Mitchell, the energetic j * manager, was first exhibited in the United * Kingdom in the “ Brit.” They, were 24 hours ahead of London in exhibiting the machine, which produces wonderfully realistic pictures, accompanied by song and dialogue. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.32 Title A name given to the resource BP01.32 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 32 Description An account of the resource Newspaper cuttings about the programme of The Britannia Panopticon and museum. Plus an articles about the sale of The Lyceum Theatre. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/d67007fa6cb000772bfeb4847ff793e6.jpg 3aab7a76b471e389cca22eb17ef096eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.33 Title A name given to the resource BP01.33 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 33 Description An account of the resource Flyer with a song about the Britannia Panopticon. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/d6589d6300ff1f649142ec9cadcbbff3.jpg 7dc0e91c64d5fb6bc469a07bc48866ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Glasgow News, The Helenburgh News Date Date of newspaper article December 1906 Text Any textual data included in the document Mr Armstrong ' vv£pi ’Th’eri qTiopi iom*d r rr- | garding his relationship with Mr' A Scott Gibson. Mr Gibeon, he paid, had been assisting hyn during the past year. Ho ' had an agreeirtent with him, but it was 1 conditional on his getting a lease carried I through with the Corporation for the I Queen’s and a new agreement for the Tivoli. Mr Gibbon several times advanced money, and a joint-bank account was opened ; on the Andereton branch of the Union ; Bank. Mr Campbell — How much money did Mr ; Scott Gibson advance in connection with ' thia business? ! Mr Armstrong — About £350. He got so • | many suma of £10 and £15 he could not i tell exactly how much altogether, but £350 was approximate. He never gave Mr Gib- 1 eon any voucher. The first eum he re- ceived was £130 before he thought of going into me business. The bank account wae in the name of B. M. Armstrong, Eeq. ? and A. Scott Gibson, Eeq., and opened with a ; credit of £106. That wae in the business 1 when Mr Gibson came into it. On several | occasions Mr Gibson paid sums into the bank, and that money was mixed up with i the affaire of the business. The considera- tions under which Mr Gibson agreed to be- ;Jl come a partner FAILED ABSOLUTELY. I II <■ COUNCILLOR SCOTT GIBSON’S AFFAIRS. THE CFSSIO PETITION. Councillor Scott Gibson was to have ap- peared in the Sheriff Court to-day in con- nection with a petinon for cessio against him at the instance of ex-Councillor B. R. Scott. The claim of the petitioning creditor hav- ; ing been settled, the case was not called. THE ANDERSTON THEATRE GAIETY TO BE RE-OPENED. NEW LICENSE GRANTED TO-DAY. 0 He bad instructed hi3 solicitor to draw up 1 a deed to that effect, but. it had not yet been executed. It would be given to the , trustee. Mr Gib3on never drew anything i out of the concern. Mr Campbell — Mr Gibeon says he put £500 '■ into the business. What do you say to . that? 1 Mr Armstrong— I cannot say. On sev- eral occasions he paid the expenses. Mr Campbell — So that the prime sufferer has been Councillor Scott Gibson ? Mr Armstrong— That is so. He has lost | more money than I have. Mr Campbell — The trustee informs me that ! there are no entries in your book that can ldentfy these advances to you by Councillor t Scott Gibson. , Mr Armstrong explained that on Saturdays i there was not enough to pay the salaries, 1 and Mr Gibson made up the difference. The books showed that the drawings were not* sufficient to pay the salaries. There was a I sum of £70 which he thought was trans j ferred from Mr Gibson’s own bank account ! to the Ander9ton branch. Cheques were ’ ; drawn by both, but for the purposes of the . j business only, and the cheques were signed - !| by both. Mr Gibson ASSISTED IN THE MANAGEMENT, i! but not much. i| Mr Campbell— Had this been a successful concern, and there had been a considerable jj profit instead of a large loss, would Mr Gib- : . t son have participated in the profit? , Mr Armstrong- -If the agreement had been carried through I believe he would. Of the i J total liability of over £4,000 the greater part > j — more than £3,000 — was incurred before l I there was any talk of a partnership with Mr I Gibson. Mr Gibson’s name was not in the j Icaso of the Queen’s, and with regard to the ; ! Tivoli, no right of possession was ever : |j transferred to Mr Gibson. ; Mr Armstrong explained that he had just | I I arrived froth England, having travelled all j I' night, and that he had music-hall engage- merits for the next four weeks. The examination was accordingly ad- journed till the end of January or beginning I j of February. Application was made at the fortnightly Licensing Court of the Magistrates held in the Burgh Court Hall, to-day, by Mr Win. II. Howard, formerly manager of the Empire Theatre, Sauchiehall Street, for a new license for the Gaiety Theatre, 617 Argyle Street, which was closed by order of the Magis- trates on the 17th November last. Bailie It. S. Brown presided, and was accompanied by Bailies Archibald Campbell and Dunlop, and Mr John Lindsay, Depute To wn -Clerk. Mr Douglas, Superintendent of the West- ern Police Division, submitted a report by the Master of Works and the Firemaeter shoe- ing that alterations had been going on for several weeks in view of this application, and that the bye-laws and regulations had been complied with except in one instance, where wooden joists were used in a lobby. , The theatre accommodated 1,369 sitting and 22 standing. Mr Ballantyne, writer, on behalf of Mr Howard, said that with regard to the altera- tions, they had done everything in their power to make the theatre thoroughly safe and comfortable. With regard to the par- ticular objection raised they had done as much as they could, but underneath there was a public-house to which they could not get access to put in the necessary beams. They, had, however, put in a good cement flooring. Mr Lindsay asked Mr Ballantyne to ad- dress himself to the Court as to WHY THE LICENSE SHOULD BE GRANTED to Mr Howard. Within recent years there had been quite a number of licensee in this house, and their Honours would like to hear something on that point. Mr Ballantyne, replying, eaid Mr How- ard was a well-known gentleman in Glasgow and also with the Magistrates, because he was manager of the old Gaiety, and subse- quently of the Empire until about a couple of years ago. He 'thought the Magistrates and the public knew that that house was conducted on tne best lines. , lie was quite satisfied that Mr Howard's J personal character would bear the very closest scrutiny, and that he would conduct tbps, house, on tjie very best lines. It was i to be his endeavour to raise the status of -j this house for the people of the. West-End,.! and there was quite room in that part orj Glasgow for it since there was no theatre there. He thought they ' had got the right man and the right, sort of committee, behind him to conduct the' house to the credit ’of* tb e city oL.Glafiy.0.^«^. rt : - - . — — r - : Mr Lindsay — Suppose the Magistrates said, they will give you thie license On the condi- tmn that you don’t apply for permission to sell liquor ? Mr Ballantyne — I hope you wofa’t insf^i on that condition. If you grant the license, the house and the bars will- be conducted on the very best lines. I would ask that 1 this con- dition be not emphasised. Mr Lindsay pointed out, further, that they sought relaxation TO ALLOW SMOKING, he asked, to be conducted Mr Jack said h'a was not a betting man, and if it was for a stake he would be against it. He would withdraw his motion. To this his seconder would not agree. JV^r William Alexander thought, in the in- terests of the moral character of the com- munity, this should not be granted, and he mentioned ho had taken a part, in refusing another hall for the satnfe 'fnatch. Ultimately the committee’s decision was UDhsld bv 8 votes to 3. m e; ' . ' ;l i • r much on the samel Was it, ___ music-hall ? Mr Ballantyne — Yes; lines as the Empire. , Mr Lindsay — Are there to be any boxing] competitions? (Laughter.) ' 1 Mr Ballantyne — None whatever. Mr Lindsay— Then you accept the condi- tion that there is to be no boxing competi- | tion except by the express permission of the Magistrates 1 Mr Ballantyne — At. once. Bailie Brown — Is Mr Howard proprietor here ? Mr Ballantyne — He is manager really for a company. Bailie Campbell — But the management 1 Twill be practically in his hands. Mr Ballantyne — Yes. . Lindsay — And he will take the respon- ' sibuitv of carrying out the Magistrates’ con- ditions ? Mr Ballantyne — Yes, he will be responsi- ble for everything. Mr Lindsay — The chairman wants to know it the company behind your client have any CONNECTION WITH THE LATE LICENSES? I Mr Ballantyne — None whatever. Bailie Dunlop — A different crowd alto-'i get her? . V nl r H^HAntyne — Yes, altogether different, j . The Magistrates then retired, but almost i immediately returned, and the Chairman an- nounced that the decision of the Magistrates was that the full theatrical license be gran- ted till the month of May, and also that they ! had agreed to the relaxation in regard to i smoking. | MORALS OF KIRKINTILLOCH. WRESTLING DEBARRED. At the meeting of Kirkintilloch Town Council last night, Mr Jack took exception to the decision of me Hall Committee in refusing an applicatoin to hold a wrestling match. He saw no harm in wrestling, and had gone a long way to see a match. He had no hesitation in moving that they do let the hall for such a purpose. Mr Stark — for boxing too. Dr Armstrong seconded, and said this was a sport that applealed to a certain section of the ratepayers, and they had as much right to the use of the hall as any others. If they ldoked to Japan, the country that was now leading the van, they woul’d find that wrestling was a part of the national education. He saw no harm in it, and he did not think it fair that the Council should veto it. Bailie Perry thought it. wa« more because of the damage that might be done to the' furniture that this application was refused. Mr SUtIc— A nd to the person.* jTiys Proves! — No ; -it was considered that in the interests of the community Such a thing sbbuld not be allowed. Mr Stewart, convener of the- Hall Commit- tee, ex-plained, that the application wae for a -ioatoh between Munro, of Govan, and a PajStek policeman, and for a stake of £100 .a-side, Jiv Jfevtt JJ&j. /3 * l$o6. \ | Pickard’s Museum. — This exhibition continues to receive a fair share of patronage in Glasgow. Homard,” who is styled “ The Maid of the Sea,” is ou exhibition here. She is a French lady, and is a marvellous freak of uatare, having claws instead of feet. Mons. Beaute. the champion fasting man, is another attraction, and is to be seen daily in the apartment in which he fasted for 39 days. The liritanuia Panopticon, which is only a few doors along frem the Museum and under the same I management, is another" strong attraction, which continues to be well patronised. Jl He* fy ibiyot, BRITANNIA PANOPTICON TRONGATE, GLASGOW. THE BEST VARIETY COMPANY IN THE CITY. FINEST AMERICAN BIOSCOPE IN THE WORLD. AMATEUR CLOG DANCING COMPETITION for the CHAMPIONSHIP OF SCOTLAND Commerces . DECEMBER 3rd, 1906. MATINEE TO-DAY at 2 PM. j Sole Proprietor A. E. PICKARD, Unlimited. > Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.34 Title A name given to the resource BP01.34 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 34 Description An account of the resource Newspaper cuttings about: the sequestration of Bernard Armstrong's Queen's and Tivoli music-halls, the licence of the Gaiety Theatre, and the programme of The Britannia Panopticon and Museum. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. music-hall theatre variety https://www.pickardspapers.gla.ac.uk/files/original/f1db7a72f4bf4c0b6cce4360e8016f5b.jpg 6495ef077ccd8995c3f479cba1118b5e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.35 Title A name given to the resource BP01.35 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 35 Description An account of the resource Poster of The Britannia Panopticon. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/78f43cc69656ef38aff893c8a4135958.jpg a7942d08acc67bf637bdb4894a7f9def Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Evening Times, Glasgow News, The Glasgow Herald Date Date of newspaper article December 1906 Text Any textual data included in the document GLASGOW AHEAD I BRITANNIA LONDON. I j PANOPTICON. THE CHRONOPHONE, TUB SENSATION OF THE AOE. DAILY at 2. 4. 7. and. 9. Sole Proprietor A. E. PIC'KARD, Unlimited. FICKARP’S . AMERICAN MUSEUM, TRONGATE. EXTRAORDINARY ENTERPRISING ATTRACTION S i JTT3T SECURED. at an EXORMOFS EXPEXSB, .HOMARD. - P THE MAID OF THE SEA. £ SlIOXS. BE ACTE. lha Fasting' Champion, Receives Friends Daily nhtU Further Xotice. JjEol. Proprietor A* E. PtCKAED. Cnlimited. Bottle Thrown at Actor. ■ At tho Central Police Court, a lad named Rt Hector M‘Dougall was charged with assail It - Ming a performer in the Britannia Music-Hall, ■ named Sydney Norman, by throwing a glass || ■ bottle at him, witih the intention of striking R him. He denied the charge. Coanplainer said the bottle was thrown B from the gallery, and dropped at his fact. PANTOMIME DISTURBANCE. Young Man Fined. A well-dressed young man named Julius William. Lutch appeared at the Southern Police Court, this morning charged with being dis- orderly in his conduct in the Royal Princess’s Theatre last night, and caiising a general dis- turbance. He pleaded not guilty. A theatre attendant said that last night was the opening performance of the pantomime, and a crowd of young men, numbering about 35, took possession of the stalls. They com- menced to shout and bawl and create a noise with their sticks. The uproar became so bad that the performance had to be stopped for a period. Several of the rowdies were ejected, and the accused, who seemed to be the ring- leader, was put out four times. He persisted in returning, and caused a disturbance in Mam Street at the entrance to the theatre. The g olice were summoned, and he was appre* ended. . . The accused said a considerable latitude was allowed on the opening night of a pantomime, and he considered the disturbance so trifling that he did not think it necessary to call wit- in the in- GLASGOW NEWS, A ROWDY NIGHT. SCENES AT A PANTOMIME. YOUNG MAN APPREHENDED. „ , . ti i Bailie M'Innes Shaw said it ---- -- — - The stage-manager s-tat-cd that a noisy crowd | terests of the people who went to cnioy them- of youths was present, and he saw prisoner li se j ves at a pantomime that order should be | throw the bottle. Mr. George Mitchell, the j; maintained, and he fined tho accused 10s 6d A number of other young men who were con- corned in the disturbance failed to appear, and | their pledges were declared forfeited. ■ manager, said he was in' the stalls at the i I time. The house wa6 crowded, and the > I incident fenight have led to a panic. « f Police-Judge Mad ay, who presided, com- j I mented upon the danger of bottle-throwing I I in places of entertainment, and imposed, a f | fin© of £1 10s, the alternative being 14 days’ p I imprisonment. The enterprising .mianaremeffit of the i ; popnla-r Rrifeyniroia announce as their latest j 9 attraction the Oh top orphon e , described as the \ j sensation of the aee. In addition a. firnt-rate ' I mude- bail! entorta iinm emit is served out, the , # programme consisting cf several capital | I turns. Porformsinons given at 2, 4, 7. and , [ 9 o’clock , the full pcirformonoe being gone [ through a/t each house. i PATLT RPSOORT^H DEGEMBEP “ 15, 1906 PANTOMIME ROW. PRIVILEGES OF A FIRST-NIGHT AUDIENCE. TIiio moiavgemant of Pickard’s ; conbir;r,io to cal-o ren kho rijrh/t Erics for tho | nr'mcrous psutromb at the Tror/rato housa. An f; estraojv’: ;i.rv rvtt.-r. O.ion H-s keG-i soourod in | Horoard, -“The Maid of the Sea." In r.ddi- [ ! t ton, _ Mens. Bosuiks. tho champion fnotinff I “nan, roma.ins in tho .V-tm?, an/d nooeiv-es his 1 1 friaads daily until further notice. The idea prevalent among some young: j 7 men that the first nick* of a pantomime \ Museum H affords a legitimate opportunity tor indulg- R rt! ^ n g in disorderly behaviour, to the annoyance j cf others who have gene to enjoy the per- ; j form ante, was rudely dispelled at GI argo'.v j Southern Police Court yesterday. At the Royal Princess’s Theatre on. Thurs- j day evening a number of young men wore | J5j8 seated in the stalls, and during the perform- 1-, ! I anoe created a disturbance. Several of them ; R wore ejected, and cue of tho number, Julius !_i !« William Lutch, ties apprehended. At t.he Court the accused said that at tho K E" opening night of a pantomime a certain | P— j amount of latitude was always allowed, and a EAth-o disturbance was to trifling that ho did f KThot think it necessary lo call witnesses. Kg Itr.ilie MTtincs Shaw said it was in the | intorerfs of tho people w ho went to enjoy '■ — t tj themselves at a pantomime that order should i- £ ] be maintaiacd. Ho fined the accused 10s 6/1. i A number of Other young men conoprned I in the disturbance failed to appear, and their • j pledges wero forfeited. — i . —'***=’. — F= r-r L The opening of the Princesr-’s Theatre | pantomime last night was unfortunately marred by the rowdy and annoying conduct of a crowd of youths who took possession of the etalls for the evening. As a result of their ungentlemanly behaviour, it was found necessary to call the police, and several of the rowdies were taken in charge. At the Southern Police Court this morn- ing a young man, fashionably dressed, • named Julius William Luth ? was charged with having been disorderly in his conduct in the Royal Princees’s Theatre last might, and with causing a general disturbance. He . pleaded not guilty. A theatre attendant stated that last night was the opening performance of the panto- mime, ang a crowd of young men number- ing thirty-five took possession of the stalls. During the evening they kept up a con- tinual shouting and bawling, and made noises with their sticks. The uproar was very annoying to the audience ’and artists, and it became so bad that the pantomime had to be stopped for a time. Several of the interrupters were ejected, and accused, who seemed to be the ringleader, was shown the door on four occasions. He always persisted in demanding re-admission, and ; the disturbance he caused at the entrance to j the theatre was so bad that the police had to be called, and he was given in charge. Other witnesses corroborated. For the defence accused observed, in non- chalant manner, that at the opening night of a pantomime a certain amount of lati- tude was always allowed. He considered the charge so trifling that he did not deem it necessary to bring witnesses. Bailie MTnnes'Shaw said that such dis- graceful conduct on the part of young men who attended pantomimes would not be tolerated. The people who visited these places of amusement to enjoy themselves would have to be protected. He would modify the sentence to a fine of 103 6d, or seven days’ imprisonment. A number of the rowdies failed to appear in answer to the same charge, and their pledges were declared forfeited. The fact \ that the police will take action in causes of the above nature in the future will, it i6 ! hoped, lead to a cessation of such hooligan « demonstrations. DECEMB E R 15, 190G. j GLASGOW THEATRE DISTURBANCE. A disturbance which caused the officials con- siderablo annoyance occurred during the open- M ing performance of the pantomimo in tho £»] j Princess’s Theatre on Thursday night. As the result a well-dressed young man named Julius P?** William Luth, who resides at 51 Bank Street, k|9 j Hillhead, appeared at tho Southern Police Court yesterday, and pleaded not guilty to a J charge of taking part in tho row. A theatre i attendant said tho stalls had been taken pos- f£i J session of by a large crowd of young men, who,j&£: commenced to shout and bawl and create a ! ; noise with their sticks. The uproar became f so bad that the performance had to be stopped .Bp a periodl Several of the rowdies wero cted, and the accused, who seemed to bo the ringleader, was put out four times, ^e persisted in returning, and caused a disturb- S anco in Main Street, at the entrance to the | theatre. The police were summoned, and he £ was apprehended. The accused said a ion- I siderable latitude was allowed on the opening^ night of 'a pantomime, and he considered the disturbance so trifling that he di)d not think !t " it necessary to call witnessed. Bailie MTimes ^ Shaw said it was in the interests of the pe<?ple who went to enjoy themselves at a pantomimo , y§jjj that order should bo maintained, and he fined the accused 10s 6d. He* hoped this would be a |l warning. A number of other young men who were concerned in the disturbance failed to r Jggi appear, and their pledges were declared 12 f forfeited. fiSHQ THE GLASGOW IIERAJ DECEMBER 15, 1900 — (Before Lord Salvesen and a Jury.) An Aberdeen Theatre Incident. In an action, the trial of which was begun to- day, before Lord Salvesen and a jury, George I M orison, piano-tuner, 64 Dee Street, Aberdeen, sues Rosen and Bliss, lessees of the Palace Theatre, Aberdeen, for £1500 damages for assault ^ and violence used by one of the de- fenders’ “ chuckers-out ” when ejecting the pur- suer from the theatre on the evening of March 12 last. The pursuer had entered the pro- menade on the evening mentioned. He avers that the “ chucker-out ” accused him of whistling during the performance, and notwith- standing remonstrances “ lifted him off his feet and hurled h;m with great violence down the stair, and ejected him on the pavement in front of the theatre.” During the whole of the time the pursuer offered no resistance. He says he was not making any disturbance, and avers that by the assault he has sustained injury to his leg, which has caused permanent disfigure- ment, and will prevent him in the future carry- ing on his work as a piano-tuner. The de- fenders say that the removal of the pursuer was rendered necessary by his own misconduct, and that no unnecessary violence was used by their servants. The case was continued till to-morrow. Counsel for Pursuer — Mr Morison, K.C-, and Mr Mackenzie Stuart. Agents — Macphersoh and Mackay, S.S.C. Counsel for Defenders — Mr Guthrie, K.C., and Mr Arthur R. Brown. Agents — Alexander Morison and Co., W.S. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.36 Title A name given to the resource BP01.36 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 36 Description An account of the resource Newspaper cuttings about The Britannia Panopticon and museum, a disturbance at the Royal Princess's Theatre in Glasgow, and a disturbance at the Palace Theatre in Aberdeen. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. chronophone variety https://www.pickardspapers.gla.ac.uk/files/original/bca3b58673c0c190dd696e4e80afe520.jpg 4fde93fce94d2ee32b0e4910939f93a3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Partick star, Evening Citizen, Glasgow Weekly Mail, Daily Record and Mail Date Date of newspaper article December 1906 Text Any textual data included in the document BRITANNIA TaxhelC S-taD 3)lcf*/5~ * /QO 6 /dbdieAs / 7)&e/ /(- K /6 BRITANNIA AND THE CHRONOPHONE. | HAPPY HIT BY MR A. E. PICKARD. The enterprise shown by Mr A. E 3 Pickard since he became proprietor of the | Britannia has all along been noteworthy but, no one expected that this popular J gentleman would lead London in the way J of up-todate entertainment While the I chronopRone — a new invention combining I the cinematograph and phonograph — was [ shown in Loudon for the first time on Monday evening last, Mr Pickard had the j apparatus in full working order the Sat- i urday previous, thus beating the great j metropolis by 48 hours. On Monday afternoon a special performance wms given 3 when the chronograph was shov ; to the I leading members of the newspapers and | friends. The invention is quite a marvel | being a veritable triumph of living materialism. Iuueed this new invention immortalises the human voice and stage ! movements and the Z>£c/. /J- //#£ It I LA N N I hLf_ 3>&\. 15- * i our ‘Untidy 1906. \)\ t'C/yU/vt-fl 1$ ^ 1906 . ^ 18 . A CLOWNS “AT" THE PANTOMIME. Th© opening of the Princess ’s Theatre pan- 1 tom i me on Thursday night was unfortunately h marred by the rowdy and annoying conduct |j 3 of a crowd of youths who took possession or I jj the stalls for the evening. As a result of their un gentlemanly behaviour, it was found li.'-j necessary to call in the police, and several 02 V? til. rowdies wore taken in charge. At the f 1 Southern Police Court yesterday. a young n man. fashionably dressed, named Julius j William Luth, was charged with having been H disorderly in his conduct at the Royal Prin- ; cess’s Theatre, and with causing a general H disturbance. He pleaded not guilty. A j • theatre attendant stated that at the opening $ performance of the pantomime a crowd of f l young men numbering 35 took possession of i the stalls. During the evening they kept up | ^ THEATRE OF VARIETIES. 4 — PERFORMANCES DAILY — 4 2, 4, 7, 9. GLASGOW AHEAD OF LONDON. CHRONOPHONE. PICKARD’S LATEST ENTERPRISE. SENSATION OF THE AGE. NO LONDON MANAGER Has YET SHOWN THE CHRONPHONE TO THE PUBLIC. BEST VARIETY pOMPANY if this CITY. General Admission, TWOPENCE. BALCONY SEATS FREE. ORCHESI RA STALLS (reserved) 2d Extra tli 0 e talls. During the evening they Kept up SMOKIN I ALLOWED IN ALL PARTS a continual shouting and bawling, aud made — ■ : - ' | noises with their sticks. The uproar was it very annoying to the audience and artist^ J and it came wo "bad that the pantomime; liad to be stopped for a time. Several of the ; ■ interrupters were ejected, aud accused, who; j seemed to lx> THOUGHT-READING. AN UNKNOWN FORCE. JT>ee: /</ /fe>6. DISORDER AT A GLASGOW PANTOMIME. The Ringleader, ROWDY FIRST NIGHTERS. Th© opening performance last night of the jl ; was shown the door on four occasions. He • always persisted in demanding re-admission, and the disturbance he caused at the entrance I! to the theatre was so bad that the police had j to be called, and he was given in charge. Other witnesses corroborated. For the de- Rnvfl] “lu^+uri. r>~, »j i fence accused observed, in a nonchalant reatest credit is due ! ' 1 , 1”. « Pantomime, Mother Goose, • j manner> that at the opening night of a pauto- . r _ t>- , , r> ,. . . I wkis unfortunately marred by scenes of rowdy- f ar-ri mimo a certain amount of latitude was to ivir Jrickara tor his enterprise in ob J ism in the auditorium. |! Kb *, always allowed. He considered the charge taming at enormous cost such au Shortly after the curtain was raised a com- [ l so trifling that he did not deem it necessary extraordinary attraction. The operations * pMy of welJ ' <lreiKed ,oul * men 6ntered | o- nlflorln aa V ,a 1 ; II \n \r i , , . noisily, and occupied seats which they had a* clearly explained by Mr Mitchell, the j booked in the stalls. courteous iiiauager, ai o controlled tlliough- j They mode themselves very obnoxious to out % electricity and the effect on the ? J he *? t&ei r J?i rabei \ of au<lien e e > - -* 1 u to the artistes, whom it ahsc i Song.” Among the j Fergus, J. H. known aitistes. other turns are Nellie Harris, and other well- to the artistes, whom it was absolutely im- stage was greatly enjoyed by all present, [possible to follow at times. . The TiWoa r-l.r/A»xrvr,l, „„,l (( \\r n • Lb© offenders were remonstrated with on p eces coronophuued were W alkmg several occasions, but the effect was only tom- Horae with Angeline, “This Little Girl **£,“*■ . „ , . , , I ..in , T,. ,, .towards the conclusion of the pantomime ! ana that, I hey Cant Diddle Me, the interruptions became so offensive and per- ‘ Death of Little Nell,” “Stop Your : that it was found neoeaaary to eject * *■ a number of tho young men, and hand them tickling, Jccjs,’ and the operatic “ Swing 1 over to the police. 1 Meantime, tho performance had to bo stopped. POLICE-COURT PROCEEDINGS. At the Southorn Police-court to-day a well- dressed young man answered to the name of Julius William Leith and pleaded not guilty ! to a charge of being disorderly in his conduct j in the theatre. An attendant stated that the rowdy com- pany in the stalls numbered .about 35. The 1 accussed, who appeared to be tho ringleader, I was put out four times, but sucoeodcd on each j occasion in getting back again. Accused said he always understood that at an opening performance a certain amount of I latitude was allowed the audience. He con- j sidered the offence of which he had been , guilty so trifling that, he did not think it . necessary to bring witnesses. - I Bailie MTnnes Shaw said such disgraceful 1 conduct could not he tolerated. . It must have been the .source of much annoyance to tho many persons who went to enjoy tho panto- mime. He was willing, however, to exercise leniency, and the line would be IQs 6d with the alternative of seven days in prison. : A. .number of other young men failed to fi appeal and their 'pledges of 21s were doclared ' ] forfeited. to bring witnesses. Bailie MTnnes Shaw said ; that, such disgraceful conduct on the part of I F: young men who attended pantomimes would , not. be tolerated. The people who wished rag these places of amusement to enjoy themselves HS [would have to be protected. He would modify : the sentence to a fine of 10s 6d, or seven days’ j (imprisonment. A number of the rowdies [failed to appear in answer to the Bit me charge. ' s and their pledges were declared forfeited. Tbe ,r fact that tnc police will take action in cases of tin* above nature in the future will, it ish . hoped, lead to a cessation of such kooligau ; Uemonstrai ions. I'j % / 906 . AHEAD OF XT Tire LONDON. PANOPTICON. THE CHffONOPHONE, THE SENSATION OK THE AGE. Supporied by OiEAND VAJtHJTY COMi’ANY. DAILY 2. 4. 7 and 9. Sole Proprietor A. K. PI CKA.KD, I' n.llr ujK»d. 1 * * PICKARD S AMERICAN MUSEUM, TRONGATE. ! 1 JiXTKAOKDLNARY ENTBKPBIS1XU ATTRACTIONS. , j THE WORLD’S GREATEST' FREAKS OF NAlTlcE. j. A HOMARD, A ; L • THE MAID OF THE SJEA. L j I THE WORLDS GREATEST PRODIGY. I ; V LEONINE. V E THE LION -HEADED GIRL. E t ALL TUB WORLD IN WAX. 1 AHEAD OF THE TTMTS. Ao 1* Proprietor A. li. riCKAHD, UaUmlUd. | ‘"I am not a magicianv” 6 aid M. Zajicig toJ a "Telegraph” reporter. <‘I claim no sixth-9 j sense. What I do claim is that when I wish*; . i my wife to see something beyond her powers jof visiion, I can transmit it to her.” That is'l 1 *u 6 c ^ a * m w ki c, b M. and Mme. Zancig put to ! . I the proof every night in tlheir remarkable en- j •1 tertainmont at the London Alhambra. M. < | Zancig goes among the audience and receives/, jail sorts and kinds of articles. Madame Zan-f» I cig, remaining on the stage, is vet able to \ j Jesenbe those articles in the minutest detail, fri W'nen a match-box is handed to M. Zancig, f:. j almost before he has counted the matches ffe j madame is telling the audience how many r*\ , there are. That is but a slight example, but it serves to explain the kind of thought-read- I-' ing of which M. and Madame Zancig are i capable. How is it done? M. Zancig doefe not pro- { fess to explain. Chatting on the subject he t remarked that when he thought of anything I ; - intently his wife was consoious of the thought, y ' MADAME ZANCIG could put herself in a. passive condition, in j • which she recorded what passed in his mind. How exactly that happened, what the power ^ wag, he left for others to explain. But the f fact of his thought transmission was patent for anyone to tost. Of the way in which he J discovered the possession of this power M. Zancig gave an interesting account. "I know no more than anyone else how it came, said he. “It grew naturally, it came or us like a sneeze. Sometimes when we sat down to dinner ray wife would say— T know what you’re thinking of. my dear. I’m s-ury, but I couldn’t got. any this morning.’ Well, I hadn’t said a word, and I used to toil her * hadn’t been thinking anything at all. Oh! yes, she would answer. 'You were thinking you would rather have’ (with humor- ous reluctance, M. Zancig brought out the word) ‘would rather have — calves’ brains than this. steak.’ It. was quite true.” M. Zancig continued. “Then we found that when we j chose she could read my thoughts WITHOUT A WORD BEING SPOKEN. j No, I don’t need to will she should know ; '-j what Fm thinking. It’s enough for me to . j think earnestly of the matter and for her |, to pute herself in a condition to receive my j 1 thought. But if she says — ‘I’m not going .. ' jl to get it’— she doesn’t get it. I ascribe our ' | power to the harmony that exists between j 1 my wife and myself, the harmony that comes i .from consideration for each other. When • - the husband will have hie own way and the § ; wife will have hers, there are iars’ aren’t - j there? When tho husband stop; to think, 'Is f, she right, or am I?’ all goes well.” Hero') jj'Mr Moul, of the Alhambra, interposed to j suggest that M. Zancdg had mistaken his 0,1 vocation, and that instead of a thought- | | reader he should be an expositor of matri- ! monial bliss. M. Zaneig went on to explain ! that his thought-reading would not work the ! reverse way. i HE COULD NOT PERCEIVE HIS WIFE'S 1 THOUGHTS. ' She was always, so to speak, the receiver, - he the sender, of thoughts. “I haven’t found auy trouble,” said M. Zaneig, with a smile “from her knowing all my thoughts. It cetr- > tainly isn’t much use my having a quiet i game of cards with her, for she always knows j[ | what cards I hold, and what I am going to I play.” With some humorous • satis foccion, i 1 however, he to\d of one occasion on l ( his wife’s perceptive power did not l - ’ Idler from a defeat at poker. He haftfl Roes, but he thought of them as throe land hie ng implicitly her viSMKI ■'•f his thoughts went down. I ..At hrst 'M. jpug Zaneig (who I Damsn By mrjfe t, m | made use of tneir powers only to ' - AMUSE THEIR FRIENDS. jTVmn came modestly paid engagements. On<S night, late, while they wore making ready tol go to bed, M. Zancig received over tho t.elo- ' phoDe a request from a manager to cornel and giro a “turn.” Neither he nor hie wife I much wanted to go. so they resolved to able , ! a high figure. They had before received ! eome ten or fifteen dollars an engagement. That night M. Zancig asked for fifty. “Make j it, seventy-five, and oome along,” 'said the r telephone, and M. Zancig nearly dropped j the receiver in amazement.. From that time / he and his wife devoted themselves to public j performances. r I Their powers, ©aid M. Zancig, have much j developed with exercise. He compared their L Increased pppfipiency to tiro mastery which I n obtain* 0 f an instrument bj | The^nun^^ ONTINUAL PitA ' ,,r iCE. J >Wu,^d " Lt thai Ihtv ^ Work ” I 'Wj „ Jitjg ^ "mcBmn.. I d Vttsfcs, Liwp before^ r; reads his ; ^himself consoioue of / . . - . Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.37 Title A name given to the resource BP01.37 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 37 Description An account of the resource Newspaper cuttings about: The Britannia Panopticon and museum, a disturbance at the Royal Princess's Theatre in Glasgow, and a telepathy theatre act. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. chronophone https://www.pickardspapers.gla.ac.uk/files/original/b8671c3105001c4c42fe6f2aa11d9b98.jpg 7a38d528c8b66a91b60f23aa6395bff7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Date Date of newspaper article December 15 1906 Text Any textual data included in the document Yes ; they are Great. They represent the , Desperate Buoyancy of Life; don’t miss O’Flan- mgan kicking (FFlinnigan on the striped waistcoat— it, is 1 the “ shef dodver ” ; they have cone- it t,063 times, and never failed to Get a Hand .with it during their month’s engagement at thd'Holborn in the Winter before the War. What remarkable agility! Look how Ms hat flies back on his head every time O’Flinnigan knocks it off. How is it done? _ . By a piece of elastic ; Marconi invented the idea last Thursday and Cabled it to them. Oh! what a smack on the cheek ft. poor THE FUNNY MAN. Goodness 1 What is that m a woman’s clothes? . That is the Star ; he is the Leadm; and draws the Biggest' Salary. Is he funny? . Funny ! Of course he is; do you he wears Women’s Clothes? Th at. excruciating 1 squirting t man’s f He is going td trees painted on 1 — , - , Awful Start when ho finds^ ho cannot, also going to Do f I Bottle, which he i. — - — — if we have any I the frills of his' Underwear. Who discovered him? He was found in 1 ’ through an Advertisement m said he was “ Th« Funniest Song, Dance, a*'" - ----- - . don (Vide * Clapham Mercury ). August, THE PRINCE. Is that the Prince? No S the lady with 'the pale blue tights and 7 Td - 4-V. r->. PriTirvt S IP. eluded Dee $ ieftfieeE £1500 on© o ejerfir e renin enlere tioned accuse a nee, “ lifto.- great in th JDurin; 'offeree makin assanl has oa p revet .as a f remov by his violen The return and a.< Con: The Looker=On Comedian the stereotyped Expression is the Prince. Sue is. always to be distinguished by her careless act- inf • it arises from the consciousness that sne had first choice of the Ball Room costumes, and stands second top on the Salary List. Why does she Bleat like that? It is not Bleating; it is meant Tor Song. At this verv moment she is singing the Success oi the Season— “My Amazonian Maiden in the Moonlight”; it is going to take the town by Storm. Can nobody stop nor r Alas ! no ; you must not take such drastic mea- j sura with Art. She will do this for years and years, unless some Martyr immolates himself in the Public Interest; marries _ her and takes her I with him to his Public-House m the Country. Wh- should she jerk her knees like that, and I never give her Smile & rest ? , -p If she did otherwise she would not be a P “h- tomime Prince; the Bleat, the Jerk, and the Smile are Traditional^ Sit tight and ca„ch hold ci your seat, for she is about to Dance. Great heavens! Is that Dancing, It is; did vou think it . was ’ Sudden Ulness? There is nothing wrong with her, but she is no lono-er Young, and if she really dancod, her paint would run. Besides, you have to learn Dancing, and that takes Time. She is Very Beautiful. All, yes: or, rather, yc What Salary will she She says she gets £50 merit hint at £50 and e other members of the Cc her mother knows it is £. ' on Treasury days for £2 s •6B he is; do you not see tear Clothes? That is the most LLti kind of humour there is, now that n a soda-water from t a syphon on another an’a face has been found to be Pathetic. What is he going to do? . , - ■ ' ; pretend to walk between the xi'Flannigan ; does it not hurt? that Back Cloth, and get an Not a ^it; j t j s done m the Wings with a He is S' a p-stick That is the “ arr noovo of Lon- lJK) Something with a Whisky c ; on com edy ; doesn’t it make you laugh all over? j will take out of his pocket ; and j h 0 p 0 they will throw stuffed bricks at each Luck at all, we may see him show 0 t hor ■ .t always reminds me of my Youth when That if. Killing. the s uffed brick joke was just coming in. fhev work so hard ; they must need a lot of Rest the early days of last Summer during the Daytime P , . , , , , , ,-,,„isement in the “Era,’ which would be good tor their health but they ■■The Funniest Refined Artiste — cannot afford the Time to rest ; so they go to and Patter— ever appeared in Lon- p ] aces wherp the Stuff is Good Old Moses, insert j ')• Now Resting, their feet up to the ankles in sawdust for ine Tier, Brighton ; September, The warm lh. «nd try to catch hints at Badinage and Pavilion. Blackpool; Brothers Glancey and Jolly Business (generally from the other Customers. Tim Jones please communicate.” If he did not Once, in Birmingham, O Flinnigan got quite advertise, P h« would Drop Out' and leave an i ncw Gag this way ^that was noticed in the A"hinv Void in the Gaiety of Nations. j “ Southport Gazette. He would ask 01 lan- TTnsh l he is going to sing. ; nip u if he had ever seen a horse with more than Then what ho ! for Ten Minutes of Refined f our legs, and of course O Flanmgan would say Merriment I forgot to bring my Sulphoral no Then O’Flmnigan would say lie d seen lots 5 i, , tad Fore Legs and hind ones too, and follow That was a good gag about Councillor Scott w ith a Lightning Jab with hisleft J°°* 0! * inat was a go „ O Flannigan’s ' Eyebrow. After that they got It was- and the young man who made it for fasty new cards printed in Two Colours that said n clwwl t so wheS ho gave it to him. -.“'O’Flinnigan and O’Flanmgan, Literary and men ms uauiv *o ~ .. . , , • , , Certainly not; it is more likely to be in the Newgate Calendar. Why do theatrical managers go on producing Pantomimes? Because three good plays, twenty-five rotten ones and one pantomime make a first-rate F man- tial Year. Theatrical managers are not 1 hilan- tbropists ; they are out for the Stuff. Then pantomime pays? Vou can see it doing so with your own eyes. If you would keep the average British Parent jiom going to a pantomime, you must bo armed with a Gun. , . Doubtless it flourishes on account of its Ap- peal to Children? Rats ! Any child under eighteen would pre- fer the Circus, or a Sixpenny Soiree where you k'liut surely the Juvenile Mind delights in the Fairy Story? . , ,, The Fairy Story is Conspicuous by its Absence ; l you could not find it if you ran the Pantomime through a Milk Siove and gave a £10 prize for Very Youn; nng to have fun ; here are Door One < Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.38 Title A name given to the resource BP01.38 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 38 Description An account of the resource Newspaper cuttings about pantomime and business of the Empress theatre in Hartlepool. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Pantomime https://www.pickardspapers.gla.ac.uk/files/original/6f201cec9177ea42dd6020550261c9a6.jpg c22f6b8da21482bcdfe4cd72d4382d84 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Glasgow Herald, The Glasgow News, Evening Citizen, Evening Times, Era, Helensburgh News Date Date of newspaper article December 1906 Text Any textual data included in the document {Before Lord Salvesen and a Jurr.) An Aberdeen Theatre Incident I , , an the l"na! of whieb was non- .! ?W <L \ p* 0 '? 1 ' Moriion. piano tuner; S* Deo Street Aberdeen, sued Rosen and B?>- thp Palace Theatre. Aberdeen, for | „„ 00 ? a f’ a ff e , s f" r HMau.it and violeooe used br Jj one of the defender? “ chuckers-ouf. " when ejecting 'he pursuer from the theatre on the r' n j ft Marcb 12 l3 "- T he pursuer had f entered the promenade on the orirnr men- aver, that the “rbiirker-out ' I accused him of whistling- during fbe perform. I ?/!*?; t u- ld * ‘? 0 / w itb s> a.ndincr remonstrant, : lifted him oft hi* feet, and hurled him with jpeat violence down the stair, and ^jerrod him rv«t the pavement in front, of the theatre. ' ;Dunnr rhe w.mle of th** time the purtuer oftered no resistance. He says he was not t making^any disturbance, and avers- that br tho’ | * sSauIt he haov sustained injury to his leg which i-has caused ^rmanent disfigurement, and will prevent him m the future carrying on his work i.as a piano tuner. The defenders say that the [ removal o, the pursuer wa, rendered necessarv l by hi - own misconduct and that no utinecessarv ; violence was used by their servants. The jury after an abseitoe of twenty minutes returned a verdict for fhe pursuer imanimouslv, and assessed the da mages at. £250 ! f°r Pursuer — Mr Morion, K.C. and Mr Mackenzie Stuart. Agent.s~Macphe.rson and Mack ay, S.S.C. Owa* 1 for Header*—- Mr Guthrie. KT and Mr Arthur R. Brown. Agents— Alexander Mcrison and Co., W.S. LoYjbo't*G'fc*o n> Tt o ^:T)t nifi . BRITANNIA Theatre of j Varieties, j Tnmgate, GLASGOW. FOUR X , _ x \ Admission, 2dL. SHOWS Home of ~Wt Popular Amusement. Sole Proprietor: A. E. PICKARD. DAILY a; 4, 7, 9. Doors open One o’clock. GRAND PANOPTICON always on. view. l^ob. THE BRITANNIA. At the Britannia this week a good pro- gramme is served np. The ChTonophono in again on, and is proving a go<*d draw. due variety bill is of an enjoyable nature. Miss Agnes Lydgate 5s a charming j vocalist, and her songs prove acceptable, j Jack Ramsay, patter comedian, submits a j good humorous turn, and Minnie Osborne | is a sprightly comedienne and dancer, whoso : contribution is an attractive one. Pictures bn the bioscope coin plot© a capital enter- tainment. GLASGOW AHEAD OP LONDON. AT THE BRITANNIA PANOPTICON. THE CHRONOPHONE, THE SENSATION OF THE AGE. Supported bj GRAND VARIETY COMPANY. IMUj ot 2, 4, 7. and 9. Solo Proprietor A. E. PICKARD , Unlimited. PICKARD’S American Museum, Trongate. EXTRAORDINARY ENTERPRISING ATTRACTIONS. THE WORLD’S GREATEST FREAKS OF NATURE ^ HOMAR D, tt THE MAID OF THE SEA. mm Tho World's Greatest Prodigy. fc*> 22 LEONINE. • • ' _ The Lion-Headed Girl. ALL THE WORLD IN WAX. _ . AHEAD OF THE TIMES. Bole Proprietor A. E. PICKARD, Unlimited. Ive.'Wvv^ Ij ^ tyl GLASGOW AHEAD OF LONDON. AT THE BRITANNIA PANOPTICON, THE 0 H R 0 N O P H 0 N B, THE SENSATION OF THE AGE. Supported by Grand Variety Company. Daily, at 2, 4, 7, and 9. Sole Proprietor-A. E. PICKARD, Unlimited . PICKARD’S AMERICAN MUSEUM. TRONGATE. Extraordinary Enterprising Attractions. The World's Greatest Freaks o£ Nature, IIOMARD, , m sj THE maid of the sea. j S >! The World’s Greatest Prodigy, j 2 2 LEONINE, I 3 « THE LION- HT, AD ED GIRL. ALL THE WORLD IN WAX. AHEAD OF THE times. Sole Proprietor A. E. PICKAP.D (Unlimited). Tu^ti 1*)°^ G LASGOW A HOMARD, L The Maid of the Sea. I The World's Greatest Prodigy, 9 V LEONINE, v E The Lion-Headed Girl. E ALL THE WORLD IN WAX. AHEAD OF THE TIMES. j Sole Proprietor A. E . PICKARD (Unlimited). GLASGOW AHEAD OF LONDON. AT THE BRITANNIA PANOPTICON. THE CHRONOPHONE, THE SENSATION OF THE AGE. Supported by GRAND VARIETY COMPANY. DAILY 2, 4, 7 and 9. flute Propri eto r EL PICKARD, Unlimited. .fci! |H PICKARD’S AMERICAN MUSEUM. TRONGATE. EXTKAORD1NABT EXTEKPIUilNG ATTRACTION S THE WOKED’3 GREATEST FREAKS OF NATURE" A HOMAH0, A I L THE MAID OF THE SEA. L I THE WORLD'S GREATEST PRODIGY. I I V LEONINE, V j E TBS LION-HEADED GIRL. E ALL THIS WORLD IN WAX. AHEAD OF TILE TIMES. Stfl» 'Fn^rlbtor ........ A. E. PICXAED, TT nJjr.w-1 LONDON, i AHEAD OF AT THE BRITANNIA PANOPTICON THE CHRONOPHONE (The Sensation of the Age), SUPPORTED BY GRAND VARIETY COMPANY. Daily, 2, 4. 7, and 9. Solo Proprietor A. E. PICKARD (Unlimited). PICKARD’S AMERICAN MUSEUM, TRONGATE. f EXTRAORDINARY ENTERPRISING ATTRACTIONS 1 THE WORLD'S GREATEST FREAKS OF NATURE. A L I SALE OP THE LYCEUM. Mr. Brougham Glasier, of the firm of Glasier and Sons, of St. James’s-street, S.W., offered the Lyceum Theatre for sale at the Auction Mart, Tokenhouse-yard, on Thursday afternoon. On a previous occasion, it will be remembered, no sale was effected, the property being withdrawn at a bid under reserve price. The auctioneer, after an eloquent description of the property, stated that the sale was made under order of Mr. Justice Ivekewich. In addition to the theatre, with its seating capacity of 2,750 people, there was in- cluded in the property shop and business pre- mises at Nos. 33 to 37, Exeter-street, and No. 21, Wellington-street, Strand. The purchase had to be completed by March next. The rebuilt theatre had been passed by the County Council, and was ready to be re-opened. The reserve price was fixed by order of the Court. The land on which the property steed was undoubtedly of high value, and in the Strand it realised 15s. to £1 per foot. Mr. Glasier suggested that the site value was worth £6 per foot for the freehold. There was a total of footage equal at that value io not less than £141,000. They ought to add to that at least £50.000 as the cost of tho theatre, while the contents wero “ thrown in,” and were worth £4,000 to £5,000; $o that they got near to a total of £200.000. The first bid was £100,000, followed by one of £105.000. then by one of £110,000, it being decided to take rises of £5,000; then £115,000 was bid, next £116.000, £117,000, and £118,000, and the Auctioneer objected to £1,000 rises. Then came £119,000 and £119,500, at which the property was sold. The name of the purchaser was not made public. Tiie Lyceum, which failed as a variety theatre both with one and two performances nightly, was sold at the Mart on Thursda-y~by Mr. Brougham Glasier, of Glasier and Sons. The price reached was £119,500. The purchaser’s name was not dis- closed. The chronomega phono, tho newest development in tho combination of bioscope and phonograph, has aroused great interest at tho London Hippo- j drome, but on Monday evening, during an illustra- tion of tho “ Swing ” duet from Messager’s Veron- ique, the light failed. A stage official announced that one of the fuses had ‘‘..gone wrong,” but a new picture would be shown. Tho audience waited for several seconds, but the chronomegaphone re- - ’ * ' 1 T1 *--- ~ -Never, behaved it sell since. ./ yo 6 - Mr. Bernard Armstrong, theatrical proprietor ‘ and variety entertainer, of tho Queen’s Theatre, ' Watson-street, and the New Gaiety (Tivoli) f Theatre, Argyle-street, Glasgow, was examined in r bankruptcy on Tuesday. There was a fair attend- ance of creditors in Sheriff Balfour’s Chambers, j. Glasgow County Buildings,, in which the pro- 1 ceedings took place, those present including Coun- i cillor Scott Gibson, whose financial interest in !• the examination was shown to be very considerable. ’ In answer to Mr. Angus Campbell, who appeared as agent in the sequestration, Mr. Armstrong said S he was thirty-eight years of age, and had been en- ; gaged in the variety profession for about twenty l years. For a number of years ihe had been lessee ‘ of a music hall in Glasgow. Eight years ago lie > and Mr. Colquhoun entered into a partnership, ' which continued for about four years. lie took the New Gaiety Theatre, then known as the ’ Tivoli, and formerly the old Victoria Hall. Into >. that he paid in actual cash £2000, the result of his F savings from liis profession, and Mr. Colquhoun paid a like amount. The concern was created into a limited liability company in 1902. Their share - was about £8000 in stock— £4000 each— but he never . realised a single penny out of the company. That company collapsed, and was now in liqui- 5 dation. On its formation it expended a large sum f on structural alterations in- tho Tivoli, amounting [ to between £12,000 and £13,000. The capital of the f limited liability company was £15,000. This wa$J a very large proportion for alterations, which | proved to be very . unsatisfactory. He was ap- pointed managing-director at a salary of £4 a 1 week. That was a loss, as he made about £20 a £ week by .taking professional engagements, and he 1 therefore resigned. The limited liability company 1 acquired the Queen’s Theatre in Watson-street. 1 That concern embraced both theatres, but the 1 Glasgow Corporation held that the original part- 1 nership of Colquhoun and Armstrong still existed,! and had proceeded on that assumption. TheS Queen’s Theatre paid. All the loss was incurred by f the Tivoli. Mr. Councillor Andrew Scott Gibson, who had® advanced various sums, would have been a partner \ - had the conditions of the lease been carried 8 through, but never drew a shilling out of the ® business. Mr. Armstrong said he was at present M carrying out a four weeks’ engagement as a ■ variety artist in England. The examination was S adj ourn ed. Jfe J>e c/.zc^ /906 GLASGOW AHEAD OF LONDON AT THE BRITANNIA PANOPTICON. THE CHRONOPHONE. THE SENSATION OF THE AGE, Supported by a GRAND VARIETY COMPANY. Daily at 2, 4, 7, and 9. Sole Proprietor, .. A. E. PICKARD; Unlimited. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.39 Title A name given to the resource BP01.39 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 39 Description An account of the resource Newspaper cuttings about The Britannia Panopticon and museum,the assault to a piano player, the sale of the Lyceum Theatre, the arrest of Bernard Armstrong' Queen's and Tivoli music-halls, and the chronomegaphone. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. bioscope chronophone music-hall theatre https://www.pickardspapers.gla.ac.uk/files/original/665d200fb964e3879c85f1afc2e6c252.jpg 0907d7edcaaa21760973d2af0c562410 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.4 Title A name given to the resource BP01.4 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 4 Description An account of the resource Reference letter from The Automatic Sports Company for A.E.Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/fd5cf960eb4118a17060a9c192e6fa10.jpg 3069dbd7efafbf1c462f4a57b8bffa24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Glasgow News, The Evening Times, Weekly Record, Daily Record and mail Date Date of newspaper article December 1906 Text Any textual data included in the document ROW IN A GLASGOW THEATRE. 7fe Del/. ii*r Two Attendants Assaulted. About a couple of hours of the time of the Southern Police Court was occupied this morn- iag in hearing a charge of assault against a young l£>an named Louis Collins, jun., who resides 4 in Portugal Street. It. was Alleged that while at the stalls bar in j the Palace Theatre, South-Side, on the night of the 24th November last, he assaulted two attendants named Thomson and Donaldson. 1 The accused pleaded not guilty. Mr Angus Campbell, writer, watched the case for Mr Waldon, proprietor of the theatre. It seems that Collins and his father had been at the performance, and, just about clbsing time, they went to the bar at the stalls, whero the father ordered three glasses of whisky, which he put into an empty beer bottle, intending to carry it home. Thomson said tnat when he saw what happened he asked ftollins, sen., to leave the bottle, as f it was strictly against the rules of the theatre ‘to carry out liquor. He refused, whereupon some words passed. Thomson proceeded to say that the accused jumped on his back, caught him by the nose, and twisted it severely. Collins and his father were ultimately ejected, but a large crowd as- sembled outside and threatened to storm the theatre. James Beaton, fireman, stated that he came to the assistance of the attendants when he saw the fight going on at the bar. When they got the men out on to the street a large crowd gathered, and he saw Donaldson assaulted on the pavement. It resolved itself into a pretty rough fight, and the crowd attempted to force their way into the theatre, but were prevented Examined for the defence, Louis Collins, sen., admitted ordering the liquor and putting it in a bottle to carry it home. This was about 10.30. He refused to give up the liquor, being ignorant at the time that it was against the rules of the house to carry out liquor in a bottle. He did not see any notice posted up to that effect. „ The Magistrate (Bailie Wallace)— It is against the conditions of the license to carry out liquor in a bottle. Witness said Thomson gave no explanation to that effect, but simply demanded that he should “ drop that bottle.'' The accused took the bottle and poured the contents of it in his cap. The Assessor (Mr D. M. Alexander)— When bo could not get it in his head he thought ho would put it in his hat. The .accused was examined on his own be- half, and said he did not interfere till he saw Thomson catch hold of his father and shake him. The reason why he poured the liquor MUSIC-HALL ROW. YOUNG MAN CONVICTED. Bailie Wallace, at the Southern Police Court, this morning, heard a lengthy proof in a charge of assart preferred against a young man named Lewis Collins, jun. Tho j offence, the indictment read, was commit- ] ted in the Palace Theatre on 24th Novem- ! ber and that two attendants were assaul-j ted. For the prosecution it was stated that ac - 1 cosed and his father were at the stalls bar' just as it was about to be closed. The father was said to have ordered refresh- inente, which he was alleged to have put into a bottle for the purpose of carrying the liquor out. An attendant noticed what was going on, and asked that the bottle and its contents be left, as it was against the rules of the place to carry out drink. The request was not complied, with, and in a scuffle which A GREENOCK BOXING SHOW. Hall Proprietor Fined. Greenock, Thursday. — At Greenock Police Court to-day John Stewart. Phillips, 5 Bruce Street, was charged with having, without the | permission of tho Magistrates, kept a building at 5 East Shaw Street for a public show or entertainment, viz., a boxing exhibition, into which admittance was obtained by the payment of money. A pica of not guilty was tendered. Police evidence was to the effect that infor- mation was received of a prizf fight arranged for 30th November, and that several officers in plain clothes went to the hall. On arrival they found it packed with about 200 people, who — „ x-— -- , .. had obtained admittance by ticket. It was took place tbe two men were eventually got^ understood the fight was to be between Patrick out into the etreet. . M‘Hugh and John MacDonald. All they saw, There a large crowd assembled, assumed however, was some exhibitions of boxing in a a threatening attitude and attempted to r i nff fi xc .d off with rope. rush the theatre, and it was with great diffi- MacDonald, giving evidence, said he was a culty that they weTe kept back. member of the Caledonian School of Physical In the melee one of the attendants had Culture, and was an amateur champion of th<s hie nose badly twisted and cut while an- British army. He was to compete ■ with other was knocked down and kicked. M‘Hugh for a cup. but ho did not attend, as For the defence, accused s father ert-ated he felt bad, that night, that he was ignorant of the regulations In witness-box Phillips said he let the against the carrying out of liquor.. They premises to the club, which used thorn for pur- had had no drink when they went^ into the poses of ball-punching, boxing, and single- theatre, and desired to take something home sticks, the hall being practically a gymnasium, with them. One of the attendants rushed Tho charge was found proven. A penalty of at him and ehoolc him, and the son came to J0s or five days in jail was imposed, his assistance. That was the cause of the row inside the theatre. On the way out and in the street he was badly assaulted. Both he and his son were, in fact, kicked out by the attendants. A fine of 10s 6d or seven days’ imprison- ment was imposed. 1 ML itoU fytt* /Jrf l vfou/vt^j Tiw&a Decj. jy f Theatre “Early Deers.” TO THE EDITOR. Instead of the early door system which ; prevails at theatres and music-halls, I j would suggest that the managements ar- ! range their prices of admission so that all- ; comers might be admitted from tlie time of ] opening. An extra charge on a few front ; seats would make all the < difference, and leave the place of entertainment open for j admission. Such a system as that proposed would put an end to the long periods those who patronise the cheaper parte of the theatres have to wait More knowing whether they can be admitted or not. MULVENNY. Glasgow, December 17, 1906. ^"1 ;!<A number of letters unavoidably held over.) i came rushing up like a madman and struck j him on the face. The attendants commenced' to haul his father out of the bar, and that was the beginning of the disturbance. Witness himself had been severely assaulted in the melee. _ . Another witness said that the accused and his father had been simply kicked out of tbe theatre. Tho Magistrate found the charge proven, and imposed a fine of 10s 6d. An extraordinary sextette will be shown at he Zoo- Hippodrome during Christmas week, j Imagine throe perfectly-proportioned fences ■ 20 inches in height, and three mates 43 inches j toll cipiece, whoso ages range from 20 to 23 I years. Then try to picture these little people as expert boxers, .w immars, herculean j artistes, contortionists, bar and trapeze per- •, formers. Such are the StraefbuTger LUJi- ] iputi an is, tbe smallest people in the K-a isor’s j dominions. They have boon exclusively en- ] grigod by Mr. Boetock for his next week’s j programme *t the Zoo-Hippodrome. 15? ‘ THE EARLY DOOR SYSTEM. I In your interest ing oom petition for Letters i I have not read anything of the following . grievance, which I consider very hard on tho 1 working man who would like his children 1 to see the pantomimes, namely, the early j! door system of entering our theatres. 1 At the present time tho advertised prices | are aa usual, but when one parses the p<ay- j box he has to bo content with a back seat, I or standing room only, because the house I is full with those who have paid the extra | price for early doors. 1 I think the magistrates should insert a ; j| clause in the licence to do away with this j 3 early door system. JOHN MACLEOD, j 44 Lancofield Street, Glasgow. * I, UjOK tyob. Pantomime Row. The idea prevalent among some voung ; men that the first night of a pantomime j affords a legitimate opportunity for indulg- - ing in disorderly behaviour, to the annoyance j [ of others who have gone to enjoy the per- formance, was rudely dispelled at Glasgow 1 Southern Police Court. v At the Royal Princess’s Theatre the j other evening a number of young men were |. seated in the stalls, and during the perform- I anoe created a disturbance. Several of them were ejected, and one of tho number, Julius William Luteh, was apprehended. At the Court tho accused said that at the j. opening night of a pantomime a certain r amount of latitude was always allowed, and the disturbance was so trifl'ng that he did •„ not think it necessary to call witnesses. Bailie M Tunes Sha.w said it was in tho interests of the people who went to enjoy j themselves at a pantomime that order should J be maintained. He fined the accused 10s 6d. - A number of other young men ooncerned 1 in the disturbance failed to appear, and their , 'p -edges were forfeited. Theatre Explosion. \ ftlig-h-t explosion of gas occurred cm ! Saturday on tho stag® of the New Gaiety j (late Tivoli) Theatre, Araderston, Glasgow, j CanBiderab-te alteration® are being made on ' tbe theatre, which is closed ait present, out . ! will shortly be reopened under now manage ! men*. A workman with a light ap- j preached a leakage in «n« of the gas pipes, I causing the explosion, Fortunately no f damage to person or property resulted. %axL ‘tftte'uL £ 19 06 HISTORIC THEATRE BURXEI). [From our own Correspondent.} Berlin. December 20. 3 Tho famous little Court Theatre at. | Weimar caught fire to-day, and was almost . completely burnt out. A rehearsal of “ Sherlock Holmes tobs in progress when, in T-onsequenoo of a short, circuit, the stage took fire, compelling the * actors and actresses to flee for their lives, , The theatre dates from the time of the Grand I>uko Karl Alexander, and was the scene of tho first produotion of Goethe* ’ and Schiller's works. Hpon its classic stage numerous gala performances of Shakespeare have also taken place. Weimar being Ger- many’s Shakespearean shrine. The building wo® to have been torn down next, spring, a new theatre being already, in course of construction. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.40 Title A name given to the resource BP01.40 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 40 Description An account of the resource Newspaper cuttings about disturbances and accidents in music halls, the business of music halls, and the programme of E.H. Bostock's zoo. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/f28384e57b478d2ec8ad8e263ed27e4a.jpg 4877a68ea725f05cc922bc9b7f2db341 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Text Any textual data included in the document MUSIC-HALL WAR. Scottish Managers Prepared for a Strike. The mraBic-haJl strike in London still con- tinues, and tlio latest indioation is that the trouble will shortly spread to the provinces. Both at (jltAgtAV and Edinburgh the managers of lo aJ halls likely to be affected by the spread of the strike are ptrepaa-in^ for contingencies by the engagement of reserve artistes, staff, and orchestra. The important development during the ■week has been the engage erit of th ■ SoaLi [ Theatre, London., by the artistes o-n strike. The London Entertainments Protorfcion i Association, has passed a resolution pledging I A prominent leader of the strike movement. ft® members during the strike to loyally assist each other by lending, when pot&ible, artistca, etago hands, and m-nsici anti. It waa agreed not. to come to any arrange- ment with the NationsJ Alliance or any of €he loaders who have inati&ted the strike without, reference to the general body or 4he executive ol the ASanauatcon. MUSIC-HALL STRIKE. MUSIC-HALL STRIKE. r who, the other night, undertook eight “turns” at different 4 halls” in Liondon. , MUSIC-HALL STRIKE. Onlooker Sings : Hero’s an item on the playbill, here’s a “ number ” you will like, Tor the “ pros ” don’t like the pay-bill, and they’re out upon the strike. There are contracts that are galling, that the “ pro ” would like to break, And has salary keeps falling, while the “mags” are on the make. There’s the big man with the money, who has always had the pull, And a “ oomio ” may bo funny, but ’tis seldom he’s a fool. ’Tis an extra special matinee ftwont last too long, we hope) With the Public Voice as referee, and the strain upon the rope.. MEssKrrfY / L ott b . I ; w ^o was recently hissed when she appeared i at the Tivoli, London. She stated that she did not know that there was a strike. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.41 Title A name given to the resource BP01.41 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 41 Description An account of the resource Newspaper cuttings about a music-hall strike. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. music-hall stike https://www.pickardspapers.gla.ac.uk/files/original/1d4ae1bf80b453fbac28ab20af4f0616.jpg 2609f8863eaf78bd9151d9af98158d2d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Evening Citizen, Glasgow News, Glasgow Referee, The Partick Star, Daily Record and Mail Date Date of newspaper article December 1906 Text Any textual data included in the document PRIM A DONNA [From our own Correspondent.] P a r is . Deoem bor 'Mme. Calve, tho famous pridm. donna, b^i^n sentenced to pay £680 to M. Schr manii, a well -known impresario, for breaJ | of contract-. arising out. of a “ scene ” upon 8 the -stage in the presence of the King of I Saxony a.t Dresden. A RARE. QILBERTj^KO SULLIVAN OPERA. i £3,000,000 PAID TO WITNESS IT. Commenting on the Savoy revivals and the Gilbert and Sullivan opera, the “West- minster Gazette ” remarks that “ The Gon- f dohers ” is probahly the most finished t E iece of work, both from the musical and terary points of view, that the Savoy j series produced. In tho matter of popu- A performance of “Carmen” was being m enured by the Savoy box-office) given, and the tenor blundered in the last 1 „ : -^^stdo,” a«t. Mow. Calve lost, her temper and called I ! pro ; « • i . i • • j-. ■ ,, . . , vmces, however, it has shared about eonal him imbecile. Finally she forgot, her- , ; f av0 ur wifi "The Mikado ” and "The i Yeomen of the Guard,” and a good fourth i in the repertoire has been “ Iolanthe,” in j which Mr Gilberts satire of the House of I Lords is as pointed and topical as even These are the four or five operas with which Mrs D’Oyly Carte proposes to regale visi- tors to the Savoy, and they ought to give a new impetus to public taste m favour of l.j self completely, and used a word so violent II and so outspoken that the King, who heard H it, immediately left the Royal Box and the IS theatre, followed by his suite. I Mme. Calve was forbidden to a.ppear at pj the Royal Opera House again. Shortly || afterwards, at Berlin, sftie abandoned her |,j whole tour, anil returned to Paris. ^t^VtLVUj SDgcJ- 10 '' 1^0 () LIVING PICTURES GO TO JAIL. John Bygraves. 43. painter, got four yearfc’ i . | penal servitude at Olerkenwell Sessions, Lon- 1 1 j don, yesterday, for burglary at Mr Hichlen- ' ton’s house in Oakfield-road Clapton. The prisoner is tattooed all over in blue I and reel with the following devices:— Front left forearm, Highlander and cross- >’ < swords. Outside left upper arm, bust of female. On wrists, snake head and body. On middle and left finger, rings. On front right forearm, a sailor. On right upper arm. heart and dagger. Right forearm, female on trapeze and vase of flowers. Chest, a head, a bugler with bugle. Front left thigh,- two flags and a soldier. Above left knee, man's bead. Inside left shin, vase of flowers and coat of- arms. Inside right shin, a man on a horse. ftiM'Ui If 9t> ACROBAT AT 100. IS 4 tyob. ! THE BRITANNIA. At the Britannia this week an excellent holidav entertainment is submitted. The Chronophone with new subjects is an en- joyable item. Cissy Arris sings good Irish \ songs, and a smart and graceful dancer. V-osco submits a mirth -provoking conjuring nd cleverly executed. §hi°!trur M?W. 5 -f. tou/.ll. tfd. y -"i " >■ GLASGOW AHEAD OF LONDON. GLASGOW AHEAD OF LONDON. AT THE BRITANNIA PANOPTICON, THE CHRONOPHONE, THE SENSATION OF THE AGE. Supported by GRAND VARIETY COMPANY. Daily at 2, 4, 7, and 9. Sole Proprietor A. E. PICKARD, Unlimited. GLASGOW BRITANNIA musical pieces with, some sense of literary and dramatic form. The fact that some- ! thing over £3,000,000 has been paid by the f pubiio to witness Gilbert and Sullivan opera ought not to be ignored by authors i and managers. lour Ncutd Henry Johnson, of James Street, Gran- f thorn, who leasts that he is the oldest I ■ acrobat in England, attained his hundredth j ■ birthday yesterday. 1 Though naturally rather infirm, tho old }. I man is still able to walk about the streets, I but he has fallen on evil days, inasmuch ns ! I he .has to rely on parish relief and the gifts l | of cha ritabie friends for lii.s support. Johnson has had a vorv adventurous | I career, going as far cfield as China with a j | circus. In his palmy days ho was associated I partnership with Xullaha, the Chinese ■ juggler, and ho had the honour of |jerform- W ing before King William TV.. Queen Vic- f j toria. and our present King when Prince oft -f 1 set, which ia original and Mien Minnie Osborne, coon singer and dan- cer. furnishes a delightful “turn.” She, is encored at each appearance. An amusing series of pictures conclude a capital pro- gramme. At tho American Mueeum, ‘‘The Maid of the Sea” and Leone, the lion-headed girl, J, aTe the attractions, and are both remarkable | freaks. At the Britinnia Panopticon the Ckrono- «>bone is the special feature, while at Pick- ard’s Museum, Homard, the maid of the yea, and Leonine, the lion-headed girl, axe among the freak specialities. " Stewarts Waxwork has “The Wild Man of Siberia” on new, and at the other centres of similar sensational interest there is much to he seen. & ,A ot> PICKARD’S American Museum, Trongate. EXTRAORDINARY ENTERPRISING , . ATTRACTIONS. THE WORLD!} GREATEST FREAKS OF NATURE H O M A R D, ►► THE MAII) OF THE SEA. aa mm Tho World's Greatest Prodigy. >!> << L E O N I N K. 33 The Lion-Heatled Girl. << ALL THE WORLD IN WAX. . AHEAD OF THE TIMES. Solo Proprietor -A. E. PICKARD, Unlimited. GLASGOW AHEAD OF LONDON AT THE BRITANNIA PANOPTICON. THE 1 C II It O N O P H ONE, I ; THE SENSATION OF THE AGE. 1 SnppQtle-.l by Grand Variety Company. f Daily at 2, 4, 7, and 9. 1 Sole-4h'«r ictur— A. K. PICKARD, Unlimited I PICii i ED’S A M ERICA N I • • MUSEUM; I 101, TRONGATE, GLASGOW, ]» Ext r.ie’ dim'.ry Enterprising Attractions. 3 The World’s Greatest Freaks « Nature. HOMARD, i ‘ AHEAD OF AT THE PANOPTICON. THE CHRONOPHONE, THE SENSATION' OK THE AGE. Suryvirtefl ty GRAND V.UlIKTY roirpANY. DAILY 2, 4, 7 and 9. ] Sole Propri etor .A. K. PICKARO. Unlimited. ; PICKARD'S * • AMERICAN MUSEUM, TRONGATE.. EX l UAORUtNAHY ENTERPRtolXG AITRYCTIOjIS. ms WOHLD’S GREA1EST IREAK8 OF NATURE. A HOMARD, L THH MAID OP THE SEA. I THE WORLD'S GREATEST PRODIGY. v LEONINE, T THE LION-HEADED GIRL. ALL THE WOULD IN WAX. AHEAD OF THE TIMES, gnle Proprietor Ty ?. ....... .A. E. PIC K A R D, Unlimitad. u FREAK ” SEIZED. , - i [Frfim otir own Correspondent.] Sydney, November 20. ! A man named Reuben Doodoward pleader? d guilty at the Quarter Sessions on Thursdav j to a charge of exhibiting a monstrosity in ; ] the sha.pe of a two-headed baby “ for the purpose of lucre and gain.*’ ’ "i II is counsel, pleading for leniency, cited i the case of the Siamese twins, who were | shown, publicly all over Europe and America, "{and also to Jo-Jo, tlie dog-faced man, who bad been on Fihow aLl over Australia The bench decided, however, to inflict a. * 3 penalty of £5, and ordered that the child** body should be confiscated It is to 1 preserved ” — of course as an exhibit — in. the RECORD “BUN-EATING.” > > j r 1 M- i mM C< iufUi Hthut. GLASGOW AHEAD OF LONDON. THE MAID OF THE HK}.. World’s Greatest Prodigy. LEONINE, r ' : 'j THE LION-HEADED GIRL ALL THE WORLD IN WAX. -TtH BAD OF THE TIMES. Sole Ftopii -tol— A. E. PICKARD (Uolim t AT THE BRITANNIA PANOPTICON, THE CHRONOPHONE, THE SENSATION OP THE AGE. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.42 Title A name given to the resource BP01.42 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 42 Description An account of the resource Newspaper cuttings about the business of music hall performers, plus the programme of the Britannia Panopticon and museum. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. chronophone competition freaks https://www.pickardspapers.gla.ac.uk/files/original/79c19ec8b856c59c4a099abaa75aff0f.jpg a5bfd941840cb791dd31ef684f8795e0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Evening Times, Evening Citizen, Glasgow News Date Date of newspaper article January 1907 Text Any textual data included in the document MUSIC-HALL STRIKE. Scratch Programmes London. in ‘NO COMPROMISE. MUSIC-HALL ST HIKE. Reports from the various London lialls which have been affoctod by th© 'strike of music-hail artistes and omploy<Vf. indicate [ that no unusual incidents occurrecklast night. | Picketing was general, but the artistes who had stepped into the broach regained loyal to the managers. and not deterred by The most s-tartling event of yesterday in the j Vh" hissing of onlookers outside, or persuaded of the National Allianco of Variety Artistes, Musicians, and Employees was the decision of the executive of the Alliance to make a further attack on Mr A dney Payne and Mr Gibbons by starting in one of the available halls in the centre of London benefit performances in aid nf the strike funds. Last night a procession of motor cars ade a tour of the 14 halls involved in the dispute. The occupants' of the cars included Mane Lloyd, Gus Elon. Jo© Elvin, Alec Hurley, and other stars, who delivered short speeches on the strike outside tho halls. Picketing was carried on more vigorously than ever last, night, and many promises of support to t.ho federation have come from societies outside the music hall world. Sub- scriptions. it was stated yesterday, were flour- ing mto the emergency fund at the rato of about £100 a day by the pickets from appearing, Tho moot notable event dl yesterday was the decision of tho executive of tho employ coal If! organisation to make a further attack on Mr |f] \ . I .. D i. . . n n it n.l If . iKU.n n Ml ^ M III// .11 . / Adnoy Payne and Mr Gibbons by: jj tart niff tn . •4r 6 pei* cont, of tlie artistes on ! strike, ’^tho reproaentatii'b of the “Pall Mall 1 Gazette” was informed at tho - offices jn Lon- ■ don of the National Alliance of Music-hall I Art, istre on - Saturday afternoon, “have ap- T . j plied to us for any money a* all to-day. and . i to these we have paid £,>35 12s fid. A oerti- Itficste to that, effect has been signed by tho auditor, Mr H..W McCarthy.” The sums being paid to musician© and stage hands are, ! of course, in addition to thin amount, and, with regard to these sum^ if' wgs stated that, many employees were receiving more on Sat. urday than they got when they were work-' one of tho available hall? in this centre of M London BENEFIT PERFORMANCES , ft . r l • I * 1 , ..... 1 1 ing. the “ Charter ” Essentials. Mr I' rank Gerald, the soerorary of Variety Artistes lederatiou, stated very em- phatically to a press representative yesterday that at the present junctnro there could be no possibility of arbitration being even thought of by the official body of the Allianco. “ Toko l * f .r ora me.” Mr Gerald added, “that we shall accept nothing less than the signature of tho two manag-ers to our charter. ' Another official of tho Alliance pointed out. tnat it would be an absolute broach of faith with Mr M'Naugbton. Mr Grimes, and Mr Walter de Freco ro accept anything less than the signature of Mr Gibbons and Mr Pavne to the charter. These gentlemen had already signeu. and were adhering both to the spirit ana the letter of the contract. Harry Randall's Hope. Mr Harry Randall, interviewed in his dressing room at Drury Lane Theatre, said:— “All my sympathies are with the workers. With the poor people in their endeavour bring about u better state of things. " borne of us are fortunate enough to be able to dictate our own terms and also to strike out clauses in contracts that we object to, hut there are hundreds of artistes who have been cruelly treated by managements whom 1 do not desire to specify. “ What the in n id of tho strike fund. Thoy -hayp defi- nitely arranged to open the Lyceum oti ?\lon- duv evening with a programme which will include as many as can bo 'crowded into tho bill of the numerous ‘‘stars” who are support- ing tiho Alliance. Suoh a perform anodpt is [ion thought, will prove an oncirmoua attraction to f ; the public. Last night a procession of motor-cars made a tour of the 14 musio'halls involved in the dispute. The occupants of the cars included j Mario Lloyd, Gus Elon, Joe Elvin, Alec Ilur- jte>, ley, and other ‘‘slurs,” who delivered short speeches on the strike outside the halls, mm C opies of the charter have boon sent to ©very k-rj music-hall manager in London, and it is Qg*, stated that several of them have promised to sign them. * Miss Mario Lloyd sent tQio following mes- sago to the public: — “Wo have helped von many times in tho cause of charity. Help ^ us now in the cause of justioe for our poorer brethren. The managers are fighting with the shareholders’ money ; wo are giving our ps own.” Meetings of music-hall artistes were held | - yesterday in Manchester, Sheffield, Sunder- land, and Cardiff. “Next week," is was added, “we^hall cer- tainly open one or two .halls and call on the artistes on strike for the prOgTHmrfies.” At the offices, in LondonAoi Mr Payne and Mr Gibbons it was stated that the sum wJjich artistes alone have Inst this week through t.h’e strike amounts to between £3000 and £4000t ; Matinees were held on Saturday afternoon at the Tivoli and Oiford; the audiences were small. The announcement wa* made by Mr Frank Gerald, secretary of the National Alliance, at a meeting of music-hall artistes now on strike in London, held at the Surrey Theatre last, evening, that an agreement had been come to botween the executive and Dr Edmund Distin Maddiek, the pro- prietor of the Scala Theatre, for a twonty- one years’ lease of the Scala Theatre. The • house would be opened next Thursday n 'ght v ' the one-house a night, system, with a programme comprising the cream of “star” talent. ^OW IT STRIKES THE ARTISTE. The fourteen London music-ha 11a affected by, the music-hall artistea’ strike wero all able to open on Saturday. The attendance ,, was, however, in most cases considerably below tho average. Picketing was actively engaged in py the Alliance members, and a large number of hand-bill* were distributed outside tho halls conoerned. THE STAGE STRIKE. ARTISTS T.EASE A THEATRE. THE PROVINCES THREATENED. h THEY TTNFi There is every probability that the music- hall strike, which eo far has been confined ! to London, will immediately extend to the i provinces. The light between the parties to me dispute is being conducted with the ut- most energy and remarkable resource, and | there is little prospect at present of a con- de being ’ * ’ ciliatory attitude being adopted. On the oontiary, the struggle seems to be increasing in intensity, and it is under- stood that on the part of -the artists an effort will be made to carry the war to the principal cities in the country. This step has been anticipated by most of the managers immediately concerned, and in order to meet Ninergencies arrangements have been made with non-union artists to take the places of those originally engaged, should the latter fail to make their appear- ance In the Surrey Theatre, which was packed friends PRC Mr Geoi to appear “The Cate Theatre, yesterday, formance although the dresse play have tunately 1 Christmas en route will axrivi * Th; •The their te P.ko J; at the present struggle will bring about will, I Lope, be a board or arbitration, which ill settle all and artiste." complaint-s between manager Mora “Star” Salaries. A further list of weekly salaries paid during the last fow months at the boycotted halls of star artistes was issued on Thursday. They include : — Georg© Robey (for three halls)... Harry Lauder (three halls) Harry Fragson (one hall) Little Tieh (two halls).. _\Y-uAw. Bard lh»«. holir-E Vesta Victoria (three hall?) Happy Fanny Fields (two halls).. Dr Bodie (two halls) Ada Reeve (two hails) Harry Tate (three halls). The Follies (two halls) £120 , 120 . 110 . 150 120 Th© man in the street is, it eeoms, says tho n ‘‘North Mail’s” London correspondent, not || by any means quite clear yet as to wha-t tihe t rile©, of the muster-hall artistes is all about. Talk of ' ^trusts,” and “barring clauses,” and ofiher matters involved in tho dispute, be- comes at times, in fact, a little bewildering. But ijfrom an artiste’s point of view, a good concrete ease by way of illustration would bo tho following. It was, in fact, put by one of the latest recruits to the strike to-day, Mr Edwin Adder, manager of a Pierrot troupe, who has also been a performer. , An artiste, let us say, is booked at. ono of the Adney Payne halls for one week in 1909— two years hence — at a salary of £5 a week. The artiste who secures this ONE SOLITARY WEEK at this magnifioent salary is barred by the most stringent clauses from appearing within a most unreasonable radius, and he ia barrod, " nl ’ A “)no pod jay nooq asij iifojtl jo pjjqpouo A[.ivou jo "pfo b 5 sqoo.Yv uo.yos ouios ut pun ‘pfe M)i jo ui».S B Wq 04 pf2 UlOJj sjutujuay pu«JOAO[3 4li[ oj ‘Vqjuoui ouiu ajjboQ ‘ 906I ‘ jb'S 11! I jQ pjgg qoot 'll ' in every corner with members and of the music-hall profession last night, Mr Frank Gerald, secretary of the National Alii- anoe of the various societies, made the an- » nouncement that an agreement had been j com© to between the executive and Dr ij Edmund Dietin Maddiek, the proprietor of (] tho Scala Theatre, for a twenty-one years' I; lease of the Scala Theatre. The announce- || inent was received with the greatest enthu- [i siasm. Dr Maddiek, the secretary said, was heart [■ and soul with the artists in the present •; struggle, and in placing tho Scala, the most b magnifioent theatre in the world, at their f disposal, together with the adjoining proper- H lies, which could be converted into a variety [ : artists’ exchange and headquarters, the b Scala would become the hub of the variety fj artists* world. The house would ha opened next Thursday night on the one house a- night system, with a programme comprising I I the cream of staT talent, j The Soala Theatre, which is situated in ij ij Fitzrov Square, Tottenham Court Rond, is r Ij one of the newest and most finely equipped k 3 Theatres in London. “ WTOpt.” r load duly loade waggon, o or, it ma; theatrical accounts f ’ Unfortui the entert particular! Eve partie age inent : apprise pa meantime what equa command, rare. A n . ■ The spli Vj tho T» r °pri I tract.ing c I tfons hav I season. PAYING THn SUPERS. uoqsiqqojy 4«nf4 wuxfi aq‘| P^-bjs sum 41 HueuijuioddB pauorjuaui ftBj eqj 04 pJ^Sor qBM ‘/Ci^tipcny oqsrg pu^e uo^dBxjo ®qj jo jsoao^i ’ lixeijod Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.43 Title A name given to the resource BP01.43 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 43 Description An account of the resource Newspaper cuttings about a music hall strike. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. music-hall strike https://www.pickardspapers.gla.ac.uk/files/original/23cdf8ed37e762129678a1a08b6e5251.jpg c31c3585805dcf3af0585489adb886f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Glasgow News, The Glasgow Star, Helensburgh News, Evening Citizen Date Date of newspaper article December 1906 Text Any textual data included in the document | Support from the “White Rats.” Th© “White Rats,” the artistes* association | of America, have telegraphed t-o the alliance : — j “ With you heart and son!. Will do everything I pesubje to help your cause. Taking imme- Idia'© action.'* I At a meeting of the music-hall artistes, held I at N.’wcastle-on-Trne yesterday, 64 persona I attended and determined to support the action I of the federation. Harry Lauoor wrote saying I he was in favour of the. movement. Tbe sub- I scriptiona to the emergency fimd amounted to I £80. I Messrs Payne and Gibbons take up an ©qually I determined attitude. They say that they are I perfectly prepared to prolong the struggle in- I definitely, and that they will never agree te I take a less resolute attitude in their decision I not to sign the ’charter. 1 Mr Gibbons has entered into 150 new con- I tracts with artistes and Mr Payne into 250. THE £10,000 The Ro ivaa totall • morning, three o’clc Brigade tl: .flames bag reiuarkalil the theatr splendid • Cftbim-i w< li too very of .Several fire by falling ,r Louis M' I Question of Arbitration. Mr Henry Tozer said yestorduy morning that.' any arbitration proposals must come from the other side, or »i least with the entire approval of tho other fide. Undoubtedly they were gaining ground every day. "They have attacked t.s — We can't pay ‘ Let us have arbitra- tion ' ; that would be » confession of weakness. The attempt of the alliance to minimise the effect and significance of the meeting of the London Entertainment-.' Protection Association i‘* ridiculous. Th© real bone of contention is that regarding the musicians. Th© Amalgamated Musicians’ Union is simply animated by a desire to swell tho numbers of their union.'* It was further announced this morning that an engagement, had been secured for th© IIolboTi Empire of Mr Henry de Yry. who would open there on Monday next with a living statuary turn embracing ten person-.. Mr FT. do Vry and his company had arrived that morning from the Continent, and he says that he was mot at. the station by representatives of the alliance, who requested that b© should come with them to see the Executive Committee of the Variety Artistes’ Federation before com- mencing his appearance. Mr do Vry, accord- ing to his statement, answered that, lie had signed th© contract, and would keep his word, and that, be l^ad full control over his company .forming t 1" itroyed, b h rvarious V Jdthough j, damage is jcjauT lieviS %j.2rt" '9^ • A DEADLOCK. Being English almost without excep- tion, the members of that, section of Tim Profession which is making pantomiirie in Glasgow at the present time are Riled with wonderment and something like- consternation at the prospect of having £0 work on Christmas Day. They. have but the one doleful tale to tell, and that"' is that this is the first time in all their lives that they have been face to face with the prospect of keeping Christmas as they consider it ought to be kept, and the general impression seems to be that all the rewards they may, reap in 'the course of their sojourn in the Second City of the Empire will make but inadequate com- pensation for this one hardship. As for our own practice in the matter, they hold that it proves us heathens of the most unregenerate type, and reckon our neglect of this one day is not balanced by a whole year of Sabbath observance. And a quaint thing about it is that the Jews, of whom there are many among the visitors, are rather louder than t$e others in the complaint* BRITANNIA PANOPTICON. TBOXGATE. GLASGOW. PICKARD’S FIRST ANNUAL CARNIVAL WILL BE HELD IN’ THE PANOPTICON. In Addition to fch© CHRONOPHONE and GRAND VARIETY COMPANY, INCLUDING ALL THE FUN OF THE FAIR, STIFLE SHOOTING, COCKER2$T7T SALOONS, FRENCH BILLIARDS. DART THROWING, AUNT SALLIES, PIPE BREAKERS, F.LIZA JONES. BOGIE MEN, HOOKEM, LOVE IN A TUB, BALL PUNCHERS, WEIGHING AND STRENGTH APPLIANCES, AND ALL THE LATEST, UP - TO - DATE AjSIUSEMENTS. DOORS OPEN EACH DAY AT 6 AJL Seta Proprietor..*^ —A. E. PICKARD, XJvltxr&eA. THEATRICAL COMPANY’S UNFORTUNATE PLIGHT Theatre of Varieties and Panopticon. = = PROPS AND DRESSES “ WANDERED ” Mr George Dance’s special company, due to appear in the lively musical comedy, The Catch of the Season,” at the Royalty Theatre, this evening,- arrived in town yesterday. There will, however, be no per- formance until to-morrow night, for, although the company is full strength, the dresses and elaborate properties for the play have gone amissing in transit. For- tunately they will be here in time for the Christmas night performance. Being now eri route for Glasgow from London, they Will arrive late to-night. The circumstances connected with theii temporary disappearance are : like James Yellowplush’s birth, “ wropt.” in mystery. They were duly loaded at London, but a mishap to the waggon, or a shunt on to the wrong line; or, it may be, an attachment to another theatrical train— no one seems to know — Chronopiioxk, Pickard’s Latest Enterprise. Cissik Arris, Charmin'? Vocaliste and Dancer. Bkrt Srrony, Light Comedian. The Paxoptoscopk, with New Films. Tosco, Comedy Conjuror. Pickard’s First Annual Carnival will be held in the Panopticon. Minnie Osborne, Chic Comedienne and Dancer. lerformanees at 2, 4, 7, and 9. ADMISSION, 2d. BABY XANTIPPE, LITTLE LADY OF NINE MONTHS TALKS FLUENTLY. 101— Trongate— 1 01. [From our own Correspondent.] London. Thursday. Eugenio MADAME HOMARD, the Maid of the Sea. The World’s Greatest Prodigy ADMISSION Children, One Penny. if The very latest enfant terrible is Jaqufs (says the Now York correspondent the “Morning Leader”). She resides at I/>uis. is nine months old, and talks like seasoned ohild of ten. Scores of p-bysici; are visiting her. I The mother says her baby began to repi [almost any sentence beard in its cradle et f three months ago. Its vocabulary ma.*j PANOPTICON TRONGATE, GLASGOW. PICKARD'S FIRST ANNUAL CARNIVAL WILL BE HELD IN THE PANOPTICON. GliAiSV'OW JXUVVS, JDEUtiMBEK 28. 1^06 In Addition to the CHRONOPHONE and GRAND VARIETY COMPANY. INCLUDING ALL THE FUN OF THE FAIR, RIFLE SHOOTING, COCKERNUT SALOONS FRENCH BILLIARDS, DART THROWING. AUNT SALLIES, PIPE BREAKERS, ELIZA JONES. BOGIE MEN. HOOKEM, LOVE • IN A TUB, PANOPTICON, THONG ATE GLASGOW. \ PICKARD’S FIRST ANNUAL CARNIVAL WILL BE HELD IN THE PANOPTICON. IN ADDITION TO THE CHRONOPHONE, AND GRAND VARIETY COMPANY, ALL THE FUN OF THE FAIR Including RIFLE .SHOOTING, COKERNUT SALOONS, french billiards’, dart throwing, AUNT SALLIES, PIPE BREAKERS, ELIZA JONES. BOGIE MEN, HOOKEM, LOVE IN A TUB, BALL PUNCHERS^WEIGHING AND STRENGTH AND ALL THE LATEST UP-TO-DATE AMUSEMENTS, DOORS OPEN EACH DAY AT 6 AM. Sola Proprietor A. E. PICKARD, Unlimited. HOOKEM, LOVE-IN A TUB, BALL PUNCHERS, WEIGHING AND STRENGTH APPLIANCES, AND ALL THE LATEST UP-TO-DATE AMUSEMENTS. DOORS OPEN EACH DAY AT 6 A.M, Sole Propriojor. ‘ ” ‘ — — THE BRITANNIA, The splnedid entertainment provided by the proprietor of this popular house is at- tracting crowded houses. Special attrac- tions have been secured for the holiday season. PICKARD, Unlimited. lUfrVfGvxd GLASGOW AHEAD OF LONDON AT THE BRITANNIA PANOPTICON THE CHRONOPHONE THE SENSATION OP THE AGE, Supported by a GRAND VARIETY COMPANY „ , Daily at 2, 4, 7, and 9, Sole Piopnetor, .. A. E. PICKARD; Unlimited. BRITANNIA PANOPTICON, _, A vf atF GLASGOW. PICKARDS FIRST ANNUAL CAENIV A L WILL BE HELD IN THE PANOPTICON. In Addition to the CHRONOPHONE and GRAND VARIETY COMPANY, INCLUDING ALL THE FUN OF THE FAIR, Pirri- SHVDTING, COCKERNUT SALOONS. IIenOH BILLIARDS,, DART-THROWLNO, AUNT SALLIES, PIPE BREAKERS, BOOKM° MVI 0 IX A TUB.' BAl| PUNCHERS. SS?S'c ViD strength appliances. WEIGHING AND ali t]{E EAXEiT UP-TO DATE AMUSEMENTS. DOORS OPEN EACH DAY AT 6 A.M. Sola Proprietor A-~E. PICKARD. Unlimited. THEATRE BURNED DOWN. Edinburgh plumea itself these days on their World’s Fair, but South-Siders in Glasgow have one to their own cheek at Eglinton Toll. A party of staid citizens unbended last night in attempts to hit the woolly dolls, but their courage stopped short of adventure on the ‘ 1 Merry-go- rounds. ’ ’ ■ ■ AtTI CROUCH’S WONDERLAND. 157 ARGYLE STREET, A GREATER AND MORE GIGANTIC SHOW THAN EVER. THE HUNGARIAN WONDER. 18 Years of Ago, 36 Stone Weight, and HIb LITTLE FRIEND. L'HOMME miniature. £500 to Fmd his Equal. THE FAMOUS BI-UE MAN FROM BARNUM’8, The Scientific Wonder. JACK HILLIARD, The Man who Defies the Hangnflan. A Marvellous Turn. CINEMATOGRAPH. NEW MECHANICAL MODELS. MOVING WAXWORK GROUPS, And Innumerable other 1 Attraction!'.. MADAME SOPHIA. Glasgow'* Fajnoa* Palmist. Britannia (Proprietor and Manager, Mr. A. E. Pickard). — The Chronophone is a source of great delight to patrons. In addition there is ?au excellent variety entertainment. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.44 Title A name given to the resource BP01.44 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 44 Description An account of the resource Newspaper cuttings about the business of music-hall performers, a 9 months old baby who talks perfectly, plus the programme of The Britannia Panopticon and museum. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/de9719a5e478be5de97a0c190d254e47.jpg cc030526133d2b2409a374ccfca1dcae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Daily Telegraph, Daily Record and Mail Date Date of newspaper article January 1907 Text Any textual data included in the document PTHE DAILY TELEGRAPH, THURSDAY, ts» a. ? H k f(da y and night sometimes) more just? Nor can youi wonder at the highly-paid ones trying to make the best conditions they can for themselves while they | are still popular, and in good health. When Marie ; Lloyd was ill a while ago her salary ceased alto-i gelher. I wonld ask you who is to blame for the few ; high salaries. Why, the proprietors themselves. | As soon as an act becomes the rage at one hall, they j outdo each other to secure it for their own par- : ticular hall or halls, and what man or woman is ! there who will object to more money, especially if ! it is thrust upon him. The following case is from j my own personal knowledge: A man made a great ! success with a certain 6ong, and the hall where he j waa singing became packed every night. The pro- prietor of the said hall was very pleased, and raised the successful one’s salary from £7 to £12. I dare- say the singer would have been quite satisfied with this, but a manager from another hall offered him j ' £15 per week for his services. This the singer ! refused, when along canto an offer of £20, and tho i singer, being like most men, being tempted, he fell. ; And so it has been and always will be until one man can see another make a bit extra without being [ greedy.— -Yours faithfully, London, Jan. 23. A COMEDIAN’S WIFE. JANUARY 24, 0LYMPIA . 1907. TO THE EDITOR OF " THE DAILY TELEGRAPH.” Sib — A a a comparatively recent recruit from the regular theatrical stage to that of the music-halls, I am very proud of my position there, and as a member of the Variety Artists’ Federation I have every confidence in the action taken by that body. , Beyond this, however, I have nothing to say, and I do not wish to be exploited as taking a prominent ! part in the strike. If you could very kindly find room to publish the j above statement, I shall be exceedingly obliged, as J statements have been made in one or two papers j j that make it appear as though I was taking special J steps in the matter.— I am, &c., MAEIE DAINTON. I ] Gordon-mansioas, Gower -street, W.C., Jan. 23. Among the large number of subscriptions received . ' for the strike fund from artists and others were the J following : Little Tich, £20; Mr. Arthur Roberts, J £20; George Gray (Limited), £20; Mr. Gus Elen, £25; Mr. Joe Elvin, £25; Raymond’s Bioscope, £10; Miss Marie Lloyd, £10 10s; Miss Marie Kendal, ^ £10 10s; Mr. Joe O’Gorman, £5 5s; Mis3 Nellie , Wallace, £5 5s; Mr. Paul Martinetti, £5 5s ; Mr. W. H. Clemart, £5; Mr. Harry Mountfofd, £5; Mr. j V. L. Granville, £5; Mr. George d’ Albert, £5. MUSIC-HALL WAR. The dispute which is agitating the music-hall j world continues. The principal feature of yes- terday’s development is. the action of the London Entertainments Protqfciifon Association. This body, which already represents all the London music-halls, is to be extended so as to include provincial proprietors, decided upon a policy of mutual support in the event of any of its mem- bers being attacked by the National Alliance of Music Hall Artists. On the other hand, the 1 dissatisfied artists claimed to have obtained a ! large number of new recruits, and several fresh contributions have been made to their funds, i A detailed account of the progress of the struggle appears on p. 11. Olympia, otherwise the Mammoth Fun City, has j secured an astounding attraction, one who bears i •with him an invaluable secret in these days of the demoniacal motor and the skid. He is a gentleman with tffe foreign-looking and yet singularly English I compound name of Gadbin, and his quality and turn J that of the “ Ecrase-V ivant.” A swarm of Press I m£h gathered at Olympia yesterday forenoon to r*.| witness his first rehearsal. M. Gadbin, who must be I a bold 'in an in many senses, left Paris on Monday night,, and crossed in tbg .teeth of the howling I northerly, blast. He only managed to reach Olympia in the nicl of time, but without his five-ton 40 h.p. ! motor, which- is presumably waiting for better : weather. In mufti/'-' without his swagger show j clothes, the gentleman who withstands “ crushing,” | a nut not to be cracked even under the wheel, under- I took to give his performance. At that ho&r, all i that could be found “ on the rank ” was a hansom ; ’ • not a motor was within hail. “ Cabby ” was invited j j to drive into the ring, and then eight gentlemen, who • had partaken of substantial lunches, gdt into or \ upon the “ hansom,” as might have been on a Bank j jj Holiday. The vehicle was driven along, and M. j • j Gadbin put out his left foot and allowed the wheel | . ^ , to roll over it. He seemed not & whit disconcerted I i by that diversion. Then he lay on the ground face - j downward, and again the cab was set in motion, and 5 one of its rubber -metal-tyred wheels passed over the . 1 middle of his back. He emitted someting like a , J squeak, caused, as he said, by the ridge of rubber and I j iron pinching him as the wheel ran over his body. But ^ l he got up and laughed, seemingly not a wliit the ! "j j worse, though a hansom with nine people had just j run over him. On Monday next M. Gadbin will [ appear in public and be run and re-run over by the five-ton motor carrying a load of passengers. How he does it, and all for the fun of the fair, is | j- well worth seeing, and — better still — of knov ing. Other attractive items will also be added To the • programme at Olympia. DAILY RECORD AWlS MATT , / JANUARY - 2 5 , 1907 MUSIC HALL ARTISTES I ON STRIKE. PROGRESS OF METROPOLITAN STRUGGLE. GLASGOW OPINIONS. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.45 Title A name given to the resource BP01.45 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 45 Description An account of the resource Newspaper cuttings about a music hall strike, crime in Glasgow, and the programme of the Olympia Theatre. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. music-hall strike https://www.pickardspapers.gla.ac.uk/files/original/07f0fa104e22e9ddda3059a3f5000987.jpg 868267755b90d6957e8653c607d76123 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Daily Telegraph, Daily Record and Mail Date Date of newspaper article January 1907 Text Any textual data included in the document CHE DAILY TELEGRAPH, ,(dav and night sometimes) more just? Nor can yoa[ wonder at the highly-paid ones trying to make the best conditions they can for themselves while they ; are still popular, and in good health. When Marie Lloyd was ill a while ago her salary ceased alto- . gether. I wonld ask you who is to blame for the few high salaries. Why, the proprietors themselves. As soon as an act becomes the rage at one hail, they F 3 outdo each other to secure it for their own par- : ticular hall or halls, and what man or woman is . •- t there who will object to more money, especially if j it is thrust upon him. The following case is from j i my own personal knowledge : A man made a great ! suooess with a certain song, and the hall where he ■ was singing became packed every night. The pro- i prietor of the said hall was very pleased, and raised K the successful one’s salary from £7 to £12. I dare- say the singer would have been quite satisfied with this, but a manager from another hall offered him 1 £15 per week for his services. This the singer refused, when along came an offer of £20, and the ; singer, being like most men, being tempted, he fell. \ And so it has been and always will be until one man can see another make a bit extra without being ' greedy.— Yours faithfully, London, Jan. 2 3. A COMEDIAN’S WIFE. , TO THE EDITOR OF " THE DAILY TELEGRAPH.” Sib — As a comparatively recent recruit from the regular theatrical stage to that of the music-halls, I am very proud of my position there, and as a j member of the Variety Artists’ Federation I have j every confidence in the action taken by that body. , j Beyond this, however, I have nothing to say, ?ru] I do not wish to be exploited as taki ng a prominent ! j part in the strike. If yon could very kindly find room to publish the j , above statement, I shall be exceedingly obliged, as ; j statements have been made in one or two papers j | that make it appear as though I was taking special j I steps in the matter. — I am, &c., MAEIE DAINTON. [ 41, Gordon-mansioae, Gower -street, W.C., Jan. 23. ! jV-j Among the large number of subscriptions received f - for the strike fund from artists and others were the j 1 ■ following: Little Tich, £20; Mr. Arthur Roberts, I £20; George Gray (Limited), £20; Mr. Gus Elen, I 1 ^25 ; Mr. Joe Elvin, £25 ; Raymond’s Bioscope, £10 ; j Miss Marie Lloyd, £10 10s; Miss Marie Kendal, ( £10 10s; Mr. Joe O'Gorman, £5 5s; Miss Nellio J jfcg (Wallace, £5 5s; Mr. Paul Martinetti, £5 Ss; Mr. 1 W. H. Clemart, £5; Mr. Harry Mountfofd, £5; Mr. I f-'Jg v - Granville, £5; Mr. George d’Albert, £5. R MUSIC-HALL WAR. The dispute which is agitating the music-hall world continues. The principal feature of yes- terday’s development is #he action of the London Entertainments Prot^ciiSn Association. This body, which already represents all the London music-halls, is to be extended so as to include provincial proprietors, decided upon a policy of mutual support in the event of any of its mem- bers being attacked by the National Alliance of Music Hall Artists. On the other hand, the dissatisfied artists claimed to have obtained a large number of new recruits, and several fresh contributions have been made to their funds. A detailed account of the progress of the struggle appears on p. IX. THURSDAY, J ANY ARY 24 , 130 T. OLYMPIA. Olympia, otherwise the Mammoth Fun City, has secured an astounding attraction, one who bears •with him an invaluable secret in these days of the demoniacal motor and the skid. He is a gentleman with fctfe foreign-looking and yet singularly English compound name of Gadbin, and his quality and turn that of the “ Ecrase-V ivant.” A swarm of Press m<?h gathered at Olympia yesterday forenoon to witness his first rehearsal. M. Gadbin, who must be a bold 'inan in many senses, left Paris on Monday night,, and crossed in tb$ teeth of the howling northerly, blast. He only managed to reach Olympia in the nick of tune, but without his five-ton 40 h.p, motor, which' is presumably waiting for better weather. In mufti, without his swagger show clothes, the gentleman who withstands “ crushing,*’ a nut not to be cracked even under the wheel, under- took to give his performance. At that ho&r, all that could be found “ on the rank ” was a hansom ; not a motor was within hail. “ Cabby ” was invited to drive into the ring, and then eight gentlemen, who had partaken of substantial lunches, gdt into or upon the “ hansom,” as might have been on a Bank Holiday. The vehicle was driven along, and M. Gadbin put out his left foot and allowed the wheel to roll over it. He seemed not & whit disconcerted by that diversion. Then he lay on the ground face downward, and again the cab was set in motion, and one of its rubber-metal-tyred wheels passed over the middle of his back. He emitted someting like a squeak, caused, as he said, by the ridge of rubber and iron pinching him as the wheel ran over his body. But he got up and laughed, seemingly not a whit the worse, though a hansom with nine people had just run over him. On Monday next M. Gadbin will appear in public and be run and re-run over by the five-ton motor carrying a load of passengers. How he does it, and all for the fun of the fair, is well worth seeing, and — better still — of knowing. Other attractive items will also be added to the programme at Olympia. ^ s 8 co m-i • - » c .2 e . i? J J 28 | » — C5 -e « S au: P.S 3 W ftis 5 d 5 'v Y ■2 B ..J 3 1 a ; ri “ s ; « ® s s ifj* ij-t jM fa af o. § .3| e. « .■gSgSB** I, toe . « 2 o -g §'£ £' %• ® J -o c-* "f 1 ..g-g §.§ x ' : PROGRESS OF METROPOLITAN STRUGGLE GLASGOW OPINIONS. Ihe suggestion of arbitration in the Lon- don Music Halls dispute has been made, but each side refuses to entertain the idea, and continues to stand firm. Members of I'arliament attending the Labour conference at Belfast have signed a statement appealing to the public to sup- port the National Alliance, which has been) HI lermed to represent the music hall artistes Hi m their struggle with the Music Hall Trusts. I |ji ^ interviewed by a representative of the I ‘ ^*y R«*>nd and Mail,” Mr. Bransby j Williams spok© of what lie regarded as the !| bad habit ’ of signing contracts which in- J j|j eluded matinees.” It was undoubtedly a! >!j hardship for the music-hall artiste, especially [ |j| ,n Metropolis, where he might l>o cn- [ Bl o^ff^d for, say, three hails a night, to have } [J ,n J at,Jiees suddenly sprung upon him for [' -I ,1C did not receive any extra remunera- : d tion, and on aooount of which, did he not h : appear, a pro rata sum was struck off his 1 weekly salary. J Ihus, said Mr. Williams, an artist on the jf ;| two houses a night principle, might twice ! |j ° r diree times a week have not only to I appear six times (covering three hails), but | have three matinees as well, making nine | performances a day. | It was the force of competition that made | the matinees. Originally one matinee on | Saturday was not grudged on the compara- « tIveJ y f ew occasions on which it was asked, but tiie contracts now might mean that two or three matinees might be suddenly sprung on an artiste whose signature to the" contract left him no adequate excuse for complaining. As to the Strike itself, Mr. Williams pro- fers to observe a discreet sile.no© at the ^ t, 33 .£i -j§ ; ,>r,s . ent time. It was not only the actual w 2 o .. w musio-hall artistes who were concerned, he ^ cl S — ^ Jgi tcn.imhid our representative. but the " A *6 ^ er m musicians and tile "stage hand- " as well. R’g K ® er rt ,P g ' vou kl not. say whether or not he approved in ^ Ti 0 e IT ’d «: - J the drastic action ltcing taken in the If "§ S -g - S J matter. ' ® C " | glj . ■' lr ' E. Frame showed a reticenoc f ■ 4 1“ speaking on the subject. Ho re- G 5 s ■o«a=i 23 8_<a a sa ‘ d ’ pcsition. Matters v; „ • u n" r. S^Bvhonld have been looked into scriouslv and I ( „ r ’ I A S, s l Iv u a a tlou * ly - W® « as Afraid the proprietors tf o g 1 L j;, wj? 5 -lrad not .oneidered their position. 3q fe'c.oi r After aJli co ? ti aued Mr. Frame, the per H s £ 3 f2 | h |'»i? rIn ® rs ™ ln the majority, and should, ' IS c •> * i ‘“.f" 8 extent have been taken 9 . o’Sf? - - .It < ° c ! ; M " ^ 10 confidence of their employers a© a ■ g) 1 " ^ ? T r-°“ e dlvid H against itself must fall.’ The gltune must come when bv Act of Parlia- 8 sJJ'r * ^ menl. aU such matters would bo settled bv SA'S-Sw 9 S °j“' arbitration. Managers should corf. IzZ ■ Mder tiie iniluenoo nf a favonritc performer with the crowds. Mr. \\ ill Evans expressed tho opinion that H the matinee question was Uie point that had created the most outcry among music-hall artiste;. It frequently, he considered, operated a., a distinct hardship, although he personally always had been treated with the greatest consideration where extra per- formances wore concerned. The strike said Mr. Harry M'Kelvie. manager of the Glasgow Palace Theatre of wa; \! >UTe, y i°eal ; it would not a ec tho provinces. The existing contracts, e of>,ncd - were no hardship “at the present i rate of salary.” Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.46 Title A name given to the resource BP01.46 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 46 Description An account of the resource Newspaper cuttings about a music hall strike, crime in Glasgow, and the programme of the Olympia Theatre. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/159dddd0ed0ad1ceaf5bc455fee42f3a.jpg 706c70cfe0dfec8a536bd703c15bb0be Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Scottish Referee, The Glasgow Star, Evening Citizen, The Partick Star, Daily Record and Mail Date Date of newspaper article December 1906 Text Any textual data included in the document THE UEGEMBER REFEREE! / S^CVV JDecl'Zy- /go6. STAQELAIND. BRITANNIA PANOPTICON. THE BEITANNIA (GLASGOW). 55ifi entertainment provided at this popu- lar establishment this week is of a capital ■nature, and large audiences rule at every performance. Cissy Arris is a clever comedi- enne and expert danoer, whose numbers please greatly. Mise Minnie Osborne is quite a favourite at this hall, and her fort- night’s engagement has been a very success- ful one. Her charmingly rendered coon eongs, and equally graceful presence, win for her the enthusiasm of her audience. Vosco, a conjuror,, has business which creates roars of laughter. Bert Serony, light comedian, adds a good number. The chrono phone, with new eongs and pictures, re- mains a feature of the programme, and much interest is aroused by the panonto- scope. Mr Pickard announces that he will thi- year hold his first carnival at the Panopti- With this end } n view he has had that part of the building completely trans- formed, and many side-shows and novel- ties added. No expense has been spared to ensure a successful carnival, and visitors during the holidays are assured of full value for their money. i Mr Pickard’s establishment in the Tron- I gate is again to the front with a well-se- i lected programme. The Chioncphone is 1 again to the fore, the principal subjects being “ The death scene of Little Nell,” (from Dickens’s “Old Curiosity Shop"; This little giri and that,” a selection from the musical comedy “ Little Alichus." Pro- minent on the bill also is Alias Minnie Os- borne, charming vocalist and dancer, re- tained from last week. A pleasing num- ber is submitted by Bert Serony, light comedian. Miss Cissie Arris charms all in song and dance. Vosco, comedy conjurer, causes roars of laughter with his burlesque conjuring. Pickard’s first annual carnival inland, i 1 BRITANNIA PANOPTICON, i TRONGAVE, GLASGOW. PICKARD’S FIRST ANNUAL CARNIVAL : ™ BE held w the panoftiooh. : IN ADDITION TO THE CHRONO PHONE, AND GRAND VARIETY COMPANY. 'ALL THE FUN OF THE FAIR Including ^ SHOOTING, COKER NTTT SALOONS, i FRENCH BILLIARDS, DART THROWING, AUNT SALLIES, PIPE BREAKERS, ELIZA JONES, BOGIE MEN, 1 , HOOKE M, LOVE IN A TUB, | BALL PUNCHERS, WEIGHING AND STRENGTH APPLIANCES, AND ALL THE LATEST : UP-TO-DATE AMUSEMENTS. i DOORS OPEN EACH DAY AT 6 A.M. i Solo Proprietor .. .. . A. E. PICKARD, Dnlimited. ^unJi W | STEWART’S WAXWORK, 124 COWCADDEN8 . . EXTRAORDINARY ATTRACTION, . A FIRST TIME IN BRITAIN. A ! L L’HOMME FAUVE: h | * THE WILD M A N i * FROM THE FORESTS OK SIBERIA. Z. E HALF MAN, HALF BEAST -ALIVE! E ] MOST REMARKABLE CREATURE LIVIN' :. I STEWART’S WAXWORK, COWCAUDENS. BRITANNIA PANOPTICON. Trongate, Glasgow. pickard’s First annual CARNIVAL Will be held in the PANOPTICON. ! In addition to the CHKONOPHONE and i GRAND VARIETY COMPANY, JaC There is ALL THE FUN OF THE FAIR, , Doors Open Each Day at C a.m. Sole Proprietor — A. E. PICKARD, Dnlimited. Saturday, Decembe r 29 , 1906 . ' EVENING CITIZEN, ~ i : ' .» r - J BRITANNIA BRITANNIA PANOPTICON, TRONGATE. GLASGOW. PICKARD’S FIRST ANNUAL CARNIVAL W t- t,-.ryr^B ". I -!<— ’ Y OI>nrr>v In Addition to the CHRONOPHONE and GRAND VARIETY COMPANY, INCLUDING ALL THE FUN OF THE FAIR, RIFLE SHOOTING, COCKER NTT SALOONS. FRENCH BILLIARDS. DART THROWING AUNT SALLIES, PIPE BREAKERS ELIZA JONES, BOGIE MEN. HOOKEM, LOVE IN A TUB. BALL PUNCHERS WEIGHING AND STRENGTH APPLIANCES^’ AND ALL THE LATEST UP-TO-DATE AMU SEMENTS. DOORS OPEN EACH DAY AT 6 A.M. Sole Proprietor A. E. PICKARD. Unlimited. J! It Dcvilud S^atv ^3 r T> R f T A N N I A | JL _ / 1 PANOPTICON, TitONGATE. • GLASGOW, t PICKARD’S FIRST ANNUAL C a R NIVAL WILL BE HELD IN THE PANOPTICON. In addition to the CHRONOPHONE and I GRAND VARIETY COMPANY, { INCLUDING ALL THE FUN OF THE FAIR, | RIFLE SHOOTING, COCKERNUT SALOONS, FRENCH I I i ; >RDS, DART THROWING, AUNT SALLIES, PIPE BREAKERS, KI.IZA JONES, BOGIE MEN, HOOKEM, LOVE IN A TUB, BALI, PUNCHERS, WEIGHING AN. I STRENGTH APPLIANCES, AND ALL THE LATEST UP-TO-DATE AMUSEMENTS. DOORS OPEN EACH-DAY AT 6 a h. Sole P. op. him —A. E. PICKARD, Unliin.uM, BRITANNIA VARIETIES. In keeping with the increased demand | for entertainment during the holiday season an exceptionally attractive variety j- programme is this week submitted to the ! patrons of the Britannia. The various j j “ turns ” constitute a happy blend of the : essential features of a popular music-hall. &| The Chronophcme is still one of the out- d standing items at each performance In addition to the usual fare, th^re is £3 now a grand Carnival at the Panopticon, full particulars of which appear in our advertising columns. EVENI NG CIT IZEN, ; p ~ December, 31 , 1906 . BRITANNIA. There is plenty of variety about the Bn-H tannia entertainment with the Panopt.co^* Carnival, the chtonophono. and interesting H t, lrn , bv a capital variety company. In ad li lion there is a lengthy list of suchamnsements | „ rifle-shooting. French billiards ball- , punchers weighing and strength appliances. R and many funny features For holiday makers^ to enjoy. -ii i ' I Ah’h uren’s stage Salaries.— I n the course \f a “ a ?&S%tbUnrthree° U ^n°re ] for oertiflcatre enammg^ ddi n ,, a( . a Lon . -. M ^theatre Tf 1 was stated that one of them don theat re, w "as of this tj*0 ISVS’ y ‘SSre* Sl/TA Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.47 Title A name given to the resource BP01.47 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 47 Description An account of the resource Newspaper cuttings about The Britannia Panopticon and museum, salaries of stage children, and Stewart's waxwork. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. chronophone comedy theatre variety https://www.pickardspapers.gla.ac.uk/files/original/2c4132662df3b52545ba88b29f2ea1b6.jpg 8d14788ad999284c6bb8556d50cac189 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Daily Telegraph Date Date of newspaper article January 24 1907 Text Any textual data included in the document THE DALLY TELEGRAPH, THURSDAY, JANUARY 24, '1 In a oouple of minutes yesterday we subscribed £196, and to-H«y subscriptions came tumbling in. Thai, is quite tbe most reassuring feature of the situa- tion.” “ One thing this affair has done for us,” said another member of the Alliance. “ It has enable*! us to discover friends in quarters where we did not altogether expect to find them. To give an example, a manager who had signed our charter was subse- quently approached by another manager as PROMINENT A EXISTS* ATTITUDE. Iconstwrtly mo-red on by the polios. Consequently it PAVILION. ,ims found possible to present a programme of a A visit paid to the Pavilion, in Pkcad iTJy-orctts, ! In* the course of the day representatives of The somewhat heterogeneous kind, for the hall was not last night, disclosed nothing unusual. Mr. Glenistcr, ) Daily Tclnjraph had brief conversations with various closed, as on the previous night. Before the doors the manager, in answer to an inquiry, replied : prominent members of the profession, whose views were opened a very 6mall queue formed in the “ You can say you found us very happy. The dis- are summarised below : )9tr.md — but a ghost of what is usual. Perhaps forty turbance has not affected us in the least. We have MISS MARIE LLOYD. Miss Mario Lloyd, who is taking a very active part t 0 in the struggle, stated emphatically that the Alliance whether he considered the agreement legally bind- ing, and whether he really meant to abide by it. To hie honour be it said, the manager who had signed unhesitatingly replied that, having adhibited his name to tho document, he certainly meant to stand • by it. And yet the other people had sent down a solicitor to him with the object of persuading him that the agn went had no legal force. That is how scfno managers are acting.” “ You see,” said another music-hall performer, ** we have all tbe talent on our side. Just ooosider what we might do in London — or elsewhere for that matter — if we were put to it. The Holbora is one of the halls affected in this dispute. Suppose we took the Holborn Town Kail, for instance, and opened a rival show, what sort of bill would we not have ? Why we might have twenty " star ” turns— such a bill as even London has never seen, and we could easily work throe or four halls with the same company. In that way we should soon settle whom the public come to hear.” While the Executive Committee of the Affiance was busy at its offices in Wellington-street discuss- meant to fight tooth and nail, and she had every hope that they would win. “A wrong impression has got abroad,” die remarked, " as to the position of the ‘ star * artists. It is said that they are quarrelling with the managers on their own behalf. That is not so We can dictate our own terms. We are fighting no?, for ourselves but foT the poorer members of the profession, earning from 30s to £3 per week. For people assembled, and when admitted they were lost had no trouble with our artists, and we do not antici- in the building. Later others dribbled in, and by ten pate any. We have always got on very well with o’clock there was a fairly large audience, the gallery one another. and circle containing most people. Outside, near the « y ou 8ee> the Pavilion has nothing to do with any stage entrance, the members of the orchestra assem- syndicate. ' We run singlehanded, and, in addition, bled, with their instruments, but after some myste- you raus t remember, we have but one house a night, rious conversation, and despatching of emissaries on an( j have no matinees beyond the ordinary Saturday unknown missions, they disappeared. The orchestra] one . Our artists do seven performances a week at a engaged was a scratch one. The ordinary leader waaj fyjj salary, and are therefore quite satisfied.” there, but he had to support him only three violinists, a flautist, and a pianist. Considering their strange- THE HOLBORN. have been added as well. The contract usually says, " matinees if required,” and they are required in nine cases out of ten. These poor things have been com- pelled to submit to unfair terms for years, and it is high time to make a stand. They must have a living this they have to do double turns, and now m&tmtfes ness each °’ ther discharged their functions Mr. Claude Marner, the manager of the Holborn with very few hitches. AD, or nearly all, the stage Empire, which is one of Mr. Walter Gibbons’s halls, hands were fresh, but they also managed *—e scenery succeeded in presenting two full programmes at xnd the curtains with commendable facility . both houses last night. Strong pickets were posted throughout the performance the audience kept by the Music Hall Artists’ Federation at the stage- themselves in restraint. There was an occa- ^ oor> but it was soon discovered that most of the wage and better terms of employment, and I mean ®onal cry of “ Blackleg " when a icnown artist performers were going in by the public entrance, to back up the federation in whatever steps they take.” MR. ALEC HURLEY. “ What we are really fighting, ” said Mr. Alec Hurley, “ is a music-hall trust. If the policy which has caused all the trouble succeeds, it will be im- possible fo-r artists to earn a Hving in London at appeared; somebody tided a bar or two of which then became the centre of operations. Quite “ Pop goes the weasel " ; hisses occasionally puno- a crowd gathered to see what was going forward, tuated the applause; one rowdy individual had to bu t the police would allow no loitering. More than be taken in hand by the police; but on the whole one 0 f the pickets ruefully admitted that their there was nothing to call for serious managerial tactics were meeting with little success. Also they complaint. As the artists had been suddenly sum- bad the bitter cold to contend with. Mrs. Brown maned there were no printed programmes, and no p^ter, who appeared in “Mary, Queen of Soots, __ Of the “ turns ” obtained against me, it will probably be a teat ease. ; * ented Wmmsedves. . auojenoea, uia. a* uie , This is a big question, and things cannot remain *s j dancera > who, no doubt, have escaped “ persuasion " mogt satisfactory s j ze they are. No; I don’t think the managers will be , on aoooun *' their nationality, put in an appear- w Aduev Pavne’s evnc , -i, . . , . . . ' ancft. aa ftiart PnVivm HI— D * * ' * w w _ & tr .. LIII , all- At present the average artist is really at the num ber8 shown at the sides of the stage; in lieu entered the hall without attracting much observa- ing the latest phases of the campaign, a crowded in- ; raerc 7 of the manager. He has to sign a contract ‘-hereof, Mr. Joseph Wilson, the general manager, tion, but when she came out again the picket* formal mooting of variety artists was held in the *° a PP oair ®t a certain hall for six nights, and lie announced the “turns” with a benign, even cheery, swaxTOe d around her. To no one, however, would Bedford Head Hotel, in Maiden- lane, near by. The ’ s no * avowed to perform at any other hall in tiie countenance. Two or three rather long waits sbe say a word, and hurrying into her brougham, proceedings wore conducted in private, only the neighbourhood for twelve months thereafter. In occurred between the “ turns,” and the band was drove quickly away. holders of federation membership tickets being ad- j IVjWa y oaees ^ practically means ruin. I myself some,times called upon to hold out a bar for an At the Easfcon> w bk* i* under Mr. Adney Payne’s mitied to the hall. At the closo of a protracted engagement at a North-East London hail, unconscionable tune m consequence of the unread j- oontrol> ^ performances were given as usual, the ' and I have been asked to undertake another shortly neaa “ ar ^ 3t f when ** curtain was drawn up, but n^^e^nt having filled up the orchestra and sup- afterwards in a neighbouring district I mean to w ^o token quite good-humouredly. pIied the places kft vacairt by ^ artists who belong accept it, and, as an injunction will no doubt be Uf , 0 , turns advertised two only actually pro- ^ the federation. At both shows there were large The Romsokoff Troupe of au dienoes, that at the first in particular being of a from the point of view of * * — o — — — — i . ,,, _ . - - -- au. au jjxsj taiuot syndicate. able to carry on very long with ‘ scratch ’ turns. It ance » iis k* 80 did Pnnoees de Broglie. Mrs. Brown is the public who moke the ‘stars,’ and they cannot ^ > °* , * ;er gave a couple of capital recitations, which HIPPODROME, be gulled by inferior ‘ talent.' - [ 110 wa ? , sd<,m of the>ir deyemees by the There was no change at the Eipi«dron» tart night. MR. GUS ELEN. ! ^ that eye^thing ™ going on Mr. Gns Elen stated that he meant to stand by a romour that Mr. Arthur Koberte would tom up ““ oothl 7> addln S- 0ar the Artiste- Federation. “Formerty the majority j but it prored baseless, and Miss Camille Clifford and »ages, and ""••I satisfied with of the halls ran one show a night. Now an artist was also eipected, but some hitch with the Gaiety °^a“° ther " Wc “** “ mted here - thi “ k eood ' management, it was said, prevented her appearance. to r TTYflT'ON PMPTRT2 As for the rest, they were more or less known on the loLIIN (tION EMPIRE, variety stage or the concert platform. Mrs. Ethel of the Gibbons halls, some changes were Walker, ». dainty lady in white, who discarded the made “ programme at the Islington Empire last services of the band, being her own accompanist on ni £ ht - There were, however, crowded houses at both toe piano, sang two ditties of perfectly appropriate performances. A strong force of police were on duty, title—'* Are we downhearted ? ” and “ It’s all right wifch tbe resuit tbat » th °ugh some picketers were in now.” The audience seemed to relish the happy the Tidnik 3 r » Mr - WUson » the manager, said they had Mr. Joe Elvin stated that the federarbiou was choice ‘, Mr - George Beale, a comedian and dancer,, ^ acd had not caused much trouble. “ going strong.” There were now over 5,000 artists canned in his song to be honest because hej * in the assocaatdon, and the best people all over the | promised to pay,” lived down a fair amount) country were joining. The members were abeo- j of opposition, and disappeared in the wings with al lutely unanimous, and he had every hope that they ! ^ottwious skip and jump that proclaimed him ail would attain their objeot. Ample funds were avail- ^e end a qualified success. Then came Miss France^ itoscooa, a pretty young lady who had never been on the music-hall stage before, but is known on| concert platforms. meeting it was learned that the demeanour of the gathering bad throughout been moet enthusiastic and resolute. Somewhat outspoken criticism was indulged in with regard to oertain managers, but, on tbe other band., the members found much to inspire them in the telegrams an- nouncing assistance and support which reached them, it is said, from all parte of the country. The straits to which certain halls had been reduoed on the previous evening were naturally the subject of a good deal of mirth, and offers of servioe on picket duty were ready and numerous. There were loud cheers when intimation was made that Mr. Preston had refused an offer of double salary to give his entertainment at the Oxford and the Canterbury halls. Mr. Preston declared, it is said, that all the members of his company, over thirty in number, were federationists, and that if it had been at all possible he would have made the three horses which appear in his sketch federationists as sfell ! Another artist is said to have announced, amidst shouts of execration, that on going to one of the affected halls at which he had been appearing, in order to bring away his properties, he found his apparatus all smashed. It was stated that at the meeting of the Alliance executive yesterday one of the resolutions taken was I to communicate with the Actors' Association and other kindred bodies inviting them to dissuade their members from taking the places of music-hall artists i on strike. may be asked at the last moment to do two perform- ances or lose his contract. The small men cannot afford this, end they have accordingly to appear twice for the some remuneration, and sometimes appear at matinees as well. It is simply slavery. The present form of contract is very one-sided, and the sooner it is altered the better.” MR. JOE ELVIN. able for carrying on the struggle. LIFE OF THE ARTIST, SCENES AT THE OXFORD, TO THE EDITOR OP " THE DAILY TELEGRAPH. “ Sib — As the wife of a music-hall performer, there are one or two items I would like to put before the , public, if you will permit me. Mr. Gibbon* speaks «tn .* decided success - of salaries of Marie Lloyd, Arthur Roberts, and 00,11 !ay 1 word — Alec Hurl®,, and that no one in the present com- 1 rp, re ^ arded her with liberal ap- paniee gets less than £4 per week, and then wants ~»tribut.d >U) u the®, conditions of slaver,. It is . evidently of foreivn^’h’vrt ’ ° gaJ>tdeman ’ ' quite true Miss Marie Lk>,d’s salary is s large one, evidently of forcur, birth, played comet and | J* ^ ^ „ d all other h*h! ,-prtd art*. ha« Outside the public entranoes of the Oxford there j was little last night to indicate that round that f-bullding, V.r4Jhnntly lighted as usual, there was ■ centreing one of the stillest of the many oonflicts x he ^ Uai ,°. Arfcist *’ federation jj t ' rumpet du ®te very smartly ; Mi^ Kitty Loftus filled | grB&t respOJlsibilifcies Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.48 Title A name given to the resource BP01.48 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 48 Description An account of the resource Newspaper cuttings about a music hall strike. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. music-hall strike https://www.pickardspapers.gla.ac.uk/files/original/9808bc6b903fffaa81e418ba3feb51d1.jpg 3996740752fbacee14b50bd4b70e5ac2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Scottish Referee, Daily Record and Mail, Glasgow News, The Evening Times Date Date of newspaper article December 1906, January 1907 Text Any textual data included in the document I THE BRITANNIA (GktSgfJw). Glasgow lias never boasteS an inside Car- nival,. tbe only town in Scotland up to the ,, - . 'present time where this can be found being j BdinbtiTgh. But Mr B. A. Pickard, the en- terprising and genial proprietor of this popu- lar mid-eity establishment, has brought the West to tne level of the East by introducing ;hi-8 first aruraal New Year’s Carnival, to take place within the Panopticon, which has quite a host of the newest and most up-to- date novelties having been secured. There are quite a large number of side shows jj. which should provide endless amusement w Sat the merrymaker. At the Britannia, |! I which is within the same building, a fi 18 ^- jj j rate variety programme will be submitted, } ! with that popular local Scotch comedian, , Mr J. H. Harris, at the top of the bill. The : ! other members of the company are all of a 1 ! talented nature and certain to prove enjoy- 1 ; able. One of the latest inventions, # the ] Ghronophone, will also be shown. This is ! a wonderful combination of bioscope and , gramophone, and has only to be heard and j ] seen to be fully appreciated. In view of j I tbe enormous rush which is certain to be 1 \ experienced, there will be continuous per- g formances each day during this week, from an early hour in the morning. IBRITANNIA PANOPTICON, TRONGATE, GLASGOW. I PICKARD’S FIRST ANNUAL 1 CAR N i VA L. \ 17,358 VISITORS NEW-YEAR’S DAY. I ALL THE FUN OF THE FAIK. 1; GRAND VARIETY COMPANY, And GHRONOPHONE. A T.r. THE LATEST UP-TO-DATE AM USEM ENTS. DOORS OPEN EACH DAY At 11 o'clock. Sols Proprietor — At E. RICKARD, U nlimi ted. II v is WEDNESDAY, JANUARY 2, 1907. GLASGOW NEWS, B R I T A N N PANOPTICON, TRONGATE, GLASGOW. I A B R I TAN PANOPTICON, N I A GLASGOW. TRONG ATE, PICKARD’S FIRST ANNEAL CARNIVAL ti WILL BE HELD IN THE PANOPTICON. IN ADDITION TO THE GHRONOPHONE, i AND GRAND VARIETY COMPANY. I ALL THE FUN OF THE FAIR. Including ! - RIFLE SHOOTING, COKJSRNOT SALOONS, . . FRENCH BILLIARDS. DART THROWING, 1 ! AUNT SALLIES, PIPE BREAKERS, ELIZA JONHS, BOGIE MEN, HOOKEM, LOVE IN A TUB. , ; BALL PUNCHERS, WEIGHING AND STRENGTH J .Appliances. AND ALL THE LATEST I UP-TO-DATE AMUSEMENTS. \ DOORS OPEN' EACH DAY AT 6 AJVL ] Sols Proprietor A. E. PICKARD, Unlimited. , FALKIRK GRAND THEATRE, j GRAND PANTOMIME, "JACK THE GIANT KILLER." MATINEES EVERY SATURDAY, AND TUESDAY,,” WEDNESDAY, »nrl THURsbAY, JAM. ARY, Ul, 2nd, and 3rd, at 2 pan. PICKARD’S FIRST ANNUAL CARNIVAL. 17,358 VISITORS NEW-YEAR’S DAY. ALL THE FUN OF THE FAIR. GRAND VARIETY COMPANY, And GHRONOPHONE. AIL THE LATEST UP-TO DATE A M U SEME N T S. DOORS OPEN EACH DAY at 11 o’clock. Sole Proprietor— A. E. PICK \RD. Unlimited. ar THE EVENING TIMES, JANUARY 2, war. i a! Glasgow Amusements in 1906. I ■ A new entertainer has also arisen in Mr. Pickard, who has taken over Mr. Fell’s Variety Exhibition and Waxwork in the Trongate, which still continues to be a huge centre of attraction, and has also re-opened the Britannia Music Hall, as a theatre of varieties and Panopticon, with perform- ances at 2, 4, 7 and 9, daily. b R I T A n n PANOPTICON, , TRONGATE, GLASGOW. Pickard’s First Annual I CARNIVAL. 17,358 Visitors New-Year’s Day. all thT; fun of the fair. GRAND VARIETY COMPANY And CHRONOPHONE. ALL THE LATEST UP-TO-DATE AMUSE M ENTS. DOORS OPEN EACH DAY at 11 o'clock. Sole Proprietor— A. 13. PICKARD, Unlimited. 'flbl'Ylltdcuj JcUtMAAy (j ORIGIN OF THE CLOWN. [ Tlie characters to-day of Clown and Pan- I Saloon retain their caricature of the dress jj °l fifteenth century, in which, they had jj their origin; but, whereas Pantaloon, tied- up love-lock and all. is absolutely Vene- tian, Clown is essentially English But (says Dion Clayton Calthrop in the ijhristmas double number of the “Pall -Mall Gazette”) though these familiar char- acters require new costumes, new jokes new songs, fresh backgrounds, they are im- mortal, these delightful people, and they epnng from a source so ancient that it re- quires a very rag-picker in the big heaps ! threkd^ 17 l ° find th ® end of the ton Sk d It was the fashion in Elizabethan England to admire everything Italian; Italian was the Court language, Italian was the Court manner; so that, a happy idea occurred, I 1 suspect to Tarlton, ike great Fool of t&is ! ti 1 *)?' J °° Elizabeth, to introduce an j Italian comedy company into England juet f as taey had them in France. Tarit.on took f the character of Clqwn, made him English, ! dressed him, a a evidence shows, in an ex- f aggerated trunk doublet, and ruff, made his 5 hair into comic likeness of the fashion of the day, love-lock sticking up and tied with ’ ribbon, and so made a huge hit, with Col- | umbine as a neat maid, and Harlequin, ruff round his neck, spangles and wand, os a magic invisible being more like Mercury than ever. The Harlequinade thus firmly planted in England remains to this day,' but Clown was principal character and Punch usurped the spangles of Harlequin when he became a popular Loudon street entertainment in James I.’s reign. We had in 1702 Penkethman of Drury Lane as Harlequin, and the fame of Harle- quin was growing from 1688 to 1723, to cul- minate with the renowned Harlequin Piich, who is the most famous of all English Har- lequins. But if Rich was the most celebrated of English Harlequins, <as Grimaldi (senior) was of world-wide reputation as a great Clown, Barnes well known as Pantaloon, and the Columbines were as many as they were beautiful. To arrive at to-day. There seems to be a wave of interest in the country on the 11 Harlequin idea. The most celebrated re- vival of the old Italian figures has been due to Mr Barrie, who has given us, in "Panta- loon,” one of the most perfect of quaint plays, and he has been fortunate in his company of actors. Pantaloon, whether ■ played by Gerald du Maurier or Albert Che- i valier, has a touch of immortality : unless I \ am much mistaken, the part of Pantaloon will be the desire of many actors. Then * Air -Waller has played "Ine Harlequin ' King.” and W. i?. Gilbert turned Mr Bour- i | chier's company into tbe Harlequinade ; characters with a touch of his magic pen. ; j I must not forget the great favourite of j I Drury Lane, now, alas! gone — Harry Payne I — who was in modern times our 'greatest '■ | Clown. _ ^ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.49 Title A name given to the resource BP01.49 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 49 Description An account of the resource Newspaper cuttings about The Britannia Panopticon and the origin of the clown. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. amusement carnival chronophone clown https://www.pickardspapers.gla.ac.uk/files/original/4a320faa102515245d9040022df5f4d8.jpg 137d37a8c87aaaecad0e3d7d1642391b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Glasgow Referee, Glasgow Citizen, Glasgow times, Glasgow News, The People's Journal, Helensburgh News Date Date of newspaper article October 1906, November 1906 Text Any textual data included in the document the fasting man. FEAT ABANDONED. At midnight last night Mons. Beaute had reached the 39th arid final day of bi« fast, which beats his previous record, but is within the period established by Sued at the London Aquarium. As has already been stated, the authorities interfered and ordered the exhibition to be stopped. Mons. Beaute, himself, however, on being spoken to on Wednesday evening, said he was cer- tarn tie could, if allowed to continue com- plete the 46 days. Tlie fasting man’s con- dition this week has. been very satisfactory, t the only complaints being slight headache j ^Jid weakness in the legs* It seems a pity j that ^he had thus to abandon his attempt, as > he had been Allowed to continue till | to-morrow evening a world’s record would nave been established. Since the com- 1 mencement of his fast on the 1st of Octo- ber he has lost in weight a little over two stone, yet it is remarkable the vitality he displayed to the last. He regrets that the I performance had to end before the time de- t terminer upon, and gives his assurance that he_ would have “lasted” till next Thursday. In the interests of his business Mr Pick- ard informed Beaute that he must starve no longer. It may be stated, howeveT, that although the fast ended last night Mons. i THE FASTING MAN. Earned by medical attendant. Dr Granger, the medical attendant of Mon?. H Beaute, who is at present endeavouring top ] break the world’s fasting record in Pickard’s j j Museum, Trongate. visited him at two o’clock* ’this morning. Thereafter h'e wrote ns fdl-R ! lows to the management : — “Mons. Beaute has received intimation from i 1 me that he is venturing upon very dangerous E j ground, and that the 'fast’ must cease,” Notwithstanding, Mons. Beaute has so far | refused to partake of food. \ecorA a TfaiZ (qfabqour' OcU THE FASTING MAN. FEELS ; VERY ILL AND WEAE , „ IS RESOLUTE. BUT • Beaute will remain in his “cabin” for some fi jtime yet. ■ j Last night, when it was known that the j! ifast was to end, the museum was visited Dy j | hundreds of curious spectators. MONS. BEAUTE’S PROTEST. Mons. Beaute has written ns as follows: — jl learn with regret that the city authorities j have felt it their duty to interfere with my protracted fast,* and that notwithstanding I am at the present moment in per that feet health, and quite able to complete my 1 undertaking. Mr Pickard, however, quite | imperatively insists that my contract with him shall terminate at midnight to-night (Thursday), and terminate it shall. Even had I been permitted to complete my con- tract I should have required to refrain from food for a day or so, and I therefore jl propose only beginning taking nourishment !i to-morrow (Friday) at 3.30 p.m., when I i shall have completed forty days’ fast, and f therein constituted a record. I leave my j J present secluded residence at midnight to j . bight (Thursday), and will be glad to in- j terview my friends in the course of to- morrow. Assuring you that I am in per- fect health, and repeating the expression -' of my regret that I should have been pre t vented completing mv undertaking. THE FASTING MAN. The interest in Mons. Beaute, engaged in L" •j endeavouring to accomplish a record fast of P*? 'j 46 days, increases, and the windows of J the temporary house built for him at | j Piokard’s ’ Museum, Trongate, Glasgow, are | 3 thronged daily and in the evenings with IT j interested spectators. 1 An ominous bulletin was signed yesterday 1 by Dr. Granger reading as follows: — . ; 1 “Number of days, 24; weight, 9st 4£lb. ; j- | lost weigihrt, 1st. 9^1bs. ; respiration, 19 per I 2 minute ; pulse, 66 per minute ; temperature. } | 98 Fahr. ; feeling, very ill and weak; doc- j J tor’s opinion, not well.” This hardly a.ugurs well for the record ! - a being established, and the interview which X onr representative had last night with M. j- S Tveaute further strengthens such a premoni- j, I jjgggl tioriv. Asked as to how exactly he .felt, the b ain! faster slated that ho. suffered considerable discomfort from pain in the stoma oil and !1 ^-.^4 head, but announced his intention of trying |j to hold out. M. Beaute has, previous to this trial, fasted < for a period of 32 days, but he never at any [, •time suffered the discomfort be did yesterday. | Dr. Granger has eaid something to the effect I that, should hie condition show no improve- rt ment to-day, he may consider it his duty to j. disassociate himself from the case. In that jj contingency Mr. Pickard will exert himself jj to the utmost to obtain another doctor to J take his place. M. Beaute is on view all day and night, g Glla&qc*/ Hcuri. Nov. ^ * iqois. GLASGOW’S FASTING MAN. j B ® a ”. te yesterday completed his J6th day of his fast at Mr A. E. Pickard'" ! Museum in the. Trongate. His condition last night was lairly satisfactory. On mak- ln £ his daily visit this morning, Dr Grain- ger found Beaute to be very weak. We have received the following communi- cation which was made to Mr Pickard aftei the doctor’s examination:— “Mons. Beaute has received information rrom me that he is venturing upon verv dangerous ground, and that the ‘fast^ must cease. — John P. Grainger.” Tcof I&S y<xirtAU. it Oct lo 4- That very enterprising gentleman, Mr A1 LE. Pickard, is reviving the old-time gloriet the Britannia Music Hall in Argyle Street [ Is is now called that Panopticon, and is ruh 04 . the continuous principle from two o’clock <15 • the afternoon till eleven in the evening. 1 1 hear that Mr Pickard is meeting with no littlt. j success in his efforts, and certainly he is doin$ his utmost to reach and entertain a cla.se that f do not. generally attend the larger variety s houses in the city. Mons. Beaute, the fastinf man. js undergoing his long fast under th« ] auspices of Mr Pickard, and to the smaller ; establishment at the east end of Argyle Street j large crowds are being attracted. Mont j Beaute is getting thinner and thinner by de* grees, but ho hopes to beat the world’s record! for strenuous fasting. I The Fasting Man Very III. Yesterday completed^!* * 1 ', 25j.li (My of " the I {■ ijig aiEii’s'i’ pdHc»EB»noc in. Glasgow. Ho! last night tSai he was fueling much: than on Wednesday. The doctor’s re- j peyrt ia that he. is. keeping fairly well. Mons. Beaute i Bgpra ssod 'ho opinion last night that I i,naaTOul<t'E*^ed fin his task of fasting for -- 1 The report issued last night at ; the conclusion of the twenty-fourth day regard- i ing M. Beaute, the fasting man at Pickard’s j Museum, is unsatisfactory. He has lost 23£lb., ] and now weighs 9st. 4£lb. ; the respiration is 19 j per minute, the pulse 66 per minute, the tem- perature 98 degrees, and he is described as j “very ill and weak.” Yesterday he only drank . three-fourths of a bottle of soda water, and did not smoke. Ocfc THE RECORD FAST. TWENTY-THIRD DAY REACHED.. Mjons. Beaute, the fasting man, who is r ' just now undergoing an abstinence from food for a period of 46 days, will this even-i ■ ing havo completed the half of his wonder- ; ■> ful task, and although he is steadily losing;.! flesh there is every likelihood of the en- j .! durance for the month and a half being g- carried through to a successful end. It is t .j remarkable tlrat during the past 22 days’, *- i except for an occasional attack of headache, ill a fasting champion has been free from 1 $ any other complaint. Great interest lias j : been manifested in the fast, and large I ; crowds of people visit Mr Pickard’s cstab- ! i lislrment daily. 3W& The fastiug man has at last attracted the : attention of the authorities. I suppose they will have to charge him with not keeping the piece when it is offered to him. Ife&ndt Oct 18 uJiql * V- THE FASTING MAN IN GLASGOW. MARVELLOUS FEAT. As everyone knows the latest novelty in Glasgow is a fasting man. M. Victor Beaute has been brought to the city by Mr A. E. Pickard specially to break the record in the longest fast endured by any man who survived the ordeal. M. Bsaufce has undertaken to do without food for forty-six days. Thera was a considerable crowd of spectators on the 1st in3t,, in Pickard’s American Museum, Trongate, < Glasgow, when M. Beaute i entered the little cabin from which he will not issue again for a month and a half, or, to be quite precise, until Wednesday, the 15 :h November next. This cabin, which has been specially made for the fasting man, is built of wood with glczed windows on all fesr sides, so that he is open to view both by night and by day. It is divided into two parts by hang?n°- curtains— one part containing an iron bedstead with mattress bed, the other an arm-chair, one small chair, a small chest of drawers, and a table with toilet requisites. There is no door in the cabin, and when M. Beaute stepped inside through one of the windows, the gap was closed up with glass, and he was, as some one remarked, “ ent off from the world.” There he will remain until the end of his long trial of endurance under the supervision of Mr Harry Hill, foreman to Mr Pickard. Every morning the ganze covering a small sliding panel will be removed, his temperature will ba taken by the doctor in attendance, and his weight will also be taken.. The medical man will then fasten the panel again and seal it as he leaves it day by day. M Beaute has visited the Royal Infirmary and surprised the doctors there by the soundness of his health and the strength of his bone and muscle after undergoing so much fasting as he has done. As a guarantee uf good faith he gives them permission to come down and examine the contents of his stomach on the expiry of 46 days. M. Beaute is a dapper little man, 5 feet 5 inches in height, and weighing il st. 7 lbs, when he entered his trial on 1st inst. He is 31 years of age, and a native of Zurich, Switzerland. He is single, he says, with a laugh, which conveys the impression that the fact goes without saying. This is the nineteenth time he has put himself to such a strain, bnt only the fourth time in Britain. Ho gave performances of all kinds ali over Ger- many, Holland, and Belgium. In England he fasted for 24 days in Brighton, 28 days in S mthend, and 24 days in New Brighton. His longest fast hitherto has been 32 days. Whilst fasting he lives entirely on cigarettes, cf which he smokes ten a day, more or less, and on water. The cigarettes have been supplied by Messrs M’Kenzie & Co., tobacco manufacturers, 40 Royal Exchange Square, Glasgow. Before undergoing the fast he lived for a fortnight entirely on beif tea. Mr Pickard invites any medical man to come down and see M. Beaute any time either by day or by night during the fast. facruLiHtd.OA 17 4 Hjoi THE FASTJXG MAX. Mon*. Beaute. who has undertaken to go, through a. period of fa--: 'big in .Pickard s | I Museum, Glasgow, complo-tod tiro 26i 1 da.v , of Iris task yesterday. lie was reported lust: night to 'lie “very well, although suffering I from a slight headache.” Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.5 Title A name given to the resource BP01.5 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 5 Description An account of the resource Newspapers cuttings about A.E Pickard's Exhibit 'The Fasting Man'. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. fasting record https://www.pickardspapers.gla.ac.uk/files/original/0d1fb481570e506d420cbabd961ab3af.jpg d0c2fa47900466e5aec904e5031ad8dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Daily Telegraph Date Date of newspaper article January 24 1907 Text Any textual data included in the document , THE DAIL Y TELH tRAPH THURSDAY, JANUARY 24, 1907. LONDON MUSIC-HALLS. THREATENED GENERAL STRIKE. The effect of the resolution of the London Enter- tainments Protection Association may be stated generally to be that the attack which was made originally against Mr. Gibbons, who controls the six halls named last in the above list, and extended to the eight other halls, is to be resisted By the managers of all the halls, and if attacked they are of the staff were sure that they would be tipped, they often made it uncomfortable for the poor artists, who were doing their best to amuse the public. In one instanoe a lady dresser receives £ JZoyl VIEWS OF MANAGERS. BOTH SIDES CONFIDENT. Mr. Adney Payne, seen by a Daily Telegraph re- dd for her week's presentative. said there was no alternative for the work ; in another case a man receives 15s for working man agers but to fight the Alliance. “ What is asked day and night. Other cases oould easily be givon. jj e said, “ that the Alliance shall manage our “ All branches of the profession are at our back, business f or us. One of the terms of the oharter prepared to give to each other the support which j and it is now a fight to a finish. The public do not that the Variety Artiste’ Federation/ Mr. Adney Payne gave to Mr. Gibbons. * go to see Mr. Gibbons or his halls. They go to see j, orm Q f p^ract be adopted as soon as supplied. This pledge to give mutual assistance may mean the show. The providers of the best shows are in the rp^ at moans that we are asked to adopt a contract , a relaxation of the conditions under which certain ranks of the Alliance. We are confident the public ^ieh we have not even seen.” Dealing with the case artiste are bound to one music-hall or group of will support their old favourites, and then houses of of ^ Tivoli, he said, “ All the Tivoli men are trades SCENES AT THE HALLS. halls. Thus & manager, in regard to an artist who amusement will sign our charter.” is under an exclusive engagement to him, may, carrying out his pledge to support any other manager attacked, waive his claim to the exclusive services ! — of the artist, and may instruct an artist to transfer j The™ is every prospect the dispute between bls hal1 - ““f “j? ** j uT London music-halls and the * *> I ^ or m sympathy with it he will very probably do bo, and, of course, legal questions may arise. tho question of breach COURSE OF NEGOTIATIONS. PROPRIETORS’ POSITION. | union men. They are perfectly satisfied with their work, and their pay, and the way they are treated, 1 and yet they are called out. They are Compelled to UO out, otherwise the trades union would call them blacklegs.” In conclusion, Mr. Payne stated that all the hallB hands whom the proprietors artists, musicians, and stage employ may become general. On Tuesday events developed rapidly, with the result that the public Mo ™ direotly, however. , ,, i. of contract may oome up. Outside the walls of the wore debarred from the enjoyment which they siought . y 1 .... .. ^ a • . .. m: J „ _ v> 11„ Tivoli yesterday there were still displayed the names “ obtain at the Trvoh and all the otor ball, under J promi ^ nt a. Arthur Boborts, Marie the management of Mr. Adney Payne. JcWay ^ ^ ^ extend development, even more .tarUmg wore At • under contract to appear, they the offices of the NaUW Alkanes, and atso at the ■ authority to withdraw the™ names. On headquarter* of the vanous mumcdraU syndmates, ^ ^ wa6 prMt ically no porformanee mootrnmi varavesr, in varu-liamcnca tlVITn M.rltT 1TI T.ii A t f\T f-TVOOTl * . , . . meetings were in progress from early in the forenoon till late in the evening, but, while it would be far from accurate to say that no definite decisions as to at the Tivoli, and, that being so, these artists had no opportunity of appearing. Now, however, fresh oo in panics have been engaged, and if the services of An official atatement, issued at the offices of the; which were closed on Tuesday would be reopened Syndicate Halls last night, reviewed the negotiations last night, and would be open nightly. No difficulty which took place before the strike broke out. “At, wft8 experienced in finding artists to provide tho the request of Messrs. Frank Gerald, J. B. Williams, entertainment, and there was no doubt that the and William Johnson, secretaries of the three presen t difficulty would mean the discovery of much societies now merged in the National Alliance, an appointment to discuss their proposals was made for future policy were adopted, there was no option ^ biUed ^ appear ^ not available, taken which directly tended to complicate tho sitmu questions are sure to arise, and the present ton, so far as the performances at the various halls is likely to result in a mass of litigation, fast night were concerned. The day was spent on ib was stated yesterday that, over forty both sides in consolidating and perfecting the ar- wr j te been served, raising questions of breach rangemente for a struggle which promises to be ^ contract. reneraJ and severe. No suggestion of compromise was {xmgi6enLiiomi however, have not dismayed eotertained— indeed, no such suggestion was made, ^ offidAls of ^ National Alliance. There is no and the resolution of the London Entertainment Pro- tion that of the stars of the musio- lection Association, which represents practically those wor ^ j tho artists whose names, even apart who control all the music-halls in London and many performances, are sufficient to draw th? in the provinces, implies that the challenge of the are members of the Alliance, and are pre- Nataonal Alhanoe has been taken up, and, whatever pare< j ^ p urauo the policy which has been suggested Messrs, tho merits may be, the dispute is to be fought out. ^ them. After a protracted meeting of the National The official account of the meeting of this association _^ji ianoe of Music-Hall Artists, the Executive Com- repreeente it to have been thoroughly representative, m j ttee a statement, given elsewhere, ernbody- »nd the view was unan i mo usly adopted chat the ^ si<le ^ yj 6 During the day a number organisation which has hitherto been confined to 0 f gubecriptions were received from prominent mem- London, should be so widened as to embrace the 0 f y, e rous ic-hall profession, and a substantial proprietors of provincial musio- halls, whom it did BUJn j B ^ available for carrying on the struggle, not previously profess to represent. At the meeting membership of the Alliance was, moreover, in- of the association, which was held under the presi- by the enrolment of a number of recruits. .Tun. 8 with Mr. Henry Tozer (chairman), Mr. G. Adney Payne (managing director), and Mr. Henry Sutton, as representing the directorates of the Tivoli and Oxford. The meeting was duly held, and the three secretaries presented the terms that had pro* viously been agreed to by Mr. Walter Gibbons, after his dispute at Brixton. It was pointed out that several clauses did not apply to the Tivoli and Oxford, and, after three hours’ exhaustive discussion, modi- fications of some of the clause® affecting artists, calculated to pave the way to mutual arrangement, were made by the secretaries, who agreed to return a copy of these amended clauses — after reporting same to their executive — for consideration by the London Entertainments Protection Association at its next available meeting. The clauses affecting stage hands and musicians were left for discussion /until Feb. 5, a date named by the secretaries themselves ; but, in relation to these clauses, Williams and Johnson were informed Other managers stated that an assurance was asked when seats were being booked that there would be a performance. “The effect of the strike on future booking is noticeable. After the experience of last night the pnblic are inclined to hold back and various remarks have been made at the booking- offices which indicate that the pnblic think that the consideration shown to them by those responsible for cl osing the house is certainly not conspicuous.” VARIETY ARTrSTS CONFIDENT, The attitude of the artists can best be summed up hi the two words— confidence and determination. -How do you think it will all end?” inquired a representative of The Daily Telegraph yesterday of a variety artist active in the present movement. “Of course we shall win,” was his prompt reply. - We are bound to win. I really don’t see how we fail.” “ Have the big artists thrown in their lot with the Alliance P” was the next question. “You definitely that the condition which compelled ' the proprietors of m^c-halls not to employ ^ from „ was the angw * r , - that every musician or stage hand who was not a member « : bottom-line, or middle-! the particular unions these^enU^enjepn^nted ^ » crisis. In fact. could not be accepted in any case. The conditions as to wages, &c., were to be closely examined and dis- cussed at the adjourned meeting. As showing that this was definitely accepted by the executive of the National Alliance an official announcement of tho dency of Mr. Henri Gros, the following resolution was i n the evening a large number of pickets were sent arrangement arrived at was made in the alliance’s out to patrol the streets in the neighbourhood of the « The Performer.” Instead, however, of unanimously adopted: That every member of this association pledges himself to support the action taken in resisting the attack made upon certain members by the National Alliance, the same support to be given to any members of this association who may be called upon to resist similar attacks. Thus the area of the dispute has been enor- - - ,, , , k.,i +hi«. knously widened. The bulls agwinat which definite »*” *«™ ■* «>«T would take engagement*, but this action had been taken earlier in the week, were *J > P ro was no aoce P ^ ' those of the Adney Payne and W alter Gibbons com- binations, namely, the Tivoli. East Ham Palace. Oxford. Holborn Empire. Paragon. Ealing Hippodrome. Canterbury. Clapham Junctn. Grand. Euston. Croydon Empire Palace, j, Walthamstow Palace. Balham Duchess. halls which have been named, and at most of these a body of lady artists showed their sympathy for the cause by selling copies of the official organ oi tbo Alliance. It is understood that the manager of one of the halls telegraphed to Miss Mario Tempest and other distinguished theatrical artists, offering them their CASE FOR THE ALLIANCE, OFFICIAL STATEMENT. Throughout yesterday exoitemeni reigned at the headquarters of the National Alliance. Artists and South London. Islington E mpire. . canoe and went in a continual stream, and many uow members were enrolled. Sinoe the crisis arose aorae 3,000 names have been added, and the membership of the .Alliance, which embraces artists, music tans, and theatrical employes, has now reached • total of about 15,000. Alike among leaders and yynW and file the utmost confidence prevailed, and afl apparently shared in the determination to fight to the end. During several hours the executive sat in oonclave, and late in the afternoon an official statement was issued, in which it was stated: “Mr. Gibbons has informed the public that be has carried oat his agreement with the Alliance in the letter and in the spirt. Had he done so the present strained position would newer have come about. In the case of his musicians he says be is paying the union rate, and that we desire to compel him to dismiss old ser- vant® because they are not members. That is untrue, because every member of his orchestras is a member of the union. The trouble in so far as tho musicians are ooncerned is due entirely to Mr. Gibbons Instructing his musical directors to weed the union men oat, two at a time, and replace them with non- unionists. The Alliance has by Mr. Gibbous’s action been forced into insisting on his carrying out the promises whkh be gave on two differ cot ocoasions tt engage union mem at union rates. * As regards the artists, Mr. Gibbons has tried to prejudice the oase of the Alliance by pointing to the salaries he is paying to the best-known artists. Surely be must see that be is giving bis own case away, because they must have drawn the money in bis halls ftve or six times over, or he would never have engaged them. On the other band, it must surely reflect the highest credit upon these artiste who are m receipt of such comfortable salaries that they are gfaTwUng by their poorer brother and sister profes- sionals Mr. Gibbons says thwt no artist has been engaged by him at less than £4 per week. That is not the case. Some of our members hold contracts for considerably less than that per week. The public do not understand what even the highest salaries mean. They do not know that the artists have to provide their dresses, ‘fit-up,’ band parts, and even special scenery and properties. Then they have to pay their travelling expenses from one town to soother, and in the majority of cases keep two homes going. The artist may be engaged in London this week and in Glasgow the next, and he has to get there kl his own expense. Add to this the fact that the krtist is often out of work for weeks at a time, and It will bo seen that the music-hall profession is hot the pleasant one Mr. Gibbons wishes to make it sat to be. “As regards the staff, a certain class of managers Introduced the system of underpaying the stage hands, because of the generosity of the artists in tipping them at the cud of the week. Unless members abiding by this arrangement the alliance sent a letter on Jan. 10 to Mr. Toaer, asking him to place before the meeting of the London Entertainment Protection Association, not the modified demands, but the original demands, plus an entirely new clause. On the following day the alliance receded still further by declining to deal at all with the London Entertain- ments’ Protection Association, upon which, the following letter was sent by Mr. Tozer to the alliance Jan. 12 they are all with us.” “ la there any danger of artists being imported from the Continent to supplant the strikers at home?” asked The Daily Telegraph representative. - Not the slightest,” said the enthusiastic variety man. “You see," be added, “we work hand- in- j hand -with the International Artiste’ League, whose headquarters are in Berlin, and which includes in ite ranks absolutely every name of any account in the music-halls all over Europe. Why, Mr. Mount- 1 ford, one of the leaders in the present movement, and a member of our executive committee, is the pre- sident of the English branch of the International Artists’ League; while Mr. Bartram, the editor of our federation official organ is also a member of the English executive of the league. No; we have " •• 1 We have like - 1 i nothing to fear from the Continent. I am in receipt of your favours of the 10 th and llth wige Qn QUr ai(le tbe « white Rate ’ of America, the ir.st. enclosing memorandum of eight points of agreement • tk>n w hich embraces the leading variety to become operative on Monday next, Jan. 14, which S .. AHRtitic’* you ask me to put before a meeting of my co-proprietors, performers across the ... I may remind you that having, on Tuesday last, discussed The chief reason for the confidence which pre- them at great length with you and your colleagues (except va jla the ranks of the members of the Alliance is ; u-at relating to barring, which was not in the list you ^ with which all grades of the profession, | handed me for discussion, and which was only shortly re- ^ highest to the lowest, are standing to- terred to at the end of oi«- interview), it was made clear 7 . . f » ~,; { j one f to you that the original terms of some of your proposals, j G ether. Unless ^ ’ ... , 1 notably numbers 1 and 4, must be more clearly and s artist yesterday, I should scarcely have believ ea that we should have stood to each other so loyally. We belong to a profession of which the public is sometimes inclined to speak slightingly, and yet we have the leading lights in the business throwing in their lot with the very humblest grade of per- formers. It almost brought a lump to my throat-” “How will the comparatively poorly-paid grades of the profession be able to stand the strain of a protracted struggle,” asked a Daily Telegraph repre- sentative of another fedoratiooiist. “ Oh, I don’t think we have much to fear on that score,” was the reply. “The well-paid members of the pi will, of course, be all right financially, and they will I see to it that the humbler members do not suffer.” I Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.50 Title A name given to the resource BP01.50 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 50 Description An account of the resource Newspaper cuttings about a music hall strike. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. music-hall strike https://www.pickardspapers.gla.ac.uk/files/original/684e024cb532362541235f028a1f1fea.jpg 4200562ba4ef75a53af9883c4f143715 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Helengsburgh News, Daily record and Mail, Weekly Record, The Evening Times, The Greenock Herald Date Date of newspaper article December 1906, January 1906 Text Any textual data included in the document THE HELENSBURGH NEWS, JANUARY 3, 1 907. BRITANNIA I TR o\gatk panopticon, oiawiOO, PICKARD’S FIRST ANNUAL CARNIVAL;. m Will lip beM in the Panopticor. In addition to the - • ch®h|k sole P, OP , Si&lUj -ittodi *■ /Jru j' *7 \ LEOPARD-MAN. , / 18 EXTRAORDINARY HUMAN FREAK IN GLASGOW. The popularity of tho “skeleton man or j; the “fat woman” in the side-show and of | the numerous “freaks” continually being | j presented to the public by tho showman re- j - veals how universal Is the interest displayed j j by men and women towards the abnormal of j. j' their own species. p' :j A very extraordinary anomaly of the | l^HSl human kind is being exhibited in Glasgow 5 y j| just now at Mr. Stewart’s Waxworks, 1^' j Oowcaddens. Designated “tho wild man, ’ il. he is an extraordinary and wonderful speci- [v r; d men of tho human species, resembling |-"’ ! Jfl physically as much a boast as a man. Tho | i; shouldors, part of the back and chest, and I ' i'ono of the arms are entirely covered with gj| ; large quantities of black, shaggy hair, having rH the appearanoe almost of a sealskin coat, £.'£ i while on the rest of the body aro patches of discoloured skin, from which grow tufts J|£ of hair, and which have occasioned tho title L:, of the “leopard man” sometimes bestowed £ on him. The face, which is covered with a thick j beard and moustache, presents no abnormal I characteristics. The expression, if perhaps r ; somewhat furtive, is by no means stupid or tv_ ferocious. Ik Tho man was bom in Siberia on the 26th k April, 1879, and belongs to a family of four, Fo This is his first visit to the British Isles, U though he has toured for years in Franco 1 and on the Continent. He is usually docile ft in temperament, though he becomes C occasionally violent, especially — and this is up an interesting point — in hot weather. The ft presence of a largo number of spectators U. also predisposes him to ill-temper. p Sometime© his departure from his usual hjj equanimity takes the form of stubbornness, j i ho often refusing, for example, to stir out | of bed all day. Such occasions, of course, p mean pecuniary loss to his exhibitors, j Tho language bo speaks is French, which * *■ , ho ro£ds and talks fluently. Ho has also r ! picked up a few words of F-glish. His j staple food is underdono irfeat. Vegetables R aro distasteful to him, and ho partakes of S bread only in small quantities. } A peculiar habit of emitting a strange \ I hissing noise, almost Ilk© a cat, adds con- ij I side rally to tho uncanny sensation or.o ox- | j poriences in his presence, as does his strange ! ’ walk, aimost bc&r-like in its heaviness. * ► WEEKLY RECORD, ■_ t JANUARY 5. 1907. Wr Tt A N N i A PANOPTICON. XROXCrATE, GLASGOW. f PICKARD’S FIRST ANNUAL C A R NIVAL WILL BE HELD IN' THE rANOPTICON. In addition to the CHRONOPHONE „ ANT) GRAND VARIETY COMPANY, k including * 1 * * 4 ALL THE FUN OF THE FAIR, JtrZD.E SHOOTING. COOKER NTT .SALOONS, DRENCH HI I ;i,I ARDS DARTl 'PH ROWING, A i'S'T S ALLIES. RIPE BREWERS, J LIZ A .ICWES. BOGIE MEN\^ JIOOKEM, LOVE !X A TUB, BALL PUNCHERS, WEIGHING AND STRENG'lJi APPLIANCES, and All the Latent UP-TO-DATE AMUSEMENTS. Doors Open Each Dav at 6 a.m. Bo!o PrupriPtor A. E. ' PICKARD, UnlimitM, TUB GREENOCK HERA U), f JANUARY 5, 1907. BRITANNIA PANOPTICON, TRONGATE. GLASGOW. PICKARD'S FIRST ANNUAL CARNIVAL ChSSS Tarlel? l“^re Is ALL THE FUN OF THE FAIR | Doors Open each Day at 6 A.M Sole Proprietor, .. A. E. PICKARD; Unlimited. THE EVEN IN 6 PEOPLE’S PALACE AND AQUARIUM. _ TCl-NlGHT AT 7-45 FIRST TIME IN SCARBOROUGH, AT ENORMOUS COST THE CHRONOPHONE. TALKING PICTURES. SINGING PICTURES, DANCING PICTURES. THE GRFATFST si- \ 8 AT1QN OF THE AGE • uhliaidoi T HE RENDONS Comedy Song Sceua. HARL and liARJ American V'aiiHoviMn a v 4,«+ FULL VARIETY COMPANY. Vernon’s 1M PKB1 AL bIosCOP ™ “Entity New KcUrl, .oaLroom for Dancing. Monkey House and Aviary. Seal Ponds. News FRIDAY, JAWARY 1907 . THE FAT BOY. Weighs 26 Stone. ’ London, Friday. — The Kentish fat boy, j Charles Law Watts, of Wood Church, has this i week celebrated his sixteenth birthday. During | the past year he has increased in sjze, and ‘he j now weighs 26st. 91b, Last year he weighed ! 25st. on his birthday. Watts is Hi&* Majesty’s ; heaviest juvenile subject. THE S T A R. JANUARY, 5, 1907 The Chronophone at the Aquarium. ; There was a large audience at the Aquarium * on Monday evening, and an interesting pro- j gramme was gone through. The chief attrac- ; i tion was no doubt the chronophone. shown j for the first time in Scarborough. This is a | combination of the bioscope and the gramo- j phone, figures being thrown upon the scene in the usual way by the bioscope, whilst the i gramophone illustrated what fliey said. It M being the first time the combination was ’ ;-t shown, there were one or two little contre- | J temps at the outset, but afterwards the pic- <] tures with songs were exhibited in a capital 4 manner, and that they pleased the audience [ •- j*W Aras shown by the warm, approval which was . 1. accorded. In addition, interesting series of' J pictures were shown by I he bioscope, and j pleasing troupe of variety artistes appeared. i i'i j Will Lindsay, an inimitable comedian, caused pf 1 1 roars of laughter with his songs, and The. J Bendons in a song sccna, “That’:; how theyjjrS j Hood-night,” were also very good. Tom hsI 1 ^ Daniel has a host of funny stories to tell, [ j iH and Monti •). Howe gives a clever pot-pourri £| 1 «< t, entitlocl “ A Night Out.” Karl and H Haj l are a juggler and vocalist, and are very jLv ; . cR . > whilst Polly Arlula is a pleasing singer Room. &c. dec. B R I T A N N I A PANOPTICON, TxlO^trATE. GLASGOW. PiftKAED’S FIRST ANNUAL C A RNIVU WILL' JBE HELD IN THE PANOPTICON. and I In addition to the CHRONOPHONE Gh.^NI) VARIETY COMPANY, I INCLUDING I ALL THE FUN OF THE FAIR, : RIFLE SHOOTING, COCKFItNUT SALOONS, FRENCH BILLIARDS, DART THROWING, 1 AUNT SALLIES, I’ll#: BREAKERS, ELIZA JONES, BOGIE MEN, HOOKBM, LOVE IN A TUB, BALL PUNCHERS, WEIGHING *ND STRENGTH APPLIANCES, - AND ALL THE LATEST UP-TO-DATE AMUSEMENTS. DOORS OPEN EA01I DAY AT 6 a u. Sola Proprietor — 4- & PICKARD, Unlimited^ BRITANNIA VARIETIES. In keeping with the increased demand for entertainment during the holiday season an exceptionally attractive variety programme is this week submitted to the patrons of the Britannia. The various “ turns ” constitute a happy blend of the essential features of a popular music-hall. The Chronophone is still one of the oift standing items at each performance. In addition to the usual fare, there is [ now a grand" Carnival at the Panopticon, | Sole Proprietor — A. E. PICKARD (Unlimited) ji full particulars of which appear in our i advertising columns. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.51 Title A name given to the resource BP01.51 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 51 Description An account of the resource Newspaper cuttings about human museum exhibits, Scarborough's Peoples Palace and Aquarium, plus The Britannia Panopticon and museum. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. carnival chronophone https://www.pickardspapers.gla.ac.uk/files/original/ed1d117f45461043ee128a7a93afe5ce.jpg afe8100b024b272278e890122c0a6aa8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Daily Mail, Daily Record and Mail Date Date of newspaper article January 24 1907, January 26 1907 Text Any textual data included in the document PICKARD’S AMERICAN MUSEUM. 101 TRONGATE, GLASGOW, Extraordinary Enterprising Attraetions. The World’s Greatest Freaks of Nature. HOMARD, THE MAID OF THE SEA. Tne World’s Greatest Prodigy. LEONINE, THE LION-HEADED GIUL. ALL THE WORLD IN WAX. AHEAD OF THE TIMES. >> 26 . A daily mail; - ~ — g . _ ' A --< THURSDAY,, JAMARY 1907 . THE MUSIC-HALL STRIKE, SOME GRIEVANCES,, OF THE EMPLOYEES. By H. UJIMILTOM FYFE. Everybody knows that there is a strike of London music-hall performers; very few people indeed know what it is all about. I have just spent two hours with the strike leaders, and I urn, 1 think, in a position to make the matter plain. - _ . First of ail. it must be borne in mind that this is not a conflict between music-hall performers and music-hall managers; it is a conflict be- tween the music-hall profession and a few managers. The number of well-known per- formers who are holding alool is quite small, and the lesser people arc naturally warm supporters oC the movement.. The proportion of managers agreeable to the demands of the performers is put as high as nine-tenths. Even the two managers whom the profession is lighting, have professed to be in accord with those demands. I he fight, •then, is not over the whole ground between those who manage and those who are employed *u music-halls; it only covers a small part of it. The next thing to recollect is that the highly* pu.v* performers are not fighting for money all. are asking why these “ star#, ’ with huw> salaries, should be on. strike. The reason is that they sympathise with their poorer brothers and sister* and are fighting tor them. The “ artists " have their grievances, but they are not concerned, as are the grievances of the musicians and of the stage hands, with salaries at all. , New, first of alii, let us see what each branch of the profession i» asking for. Each branch has a trade •union, and a set ox requirement* ail out and dried. The Variety Artiste* Federation, which was farmed last April, has drawn up nine clauses, to which it asks aid managers to assent. The r great majority of thorn, as I have said, raise no objection. We will examine these clauses one by one. > CD That y,t all haUs working two shows a night ail matxhfes Shall bo paid for at th« rats of twelfth ^*rv for 63011 : mating. In oco-show a eight, bails all matinees over oio per weak to be peirl for at the rate of one-seventh s»lar 3 . To explain this it is necessary to mention ihai a few y«*r» ago » number of music-hall managers, being either in reduced ciroumefcance® or anxious for larger gain®, decided to give two performance® every evening ins.cad or cue. The firsl begins. as a rule, abbot 6.45, and the second about nine o’clock. Prices are reduced, but the object is, of course, to make more profit, and it is usually achieved. Well, when this system came into force the bulk of the performers were told that they would have to appear twice instead of once for the same salary. They had not to give quite such long ' “ turns ” as before, but it meant that they had 1 to be hanging about the theatre much longer, or, if they had other engagements elsewhere, to do i i’ 3 jT. more travelling than formerly. - wiinSS Kftiitft 2 swS * id) '' t*} 0 */' „itb “two house® a night.” The custom with regard to matinees was that the performers en- gaged for six performances a week gave one mating free. When they were engaged af the same salaries for twelve performances a week this free matinee was, still demanded of them, end they raised no objection. But when, instead ot one, they were expected to give two free matinees the matter became serious. Of course, m a few exceptional eases artists could make their own terms with managers, but with toe rank and file it came to this--they were now- giving fourteen performances a week, and yet receiving no more money than when they gave only seven. . Nor did the managers’ encroachment stop here even. In many contracts are now the vrerda " Matinees as required." There were at one London bull mutinies every day for almost a week together. Yet the performers got no extra pay! If von look back to the demand of the federa- tion respecting matinees you will see that it can- not be considered anything but reasonable and just. (SI Thst uo arttel or ajt&tfi stall to (.ramafeeiKl from can m i to another without til, her, or tborr cotMuh'.. Music-hall performers make agreements as a rule on Mondays with manager® who have several halls under their control, and these managers claim the right to shift them about from one to another of these halls as they please. This comes very hard upon performers who have several engagements to keep every evening, tor example, suppose a singer is engaged to appear at Chelsea. He can work in another engagement at Hammer- smith without much difficulty, but it he is sud- denly transferred to the north or east ot London he cannot manage Hammersmith as well; he. has to give that up and lose the money. Or. again, suppose the manager has ha-ll-s at Cardiff. Swansea, Edinburgh, and Glasgow. He can make a performer uppear one week a f Cardiff, the next at Edinburgh, the third at Swansea, and the fourth at G.-asgow. The amount that his to be spent on travelling mounts u.p considerably. (J) Ttat “ tHw " uiiail ac * 4 be jied after Monday in. eacU Wffei wkt-out ft* surttet’S cnasent. This is meant to guard artist® against a. little Way managers have of squosrfoig cut a turn th e v do not partocolariy want. They find out the hour at which this "turn” is booked for another hill, and say it must, come on at that hour in their hail. It cannot do so. of coarse. The artist has to break his contract and lose hie job. It ’g scarcely u®re««ona.b!e to ask that perform"Ts sb u'd lx; allowed to know on Mon- days at what hour they will have to appear during the week. (O That -11 AlspatM sNsll be referred to a Wrn of arbitra- tion,' eve.) bo.ni io oorn-'st of two nominees of tbe Variety Arti-stts’ FViduTMt'oa exrotn've ccwiinSMes. two o-Tnln>'*3 of the ov.n’Fe-lv.l'l loiana-yeLii, and «'.Q iTSde’-osniasit clrainoaai 1 , to \» UGm'nfi'fed by the above four Nominees. That clause- -oqui-es no explanation. It strikes nt-s as suggesting a fair-minded and simple way out of the difficulties. Now comes the meet important demand of all. It roads thus: — ( 5 ) Thut a “ barring olauwt ” of o>u« Kril& and m/mit’ua In Ucmidou aad' five ml tea aud fire oxoirtb® to the provlTcoee be adopted. This requires some explanation. In all music- hall contracts there is a clause by which tier- formers agree not to net- form within a. certain ji distance of the hall in which they are contracting to appear. This is quite an intelligible stipula- tion. If a manager engages an artist to sing for him next April he naturally does not: want, hiui [ to be singing iust round the corner during the S would have hoard allTlis songs before the ^But ° tke**weak ^point about these “ barring clauses ” as they exist at present, is that there s no ijme limit attached to them. For example, a einsmr miglit be engaged to-morrow to appear , c ■; L Newington next autumn. He may not, appeal anvwhe?e within two miles of Btoke KeWiovtou during the next eight months . f’ntitriots are often signed a year, (sometimes even two vea-s? ahead. During all the time that ela'.-es between the eigne, ng of the con* root and the borfUtog of the engagement performers in st keen a "ay from the neighbourhood ot th« halfe Where they are to appear. This very often «ui ?*6 them “erioue less What they pronose is that au artist can show at any haJl wiUi a a mile of that at which he is to appear with.® *h.-e® m->»tli 3 from th’ date of lii® appearance. In Ml- m-ov ni-s the Xjittaace would be five miles and the • t'me five mo-.-b" Such an agreement wou'd .-et*’e -. 11 - ’ for ail "b-'s onestion. which hae been such a fruitful source of trouble. («> So auomtatoa » bo stopped wte» artiste are bcnXeU ciaaot. Here, again, is a matter of tome Tittle oh- seeuritv. When artist® «»"» --ewto elm agents pocket a- com mission on their salaries. When thev a-e engag'd direct many managers arc in the' habit of pocketing a 5 per cent, com- mission tliemnelre® The reason they give 15 that ill order lo engage direct they have to sixnd more on offi'-es and staff than they would other- wise. Artists ere determined to nut an end to wlwt fc^ev r^'^rd z* extortion. C^rfairily T b^v« never h»ard of such an eTt.raovdiaary practice obt.’.ini ng in any ether trade. The three concluding clauses are periectly clear \7> "So tea, 01 pmlvd'ee to to abenm te airy artist wbo tmo t..v,-n nart in this iYi<w«MneEt. <5, This to m'or to an exiittos oes future am- fra-ts «.qJ te brcowie orftnitiw on ^ ri -n-'Ott the “ Y.A.r-.” form of contract be adopted as soon as suppRod- Tlie Variety Artists’ Federation form of con- tract embodies the gr J utb enumerated alxive. ("BATTLE OF THE HALLS ‘ ‘ ‘ ^ AS YIEWELi BY GLASGOW i ' MANAGERS.- ST at:, salaries. A %CU& i 1 Vf I i . •i^i;ao iBORjijod u sc ootio-^jxo ajga r-ii ot Ajcsso^on A!y['noi;oc') punoj oonti? qoqq.s'. [ I ‘spoi^om aCj-c^uomcTyiCjj yyc jo jnjnjoos A'yy^nbc 1 sc vi M’crs oqi uoqA\ ocurj oqy JtxjuK>un>j ireo ‘.TOAO.i&oq ‘sn jo ouiog *a|oj Avon suj n.i uiiq p jo jnjiuooe A'joa ojr ejcxooinoQ EBicog oqj g pile ‘avou Suiqjoimof: si ‘uciotjob; pne ^sric’ii I -ojdip jo JG|OCJi?ip oqi ui orpa-r? j ]; aj •£ jyj jo E . | oouuiBoddc oq^ -siSTUOiim opt?j-j uopao^f oq xiuq^ joqj'CJ A'po<| jcq^. s^nosojdoa puc oqj jo iitbSjo oip ..‘ooiysrip,. jo jcqpo oif) <t ‘jiounoQ Scipvjj, nopuoq; oqj jo sc pcqijos -op qSnoqqc ‘jesodojd ^sqcioocy oiij popuo,ios oq.vv ‘ipyonh \i]\- -iroi-jiuopoq oi-jcxxhuoq [•cioocj oqj jo sjoquiam oqrj oi’C cpucScdoatl oijsiiKpos Ajoand c oj j[3S*ji oSpojd OJ }Oll _ oonojojuo;^ Jiioqcq }scj[oq[ oqj jo iiorspop oip- i qji vv pei«iodd*csip ojc oqA\ uom jnoqBq A'piol oqi '4CHI Joq-jc2 ]_ soumbui a]5BI{ 4 | , •msnnpo^ pin? jno^gm l On both sides the parties to the music hall k I ivar express ooinlideiice as to the issue cxf the . struggle. Whetheir it -will reach to 'Hie places j. of mtert aixi n 1 erut outside Loudotn remains to 1 be seeai-. Tomorrow meeti-nigs t of artistes t v,-iLl bo hedd iii various pans of the country* — |' Sunday being' the only day the profession | can eonveffriemtly meet — and there, may be if developments next week. There does not | appear to be any foundation, for the report ^ that Lord Rotliscliild should arbitrate. £ In the meantime the managers concerned |; are publisihing details of the salaries which | have been paid bv* them. .Amongst the- 1 sums nveintioned aim : — I)r. Bodie (for 2 halls) Ada Reeve (2 halls) Arthur Roberts - Tiittlo Tioh (2 halls) George Robey (3 halls)... Harry Lauder (3 halls) ... Wilkie Bard (2 halls) ... Aliss Marie Lloyd Tta.rry F ra.gson (1 hall) ... Harry Tate (3 halls) ...... The Follies (2 halls) Aleo Hurley Vesta Virtoj^^^nJsl t .. y Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.52 Title A name given to the resource BP01.52 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 52 Description An account of the resource Newspaper cuttings about a music-hall strike. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. music-hall strike https://www.pickardspapers.gla.ac.uk/files/original/788df6e24290867af0d6e12779a614e3.jpg 22517ad250493eae8647bfef9a393086 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Glasgow Star, Glasgow News, Helensburgh News, Evening Citizen, Daily Record and Mail, The Scottish Referee, The Greenock Herald, Weekly Record Date Date of newspaper article December 1906, January 1907 Text Any textual data included in the document " JANUA RY 5, 1387: BRITANNIA PANOPTICON. Trongate, Glasgow. PICKARDS FIRST ANNUAL CARNIVAL Will be held in the PANOPTICON. In addition to the .CHRONOPHONE and GRAND VARIETY COMPANY, There is ALL THE FUN OF THE FAIR, ' Door* Open Each Day at 6 a.m. Sole Proprietor— A. E. PICKARD, Unlimited. A FLOATING MENAGERIE. HOW IT GjRADUALLY RECLAME DEPOPULATED. if 4 ‘9V r A TALKING LAMP. TELEPHONE AND ITS WORKING^!; j Rjdfessor W. Dttddell yesterday delivered, ! I bet Sr,, a largo audience, at the Royal Instd- ! j .tu’Afflii, London, the fourth of his Christmae j i cotnv.e of lectures on signalling. His 6ub- j| , jeet was “The Telephone and its Working,” |' which the lecturer introduced by giving a l| ' number of interesting experiments, indicat- j| i ing how the vibration of air produces and L ’ affects sound. Bjfdantem slides he showed the varying effects of musical sounds and i 1 the inflexions of the human voice, and then ji went on to explain the fundamental prin- iii 1 ciples nf the bell telephone, the carbon . transmitter, and its development into the c modern microphone. \ j - On the soreen appeared a series of views -j illustrating how messages are received and ■ answered through the telephone exchange, and in this connection the lecturer men- tioned the interesting fact that, popular as the telephone is in America, whereas in London every person who has a telephone uses it on the average six times a day, in New York the corresponding averaga is only a fraction over fonr times a day. One of the most interesting experiments shown wa3 that Of telephoning along a stream Hfeht. Tha lecturer remarked that from the latest experiments made in Berlin an are lamp might be made capable of talking, tlyimrh U, what practicable use this might, be made to apply could only at present be conleoture d. The fate of a floating menagerie oarried by tne German cargo steamer Lichtenfelf, which put into Xow-Ybrk recently, is one of the most tra.gio chapters in animal history. The crew of the Lichtenfels are animal lovers to a man, and when the vessel left Calcutta she carried quite a hundred pete. She arrived in New-York (says the Express correspondent) with one — a mangy cat mat had seen many viois^ita idiSSi.... « r The captain had a ecUlS dog, the first officer a. Young - crocodile, the second officer halt a. dozen parrots, the chief engined a doe. the ‘•second engineer a choice pair of hooded cobras, the fifth and sixth engineers divided the ownership of three mongooses, and so on; while the Lascars in the forecastle had thirty monkeys, several hairy-nosed porcupines* Malayan squirrels, and numerous birds. The cook was the proud owner of a well- developed young cheetah. All hoped to sell their pens profitably in , NEW-YORK. The cheetah. began the trouble. He sur- reptitiously bit a piec out of hie owner s Leg in the cootc’s galley, and killed -the chief en- gineer’s doe. He was finally driven over- board by a party of angry seamen. Within two days of Suez, a Red Sea sand- storm blinded the monkeys*, and almost drove them mad. Finally, aLl but two jumped over- board. The Lascars, depressed by so any suicides, sold the survivors at Suez. A day later tho crocodile hit one of the engineers so violent, a blow on the head that he remained stunned for some time. The sailors chastised him so vigorously that they cracked his skull, and- he was heaved over- Goinsr through the Canal, the colLio barked vigorously at a A GESTICULATING ARAB on the 'bank, lost his balance, and was drowned. £ . The squirrels died. Tho cat was worsted in encounters with the porcupines, but she sur- vived, whlie they died from various causes. Two parrots were killed by the cat, ^ and tho rest died of • the cold in the ' North Atlantic. , ... , Then a gale, which raged seven days, killed off others, and there were only left the oat, i one (mongoose. atk| th<H two cobras.- — 'all deadly rivals. Tho mongoose leaped into the cobras’ box and killed one with a savage bite in fchq neck. The other fought him, and both ! died. • DAILY - - ~ 'I' wi iWiwiNMiiti Mfc ' ,g LY RECORD AND MAIL, =r JANUARY s: WOT and It is in Mortals Ip Command Sufloes*. What is Mors, ^ L GIT IT. j| j 17,358 VISITORS NEW-YEAR'S PAY. j IB RS T A N M, I Ai PANOPTICON, Progra mme 31st DEC., 1906. PANUFHEUW, ^ T t » a PICKARD’S . mm fiAMAi BRITANNIA ALL MiF/FUN ■' V’iKFAIB. ^ I GRAND VAR6F-TY COMPANY CHRONOPKONE, - ores’ ALT. V A V ADMISSION' TWOPENCE. j! vri’miVft J,IKF IT EVER BEFORE. ^^'^RTilNERS *><4 ntWATDES SIMPLY PARALYSED- Sole Prop, and Director--.!. E. HCKAKD, Unlimited. THE BRITANNIA. J ’ I urge crowd* continue to be Mxtctedto the carnival at the popular BntanmaT^r I 0 f Varieties. . A grand . - provide excellent entertainment, and and Panopticon, Trongate, Glasgow. PICKARD’S FIRST ANNUAL CARNIVAL WILL UK HELD I A’ THE PANOPTICON. In addition to the CHRONOPHONE and Grand Variety Company, all the Fun of the Fair including Riele Shooting, Cokernut Saloons, French Billiards, Dart Throwing, Aunt Sallies, Pipe Breakers, Eliza Jones, Bogie Men, Hookkm, Love in a Tub, Ball Punchers, Weighing and Strength Appliances, and all the latest Up-to-date Amusements. Doors open each day at 6 a.m. Sole Proprietor A. E. Pickard, Unlimited. THE SCOTTISH REFEREE, | JANUARY 7, 1807. BRITANNIA THE BRITANNIA (GLASGOW). The first annual Carnival arranged by Mil A. K Pickard, at the Panopticon, has proved’ a conspicuous sucoess. During the v « rv p iKc , New-Ye&r week thousands Th™ pa rni v al w ill now form an annual at ^The” variety bill last week was an excep Hcnallv strong one, and the programme an] nounecd tor Ihis week is also one that Trongate, FOUR SHOWS DAILY Theatre of Varieties, GLASGOW. Admission, 2d. A ; Home of "1 [ Popular Amusement. gole Proprietor: A. E. PICKARD. grand panopticon S?S who tonishJs several clever unperson^ ♦ions Katie Moore, retained from last wS* is a dainty and charming comedienne, who sings well, and also gives a smart ex- hibition of baton swinging. De Ora will ^miearyn a graoeful performance tettie & WEEKLY RECOF-D^ THE H ELEBSBt) ROE NEWS j aNUARY 26 , 1 907. JANUARY 10, 1907. JANUARY 12 . WO?. The Carnival at tho Britannia Theatre of Varieties has proved a huge success, on Acw ; ; Day over 17.000 poopie passUlM britanni PANOPTICON, TRONGATE. GLASGOW PICKAE D'S FIRST ANNUAL CARNIVAL Will be held in the Panopticon. In addition to the - CHRONOPHONE and Grand Variety Company, there is ALL THE FUN OF THE FA Lg. Doors Open each Day at 6 A.M. * Sole Proprietor, .. A. E. PICKARD; Unlimited Introducing nying boopsT trapeze. &c . ^y ..... , - ^j£ t°°a^d Cancel, has been seen at this l through the turnstiles. Vue * 06aU ^ J supplied is sufficiently varied to su.t ad | classes, the CSironophonc, tho variety com- j THE GREENOCK HERALD, ’ BRITANNIA PANOPTICON, TRONGATE. r GLASGOW. -! PICKARD’S FIRST ANNUAL CARNIVAL Will be held in the Panopticon. In addition to the CHRONOPHONE and Grand Variety Company, there is ALL THE FUN OF THE FAIR. Doors Open each Day at G A.M. * ” "'CK Sole Proprietor, A. E. PICKARD; Unlimited H m Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.53 Title A name given to the resource BP01.53 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 53 Description An account of the resource Newspaper cuttings about: The Britannia Panopticon and museum, the telephone and the loss of a menagerie. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. carnival chronophone menagerie https://www.pickardspapers.gla.ac.uk/files/original/d4989d5963b819fbee516f37004faa9f.jpg 531795352a5a634359b0d0b3558ddad3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Daily Mail, Daily Record and Mail Date Date of newspaper article January 24 1907, January 28 1907 Text Any textual data included in the document THE OUTLOOK The War in The Music-Halls. The National’ Alliance of Music-hall Artists must bo granted much credit for the secrecy and suddenness with which it prepared the war that now rages in the music-halls. The society was only completely organised on Sunday night, when the three unions which exist to defend the rights of those employed in the music-balk amalgamated, and the Variety Artists’ Federation, representing the “ stars ” and j^rformers; the National Association of Theatrical Employees, representing the workers employed on the stage and in subordinate positions ; and the Amalgamated Musicians' Union, including a large proportion of the musicians engaged in the various ■orchestras, joined hands to do battle with the managers, and to obtain the more favourable! conditions'’ for the humbler workers laid down in their “ eMrffcr.” On Monday the struggle opened dramatically with a strike in the six halls controlled by Mr. Gibbons. The advertised jwrfortners declined to put in an appearance. “ Little Tieb," Mr. Arthur Roberts, Miss Marie Lloyd, Mr. Alec. Hurley, and numerous less-known names, among the absentees. The very musician fused to -discourse music. After a longer, or a shorter, wait tho audiences dispersed, and received the return of their entrance money. The complaint made against Mr. Gibbons was that he had failed to accept the “charter” aim of the union appears a laudable one — to obtain a living wage for the poorer class of em- ployee. The scale of wagos to be paid is laid down iu tho “ charter ” at 36s. per week in the case of musicians and “ corresponding rates" ill other classes of workers. The artists, however, who have made common cause with the humbler uiembers of their union, allege distinct grievances of their own. They complain of the “ barring clause ” in their contracts, which pre- vents them from performing elsewhere than iu the hal s for wliieh they are specially retained. They object to transfer from one hall to another without their consent and by compulsion. They also ask for matinee pay, to chock the practioe, which they assort has been growing up, of re- quiring their appearance at such performances without remuneration. They point out that though the salaries of “ stars ” may be large in some eases, there are yet many instances in which performers roceive only a miserable remuneration. Thus, to give one example out of many, a troupe of eight girls receives only a salary of £6 per week, or only 15s. apiece. On such a low Wage it is impossible for any self-respecting woman to live with decency. Common humanity and sympathy for the oppressed are appealed to by the union. The managers reply that the dividends earned by the halls are not large iu view of the risks. Both Mr. Gibbons and Mr. Payne protest that they pay the full union rate of wages. They dc- ffend the “ barring clause” by the plea that whore peciaily high terms are paid to artists such restrictions are not unreasonable. Our contributor “ Bevis ” yesterday p intod out that the accounts of one largo West End music-hall ■ howed that, out. of total receipts to the amount and had “ broken his signed agreement to give of £43,000, salaries and wages absorbed £23,000, fur terms and conditions ” to the artiste and and that the net profit made was only £8,000. employees at his halls. On his part he contends ] that there was no breach of faith, and that lie was only given half an hour to accept or ; refuse the “ charter,” which allowed him no j < time to consult his directors. The first blow of Monday night was followed up by a similar I stroke on Tuesday, when the performers and employees at eight halls managed by Mr. G. A. Payne, struck work. At six of the eight no performance was given, at one a partial performance, and tho eighth a complete entertainment, with, however, new performers. DAILY [Like Mr. Gibbons, Mr. Payne had been called upon to sign the “charter,” and had declined. The war threatens to spread to the provinces, and it wil! bo, we are assured, a war to the knife. It is well, therefore, that the public shou d understand the questions at issue. The Meantime the crisis continues, and, in the words of Mr. Moul, the popular manager of. the Alhambra, will be fought out to the end by the managers. The public will look for some evidence from tho various authorities controlling these places of 'entertainment that the humbler performers are adequately paid, and are not condemned in their private life to the wretched penury which is in singular aud poignant contrast with tho show and splendour of the MUSIC-HALL STKIKE. j FIGHTING CHALLENGE BY THE PliOPhlETi.RS. VARIETY ARTISTS’ VIEWS. It is to be a tight to the bitter end. That is the result of the meeting of the London music-hall proprietors held yes- terday afternoon. The meeting was held under the auspices of the London Entertainment Protection Association, and after an hour and a half's deliberation in private the following statement was issued : — “ At a representative meeting of the Lcndon Entertainment Protection Asso- ciation, which has now been extended to include provincial members, held at Durham House, Strand, this afternoon, the following resolution was unanimously passed : — ” ; That every member of this associatvvi pledges himself to support the act-on taken in resisting the attack made upon certain members by the National Alliance, the same support to be given to anj r other members of this association who may be called upon to resist similar attack.’ ” In effect the resolution means that the proprietors are prepared for battle, and it is a fighting challenge. The Variety Artistes’ Federation yester- day afternoon discussed a suggestion of picketing the Moss-Stoll Empires through- out. the country. This policy will have to be approved by the alliance before it is operative. Further developments yesterday were an application at Bow-street for a sum- moms and another to the Attorney-General for permission to institute proceedings under the Secret Commissions Act. QUARREL EXPLAINED. The dispute arose through the refusal of the managers to sign a document. agree- ing that the following conditions ehoula prevail in music-h-alk? - One- twelfth solary for mattneee at all t w o-sh o w <{Fa, -night halls. One-seventh salary for all matinees, essvc MR, HARRY TATE’S VIEWS. I /-Mr. Harry Tate, the well-known mimic, i decidedly aggressive views iu con- ji neriho with the music-hall strike. Mr.; Tvtc is at present one of the principal' comedians in the Royal Court Theatre pan-! tonijmo; Liverpool, aud last night, in dis- j cussing the situation with the Liverpool;* representative of the ''Daily Mail/’ hejj signified his emphatic acquiescence in the ! procedure the Variety Artistes’ Asso- j citian had adopted. “It is said,” he remarked. “that by combining with the members of the | orchestra and the scene shifters we are ' lowering oureelves, but it is a question ci ! the interests of the whole body of music- j- hall stage employees. Without the ! orchestra the artiste might as well cancel | his contracts. The re»sult of this fight will [ he that we shall get contracts in which there is some common-sense.. As contracts are phrased at present w T e are at the mercy | of the managers if we sign them. If we } do not we are thrown out of work.” “One of the first members of the Variety j; ! Artists’ Federation was Mr. Malcolm Scott, j i who ha6 earned a reputation on the music- j; I hall stage as an extremely clever pa.tteirer. j ' He is also engaged at present in pantomime f I in Liverpool. If anything his views were 1 j even more decided : “l thoroughly agree ; I with the procedure *-hat h’.s been adopted. | in London,” he said. “ There has been a j : great outcry about the enormous salaries j we music-hall people got. W* do not da- j j maud those big salaries. They a.re offered j I to us, and so long a* contracts have an i ; equitable basis we would not dream of | evading them. There is at present no | equity in thus contracts, and that is the j reason why we are up in arms against ] them. “ I think we shall win this fight. The public do not know the managers by name. , They do know the artistes, and unless the ; artistes the people know are put on the ; stage the public will not patronise the: houses.” INCIDENTS OF THE STRIKE. have signed the RECORD AND JANUARY 28, 11)07 one. at dive-show halls MAIL Board of Arbitration to settle disputes. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.54 Title A name given to the resource BP01.54 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 54 Description An account of the resource Newspaper cuttings about a music hall strike and the banning of a Strauss/Oscar Wilde opera Salome at the Metropolitan Opera House, New York. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Metropolitan music-hall Oscar Wilde Strauss strike https://www.pickardspapers.gla.ac.uk/files/original/08f58fe1f76776ee5c4bef8f8b9ebf98.jpg 94db69d8c8b5a2278f51a307edeb1151 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Evening Times, Daily Record and Mail, Glasgow News, Evening Citizen Date Date of newspaper article January 1907 Text Any textual data included in the document A BOXER’S FUTURE. J t Dick Burge’s Experiences in Prison. ' Mr R. P. Watson, t.hc well-known sportini journalist, liar just paid a visit to Portlar* g Prison to see Dick Burge, the once-famou! I boxer, who is undergoing a term of 10 years | imprisonment for his share in the Goudie ban.. ( frauds of fire years ago. j Rurge is in the best of health and spirits, an<| j looks the picture of an athlete. He has n< I complaint to make of his' treatment m jail. bu. J considers that the sentence 1 unduly severe, and he is rather hopeful of a- ? re B«ge°is quite a Mark Tapley. “I cannot | speak too- highly of the people over me h< skid to Mr Watson. “We can very often find 1 something to be amused at even here. Conld j j man look better than I look ! I am sur< ( there is no one fitter ; I am sound as a beU 1 ol i brass. I make no troubles for myself or others, 1 Give my rospwjts to all friends, and sat I that I am doing my time with a . good heart,, i and that Dick Burge is all the better for hi I stay up at the Castie. , _ n il-„i J “ I wish some of my friends I often thmJ 1 about* felt as well as X do. This plane isj 9 o-reat pick-me-up. and not half so bad as >om J make out It is just as good as you like tc i ,ke it. If vou resign yourself to fate, tune ' slips along pretty well. Your warder knows 1 when he has a man he can be kind to, and | vhey 'are not bad fellows after alJ. 3 When be comes out lip may go on the stage 1 i n a pugilistic sketch. Ho thinks there is si money— perhaps a fortune — m it, and he says I his ohi partner, Jimmy Lowes, woula suit him '■j very well as an opponent “Yes” he said, “ I think I conld figut— as : well and as fast as ever. If the heavy- weights are no- better than when I was among TITLE FOR MRS LANGTRY. ^ DAT LY^ KCOIiB- Am> JANUARY 9, 1907 J Death of Sir H. De Bathe. The death occurred at his seat, Wood-End, near Chichester.* on Saturday evening of General Sir Henry Percival de Bathe after an illness of only a few days’ duration. Sir Henry was the fourth baronet, and the head of one of the oldest families in the Kingdom 7 ‘ 1 1, + - +Vira P/anflirV in Moftais to lompTaiui Sttccess, and What is Sore, WE JIET IT. 1 17,358 VISITORS NEW-YEAR’S DAY. BRITANNIA PANOPTICON, PICKARD'S GREAT CARNIVAL j ALL THE FUN OF THE FAIR. of one of the oldest families in the Kingdom, V A TUFTY COMPANY its record going back to the twelfth century. GRAND V A Kilt , I 1 V-'V rvir .‘Aiy » Hugo de Bathe, it is recorded, accompanied Slmnntinw in his exoedition to Ireland HUr.O LidlllL, * * J. . Earl Strongbow m his expedition to in 1172, and had grants of manors and lands in the counties of Durham, Meath, Louth, and TV^cri- -H;, \ b*ro’-W' , v was conferred in lbbb upon Sir Lucas de Bathe, of Atharne. a senior or-nich of tins family, - but this title became extinct in a few years. The deceased baronet was born on the lath June 1823 at Malta, and succeeded his father, Colonel Sir William Plunkett de Bathe, m 1870 Entering the army before he was lb years of age, he had a distinguished career m that -branch of the services. He went through the Crimea with tho Scots Guards, being- second in oommand of his battalion at- the taking of Sebastopol. He was badly wounded at the battle of Traktir. Later he became, colonel of the Scots Guards, and was made ccneral in 1879, retiring from active service four years later. , j 1 u It is announced that he is succeeded by his son Hugo Gerald, who. married Mrs Langtry, the well-known actress. Sir Henry s second daughter is the wife of the Hon. Harry Lawson, eldest, son of Ixird Burham. GLASGOW NET VP, JA N UA RT S, 190 7. AIUJ CHRONOPHONE. OPEN *t.T. DAT ADMISSION TWOPENCE. NOTHING UKS IT EVER SEEN BEFORE. ENTERTAINERS and IMITATORS SIMPLY PARALYZED. Bole Prop, and Director— A. E. PICKARD, them I could stop them pretty easy. ^1 would I 'y fight J certainly fight again, though I shall be 43, i just to see how I shape. I shall be 43, but s a batter man than many at 30 ; better— far j i better than when I fought. Bobbie Dobbs or i I Jerry Driscoll. I would like tho job again. , ''I have a tittle practice, just an imaginary ] • round or so-on rnv ccll-iwhat we used to call ; : l « a little go ’/ in prifata. No purse, no stake, not even nobbingiB— merely self-praise. 1 Burge is employed at Portland as a stone- ■ .1 mason. He, was at first put in the black- j smith’s shop, but he did not shino as a | hammerman, and applied for a.nd was given , i outdoor work. i ' * — j AIR GUNS EXEMPTED. jjl Avitiing out of proseoutions at Notticgiiam p Hi of members of air-gun olubs for carrying U g| rifles without lioenees, Birmingham gun- g j! makers have been in communication, with the I \ Board of Inland Revenue. A letter has been received stating that, -g gun licences are not required for rifles used ft ■ for shooting at ranges by members of olnbi A affiliated with the National Rifle As Delation. || tho Society of Miniature Riflo Clubs, or g Northern Counties Industrial Rifle League, ; nor would there be any interference in re- j speot of carrying a. riflo by a member of any enoh efitb fTorujed tlfsit it s cae*. IT IS IN MORTALS ™ ?p3rMA-N I) KrCCISS, AND j , WHAT IS MORE, WE GEL 1J.. 17,358 VISITORS NEW-YEAR’S DAY. BRITANNIA PANOPTICON. PICKARD’S GREAT CARNIVAL. All tie Fan of the Fair. GRAND VARIETY COMPANY AND „ CHRONOPHONE. OPEN ALL DAT. ADMISSION-TWOPENCE. Nothing like it ever seen before. ET rTERTAII^K.S A A^ A D ^ATORS STMPL Sole Proprietor and Director— A. H. PICK i NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. Yvzia o&rriod io j I , • “SALOMF’ RAISES A STORM. ! The late Mr Oscar Wilde’s “Salome,” the |p music for which has been written by Strauss, || was billed for the Grand Opera, Now- York, ! last, night, but the polioe were threatening jj h S yesterday to stop the performance. There :i| ; was a dress rehearsal of the opera, and the fit ’Critics who were present (says a Now York [ ’ oo’rfespondent-of the “Manchester Guardian ) f» denounced thg performance. Indeed, a per- j I foot storm of denunciation has been brought , ; i about, on the part of tile press, as it is de- j B I dared that the play appeals to the basest; instinots of humanity, add is neither artistic nor dcsirnblo This denunciation has had tho effect, of pausing society to fight for seats,-’ and the box office has boon stormed try | people. , It Mortals to Command Success, and What is More, WE GET 11. 17 358 Visitors New-Year s Day. ’BRITANNIA PANOPTICON, Pickard’s Great Carnival. all the fun of THE FA ' R - GRAND VARIETY COMPANY AND CHRONOPHONE. NOW ON. NOW ON. ... n . Y ...ADMISSION TWOPENCE, open alldav seen BEFORE. NOTHIN 0 OKE IT EVE imitatoks SIMPLY PARALYSED. ^ Pltp . Dhcctor-A. E. PICKARD. Unlimited jTgLASGOW NEWS, ' JANUARY 9, 1907. | IT IS IN MORTALS TO COMMANDKUCCESS, AND I WHAT IS MORa., WE GET II* I yi 353 VISITORS NEW-YEAR’S DAY.| BRITANNIA PANOPTICON. Pickard’s Great Carnival. AJ1 tho Fun of the Fair. GRAND VARIETY COMPANY AND CHRONOPHONE. OPEN ALL DAY. ADMISSION-TWOPENCE. NOW ON. 1 NOW ON. NOW ON. NOW ON. ] NOW ON. NOW ON. NOW ON. NOW ON. NOW ON. j NOW ON. I NOW ON. NOW ON. h : - NOW ON. | ' NOW ON. | [ NOW ON. [ NOW ON. H Solo Proprietor and Director A. E. PI( Dulimitcd. EVENING CITIZEN, January 8, 1907. . — t . - . a .. irjMtmm—* i aOUNDABOITTS AND HOB B V-HOllSKS. Infenlit-ring- g Sale. | At GlaAgrovv Siher iff -court to-day — before £' -j- Sheriff Scott Monoriuff — an app-Iicat.ion to in- ij terdiot a- s»aio of roundabouts, witli boiler j| and engine,* oaravans, shooting ramgets &o., advertised for twelve o’clock to-day. was pre- j aentod, at the instance of Mrs Hobday, hobby . .1 horse and swiimg-boat proprietrix, presently a j carrying on busineeis in Moncur-etreet, (»ias . % gow. : The defender, George Wallace, carriage ; - hirer an doart.wright, Adrosaan, * contended: that M Hobday had sent , him, while a-t Ar- drossaj), a van to repair, and that Hobday jihad not paid him. I Mr R. Marshall, writer, who appeared for •Mrs Hobdtay, stated that the was the daugh : j ter of a show-man, and' f hat her first husband: i had also been, a diowman. He submitted ; | numerous documents sAiowing ^>at Mrs Hob day had carried on (h*> business for her own | behoof, and had never-Tccoived * tiny assist ance froun her second husband. wlio<*e debt formed the basis of the poinding. He also pointed out a want of specification and a I * leged irregularities in the poinding. “A w ag- ' ] igon and its oon touts,'' he submitted, was too I ^enera .1 a tern.. , | The Sheriff humourously inquired if Mrs MIobday would form part of t hcWxi.ntenta. t i Mr .Sla.rsthall replied that c-he y^ould ’form a | very substantial part. Mr Littlejohn, for defender, *. maintained ; | that Mrs Hobday’s effects tvad become im- ' mixed w ith those of her husband. The- Sheriff held that primia. facie evidence had 'been submitted instructing’ the pursuer’s title, and granted interim interdict. NO EVIDENCE IN SUPPORT OF PHRENOLOGY. Mr Charles Marriott, author of “The Column,” writes in the “Daily Graphic : During certain years I took photographs of several thousand certified lunatics. Except in the cases of a few idiots and imbeciles?— who illustra ted the probability ’that the fro'n- t.al region is concerned with the more purely intellectual processes— I observed nothing whatever in support, of phrenology, but a good deal to the reverse. There are, it, is true, striking differences between tho looks of the sane and the insane, but they are made ■ up of infinitesimal details of facial expres- sion. attitude, gesture, &c., and. I suspect, arc to a certain degree the result not of char- acter but of environment. j Negotiations for the rc-opening of the • London Lyceum Theatre are said to be pro- ■ dressing satisfactorily between the proprietors p j and the Twentieth Century Drama Syndicate, [whose directors are Messrs H. and A. Srnit.n, 1 E Da^nall, Norman J. Norman, \v. Hollis, and Arthur Shirley. Should the Syndicate be accepted as tenants the historic house m Well in gton -st r eet will be transformed into a “ People's Theatre. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.55 Title A name given to the resource BP01.55 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 55 Description An account of the resource Newspaper cuttings about The Britannia Panopticon, boxer Dick Burge, the death of Sir Henry Percival De Bathe, air guns licence, Oscar Wilde/Strauss opera 'Salome', phrenology, the London Lyceum Theatre, and a dispute over the sale of roundabouts and other items. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. air gun boxing chronophone Oscar Wilde phrenology Salome Strauss https://www.pickardspapers.gla.ac.uk/files/original/250e501ae1d4102f83c487f7ea4783e6.jpg b6819fb865b15e0c51e48554aa758908 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Weekly Record, The Glasgow Star Date Date of newspaper article January 26 1907 Text Any textual data included in the document •• UNPOPULAR SONGS ! ” , Why arc Scotch comic songs pot as popular as they should be? Somehow, w© can never! ©ompero with our friend* across the border. Bear in nuaxi I am spcudiing of musio-hali I songs. Ln the winier months many spend an even- J } ing or two in some place of amuisemont; and [ when wo see a Scotch C'.rmcdian on tho bill |. with this notice beneath his name — u With all [ ‘ new sing’s and catchy chorus©©” — we natur l ally expect to find something that is new h and catchy, something that we can whistle | on# our way going home, and hum at our f work. Gan ure honestly e3y we got what wo er- | pcct in the matter ? .Certainly cot; and |- the fault is in tho “ 10 ^^/’ “Glasgow song writers can supply hotter words than j wo can go’, anywhere,” is the opinion of the majority of our English comedians, “ but J where do they get the fearful tunes? Wo 1 don’t care a jot (except in exceptional cases; j for tho words of a 6ong-4jwhat we want is a catchy melody, something that will get its S way into people's heads,. end remain there.” j Now, I may make a £#w-foes, or hart a few people's feelings — but 4 ! boldly make this assertion— and I am speaking from experi- ence, I know of no composer in Glasgow j who can, in the least, compete with oiir Eng- lish cousins. ^ < h There is a fortune awaiting the one who can write catchy music-hall melodies in L Scotland. There i3 not a music publisher j in Scotland willing t-o take the risk of putting j on the market the musio of the songs (and t yords, of course) that are being sung by our •' leading Scotch comedians. I think - the * grumble 7 of Bill the Glasgow song writers is — “ Where can we End a composer? ” COLIN CAMPBELL. R 30 Bridge Street, Partick. PANTOMIME FAVOURITES COMPETITION. THE GLASGOW STAR. JANUARY 56, 190', BRITANNIA PANOPTICON. PERFORMANCES DAILY AT 2, 4, 7, and 9. 0- Including REX and BEX, SISTERS LA BLONDE, LEW-LUX, D’ARGAN and DENE, ELSIE RUSSELL, and the CHRONOPHONE ; j also PANOPTOSCOPE, New Films and Up - 1 to-date Effect* ADMISSION TWOPENCE. Sole Proprietor. A. E. PICKARD, Unlimited. I NURgWHANDjN State of the Foil. Miss Luna Love, Grand Theatre, Glasgow 370 Miin Madoline Reea, Theatre Royal, j Glueg<>\v 253 1 Mi^ft Ella Retford, Princeoe’s Theatre, Glasgow - 193 j Miss Marie Adair. Paislev Theatre 184- I a Miss Frances Kapstooo, Grand Theatre, Glasgow 30 • I Miss May Mars, Grand Theatre, Glasgow 77 I Miss Phyllis Dare, King’s Theatre, id Edinburgh I Miss Daisy Dotm Edinburgh 53 Theatre Royal, Princess’s Theatre, Metropolo Theatre, Theatre Royal, Theatre Royal, 19 ! 15 15 13 j 1 Miss Ethel Campfee I Glasgov/ Miss Rose Hamilton, 1 Glasgow J Miss Edna Morgan, Glas'wvw j Miss Aimco Grey, Glir 4 qw • - 12 J ATk 6 Carrie Eov, Paisley Theatre 12 Miss Amy Allnuth, Lyceum Theatre, Glasgow - — ^ » Dame Trot, Grand Theatre, Glasgow 1 \ The above is the list of votes to the time of ! going to press registered for those ladies who { have received ten or more votes FORWARD. SATURDAY. JANUARY 26. 1 907. Entertainments Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.56 Title A name given to the resource BP01.56 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 56 Description An account of the resource Newspaper cuttings about The Britannia Panopticon and museum, a pantomime favourites vote, Scottish comic songs, and a smoking 3 year old child. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/c44041dd4ded98c946bf07d358d4730c.jpg 7c9c82cf4807e108aa15891af94092e1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Glasgow News, Daily Record and Mail, Evening Citizen Text Any textual data included in the document Andre Beaulieu, three years old. of L tobacco a week, and cries bitterly when ho Society is trying to cure him of the tobacco owcll, Massachusetts, consumes two ounces < is deprived of hie pipe. The Lowell Humane® habit.— Daily Paper. Onlooker Sings : Tho hardly taste latest tale from Yankeeland is one we like to hear — Of babes of three who oa*n command for cigarettes and beer. This world is moving, we admit, a little faster every day. Tib time they stopped it fior a bit, or turned H round the other way. A baby member of a club, whose bottle is the barley brow; Whose playhouse is a horrid pub! Oh, tell S us if the tale be true. There’s this on which we can redy, the story oometh all the way From the land where none can tell a lie, the 1 great and truthful U.S.A. PICKARD’S MUSEUM, TRQNGATE Special Engage ent. at Enormous Cost of AMERICA’S CHAMPION FAT GIRL, 40st 71bs of YOUTH and BEAUTY, A Sight Never to be Forgotten.’* ALL THE WORLD IN WAX. Just Added, | Sir HENRY CAMPBELL-BANNERMAN, AHEAD OF THE TIMES. Admission, - - - - - 2d. Sole Proprietor — A. E. PICKARD. BRITANNIA PANOPTICON. Performances Daily at 2, 4, 7, and 9. "ANT at 2, OKA'S!) VARIETY COMPANY, Including REX mu! K E X . Sisters LA BLONDE, LEW-LUX, D’AHCrAN and DENE. ELSIE RUSSELL, and the CHRONOPHONE: also PANOPTOSCOPE, witli New Films and Up-to-Date Effects. Admission. 2d- Sole Proprietor, A. K. PICKARD, Unlimited. - ;ji I'lftmftiifiilli'ih - Progr amme * 7th JAN., 1907. ■DAILY RECORD AND MAIL, 48 . BRITANNIA and Panopticon, Trongate, Glasgow. THE CHRONOPHONE. ■Not ? aii 1 )hy, Choracter Yocaliste and Dancer. Caimta, ,t ha Wonderful LivingJMannakin. FIRST ANNUAL CARNIVAL. Pi ik Panoptoscopf. Katie Mork, Dainty Comedienne. Dk Ora, introducing Flying Hoops, Trapeze, etc. FRIDAY, JANUA R Y II, 1907 C II 5 LI) DOTARD.- J 1 Performances at 2, 4, 7, and 9, Admission, 2d. PICKARD’S WAXWORK AND VARIETIES: 101— Trongate— 1 01. The World’s Greatest Freaks of Nature. HOMARD, The 5 tea. of the The World’s Greatest Prodigy LEONINE Won-Haided ffirl ADMISSION Children, One Penny. GLASGOW NEWS, JANUARY 8 , Wm THE BRITANNIA. At- the Trongate establiehinent this week j another capital variety programme is sub j mitted, and large audiences ruled yester- day. Miss Katie Moore is a sprightly come- i dienne, who sings with much acceptance • couple of catchy songs. Capita presents 6 remarkably clever human marionette en- tertainment that finds favour. De Ora, in j a thrilling trapaze act, provides a good j turn. Little Venus sings charmingly, and < secures a good reception. The Chrono- phone is still proving an attractive feature of the Britannia programme. The enter- tainment is concluded with the animated pictures, and this week’s subject, entitled '•The Drunken Mattress,” a French pic- ture, keeps the audience- rocking with laughter, and it is undoubtedly one of the most side-splitting pictures ever seen in the city. The carnival in the Panopticon continues to attract the crowds. FORWARD, JANUARY 2f*>, 1907. The Platonoscope is still drawing large j crowds to the Britannia Theatre in Glas- I gow. The management are to be con- gratulated on their enterprise. [From our own . Correspondent.! New York, January 10. few* I A box named James Andersen died of 9 sonilo docav yesterday at tho City Hospital. f* Minneapolis. * He was only eleven years and | two months old, but the physicians declare H f ..hat the condition of his vital organs Cja ’ showed all the characteristics of a man of R It 60. When tho child was sis years old his hair H jl began to turn grey, his eyesight to fail, and |9 I he walked with tlio deliberate ce-ro of a H I person well advanced in years. -As a very ■ J young child Anderson was unusually bright.. I but his mental faculties gradually failed H 1 during the past two years, and for some 1 months past he has behaved as though in Kg| ■ his dotage. “ //- M \RK TWAIN 1 AND THE PHREXO- I.OCrlST. Mark Twain rend, an interesting contri- bution to a discussion on phrenology m the . “Dailv Graphic': — * , , More than thirty years ago, -he- went,. -he savs, under an assumed named, to a well- known professor in London, and was rriven . „ chart after an examination of his head, whioh tho humorist studied with K^e,a.t torest. and amusement — tho same interos . and amusement whioh I dhould have fofd ro ■the chart of an impostor who had been pac- ing himself off upon me, and not resemble me in a smgte sharply-defined de- tail, I waited three months, and went to the professor again, heralding my arrival with a card bearing -both my name and my guerre. Again I carried away an elaborate fhart. It- contained several sharply defined details of my character, hut. d bore no re- ' cognisable resemblance to the other chart. jJ DAILY RFGORD AND MAIL, PICKARD’S WAXWORK AND VARIETIES, 101 — Trongate — 1 01. The World’s Greatest Freaks of Nature. HOMARD, The M j£. of the The World’s Greatest Prodigy LEONINE Liou-Headed Girl. ADMISSION Children, One Penny. if EVENING CITIZEN, January 23, 1907. BRITANNIA and Panopticon, Trongate, Glasgow. THE CHRONOPHONE. Sisters Lorraines, Duettists, and Dancers Bob Parkes, Eccentric Comedian. FIRST ANNUAL CARNIVAL. Ernie Linguard, Swell Comique. The Panoitoscopk, with New Films. Flo Weston, Serio Comedienne and Dancer Scorr & Oram, Comedians and Pattern's. Two Lashmars, Burlesque Artistes. .MUSIC-HALL ARTISTES’ STRIKE. London Performances Abandoned. Performances at 2, 4, 7, and 9, Admission, 2d. GLASGOW NEWS, JANUARY 15, THE BRITANNIA. I ! East night saw an extension of the dispute | which has for some time existed between the Variety Artistes’ {Federation and Mr Walter Gibbons, who controls half a dozen music- halls iji the suburbs of London. The matter has been taken up by the National Alliance, comprising the Musicians’ and Stage Opera- tives’ Unions and tho Variety Artiste^’ Federation, and in consequence of the Alliance Committee ’ 3 action in sanctioning the withdrawal of various artistes from the arrangements they had made with certain music-hall proprietors, half tho performances at some London halls last night had to be entirely abandoned, while in other cases the j j programme was of a scratch character. At the Tivoli, one of the principal variety theatres in the Metropolis, the audience had assembled, but had to be dismissed, the artistes almost generally absenting themselves in response to the bidding of the Alliance. The acting manager made a statement, in the course of which he said there was no real reason for the course the Alliance had taken. They could but pity the many misguided At the Britannia an excellent programme __ .... 1 is submitted this week, and large houses ar tiatee and others who were being thrown nt each nerfoTmance. The out of employment, perhaps permanently, and ruled yesterday at ea ^ ^ entertaining hoped that wiser counsels would prevail. The Sisters Lorraine provide a Ty g audience then filed out, their money being ! “turn,” and their banjo eel oetiom meet wim - eturned to fJiem ' appreciation. They 6iR£ * The* Two Lasb-; -At the South London Palace only one of ana also dance graceiui speciality act. and! the usual two nightly performances wasgiveri. - ! At, the Canterbury the same course wa.° J AND ARY 1(1,1907 hoardings and morals. j the ' biU-posting hoardings ; i "f Coun- 1 I 't^erc'cloaks for "Ste te^ve either the hoarding, re- f iasrs jpre&ent a. 6ma.rt — j^- — . . . j introduce good comedy, the male pax as at t ho’ Tivoli, while the public celling as an acrobal qtv ie Ernie Linl outside the East Ham Empire and some other dienne, sings in piea e . . • an aBnls j n d suburban houses wore informed that there guard, sw^l conuque, - ^ merriment would no performance. turn, and.Bob JParkes^ g 0O f\ aI1( | Oram, -t At Vhe headquarters of the Variety Artistes’ 1 tn a drod peKormauee. ^d ia "“".get ^deration late lost night, it was ascertained ! couple of clever pa _ Chronophone, witq that the. instructions to withdraw from perfpr- perfoxmance. bter cOn‘v.u‘w—, — , The Chronophone, with a SOb^ J^ oe P a ?^, n : s IJC nroves**au attractive maneos had boon very generally followed by Ji-ie.’nf animated picture) members of the Federation. j paw eongs an * ,?e rie 8 ;of animated pictir conefndes a really entertaining L S j t>hsfc these instructions were carried out. A Large 'number of pickets were sent out to JU '4 / /6, /fey j and in some instances a little friction arose, but no Cases of personal violence were re- I ported. bAlLY RECORD moved or opened further from the . — — sabmittexl t faj s week to patrons of r Mr. Moffat .satd ,the_ B It Britannia. Among the leading contribu- \ fora to the evening’s enjoyment a.re fcho Sisters - duettists and dancers; the Two dull “turn ” on the pro- j BRITANNIA. There is not evil was S a ,nd re^ immediate attention. affecting f°|^ DS th e e< ^retarv. remarked | Irvrrauie. - tot'hoSm^pereonal inquiy into the) 1 *****». F1 ° ! j JANUARY La- — — ■ — - 28, 1907 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.57 Title A name given to the resource BP01.57 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 57 Description An account of the resource Newspaper cuttings about The Britannia Panopticon and museum, a music hall strike, a child who died of apparent old age, and phrenology. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. chronophone music-hall phrenology strike variety https://www.pickardspapers.gla.ac.uk/files/original/ce726be725205221101e86077a98d3b1.jpg 0df570c9068a02d4bf52aa8935886113 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Glasgow News, Daily Record and Mail, Weekly Record Date Date of newspaper article January 1907 Text Any textual data included in the document A CHOIR OF BIRDS. At the Chapel of St. Peter in Florence there is a choir of birds, the only one of its kind in existence. The birds— 300 in num- ber— are all in separate cages, which are ar- ranged in rows on both sides of the altar. The leader is a girl who has had the birds under her personal training for over two years. The whole of the musical part of the service is most exquisitely rendered by them. The leader starts each hymn by ' whistling the first few notes, and then the ! birds take it up, in obedience to the move- of theii instructor’s hand, / I CIGARETTE-MAKER’S ROMANCE. [From our own Correspondent.] New York, January 20. j ) Mrs. Stokes, formerly Miss Rose Pastor, I * &K the ex -cigarette maker from Petticoat Lame, g London, who married Mr. J. G. Phelps p ~ Stokes, the American millionaire phi Ian- ; /-• fchropist, and then, lived in a small flat in ■- J a densely populated teoicmemt district ?n I order to engage in settlement wxjflc, ;2J announced that her husband and herself are ?“ J no longer engaged in the work because, • | through such institutions, though they mean 1 fv| vrell, people are blinded to the real issues at Jicjjil staike. I ; The idle rich, she says, a.re blind to the • ; fact that the donation of charity does not , really serve any good purpcAe as long as our unjust social system remains, which j J legalises the taking of great wealth by the | idle from the oppressed poor. h ■}, Settlements and churches can do little real 1 - good as long as this injustice remains I rag inherent in our indunt-rial system, which I LL makes and keeps the people poor. Mr. and Mr*. Stokes are now engaged in . a Socialistic propaganda. WEEKLY RECORD, - -.-A—-. . . JANU ARY 19. 1907. | Passing of “Wee Macgreegor." “Wee Macgrccgor ” died the other even- | ing after ailing for two clays. | His loss will bo much felt by patrons of | j the Glasgow Zoo, where his interesting if ' j ugly rountenamoe has delighted the public i j for the past four years. He was a very fine specimen of the chimpanzee, and it will be a i difficult and expensive matter to secure j another, for he was the only one of his kind ! in the Zoo. The doctor in attendance believes death was due to a bronchial trouble. It is not improbable that a “ pcet-mortem ” may be 1 held on the body. Considering ho lived in this climate, his life was a long one. He was much attached to his keeper, Mr. Gardner, who feels his decease almost as if lie were a human being. His name, “ Wee Maogreegor,’* is original, j It was not inspired by the character in the ; series of pen sketches. GLASGOW NEWS JANUARY U. 1V07. THE STAGE STRIKE. * S WORD-S WA LLO WEB'S MISHA P. Charles O’Connor, who resides at 109 Broad Street, Mile- End* , Glasgow, and who is well- known throughout the city for his sword swallowing exhibitions, met with a serious accident on Saturday evening. During one of his performances at a street corner in the East End of the city one of the spectators knocked against him while he was in the act of swallowing a sword. O’Connor stumbled, and the sword inflicted a severe internal wound. He was removed in I an ambulance wagon to the Royal Infirmary, where he was detained for treatment as his condition was considered serious. A 4U J-CLnci-a-n-y Zt A '9°y 102 DESCENDANTS. Mts. Mary Davies, one of the inhabitants of Ansterley, Shropshire, has 102 living de- scendants. They are two eons, seven daughters, forty-rane grandchildren, and forty-five great- grandchildren. She xs eighty -five years of age, can still walk two miles with ease, and follows even now her 1 occupation as Monthly nurse. :L 2t*t /9°y MAGNIFIES LIGHT 45 TIME'S. Professors Parker and Wood, of Columbia • University, have dhsoovered a new filament which they have called heliocx. It magnifies the efficiency of electric Light forty-five times as oom pared with the carbon filament. The lamp also burns twice ad long, and will sustain, an overcharge of electricity without breaking. THE 11 EL Lb feBL RG1I -N EWE, DEADLOCK CONTINUES. PATCIDUP PROGRAMMES. “STARS” AND SALARIES. (From Our Own Correspondent.) London, Thureday.— Music-hall managers continue to shed tears of grief on their dia- j mond studs and say they are ruined by the | vast salaries that have to be paid, and come- ! dians aud comediennes with motors con- | tinue to say that music hall managers do not pay a sufficiently large amount of money. • In other words, the music hall strike is not yet over, nor is the end in sight. Last night no fewer than fourteen hails were affected, i ; among them the Tivoli, the Oxford, and the 1 Canterbury, three important houses; but' while fourteen houses were affected, a show ! — of a jrind — was given at each. It was the ; opportunity for the great unknown, and in- : cmontally a* proof that the great unknown ; is likely to remain in that condition. The j Queer Strike, I may add, fails to interest ! the public, who indicate their apathy by omitting to go to the halls. None of the * houses last night had a large audience, the usual patrons staying away because they ' had doubt as to whether or not their fav- I ourite6 would appear. ! At the Oxford, however, Mrs Brown Potter did her “turn.” A letter has been sent to her by the Strikers’ Union explaining the pusition, and asking her not to assist the opposition. .a noteworthy feature of the situation is j that large contributions have been made to the strikers’ fund by costly stars, to whom the attitude of the managers is of no conse- quence whatever. As a matter of fact, it is a strike on behalf of the small people, the stage hands, the i chea- performers, and the men who play f ; fiddles. ! I quoted yesterday the statement of the manager of the Tivoli, that his house paid 1 certain performers larger incomes than w^ere paid to Cabinet Ministers, and to-day the chairman of the firm controlling that house | enters into details. He mentions one man j who gets £160 a week, another who has £150, a lady who has £110, and several men whose remuneration is only from £80 to £40 a week. The chairman* says that the lowest salary paid to an artist at the Tivoli is £8 a week. TRONGATE. BRITANNIA PANOPTICON, PICKARD’S EJRST ANNUAL CARNIVAL Will be held in the Panopticon. In addition to the .CHRONOPHONB I ' Doors Open eacH Day at 6 A M. Sole Proprietor, .. A. E. PICKARD; Unlimited j APPLICATION AT BOW STREET. (Press Association Telegram.) ' London, 2.— At Bow Street to-day, Mr Harry Mourn ford, chairman of the Execu- tive Committee of the National Alliance, applied to the Magistrate for a summons against, a gentleman for inciting a person to threaten him near the Hoi born Empire. Sir A. De Rutzen directed the applicant to reduce the facts to writing. Mr Mountford did this later, but said he did not wish to accentuate the presennvjiosi- ' tion of affairs in the music-hall worl$, and j he bore no animus against the man who had threatened him. He would be content | if the Magistrate would send an office^ to ; warn the man and his employer. Sir A. De Rutzen directed a warrant i Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.58 Title A name given to the resource BP01.58 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 58 Description An account of the resource Newspaper cuttings about a music hall strike and unusual stories/happenings from around the world plus an add of the programme of The Britannia Panopticon. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/689c94127114d2a49b0d330d87b572ad.jpg 2a0337b8d17baf9033eaf80934faf50a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Evening Citizen, Helensburgh News, Daily Record and Mail, The evening times, Glasgow News, The Glasgow Star Date Date of newspaper article January 17 1907, January 19 1907 Text Any textual data included in the document EVENING CITIZEN, January 17, 1907. GLASGOW NEWS, TUB GLASGOW STAB, It is in Mortals to Comman d S uccess, and what is rrcqe, WE GET IT. 17,358 VISITORS NEW-YEAR'S DAY. BRITANNIA PANOPTICON. ^ PICKARD’S CTEAT CARNIVAL. \ 6 ALL THE PUN OF THE FAIR.. O 0 GRAND VARIETY COMPANY << io A> ' D oo CHEOXOPHOXI. ?-Y- JANUA^V 13, 1307, IT IS IN MORTALS TO COMMAND SUCCESS. AND WHAT IS MORE, WE GET IT. 17,358 . VISITORS NEW-YEAR’S DAY. no#on. BRITANNIA NOW ON. PANOPTICON. NOW ON. Pickard’s Great Carnival. NOW ON A " tllc ol the Fair ' NOW ON. NOW ok: GRAND VARIETY NOW ON. COMPANY . NOW ON. AND NOW ON. now on . CHRONOPHONE. N0W0N OPEN ALL DAY. ADMISSION-TWOPENCE. Nothing like it ever seen before. ENTERTAINERS AND IMITATORS SIMPLY PARALYSED. Sole Proprietor and Director— A, E. PICKARD, Unlimited BRITANNIA. Of the many places of entertainment in the city there are very few which afford a greater scope of amusement than Mr Pickard’s popular Britannia, which is now considered, and justly so, one of the “ sights of the city." In addition to the- many interesting side shows in the Panop- ticon a lengthy programme by. first class artistes is given. NOW ON. .NOW ON. NOW ON NOW ON Open All Day. Admission— Two Pence. NOTHING LIKE IT EVER SEEN BEFORE. ENTERTAINERS AND IMITATORS SIMPLY PARALYSED. Sole Proprietor A. E. PICKARD, Unlimited. jfrtscibf deck'll b 1 Wait Uj THE HELENSBURGH NEWS k- JANUARY 17, 1907. PALMIST SENT TO PRISON. Ayr, Friday.— At Ayr Sheriff Summary- court to-day, before Sheriff Campbell Shairp, Victoria Irvin or Bayly, palmist, lately re- siding at 260 High-street, and in Dunfermline, was charged with having formed a scheme to obtain goods without paying for them, and in answer to adertisements in the “Lady” newspaper, received a black silk dress, a gown, and a^. Chesterfield coat, whioh she ap- propriated +td her own uses. Accused/' was sentenced to sixty days* im- BRITANNIA PANOPTICON, TRONGATE. GLASGOW. PICKARD’S FIRST ANNUAL CARNIVAL Will be held in the Panopticon. In addition to the CHRONOPHONE and Grand Variety Company, there ia ALL THE FUN OF THE FAIR. Doora Open each Day at 6 A.M. Sole Proprietor, .. A. E. PICKARD; Unlimited STAGE REALISM IN PARIS. Theatre Where One Pays for Painful Impressions. DAILY RECORD AND MAIL. QAmY RECORD AND MATT JANUARY 17, 1907 F JANUARY 19, 1907 It is in Mortals to Command Success, and What is More, WE GET IT. 17.358 VISITORS NEW-YEAR S DAY. BRITANNIA PANOPTICON, PICKARD'S GREAT CARNIVAL ALL THE FUN OP THE FAIR. GRAND VARIETY COMPANY AND CHRONOPHONE. OrEN ALL DAT ADMISSION TWOPENCE. NOTHING LIKE IT EVER SEEN BEFORE. ENTERTAINERS and IMITATORS SIMPLY PARALYZED. goto Prop. *nd Direotnr — A. E. PICKARD, TTnltmJted. ANOTHER WRESTLING FIASCO. arranged for the Zoo- Glasgow, between Georgo and .Tames Campbell, to the 13st. championship of had an unsatisfactory ending, for some 25 minmtee there and the men mutually result a draw. This decision did not please the manage- ent, and Mr. Rostock writes expressing his •grei. to those who paid for admission that > finality was reached. In the circumstances ho has decided, to ithhold the proportion of the receipts rreed upon and in the near future declares i s intention to .donate the same to a local The match I Hippodrome, Paterson decide Scotland. After wrestling was no definite issue, agreed to declare the THE EVENING/ TIMES, It is in Mortals to Command Success, and What is More, WE GET IT. 17,358 Visitors New-Year’s Day. /BRITANNIA PANOPTICON, Pickard’s Great Carnival. ALL THE FUN OF THE FAIR. GRAND VARIETY COMPANY AND CHRONOPHONE. OPEN ALL DAY ADMISSION TWOPENCE. NOTHING LIKE IT EVEP. SEEN BEFORE. ENTERTAINERS and IMITATORS SIMPLY PARALYSED. Solo Prop, and Director— A E. PICKARD Unlimited. r Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.59 Title A name given to the resource BP01.59 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 59 Description An account of the resource Newspaper cuttings about The Britannia Panopticon and unusual stories from Glasgow, Ayr, London and Austria. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. carnival chronophone theatre ticket variety https://www.pickardspapers.gla.ac.uk/files/original/f9eb04f033021baa502d4cbf0ea06a0f.jpg 6bcf2529b4a49956be90deff223b8761 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.6 Title A name given to the resource BP01.6 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 6 Description An account of the resource Reference letter from Buck and Paterson Ltd for A.E. Pickard Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/d00d3ffeacb1429559779d3499ae79f6.jpg 241c58eb0a5e1342cf4677f99a9ab266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Glasgow News, Daily Mail, Weekly Record Date Date of newspaper article January 23 1907, January 26 1907 Text Any textual data included in the document if GLASGOW NEWS, UaNTJ'IRY DAILY MAIL, WEDNESDAY, JAN D ARY 23, 1907. THE STAGE STRIKE. BOYCOTT EXTENDING. PROPRIETOR CONFIDENT. NO LACK OP TALENT. (Press Association Telegram.) MUSIC-HALL WAR. VARIETY ACTORS OUT ON prjetore of London and the artists and FOURTEEN LONDON HALLS ! bands coining to a conclusion __ Each side maintains a determination not INVOLVED. to give in, and at present there ie little pros' STRIKE. FOURTEEN THEATRES CLOSED. ret oi a. compruiiLiKw. Arrangements are rapidly being made to TIVOLI SALARIES-LARGER THAN ; we^Snged eithef to°ck/e en' CABINET MINISTERS’. tirely or to provide their patrons with a The music-hall strike which startled the "'scratch” show. _ Press Associa- wor W of the variety stage with snch sur- tion representative, Mr ’Adney Pa^ne, who prising suddenness on Monday evening, prac. (Prom Our Own Correspondent.) interviewed to-day. London-, Wednesday. — There was a con- 1 represents twelve music-halls, said he would tieally closing six halls at a moment a siderable extension last night of the strike J not have any difficulty in. getting talent for 1 notice, assumed much more formidable of music-hall reformer* and Amnloves. and ! all _ his h alls to open tonight.^ dimensions yesterday evening, when the Alliance at five o’clock made of music-hall performers and employes, and Qne q£ tfte .. tuins - pxoml&BU w «, . eight additional houses were affected. Brown Potter, who would appear^ to-night at f In what I wrote vesterday I mentioned that so far the strike had noi "reached any of the more important West-End halls, but last night the Tivoli was only a scratch per i formanee. At the Oxford many. music-ha" the Tivoli. ’Mr’Paync’ saicf he had no ob- known to its members its intention to hiring jection to" arbitration. Asked as to the- out on strike, that same night ever yon* effect of the friction, Mr Payne eaid the under its influence employed at eight of th* effect ought to be and, I think, it W1 mills of which Mr. George Adney Payne : a to bring the proprietors together. agents, who, of course. LOCK-OUT THREATS. EMPLOYES’ FIGHTING FUND. (From Our Own Corresponds.nt.1 managing director. The. cause of the strike was the demand made hv the National Alliance of the Variety Artists’ Federation, the Amalga- mated Musicians’ Union, and the National Association of Theatrical Employees on .alii in vigorous I opposition to the strikers were present, and ] these agents, and their friends did their very best to keep the show going. The manager himself announced the turns there 1 ^®|icketttofXS e 'by a type oi peoplftor ' London-, 2. - There is a strong probability Monday that Mr. Walter Gibbons, the man- removed from the ordinary pickets of an in- that the music-hall war will en eH. I aging director of six variety theatres, should dustrial strike, and when gay comediennes quite a different phas . . ^ sign their “ charter/' which contains the ‘ -»*»d “comic*” nMettag^to-day ^o’oanliideiriSk c<mditUiji« under which artists, musicians, situation. ! asd stage-hands are in -future' to bo en The most important matter to be die- gaged. Telling him, that he must sign it cussed is a proposal for rstahating on the ° b ^ 0 ' el(K , k )Jle <a liance added, "You K'.kmff out every performer who , , with the arrived in their panhards and “comics' I {drew up in cabs these “artists” were quietly ((talked to by the strikers’ representatives. || Mr Arthur Roberts, who is in the week’s uTivoli bill, had a night ofi, and so had Miss ({Marie Lloyd, who, however, did not come to lithe house. She sent a wire saying she Would appear pickets permitting. The (.pickets did not permit, and the ^management sent a telephone message ! to the lady saying there would be no show. , tney mreaicn to caii ^ Lon- I learn that at all the houses which an 1 engaged at , th « ,?tbev would hfve affected there will be adequate shows to- don with the result that they would have I night, the agents having, with success, to close. scoured the country for non-Union talent, In an interview with an Evening News of which there is still a good deal, though representative to-day, Mr Irani, Gerald, the f the Alliance grows stronger day by day. The geueral . secretary of the Variety Artists | end of the strike is not in sight, and the Federation, laid it down that if the various 1 Alliance says it can pay the strikers full pay managers m London did not sign the char , thin, week. It is expected, however, that ter they would have to fight the Federation certain bright “stars” will not exact their to the last. • We are m for this to a finish, {customary remuneration. The £300 a week said Mr Gerald. ‘ We don t care what tno vpeople it is understood, will make conces- proprietors decide to do, we are not inter- Kinns : ested in them; but we can promise that if . , , • At the Tivoli last evening, when stating; they do . not sign every hall assisting or [ the alliance yestprday about taking this actively b |nn“Ss Jt wito ' tSe^olting have broken your agreement artists. The National Alliance of Employee Variety Artists Federation, and the however, are prepared with a fighting fund pledges given o-n your word of honour to of £10.000 to continue the contest. Indeed, , th e Amalgamated Musicians’ Union and th® National Association of Theatrical ployees, and you are, therefore, for any consequences/' Mr. fused to subscribe. He declared that the proposals of the alliance had been sub- mitted, accepted, and complied with by him, and that if persecution of his em- ployees ooirtinued he should be forced to consider that “ the spirit of our com- promise has been broken by you.” There was no hesitation at the offices of BOTH SIDES DETERMINED. One letter on either side was all that passed, but there was enough excitement over these to satisfy the keenest, and both parties are determined to fight it put. On one side is the alliance — representing the music-hall artists, the members of the Society of Amalgamated Musicians, and the stage hands. On the other — at present— are the eight halls controlled by Mr. Payne, namely, the Tivoli, Oxford* Canter- bury, Paragon, Euston, the South London, the Walthamstow Palace, and the East Ham Palace, representing a capital of about a million sterling, and the six halls managed by Mr. Walter Gibbons (Mr. Payne's son-in-law), from ^which the artists were brought out on Monday, evening. At the offices of the Variety Artists* Federation (one of the three organisations included in the alliance) in Wellington- street, crowds of members came and went all day, and- when Mr. Harry Mountford, chairman of the Executive Committee of the alliance, made it known that eight . more halls were added to the previous, night’s list, there was no one there to object. Everyone seemed prepared to takotojl some part in the active proceedings by delivering handbills at night outside the halls from which the members were called* or by picket duty. What the original issue was between the-, ! ; managers and the artists has now become merged in the simple demand that the j charter* is to be recognised as containing j the only* < conditions upon which artists, f musicians, knd stage hands are to be em- ployed at the music-halls. > mwu dLiiu uia . • , responsible JdJHUtiWf $J> * 1*)°^ feat there would be no performance, the' sympathising with those alreauy afiected further step, and there was no faltering dealers, theatrical mana* [manager said in defence of his house “the! will be closed to-night.” on Mr. Kayne’s part when confronted with, horde of such middlemen, the alternative of having his artistes and E artists* salaries are the < largest in all the! [world, many of them being equal to, and in j j some cases exceeding, those of Cabinet Min-j ( isters. There were loud cheers* ATTITUDE OF THE NATIONAL ALLIANCE. PLANS FOR ’THE FUTURE. London, Wednesday. — The National Al- , liance are awaiting developments and the result of the managers’ meeting this after- I noon before taking any fresh steps on be- half of the performers, musicians, and stage 1 hands whom they represent. The charter which was handed yesterday to Mr Adney Payne for signature will be forwateded to every music-hall manager in ; the kingdom in the course of a short time. other employees taken from him or of sur- rendering at once by subscribing to the charter which was 6ent him early in the dav with an intimation that he njust sign it before four o’clock-— or take the conse- q uenoee. The strike of music-hall performers is [ remarkable because this is the first time \ any body of people called “ artists % have f refused to admit that they are- on a £3 different level from other kinds of em- ployees- Th© old idea that the “ artist’ ” [ was a glorified creature, who never ought to ! demean himself by wanting to make money. ; [ has been exploited Uy publishers, art 1 ' dealers, theatrical managers, and ail the [ with the greatest p success. If the “ring” of music- h'i.11 ! /managers has been able to force even well- h known comedians to agree to harsh and S unfair terms, then it is clear they must L have had even greater power over the > t rank and file — far greater power, in fact, fj J tban can healthily be exercised by a lew j j men intent upon big dividends. But. |- .. however much public sympathy may b** ; l with the strikers, they can only break that j l I (power either by showing that their own I; strength is the greater, or else by can-vine- I - -ing some impartial arbitrator that there ! demands are just Surely tne latter is th*» course which they ought to be ready to follow A long strike must bring sufie* j ing to many, especially in this ^bitterlv | cold ;* weather, and there is * the public to consider, too. A peace conference should be called without delay. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.60 Title A name given to the resource BP01.60 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 60 Description An account of the resource Newspaper cuttings about a music hall strike. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. music-hall strike https://www.pickardspapers.gla.ac.uk/files/original/330fa06ed9eafe9bb5496b63e687d407.jpg 08da02113c342f44e42b6dff6ebd4506 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Daily Record and Mail, Glasgow News, Evening Citizen, Weekly Record Date Date of newspaper article January 1907 Text Any textual data included in the document ■< MaA6, ‘ Art “T ff C Y- PICKARD’S MUSEUM, TRONGATE. SPECIAL ENGAGEMENT at Enormous- CQf-t of j AMERICA’S CHAMPION FAT GIRL. 40st. fibs. of YOUTH and BEAUTY. I * A SIGHT SEVER TO BE FORGOTTEN. ALT THE WORLD IN WAX. jest added, Sir’ HENRY CAMPBBLL-HAJU'ISRMA.N. AHEAD OF THE TIMES. ADMISSION .-. 2d. Sols Proprietor A. E. PICKARD, mllaiiled. BRITANNIA *'• * Jr ~ ■ PANOPTICON. ~ rEKTORMAtfCtS DAU.T at 2. «. t- aj.d 9. j • GRANT) VARIETY COflfPA’STY, . , .Including: REX Olid REX . STSTEftS I A RUIN' DR, I ITlVlCX, D’ARGAX find DESK. EI/SIE RUSSELL.! I and the CHUOXOPHONKi aj-o PAXOFTOKOPE, with j 1 New Film* and Up-to-Datc Effects. ADMISSION TWOPBNCB. Ti Sole Proprietor A. E. PICKARD, Unlimited- lu k iteU<Kv+**i }*»»**■] N BRITANNIA PANOPTICON, f Mr. A. E. Pickard, the proprietor of the* Britannia Panopticon, in Trongate, has I secured a novelty which is entitled the I Chronophone, and it is claimed that its I [ introduction is the first in Scotland. The J L Chronophone is worked by electricity, T and is an ingenious combination of the H Gramaphone with the Cinematograph, the • ; | movements of the one synchronising with [S those of the other. By the' aid of the I Cinematograph, fae-simile representations H of great artistes (Music Hall or Theatrical ^ as the ease may be) are thrown on the H screen, while simultaneously the Grapua- B phone reproduces their voices. The move- B ments of the machines are so minutely ■ adjusted that they act in perfect unison. H The Chronophone is to f find a permanent I place in the daily programme at th£ Brit- B annia, and doubtless it will prove a source ■ I of great delight to Mr. Pickard’s r nan^J P a ' r _°J' -£YKS TNG CITIZE N, Janu ary 21, 1907. j PICKARlts MUSEUM, Ti«>koati’ Special Engagement at Enormous Cost of AMERICA’S CHAMPION FAT GIRL. '40st 71bs. OF YOUTH AND BEAUTY. A SIGHT NEVER TO BE FORGOTTEN. ALL THE WORLD IN WAX. JUST ADDED- SIR HENRY CAMPBELL-BANNERMAN. AHEAD OF THE TIMES. ADMISSION • ’ W * v 2d * Sole Proprietor A. E. Pickard, Unlimited. r peTitannia PANOPTICON. PERFORMANCES DAILY at 2. 4. 7, aod 9. GRAND VARIETY COMPANY’, Including REX and REX, SISTERS LA BLONDE. LEW LUX, D AHGAN and DENE, ELSIE RUSSELL, and the CHRONOPHONE, ahr PANOPTOSCOPE, with New Films and Up-to Date, Effect®. ADMISSION —•••••Tw°p<mce Sole Proprietor A. L. Pickard, Unlimited. Wallace, “The Dog Mail* 5 '— Tbe <lea.th, ‘r »ad ciroumeta.nce?. of the old act, or. known ’in j; , f.he variety world as Wallace, the “Dog Man. ’* ; directs at tout ion to the fact the “Tele- igg j graph”) that the evident io^oRper form i rig dog- J which .broke out, in the 'Metropolis a few jj§j J venire a pro has Buffered xiapid abatement.;: 1 Highly or wrongly, justly or unjustly, the pi t performing dogs is slowly declining from If popular favour. That some of his acconi- p i iplighirients are really not short of marvellous j' . ■ miav be freely conceded. a.rid a dog is. by ' nature, such" an intelligent and earnest beast that his varied accomplishments need ' ^create no surprise. MUSIC-HALL TRADE UNION. A “national alliance” has been formed of j the artistes, musicians, and stage hands cm- ! ployed at variety theatres in London. The numbers of the three societies are : — - Members. Variety Artistes’- Federation ..... 4000 Musicians’ Union 4000 Theatrical Employees 2000 In a "charter” they have drawn up for I their mutual protection these are. the -chief points : — tn “Artistes working two shows a ntght shalL bo paid one-twelfth salary for each matinee. 1 Ono show a nigh,, or.e-seventh extra for all over one matinee. - ... " Musicians in London to be paid a mini- mum' of J6- a week. Full salary-each matinee one show per night. Two shows, 'half salary each matinee. "Stage cc roan tors, electricians, and other i stage hands, ’to be paid a certain, fair, fixed ■ DAILY'- RECORD AND MAIL. JANUARY UWTT^_ j ‘ variety artistes ON STRIKE. %• PICK ARD’S >1 USEUM, T rongate, I ' 7 L ' S4 PICKARD’S?*! USEUM, Trongate, Special Engagement, at Enormons Cost, of AMERICA’S CHAMPION FAT GIRL. 40st. 71b. OF YOUTH AND BEAUTY. A SIGHT NEVER TO BE FORGOTTEN. ALL THE WORLD IN WAX. JUST ADDED, Sir HENRY CAMPBELL-BANNERMAN. AHEAD OF THE TIMES. ADMISSION 2d. Sole Proprietor— A. E. PICKARD, Unlimited. BRITANNIA PANOPTICON. P^tforfoancefl Daily, at 2, 4, 7, and 9. GRAND VARIETY COMPANY. Impeding REX and REX, SISTERS I.A BLONDE, LEW-LUX, D ARC AN and DENE. ELSIE RUSSELL, And the CHRONOPHONE. AIM, PANOPTOSOCpn, .villi New Films and , , Up-lo-Date Effects. Ac mSsfion TWOPENCE. ^sWRiepiietor-A. E. PICKARD, DaUmitcd. A WISE DOG. A laggo Ne-wfoemdilaJid dog belonging- "j gemtiaman in. Catrevurt goes regularly to Miso j \\ — — ., tiho in Queen’s Crcsoefit, for the “ Weekly Record.” j On Satoo-day last Mise B > in ordior to ■ test tho dog's iratelhgenoe, offered it, ajnother paper instead. After giving Miss B— a ! -ioious look, the dog took tho paper and i ! tore it to pdeees. Miss B , Booing- the dog was infuriated, ,-ave it the proper paper, which tho animal ;iit once snapped and wal kod smartly out of, ■j t,ho dhop with, Wagging its tail Miss B — — tells the incident to all her customers. JOHN GBM.MELL, Mary PHaoe, Oathcarit I SIX MUSIC HALLS CLOSED SURPRISE FOR LONDON AUDIENCES. On the morrow of its for nation th© | variety artistes or music hall “ trade muon ^ ;>■ bad its first strike. On Sunday night the first meeting of tho S National Alliance^ of the Y arietv Artistes \ .1 Federation., the -A nual gamated Musicians j j Union, and the National Association of | Theatrical Employees was held. : At six o’clock last night the order to strike ' 1 went forth, and in consequence performance*! ^ .j were stopped, the audiences were dismissed, t j and entrance money was repaid in b.o i /J following music halls: — ] Holbom— Empire. I Clapham — Grand. I Islington— Empire. Ealing— Hippodrome. ^ j Balham — Duchess. 1 Croydon-^Empirc. "j| At the Holbom Empire a- hasty" effort v as j j made to obtain deputy turns, and v a pro- J | gramme was begun. The orchestra was re- | j placed by a solitary pianist. HI Outside a pioltet headed off the deputies j “|! as they drove up, and about 50 extra artistes ; Sl'were thus prevented freen appearing. A few hissea oa.me from the audience amid the ap* O plause which greeted the songs. “I’m a shareholder, and am losing by it,” M said Mr. Aleo Hurley at the Grand, >’ii Claptham. Nevertheless, he urged the ^ per- fo rimers not to appear, and himself refused to do so. I At the Islington Empire the manager ex- vhijj pressed the confident hop© that to-day he j should bo able to secure even a better com- paniy than that which failed him last night. "M There was not the slightest sign of disorder I] as tho audience left. Of the Ealing audience, only a dozen ac- .- -| cepted their money back, the rest taking : I tickets for another night. The cause of the strike was the demand by . the National Alliance yesterday that Mr. |gj Walter Gibbons, the managing director of the six variety theatres, thould sign their “ charter.* 5 which contains the conditions vlj under which artistes, musicians and 6tage hands arc in future to be engaged. Telling him that he must sign it by one Hi o’clock, tho Alliance added: "You have H broken your agreement with the Variety .YrtisteV Federation and your pledges giver je j on your word of honour to the Amalgamated S I Musicians’ Union and the National Associa- te i tion of Theatrical Employees, and you are - A therefore responsible f^r any consequences.” J Mr. Gibbons refusefl to subscribe. FTe , declared that tlie pspposals of the Alliance ; ha<l been submitted, accepted %nd complied .j with by him, and that if persecution of hk •employees continued he should be forced to : consider that “ the spirit of our Compromise lha*o been broken by you.” BRITANNIA Variety Tnntfate, GLASGOW. Admission, 2d. Home of "VI Popular Amusement Sole Proprlitf : A. E. PICKARD. GRAND PANOPTICON alwAjs on view. tfJbASUUyV JSJUYV8, JANUARY 22, 1907. STAGE STRIKE. LONDON BOYCOTT. SIX MUSIC HALLS CLOSED. (From Out Own Correspondent.) ! London, Tuesday.-The strike of come- dians. conjurors, comediennes, acrobats, and I other musio-haU performers is now a real thine- and last night no fewer than 'six Lon- don music-halls were held up, so to speak, , or shut down. The list, however, did nol | include anv of the more famous halls— such I as the Empire, the Alhambra, the Tiv( ill, the Oxford, or the Pavilion— -all of the six being, | with one exception, in the suburbs. . The fight against certain managers is b eib3 i fought bv an alliance of music-hall per- I formers and employes, who have drawn up a charter which these managers decline to recognise Part of the charter deals wit ^ transference of an artist irom one halt to another without that artl ®. t s °° n f!? t 4 1 i U 0 < j another has to do with matinees, for ■ all of which the music-hall people think they ° U piokettmg fasSed to last night, and mentalist in the orchestra shall recene ^6a ? wetl< as a minimum, that carpenters be Lhi told an hour and overtime, and that i ^ d re 10 iunex U atioTfo a r Sij*t : m«h in houses i giving two shows a night shall be Zs bd a 1 SSe«J cind. and W l attracts ^much attentiom Jta o^tligbf gaiety of nations is sajd to be at stake. s - — — Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.61 Title A name given to the resource BP01.61 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 61 Description An account of the resource Newspaper cuttings about the programme of The Britannia Panopticon and museum, a music hall strike, the death of music hall star 'Wallace the Dog Man', and a dog that regularly picks up a newspaper from a newsagent. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. chronophone music-hall strike https://www.pickardspapers.gla.ac.uk/files/original/a9b45c62c398eb0c22981d99afeab22e.jpg 31e86f84d1d1ef119ab4ab8744ab422d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Daily Telegraph, Evening Times, Daily record and Mail, Weekly Record Date Date of newspaper article January 22 1907, January 24 1907, January 26 1907 Text Any textual data included in the document I THE DAI LY TELEGRAPH, TUESDAY , JANUARY 22, 19 0i. MUSIC-HALL STRIKE. Our Croydon Correspondent telegraphs: Owing "to a misunderstanding with Mr. Walter Gibbons, there was a strike by the band at the opening of , ... the Croydon Empire Music Uall last evening, and the management returned to the audience the money paid for admission. There appears to be a combined movement by the National Alliance; Variety Artists' Association, the Amalgamated Musical Onion, and the National Association of I - Theatrical Employes, who complain that certain J promised concessions have not been made. The Central News is informed by the secretary of j the Variety Artists’ Federation that all Mr. Walter K Gibbons’s music-halls were closed last night, the . music-hail artists, the musicians, and the stage | employes having been called out. DAILY RECORD [STRIKE IN THE HALLS ,A3 p HAUL, iTAYUARY 2 4, W07 j STARS JOIN THE FRAY. MARIE LLOYD OUT OF A JOB. WeruA/j Jam*.***! ^ i9°f ASSAULT IN A GLASGOW THEATRE. “THE M ‘GLYNN PUSH. ' At. this mornir^’s Southern Police Conti. * young man named Martin Houston charged with having, in t-ho gallery of iho 1‘rincesff’B Theatre last night, assaulted * wna h by striking her across the fare. l ' .-A witness stated that the “ M 'Glynn Pnan TPSere in the gallery of the theatre. Superintendent A. tv. Lindsay -What does the “ JVPGlynn Push '' mean: # Witness explained rhat the “ M Glynn Puah consisted of a crowd of young men **moee leader was named M ‘Glynn . and his follower* went about, “pushing’’ and endeavouring to get into the theatre without paying. The young woman, who was an entire stranger r-o the crowd, received ft* severe blow on the fa©* The Magistrate, imposed a fine of 21s, with the ©niton of 14 days' imprisonment. 1 uLi ill ^ !fU PICKARD S MUSEUM, TRONGATE. • SPECIAL ENGAGEMENT at Enormous Ccet of AMlRICA' 6 CnAaiHON t aV yiRL. 40st. 7 lbs. of YOUTH and BEAUTY. y SIGHT NEVER TO BE FORGOTTEN. ALL THE WORLD IN WAX. • JUST ADDED. 5ir IIENRY CAMPi>k-> UP. AN NEUMAN. AHEAD OF THE TIMES. ADMISSION 2d. .Sole. Proprietor A. T. PICKARD. Unlimited S R I T A NN f A PANOPTICON. PERFORMANCES DAILY at 2, 4, 7 and 9. GRAND VARIETY COMPANY,' ! Including REX end REX, SISTERS LA BLONDE, 1 LEW-LUX, DV- RG AN acd DENE. ELSIE RUSSELL, land the CFIEO N’OPHONE; aJ«o PANOPTOSC’OPE, with ! /New Films and Up-to-Date Effects. v ADMLShlO.N TWOPENCE. £ Sole Pronrieto- A. E. PICKARD, Unlimited. The strike in the London mnsio halls still prevails and is spreading. The dispute arose through the refusal of the managers to sign a docutneut agreeing that the following conditions should prevail Ln musio halls: — Qnc-twclfth salary for matinees ai all two-ehows-a-night halls. One-seventh salary for all matinee©, save one, at omo-show halls. Board of arbitration, to settle disputes. Specified form of contract only to be used. Mind mum wage for musicians in London, 36s per week. Full salary for matinees in one-show halls; half salary in two-shows houses. Minimum pay for gasmen and other stage workmen, 24s per week of five days. Car- penters lOJfd per hour for 10-hours day. Only Union musicians, carpenters, scene- shifters and other stage workmen shall be employed. A meeting of the London Entertainment Protection Association, a body composed principally of those interested actively in the management of the Metropolitan music halls, was held yesterday afternoon. The meeting was private, but at the close of over an hour’s deliberation it was pro- nounced that the following resolution had 3 been passed unanimously by a representative 4 attendance: — “ That every member of this Association i pledges himself to support the action taken j in resisting the attack made upon certain J members by the National Alliance, the earn© I support to h# given to any other members of thtie Association who may be called t upon to resist similar attacks.” It was also announced that the Association has now been ox bonded to include provincial Y: members. “AN ACT OF WAR.” After the decision of tho managers’ meet- («ing became known to Mr. J. O’Gorman, 0 chairman of tho Artistes’ Federation, one of 1 | the three sections of the Alliance, ho said 1 | to a “Record and Mail” representative; — |9 ;< “ Wo do not yet know tho nature of the ‘ support ’ to be accorded to Messrs. Gibbons ' 1 and Payne. If, however, it takes the shape Li "j of lending artistes who are under contracts |;;i to appear at unaffected halls wo shall take [A jj tho support as an act of war, and the strike p J will become general. We have no wish to L. . extend the area of the strike, and if other r' managers become involved it will be their own fault.” At least 40 writs have been issued by managers against the musichall artistes for 'alleged breach of oontract. A notable feature of the strike is the : The Music Hall War. j) The music-hall strike has taken the place j of the so-called “new theology ” as the topic ij of the hour with Londoners. The subject is ::j more congenial, for probably there are, on • j a low estimate, a thousand people in London I who are interested in such a subject for one j who vexes himself with theological problems. There are divergent opinions as to the pro- j bable issue of this struggle, but, from what ! I hear, I should say that the management of the halls concerned are bound to win. I ; am told that Loudon music-hall agents are V| being overwhelmed with applications from ! artistes in the provinces, who are likely to fij get at this junoture “ the chance of a life- U time ” to realise their ambitions and capture /J the fickle pleasure-loving London public. PREMIER AS GLASGOW BURGESS. The above Is a picture oS "flic Casket containing the Burgess Ticket which Is to bo presented to Sir Henry Campbell-Bannerman to-morrow on the occasion of his receiving the Freedom of the City. ■J Sword-Swallower's Mishap. S Charles O’Connor, wlho resides at 109 Broad- j Street. MUe-Ei Glasgow, and who m well-; a known through i the city for his sword- (swallowing exln Dillons, met with a serious I accident the oilier evening. J During one of his performances at a street (corner in the East End of the city one of J the spectators knocked against him while J ho was in the act of swallowing a sword, i O’Connor stumbled, and the sword inflicted a severe internal wound. re T m °3® d 1 an ambulance wagon to the Royal Infirmary, , i no r-lof.n in p.d tor treatment as uis » 9 « 7 - Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.62 Title A name given to the resource BP01.62 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 62 Description An account of the resource Newspaper cuttings about: The Britannia Panopticon and museum, a music hall strike, music hall disturbances and accidents, plus a photo of a casket with the Burgess ticket. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. assault music-hall strike sword theatre https://www.pickardspapers.gla.ac.uk/files/original/8ae678c0576a93d3ccdadbc963508d2b.jpg 43848b182303ac288b7a59afce817cdf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Glasgow News, The Evening Times, Daily Record and Mail Date Date of newspaper article January 23 1907, January 22 1907 Text Any textual data included in the document JANUARY RECO RD AND MAIL, 1907 THE TIMES, THE BRITANNIA. Y A delightful programme is rubmitted at the Britannia this week D'Argan and Pens are a couple who submit a clever illusionist act that is smartly performed, and causes great merriment. Elsie Russell, comedienne, sings and dances in a pleasing way, and her contributions meet with hearty ' acceptance. Sisters La Blinde, male im- personators, futniah a good "nnn,' J and their top-boot dance is smartly executed, and merits the applause bestowed. Lew : I.ux an eccentric comedian, creates loud laughter with his eccentricities. Rex and Rex patter comedians, have amusing cross talk’ The chronophone remains a feature of the bill, and the entertainment concludes with an interesting series of animated pic- tures* . , At the American Museum, a few doors . east of the Britannia, there is at present being exhibited an American lady who turns the scale at over 40 stones-Scwt. She is one of the most remarkable sights ever seen in the city, and yesterday large crowds visited the museum. LONDON A XKW iiOLIi. VARIETY ARTISTES STILL . ON STRIKE. Tho strike of music hall artistes is causing I a gTOa ’ t deal of inconvenience to the manage ment of local houses in London and to the theatre-going public. I Gr , and l CIa Pham, a large crowd r ff a thered at toe stage doors to witness °- f - th ° a ' rtlstes ’ but beyond some Oo°in„ and hissing nothing* untoward hao- HURGLAKS’ HAIL. JANUARY 22. 1907. £300 STOLEN FROM A GLASGOW MUSIC HALL . w -“'ft uirnuyvaiu Iha-p- < 'tit’ll ^ ars ^ numbcr of police had j profession h no difficulty in maintaining order. Sonic of tho unemployed artistes wore on picket duty and those artistes who had come as substitutes for the strikers were by means of pesos 'ijl picketing induced to ! go away. J Inside the house the effect of the MYSTERIOUS CASE. omo member or members of tho burgling j as secured a rich haul fr-'-W** r gow this week, and the police are now actively 1 engaged investigating the matter. The sum involved amounts to between £300 and £400. ; The place which has suffered this loss is ' the Pavilion Music Hall in Renfield Street. Last week was a busy one at the establish- ment, big houses being the rule, and the drawings vvero securely locked away in a f maseive safe in the manager’s room 1 ,' .which ’ Glas- l strike I was most noticeable. In place of the usual I orchestra, there wfcs , a violin and a piano. I J here was an unugual delay In changing,. the scenes, ard it wa. evident to ail present j arl ^I'artment situated near the stage.' | that the light, was hing manipulated by I Saturday night everything was in pit u. 1^7 1 PICKARDS MUSEUM, Trosgate SPECIAL ENGAGEMENT, at Enormous Cost, of America’s Champion Fat Girl, tost. 71b. of. YOUTH AND BEAUTY. A SIGHT NEVER TO RE FORGOTTEN. ALL Tint WORLD IN WAX. JUST ADDED. SIR TTKNRV CAMPBELL-BANNERMAN. AHEAD OF THE TIMES. ADMISSION • ?d Sole Proprietor ... A. E. PI CKARD. Unlimited. B R I T A N N I A PANOPTICON. PERFORMANCES DAILY at 2, 4. 7. and 9. GRAND VARIETY COMPANY, • Including REX and REX. SISTERS LA BLONDE, i I FW-I L T X D'ARGAN and DENE, ELSIE RUSSELL. and the CHRONOPHONE. also PANOPTOSCOPb, ! with New Films and Up-to-Date Sole Proprietor '. A. E. PICKARD. Unlimited. inexperienced hand's. II No programme* were issued, the turns Doing announced tfroni the stage. Only one iLof the advertised turns \va« given, and r the house was only throe-parts full. At tho Duchess Theatre, Balham, practi- cally the same state- of things prevailed hehS fortunate than the Graoid, dhey were Kti| r ©d u -ed to the use of a piano to goeoinpaiirv .;^J{ tlic> artistes. jj At the Duchess also picketing was ~ " cl * n> an< ^ beyond a little hissing jpM disorder occurred. MUSIC-HALL ARTISTS’ GRIEVANCES. MUSIC-HALL STRIKE. London, Tuesday. — Great activity prevails this morning at £he head office of the V aricty Artistes’ Federation. Knots of artistes may be seen engaged in animated conversation and offering congratulations on tho success of last night’s strike. in reply to a Central News representative, an official of the federation stated that no com- munication had been received from the alleged delinquent managers of the several music-halls affected bv the strike last night with a view to a settlement of the dispute. PERFORMANCE PREVENTED. There was a sudden ending to tho perform- . ance at the Holborn Empire Theatre, London, . last night, the crowd that had gathered for the j second performance having to be turned away, j as the management, owing to a dispute with the artists, were unable to present a pro- gramme. Most of the company at tho theatre belong to the recently-formed Music-Hall Artists’ Federation. Still Another Musical Prod1o;Y>- A fftw j j use has, according to the “Musical *7 l cnirnal,’’ j : been discovered for tho phonidgianfpih. A ! young Lady in Australia, believing she had a ; ! good vaioCj was anxious to come to London ; j to oorapete for a scholarship. The infipira- ; 1 tion seized her to sing into a phonograph. ; land send the record to a well- | known teacher of ^Shginig over here, l . asking his advice. Bhc did so. and, « as tlhe result of the prof«f>r’6 favourable ver- 1 diet, the lady came to hbis country, and was one of the two sucoesdfitl candidates out of , 190 competitors. Oongmtu lotions to the lady, ofessor — -and - rt „ w ___ ... pro- per order when tho attendants left for (he j night. The ro- was a meeting in the building ! on Sunday, but* again all was secure when f tho place was .locked up. But when the |i keeper arrived on Monday morning the d’is- ! coverv was made that burglars had bfeen j there and got away after a most successful [ visitation. •So far, the matter is centred in mystery — i though one who sees the wrecked safe has [ :j no hesitation in concluding that the burglars | 1X1 ji carried out a thoroughly expert job. The : uo j face of the safe had been drilled and bashed j i on the top and then wrenched open, the £300 i r\ j odds taken away, and no trace left of the ; pvi v i»it beyond the battered safe. Nothing else I had been touched, the only other evidence * of depredation being the broken lock of the door which had been forced. How an entrance to the building was j gained is not known. It might bo suggested j that the burglars had attended the meeting 1 and then remained concealed, but the theatre I pcoplo do not entertain this theory. The J manager, Mr. Lloyd, answering our represen- I tative,' said that a thorough search had been j made before the place was closed. The more likely explanation is that by means of false keys the door loading from Renfrew .Street to the gallery had been j forced, and then the entire theatre traversed, | the manager's room being at the opposite , side of the hall. Mr. Lloyd expressed the opinion that the burglars must have had the j establishment under closer' observation. The j j manager further stated that there is nothing 1 j R> ftij^rgejt that anyone employed in the j Pav’il ion; pr-'foncernod in the affair. " E' Meantime the police of tho Northern j dd strict? 1 .are making inquiries* but so far! j no arrests have been made. “ The Fighting 1 Parson ” ' Successful. Lord Ardwall gave judgment in ,an action i of furthcoming at the' instance of L’gggat Bros., printers, Glasgow, against Moss Empire (Ltd.), , as arrestees, and George -Gray, known in music-hall circles as ** Tho Fighting Parson,’’ ; as principal debtor. In tho year 1905, Mr Gray, to oblige one ; whom he considered a friend, guaranteed 1 the payment of the printing account of the “Events” Publishing and Advertising Qonn pany. Gray having refused to make pay/nentS* under his guarantee, the pursuers raised an^ action ^against him in this Court for payment of £Tc5, in which they obtained decree against him in absence, and upon that* decree they sought now to make effectual certain arrest- , ments which were used on the dependence of that action. The defender Gray being a domi- ciled ^Englishman,, the .pursuers attempted to found jurisdiction against him by usibg at 4.20 p.m. on Thursday. 14th June, 1906. arrestments against him in the hands of Moss Empire* (Ltd.), and tho decision in this case turned on the question whether or not these arrestments attached funds belonging to Gray in j the hands .of Moss Empires. During the week ending 26th June fast Gray was £ul- ; filling an engagement with Moss Empires in J Glasgow. He was aware that proceedings i v ere to be taken aga inst him. and had tele- i graphed to Moss Empires’ central offices in | London asking that his payment, for the week should be sent, to him at once. He said that -j.b i was sent in a letter dated 13th June, 1906, to ; j the manager of the company iri Glasgow b Wa cheque in his favour, that ' he received tho,,, Lcheque on the morning of Thursday, 14th June, * Hsnd that before 2.30 p.m. the same day he endorsed the cheque, and handed it over for an onerous consideration to a creditor, who-sub sequently cashed it. The pursuers on the other hand said that the cheque was not sent from London till the 14th June, and did not arrive in Glasgow till the morning of the 15th, and that the defender Gray got possession of it then The main issue, in fact, therefor© came to be, did that cheque reach Glasgow on the* morning of Thursday, the 14th, or on tho rr.crning of Friday, the 15th June. Lord Ardwall assoilzied the defenders from? the conclusions of the summons, and found the defender Gray entitled to expenses against th<% pursuers. His Lordship was of opinion that the documentary evidence, which was not dis- placed bv tho oral evidence in tho case, was entirely in favour of the cheque having beer* sent off on the 13th and received in Glasgow oa the morning of tho 14th of June. Ho was ac- cordingly of opinion that the arrestments on the afternoon of 14th June to found jurisdiction in f the action in which decree was obtained against | George Gray on 10th July, 1906. did not attach i any funds duo or belonging to George Gray. It followed that jurisdiction was not effectually? constituted against him, that the decree inept, and that the arrestments used, and which ! were libelled in tho summons, were also inept* j the pro fessor the phonograph ! * »r mh Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.63 Title A name given to the resource BP01.63 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 63 Description An account of the resource Newspaper cuttings about The Britannia Panopticon and museum, a music hall strike, a music hall burglary, a musical prodigy, the phonograph, and a dispute between Leggat Bros, Moss Empires Ltd and George Gray. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. music-hall robbery singer strike variety https://www.pickardspapers.gla.ac.uk/files/original/eeffd588b21876b803ce97746a04a22a.jpg aacf38bab4a13e94ec39b85b07e093a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Evening Times, The People Date Date of newspaper article January 23 1907 Text Any textual data included in the document 1 THE EVENING TIMES, WEDNESDAY, JANUARY 23, 1907. ' THE EVENING TIMES, 3U “ STARS ” ON STRIKE. Music-Halls Closed. LONDON’S PREDICAMENT. The dispute which has for porno time existed between Iho Variety Artistes’ Federation and Mr Walter Gibbons, who controls half a dozen London suburban music-halls was considerably extended yesterday. The trouble, which was originally concerned with questions of extra matinees*, commissions to managers, etc., has been taken uj> by the National Alliance, com- posing the Musicians' and Stage Operatives’ Unions, and the Variety Artistes' Federation, and in consequence of the Alliance Committee s action in sanctioning the withdrawal of various artistes from the arrangements they have made vfith certain music-hall proprietors, half the performances at some of the London halls last night had to bo entirely abandoned, while in other cases the programme was of a scratch character. At the Tivoli, one of the principal variety theatres in the Metropolis, the audience had assembled,, but had to bo dismissed, the artistes almost' generally absenting themselves ' in' response to the bidding of the Alliance. I Tile acting-manager made a statement, in the course of which ho said there ivas no real reason for the course the Alliance had taken, for nearly the whole of the staff and stage hands had boon employed for a great num-. er of years without alleging any fliS^atisfactioh ; i whilst the artistes’ salaries were the largest ii. the world, many of them being equal to, and in some cases exceeding, those of Cabinet Minis-' •tors. They could but pity the many misguided artistes and others who were being thrown our,, of employment, perhaps permanently, and hoped that wiser cqunsels would prevail. The audience then filed out,, their money being re- turned to them. At the South London Palace only one of the. usual two nightly performances was given. At the Canterbury the same course was adopted as at the Tivoli, while the public out- side tho East Xlam Empire and some other suburban houses were informed that there would be no performances. !‘Sbmo correspondence has taken place between th>* officials of the Alliance and Mr Gadney Payne, managing director of the syndicate run- ning the Tivoli, Oxford, Paragon, and other halls, with regard .to the dispute. The Alliance naked Mr Payne to sign a charter, waich would have the effect among other matters of practi- cally abolishing tho “ barring " clause, which prevents artistes engaged at a hail from accept- ing any other engagement, within a certain radius. Mr Payne declined to sign this docu- ment and last night’s development was ope of the consequences of his action. Mr Payne, in his iW>ly, stated that the whole matter is to be considered by the Entortainmoers’ Protection Association in order, if possible, to arrive at a basis for mutual arrangement. At the headquarters of the Variety Artistes' Federation r late last night it was ascertained that the instructions to withdraw from perform- ances had been very generally followed by members of the Federation. A largo number of pickets were sent, out ^o seq that these in- structions were carried out, and in some in- stance^ o little friction arose. Hut no cases of perso al violence were reported. Both Sides Still Determined. j music-hall strikers . A music-hall strike, even upon a limited scale, would be a novelty. A strike upon the scale of that, which last night wiped out London, Wednesday. — There is no sign this morning of the friction between the music-hall proprietors of London and the artistes and bands coming to a conclusion. Each side main- tains a deter rdi nation not to give in, and at present, there is- little prospect of a compromise. Arrangemadi.‘ £ 0 * rapidly being made lo pro- duce a programme for ■'those halls-- which- .last night were obliged either to close entirely or to pr^Wde their patrons with a “scratch” - 1 show. Interviewed to-day by the Press Association epi representative, Mr Aduev Payne, who repre- sents 12 music-halls, said they would not have any difficulty in getting talent for all his halls to .’open to-night. One of the turns promised was Mrs Brown Potter, who would appear to- night. at tho Tivoli. Mr Payne said he had no objection to arbitration. Asked as to the effect of, the friction, Mr Payne s:*.id the effect ought to be, and I think it will be, to bring the proprietors together. The National Alliance are awaiting develop- ment* and the result of tho managers’ meet- ing this afternoon before, taking any fresh steps on behalf of the t>or formers, musicians, and stoge hands whom they represent. The charter, which was handed yesterday to Mr Adney Payne for signature, will be forwarded to every music-hall manager in the kingdom in tno course of a short time. Miss Marie Lloyd's Sympathy. half the performances at some London halls is without precedent,- 4nd claims the dignity of a labour war. Attfrlfe Tivoli the audience had to be dismissed, the only entertainment provided for them being a speech by the manager, who stated that there was no real reason for the course taken by the National Alliance. One argument which he used, that the salaries of many performers equal and even exceed those paid to Cabinet Ministers, can hardly carry much weight with the artistes whose names appear in | modest type on the bills, or with musicians and stage operatives. All these classes of employees are represented in the National Alliance, which has called out its men; and, judging by the result of its action, it appears to be a Trade Union of considerable authority, though its resources as a dis-' tributor of strike pay may be limited. The dispute, which is of a somewhat complicated Several notable music-hall artistes have I character, involves such questions as extra joined the Alliance, among them being Miss** jdarie Lloyd, who, in an interview, said: think tho cause is a good one. It is time we ended a condition of slavery — that is what it is, slavery. There is no other name by which you van call it. I have taken up my position because I think that it is perfectly just. I have not, taken it up for myself, because, as Mr Stoll says, ‘ My house is in order and my bread is buttered. * We are fighting for the less fortun- ate of our profession. If I could not go on the stage to-morrow do you think that I would knuckle under ? 1 could earn my living at millinery, and I would sooner do that than give way.” - THE MUSIC-HALL STRIKE. A Bow Street Application. P.A. Telegram.— At Bow-streot, to-day, Mr Harrv Mountiford, chairman of the Executive Committee of the National Alliance, applied to the magistrate for a summons against a gentleman for inciting a person to threaten him near the Holborn Empire. Sir A. de Rufczen directed the applicant to reduce the fact* to writing in tho form of e,n information. Mr Mount-ford did this later, but said he did not wish to accentuate the present posi- tion of affairs in the music-hall world, and he bore no animus against the man who had threatened him. He would be content if the magistrate would send an oftjper to warn the man and his employer. Sir A. do Rutzen directed a waTranit-officor to warn the persons whose mamee were handed to him on paper. payment for matinees, commissions to man- agers, and the clause in agreements which prevents performers engaged by one haU, or group of halls, from appearing elsewhere within a certain radius. Probably dissatis- faction with the system of two performances each evening, in so far as it entails more | work for the same pay, in certain grades, l : may have had something to do with the I trouble. At all events, the issue is joined I between the National Alliance of Musicians, Stage Operatives, and Variety Artistes and I the Entertainments Protection Association. f If war should last for a week or two, London j may come by the surprising knowledge that ^ regular attendance at music-halls is not j absolutely essential to happiness; but the! Entertainments Protection Association may \ ^ be expected to keep that danger irf view. | Comedians who go on strike seem to be in t a strong position. Their places cannot be . filled as easily as if they were engineers or j - labourers. In fact, the supply of comedians j js so limited that even some of those in J regular employment are not funny. Benefit Performances to be Arranged. Tho National Alliance is again mooting to- day, and considering tho question of bolting gigantic benefit performances in support of the strikers. THE PEOPLE, JANUARY 27, 1907. A profasswmaT fat woman wTio f travelled this week on fhe L. andj N.W.R. from London to Stoke carried in theAj.ra^e van. She weighs 42bt.; and she was unable to enter an ordinary carriage. JANUARY 23, 190ft The Stage War. The musical hall strike which was suddenly sprung upon an unexpectant public on Monday evening was yesterday largely extended, and at present there is no. hopp of a settlement. On the contrary, both ! •ides declare that they mean to fight to a finish. The new houses at which the Alliance members were hastily called out werc-Tivoii, Strand, Oxford, Oxford Street, Euston Music Hall, . ~ ijusiuu ivmsic nail, I.anterbuiy, Westminster liridgc Rorrl: South «v London Road; Paragon. Mile End London London Road; Paragon. Mile r.nd Road; East Ham Music Hall. Walthamstow; Musio Hall. Miss Ma.rie Lloyd sent an amus- lng message I am busy putting; a new : . Bounce on my dress, so I cannot appear to- 1 ! *V? ht \ Little Tich sent word to the cffidals- 1 1 a i? ‘ earn| b£ a new cornet solo; cannot tear , myself away. It is expected (hat none of the j £? lls affected will be dosed to-night. I Tbo syndicates concerned are determined to t 1 *! TO “ performance of some kind, and there is I t a sumeiency of unemployed artists and musi- 1 nans and stage hands outside the Alliance to 3 render that possible. A Diplomatic Hint. A London correspondent under- j stands that a leading music hall manager has j made a communication to certain prominent members of tbo Variety Artistes Federation. ; i i" 51 mCTe formal than a diplomatic hint, which f has caused consternation in the ranks of the belligerents. It is to the effect that if they do f not aoate the personal aggressiveness of their ! policy he will cause a full statement of the I ht YbT i’X 1° th ? m °5° im P ort ant artistes J by the establishments under his charge during 1 the oast ten TAfire Kn 1.,. I x : “•■«<=* ms i-iiarge during the past ten years, to be supplied to the Com- ' nnasioners of Income-tax. It. ' ’ ... *..wi ue-tax. It would probably ! prove that payments have been made on but a small proportion of the earnings of many high-salaried artistes. J ‘MOVING DAY.’ Glasgow Music-Hall Burgled. £530 STOLEN. The Pavilion Music-Hall, situated in Ren- field Street at the corner of Renfrew Street, was the scene of a daring burglary which took place during the week-end. j The discovery that, the premises had been i successfully raided was made on Monday morn- ing. .t is stated that everything was in the usual order on Saturday night after tho last j performance. On Sunday another meeting ' was held, but tho premises were afterwards searched and securely locked. a Entrance, it is supposed, was gained at the | gallery door in Renfrew Street. A consider- jj able portion of the drawings for tho week were | deposited in a lockfast safe in the manager’s room at the side of the ball opposite the gallery door. It would appear that the burglars pro- ceeded thence, forced the safe open, and ex- tracted about £300, with which they decamped. Beyond the self-evident signs which the safe bore there was little or no trace of the secret visit. The nature of the burglary; however could not be mistaken for tho efforts of a novice- mdeeu'.'iiho police are confident that they have i recognised the “work." ' p No arrests have yet been made, but im- portant developments are expected to result from the inquiries which are at present being carried out. & I Known Thieves at Music-Halls. ■ Three young men named Matthew Stewart I II S’.!* ' Jame£ Robertson (21), and Alexander 1 ■ '*7. rxoDertson (Zl), and Alexs ■ Milfie (19), tho first and third of whom were | 1 dcscr ‘bed as “ known thieves ” and the second I ODUJUU U one as an associate of thieves,” were charged 1 U this morning at the Northern Police Court with I L-aving on 19th inst. mixed amongst the crowd I II 'Vhen Pa th IOn " ‘“tent, to | the the performance was over, and I lYiSmTttd NohuYS 5 . Detectives I K^siF^WSMStf-i- I w “fio'd iys’ ImprToSY’S.' “ d ' 1 1 m Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.64 Title A name given to the resource BP01.64 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 64 Description An account of the resource Newspaper cuttings about a music hall strike, a music hall burglary, and the travels of a human museum exhibits who weighs 42 stone. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/f28683c54b656f16c33c492df5f67574.jpg bd8deb79e3438656a47668ad65f90bad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Daily Record and Mail, The Evening Times, Evening Citizen, Weekly Record Date Date of newspaper article January 24 1907, January 26 1907 Text Any textual data included in the document DAILY RECORD AND MAIL, JANUARY 24, 1907 I wrATRIMONY. — Young American Lady, age 25. 1 ft 3X wishes to meet with Young Gentleman of refined ; -J -artto on<l sound social position, with a view to the £ •j above She i Q considered good lookiusc, rather above E & medium height, anil weighs 40 , stones 7 ihs., and c M measures 83 inches around the waist. 97 inches around | 'Um bu<!t. 2.7 around the arm. 25 around the calf; In I the Heaviest Lady on Earth. She Is on view ] i dailv at Mr. Tiokard’s Museum. Troasrate. All coin- ; I munlcations will be treated with tho strictest, con- fiance and nrust be addressed by letter only, to .Miss h HLuoy MooU. c/d A. E. Pickard. Esq., 101 Troogate. r Glasgow. (Country papors rl«v*> oopv.' THE EVENING TIMES, TEwe* 3/. '2'*/ ■= JANUARY 24, 1907 M ATRIMONY.— Young American Lady, 23 wishes to meet with young gentleman of rei n -d taste' and sound social position, with a view to tho above She is considered good looking, r^^fr above mediimi height, and weighs 40 stone 7 lbs., and treasures 83 inches around the waist. 97 inches Iround tho bait. 27 .round tho .m, 26 MOTjd tho calf In fai t, the heaviest lady on earth. bl.e is on vtoTv daily at Mr Pickard's Museum, Iron cate. All communications will be treated with the stn- test con- fidence and must Ic addressed by letter only to Miss lS Moore, c/o A. E. Pickard. Esc 1 -. 101 T.ongate. r.liisgow, 'Country papers please copy.) DICK KITCHEN’S FUNERAL. Falkirk, Thursday. -Tho funeral took place to-day at Falkirk Cemetery of Mr Dick Kit- j ehen, tho well-known comedian, who died suo j deniv in Falkirk on Monday last. The funeral | was attended by the deceased's relatives, in- cluding Mr Fred Kitchen, who is playing the part of ‘-Datno Trot" in the Grand Theatre. Glasgow, and also by numerous members of . th» theatrical profession. THE WAR IN THE HALLS. Question of Breach of Contracts. London, Thursday.— Mr Gibbons has com- '3 menced actions against a largo number of \ artistes, claiming damages for breach of con- ] tract. About 150 artistes arc to.be served with writs. The National Alliance is again meeting j I to-day and considering the question of holding I gigantic benefit performances in support of tho ■ strikers. Application for a Summons. At How St ro#t »to-day Mr Harry Mountford. chairman of the Executive Committee of the National Alliance.- applied to the Magistrate 1 for a summons against a gentleman for inciting j a person to throaten him near the Holborn I ^sir^A. de Rutzcn directed the applicant to i reduce the facts to writing in the form of an 1 information. , . , , , , A Mr Mountford did this Inter, hut said he did not. wish to accentuate the present position of affairs in the music-hall world, and he bore no animus against the man who had threatened him. He would be content if tho Magistrate Mould send an officer to warn the man and. his *^ir°A. r de Rutzcn directed a warrant officer to warn the person* whose names he handed to him or Jja per. • , \. ? x THE MUSIC-HALL STRIKE. “Scratch” Companies. LAST NIGHT'S PERFORMANCES. At all the music-halls affected by the strike performances were given by scratch companies last evening. In some cases there were rather frequent delays, but the audiences, which might he considered fair in size, good-humouredly put up with tho failings in the programme. A greater difficulty was found in getting orchestras than in getting artistes, the band in some cases mustering only three. Greatest interest last night centred in the Tivoli, which was strongly picketed, and tho stage door was the scene of many attempts at “peaceful persuasion.” Tho orchestra con- sisted of four members. After a lime-light, turn there was some delay and uncertainty of what was going to turn up during the night, printed programmes being of no use, the stage manager Q.nnouncing the “turns.” Mrs Brown Potter provided the chief attraction, and the Princess Do Broglie had a cordial, reception. It was expected that Miss ('ami lie Clifford would appear, but she was met as she was entering the theatre and peacefully persuaded not to go further. As showing the opportunities that were mean- time offered to artistes willing to accept en- gagements, it may bo stated that one lady appeared at no fewer than eight different theatres last, night. Only on one occasion has this record been equalled, and then by a male performer. SALARIES OF THE “STARS.” £8000 a Year for Arthur Roberts. There* was no sign yesterday of the fricton between the music-hall proprietors of London and the artistes and bands coming to a conclu- sion. Each side maintains a determination not to give in, and at present there is little pros- pect of a compromise. Arrangements are rapidly, being made to produce a programme for those halls which were previonsly obliged either to close entirely or to provide their patrons with “ scratch,--* shows. Interviewed yesterday, Mr A. Payne, who represents 12 music-halls, gave the following figures showing the salaries at which some of the artistes who now refuse to appear had been engaged by him for this week : — Arthur Roberts (two houses), £ 160 . Marie Lloyd (two houses). £115. Alec Hurley (one appearance nightly) £85. Little Tich (for two snows). £150. Paul Martinetti and his company. £110. Joo Elvin and Co. (two halls). £175. Clark and Hamilton. £65. It, is. of course, understood that the stars have no complaints to make. They have come out to help their poorer brother professionals. Mr Frank Gerald, the secretary of the Variety Artistes' Federation, stated that the strike fund available for fighting this contest amounteiPto £40,000. As soon as the alliance got, information that any other manager in- terfered to assist Mr Gibbons at this juncture they would treat him in the same way as they h%d treated Payne. A Lady Artiste's fteeord. Last evening Miss Evelyn Taylor, the lady I artiste who performs as “the girl with a style of her own.” achieved a record. She appeared | I at tho Duchess Theatre. Balham, at 7 o'clock ; I tho Grand, Olapham, 7.20: the Oxford. 8.10; Empire. Holborn, 8.30; Tivoli. 8.55; Empire,! Holborn, again. 9.30; Grand, Clapham. 10.3 ; I and tho Duchess, Balham, 10.45. Only on one I occasion has this record been equalled, but by a | male performer. Mr Sam Mayo. Stoli Halls Involved. Mr Harry Mountford announced to a mass! meeting of music-hall artistes at the Bedford I Head Hotel lirst evening that Mr Oswald Stoll | had gone into partnership with Mr Gibbonsl and Mr Adnoy Payne, and the fight will now P be carried on against the Stoll halls. I The secretary of tho Moss Empires (Limited) positively denied last night that Mr Stoll in- tended to supply artistes to the Tivoli or any | other music-nali. The best-known strikers are Whit Cunhffo, Mario Llovd, Alee Hurley. Arthur Roberts, Nellie Wallace Datas, Gus Elen, Joe Elvin, and Lottie Collins. The only music at Ealing and Islington was a piano At Clapham th e conductor played the violin, and had one companion at tho piano. At Islington there was difficulty in shifting the scenes. Mr Frank Gerald, secretary of the Variety Artistes’ Federation, told an Evening Standard ” representative vesterday afternoon that the artistes were going to open five or six shows ■' of their own next week. EVENING CITIZEN, Ti-n^gSDAV,JAxr ary 24. 1607. MUSIC-HALL WAR. CAUSES THAT LED TO IT. How harshly this operated may easily be J seen. Perhaps an artiste had just finished f part of a contract which had pat his market j value up two-fold. He then found that the only people who could pay him his price owned halls at which he was forbidden to appear. He was forced either to go into tho provinces or to go back to his old em- ployers, who, of course, were not slow to take advantage of the situation. . This then is the real setting of the music- hall strike; the wages of carpenters, musicians, and scene -shifters is mero oorro- J borative detail. But the artistes have gone farther then necessary. In drawing up the terms on which they should be engaged, presenting thorn pistol-wise at the heads of the mana- ger?. and insisting that no one should be employed who does not belong to their union. What is the music-hall strike about? That (says last might’s London “Evening News”) is the question being asked on every hand in London to-day. The sudden spectacle of Marie Lloyd, Arthur Roberts, Little Tjchy^d all the 'favourites of the footlfehjis, addressing strike (meetings and picketing music 'halls has tickled the fancy of everyone, but an explanation of the seeming joke is eagerly awaited. The origin of the quarrel is to be sought in two comparatively modern develop- ments : — (1) The music-hall contract. (2) The (music-hall .syndicate. In point of time the contract came first. j In the late ’80’e and early in the '90’s the . theory and practice .of the music-hall oon- 3 ■ fcr ® ct ^ere developed by Mr H. J. Didoott, j the mvBi(X r u e «g<!S*wE?S?S? Pidduck. Tho Gaieties, Miss Ethel Walker, ! ran a bufinoss. lam Clare. How it works is this: WHAT VARIETY PERFORMERS EARN. “The programme at the Tivoli to-night,” said Mr Aubrey Payne to a London “Even- ing News” reporter yesterday afternoon, ‘ will include the following artistes: — Miss. Kitty Loftus, Mrs Brown-Potter, Pringle and Arthur Roberts Miss Marie Lloyd 115 Prince and Price .- s d. Broglie .... 90 Gotham Comedy Quartette Clark & Hamilton 60 Ryder Sloane — 23 Data* 13 Charles Whittle . . 8 Miss HJellie Wallace 15 O' Gorman Brother* 8 Kirkatnp L Ray- mond 30 Three L&urtls 15 eatnore 32 Paul Martinetti & Co 110 .Selkirk’s Spectacle 36 Miss Gertie Gitana 14 Leather Mortiuxr &. Co 46 Percy Henri lc Miss Clarice Mayne 16 Price » Rarest 35 Gns FJen 40 Bonnie Goodwin PicQselnaties .... 30 1 Miss Lucy Clarke., 22 M::-s Lottie Ccllius 30 Mr Payne declared the salaries had long since reached the inflated stage. The con^g flict might load to a stoppage of the' com L petition lor favourites among proprietors ! 1 ond to a drawing together by them for mutual protection. , . The agent is ever on che look-out for budding talent. It ia his 'business to discover in the pit hand, or the young clerk, who is just trying to get a footing) in the “profession,” signs of talent. He then puts forward this .proposi- tion: “You •are getting 30b a. week; I will pay you £4 a week for three y ‘era, and £5 4 a week for (another two yeat^J and you 1 undertake to work for me and jjo one else.” "v 1 ® ^ 2 > ures of course, imaginary, but probably represent the average foots. The whole matter is a speculation, and depends on the agent’s judgment. Out of twenty such contracts he might, find himself landed with fifteen hopeless duffers worth nothing/ three "worth the money they were getting , 1 and two out of whom he was making a profit of £150 a week. The music-hall managers looked upon the 1 contract business, and it was good. The j difficulty in their way was that they could 1 not possibly run a man for veers a.t the same hail — the public would get tired of him. And they oould not book him elsewhere, be- cause one music-hall manager mover trusts another music-hall manager. “Why not,” they then said, “get. over the difficulty by running a number of -music halls together?” So the syndicates were born, and the agent took te wearing less fur round his coat col- lar. The artiste had not done very well out of tho agent; he did worse out of the syndi- cates. The agent had whipped him "with whips ; the syndicates he soon thought were scorpions. Not content with the rigours of the old contracts, they introduced what came to be known as “'barring clauses.” At first the clause simply prohibited the artiste from appearing at any rival hall dur- ing the term of his contract.. Then it got . extended to a similar prohibition for a period at the Britannia this week. D’Argam and j of time during which the contract was not! Dane smartly perform an illusion act that iy °P|ri ative ' causes plenty of amusement. Another good p l Thus, suppose an artiste were engaged for lU un i s given bv tho Sisters La Blind©, ■ ; f«i.v week, to extend otw two ran, w« ^ i mIwreoaa , tore . »tu c bw, ; liar red from appearing in certain hails or , , , , ■ U [certain torn* daring die time m which he oomodnAne .ng, ^ dines in a charming j. ! was not employed. I mariner. Rex and Rex, letter coinodiam*. • > 1 ami Lew Lux, eooentrio comedian, prove jv o*#fer onjoya&ta tur.ia. In addition, the *5 'ohronophurue romrim a feature of the bill, ^ and com pletes _ Jihc jigru teirtai urgent. “Some of these artistes will also appear at the Oxford. We shall have a full orchestra, and the necessary complement of stage hands.” Speaking of the salaries paid. Mr Pavne added- — “There is not an artiste in our employ who gets less than £8 a week. Here are some of tho sweated salaries, according to Miss Mane Lloyd, which I am paying: — Joe Elvin & Co.. .£175 The Japanese Guard te Tk/TATRIMONY.— Young American Indv, ago 23~ P ‘ ' ILL wishes to meet with your? gentleman of refined 1 ta^te and sound soeial no.*fMon. with a view to the - " above: she i« Considered good-looking, rather above medium height, and weighs 40 stone, 71b., and measures 83 inches' around the waist. 97 inches around the bust, 27 around tho arm, 26 , around the ' - cal in fact, the heaviest Indy on **rtii>jsho is on view daily at Mr Pickard’s Museum. Trofignte -- All communications will he treated with the «trirt«mt confidence, and must be addressed hv letter onlv to M:s« Lucy Moore, c/o A. T3. Pickard. K-o. 101 i Trongat o. Glasgow. (Country papers pi oojpy) . I f -ftew'ul .Wuan*f 1 J, b 1507. A smart, variety psr::-g ranume ia submitted ‘j'trtJpvEuf' vb+UtOSnS Z S' r / 7 ^5 THE STAGE STRIKE. f 'f*/. THE STAR Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.65 Title A name given to the resource BP01.65 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 65 Description An account of the resource Newspaper cuttings about a music hall strike, the funeral of comedian Dick Kitchen plus adverts placed advertising for a husband for Lucy Moore, one of A.E. Pickardﾒs exhibits. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/040478d018c254dcc2ef86914aa7c1f5.jpg 1c309e3c5ca8ff15164f698e04bd3b42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Glasgow News, Daily Record and Mail, The Star, Evening Citizen, The Scottish Referee Date Date of newspaper article January 25 1907, January 28 1907, January 30 1907 Text Any textual data included in the document HARRY LAUDER INTERVIEWED. IN SYMPATHY WITH STRIKERS. (From Our Own Correspondent.)^ London, Friday. — Mr Lauder at New- castle last night declared himself fully in sympathy with the efforts of the Federa- tion. Managers had published the “star” salaries, ho said, but not the starvation salaries. Contracts at the present day were all in favour of the management, and were worked by it to suit themselves, the artists being • the very last considered. I am not talking for myself, and I did not join the Federation for myself, for I am com- j fortably placed, added Mr Lauder, but I am talking for my struggling brother and sister artiste. I am quite willing to adhere to anything the committee may decide upon in London, and am whole- heartedly with the Federation in its fight. $ai(L IS*? /fff/ THE MUSIC-HALL WAR. A NEW MOVE. STRIKERS LEASE A THEATRE. « An inuport^i' development in the music . arisen out of the concerning matinees contracts, was announced hall striko, which grievances of artisfc and the form of in London last night, when the secretary of ithe Variety Artistes’ Alliance stated that fthe artistes had secured the Scala Theatre, which is to bo opened next Thursday night s and run for the future bv the artistes them- selves as a great co-operative music hall. * The news was evidently to the liking of the vast crowd that p/cked the Surrey Theatre in London to hear the congratula- tions of tho spectators on the . results ' of the ; first week’s fight with the mailers. I It vraA a thoroughly good-humoured meet- ing. Every well-known artiste’s name was ; choc, red, and the £ crowd sang until tho chair- man began his Speech. Tho Alliance paid out on Saturday evening from it;; “ strikj fund £555 to artistes, musicians, and stage employees, who in ■.-obedience to orders refused to -work for the Unanagers last week. - All this money went To small salaried people, for t.ljb artistes whose reputations arc- 1 such ae entitle them to high salaries refrained I from making any claim on the fund. J hc;^?w;i^ , i be u r.jal amount of picketing at •jt-hc 17 .barred hails on .Saturday . 1 In t.ftlr heighibourhood of tho South T/ondon' J music halls and tho Grand at^Clapham opesn- ‘fur meowings wore held, a.t wiflfei Miss Mario LIoyd^Tnd some others made shert ^speeches*. j‘ PICKARD S MUSEUM, Trongate I , Easement at Enormous Cost of,, I . : " all ThVUrlB^ 0 ^™* JEST ADDED— AA ' !' SIR THE SCOTTISH REFEREE, ~hfjANUARY 28, 1907. admission^® OF the times - Sole Proprietor . Pickard, Unlimited^ A first-class programme is submitted at i the Britannia this week. D'Argan and I 1 Dene are a couple who submit a clever j'| illusionist act that is smartly performed, n and causes great merriment. Elsie § Russell, comedienne, sings and dances in ja pleasing way, and her contributions •| meet with hearty acceptance. Sisters La Blinde, male impersonators, furnish a sjgood ‘turn,’ and their frp-baot dance is J smartly executed and merits the applause ! GRAW" VARIETY COMPANY • bestowed. Lew Lu*. an eccentric coin daisy “wkelLis, B edlan , ««««> loud laughter with his ' 1 | eccentricities. Rex and Rex, patter ~ | coni edians, have amusing cross talk. The B chronophone remains a feature of the bill, I and thejentertainment concludes with an THE BRITANNIA (GLASGOW). J. H. Harris, the popular local comedian. | is the “star” attraction of a well-arranged j programme to.be submitted at the Tron , gate establishment Harris is possessed . HENRY CAMPBELL-BANNERMAN ' °T more average ability, and his ad- AHF.ATl OF G’TTr.’ fnrui-.-, * A k ■ ImirahlA r*>nrlfari'no'Q nnr5 pIpypt ct.vle* or\- BRITANNIA PANOPTICON. 'PERFORMANCES DAILY at 2 4 7 . n 4 c. ND VARIETY COMP/-“ Jnctadtog. J. H. HARRIS, AY. THE MORM/t. .. [ Fffpnt. ' ***“" * kuu ADMISSION .... . Cts - Sola Propriator A.' K Pickard, - UnlSSSSi THE EVENING j ,nte res ting ser i es 0 f animated pictures. | At the American Museum, a few doors ; east of the Britannia, there is ad present ‘.being exhibited' an American lady who- turns the scale at over 40 stones — 5 cwt. Sbe is one c.f ib« most remarkable sights j ever seen in the city, and yesterday iarg« j etowds visited the musauei. yfecetieL -c if ? /f#/ PICKARD’S MUSEUM, TRONGATE ;i SPECIAL ENGAGEMENT at Enormous Co6t oft™ AMERICA’S CHAMPION FAT GIRL 40st. 71bs. of YOUTH and BEAUTY. A STGHT NEVER TO BE FORGOTTEN * ALL THE WORLD EN WAY JTTST ADD 0 Sir JANUARY 28, R I BRITAN PANOPTICON. PERFORMANCES DAILY at 2, 4 7 and 9 GRAND VARIETY COMPANY, { j i I” c i"3 in S J- H. HARRIS. VESTA RAY, THE MOR- ! jtELLIS, DAISY DAI.MENY. and tha CHRONO PHONE; also PANOPTOSCOPE with new Films and i Up-to-Date Effects. ; ADMISSION TWOPENCE. Sole Proprietor A. E. PICKARD, Unlimited. PICKARD’S MUSEUM, Trongate SPECIAL ENGAGEMENT, at Enormous Cost, of America’s Champion Fat Girl, 40s t. 71b. of YOUTn AND BEAUTY. A SIGHT NEVER TO BE FORGOTTEN ALL THE WORLD IN WAX. JUST ADDED, SIR HENRY CAMPBELL-BANNERMAN. AHEAD OF THE TIMES ADMISSION 2 d Sole Proprietor ...... ...A. E. PICKARD. Unlimited. j hance his performance greatly. Vesta Ray, l character vocalist, has an excellent voice 1 and vivacious style, and sings good songs. Vesta is popular here, and. is assured of a hearty welcome. The Morellis will submit a funny comedy act that will be certain to meet with approbation. The chrono- phone, with two new songs and new films, j will be sure to attract attention. The sub- jects on the panoptiscope will be “The Wonders of Canada” and “The Tale of a 1 Tub,” which will be seen in Glasgow for the first time, and are both interesting and j amusing. AT THE BRITANNIA PANOPTICON. THE CHRONOPHONE, And GRAND VARIETY COMPANY. DAILY at 2, 4, 7, and 9. Sole Proprietor ...... A. E. pic k Ann , Unlimited. '■i&ASteUW JANUARY A'E I V#,) 20, 190?. ATTRACTIVE ENTERTAINMENT. HENRY CAMPBEtUB-ANNERMAN. j AHEAD OF THE TIMES. ADMISSION Solg Proprietor a. E. K\ ... 2 d. PICKARD, UnUmited. / A B R / T A N /V PANOPTICON. PERFORMANCES DAILY at 2, 4 , 7 and 9 . GRAN® VARIETY COMPANY, Including Sr H. HARRIS, VESTA Ray’ Tm.- 1 MO REEL LIS, DAISY D’ALMENY, and tb? CIIRON also PANOPTOSCOPE. wlffl New FUma and I 4 KtT/-v'+ r (GLASGOW JVEW, January zs, ido7. aoNB; Jp- to- Date Effect 3 . ADMISSION fiofc* rr.ia .... TWO PUNCH. E. PICKARD. T Tnllmjti ^, 1 jl VwSb H ^ \M tU^pOpU ' U0|-)00[[CX) Oiq-BIlpBA pTfU -Of ‘AvoSstTJ) 9 L'H .ttOJJOia OJ qOO[O t O OLIO TB Oj’By AO] J 050 [ 0 IZ 1 VQ 5 UlTipe' *J V -SMeorc 'sxnaswoxKoo uoj uoxviid c> 4 <) jo umbpL>iu uoooo s- wq pmv PICKARD’S MUSEUM. Trongate. Special Engagement, at Enormous Dost, of AMERICA’S, CHAMPION PAT GIRL. 40st. 71b. OF YOUTH AND BEAUTY. A SIGHT NEVER TO BE FOP. GOTTEN ALL THE WORLD IN WAX JUST ADDED, Sir HENRY CAMPBELL-BANNERMAN AHEAD OF THE TIMES ADMISSION .. Solo Proprietor- THE TIMES. -A. ’is.' PICKARD,' , 2 d. Unlimited. At Mr A. E. Pickard’s Trongate establish- j | ment this week a first-rate variety bill, is provided, and large houses ruled at all four I performances yesterday.- The leading at- I • traction is the engagement of Mr J. H. Har- ! . tis, -the popular local comedian. He is ai big favourite at this house, and even at the j end of his fourth cong, it was with 'reluct- ^ I anc© on the part of the audience that he i was allowed to retire. He has one very amusing song this week, a parody on a popular pantomime ditty. A delightful musical turn is furnished by the Morrellie, who from numerous instruments extract en- joyable selections. ^ Vefeta Ray is a clever comedienne, wlios© Contributions are re- ceived with hearty approbation. Daisy Dalmeny renders a couple of catchy sc mgs in a pleasing and successful manner, The chronophone. with new pictures and songs, is an appreciative number, while an inter- esting series of pictures by the panopto- scope, depicting a , tour through Canada, concludes a delightful programme. BRITANNIA PANOPTICON. Performances Daily, at 2, 4, 7, and 9 QgAND VARIETY COMPANY. DAILY RECORD J ahg^pgo^ E “’ - T1$E morellis, Auu the CH Also. PANOPTOSCOPE, with New Film* and Up-to-Date Effects. Admission.. .. .. . T r WOPTGNr r F 6oI« Pioprietoi—A., E, PICKARD. UalSitedj JANUARY 30, AND 1907 MAIL BRITANNIA. j A strong company of variety ontcrtfiinera ‘ j are a;ttracting a large section of the public i tc tho Britannia ibis week. J. H. Harris, a. .Scotch cccuedhi.n, well known locally, is the i loading favourite. All his songs are catchy .anul amusing. Other pleesimg items are those submitted by the Morrrediis, musicinjis; Vesta Ray, and Daisy Dalmeny, corned ientnea^ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.66 Title A name given to the resource BP01.66 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 66 Description An account of the resource Newspaper cuttings about the programme of The Britannia Panopticon and museum, and a music hall strike. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/74292c1096324c6c828e9ce8db7b001e.jpg 968eeed8b4b7fece81835c08d30c8851 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Daily Record and Mail, Glasgow News, Helensburgh News Date Date of newspaper article January 1907, February 1907 Text Any textual data included in the document (■MUSIC-HALL STRIFE.! DAILY RFuOkD AND M AIL, GLASGOW NEWS, JANUARY SI, 1907. NOTED PPJZF-FIGHTER THE STRIKERS. JOTNS HARRY LAUDER’S VIEWS. | Anottcj hall, too Bedford Palace of Variety's, Camden Town, rur. by an inde- pendent oorapanv, was last nigbt added to the fourteen already affected by tSe London music-hall strike, and wn^ compelled to close and dismiss its audience. Both sides remain adamant to pacific, suggestions, a!^d the National Alliance still insists on the Signing of its charter. The strikers’ emergency fund now tot-aJs over £5000. and the leading members of the Labour Party hare signed an appeal to all trade unionists cm their behalf. The strikers gained a recruit _ last night in the person of Battling. Nelson, tho American prize-fighter, who is under com xrajfc to appear this week at tho Kollborn Erppire. ,. ,, Nelson refused cither tp appeal- himself oAJo allow the mewing pKJtnres depicting his' fast fight with Joe Gan? at Goldfields, . i Nevada, to bo shown. ... # Nelson's oontt-aet is for; £200 a week. , 5 In s peaking . 7 of his acjSSpT ja»t night, ho 1 S - L jc — “ Through my manage- I pptfttracted to I appear at tb» llolbom Enrpiic «» »• P er - S former, but not as a strike bycarcrl j . 1 Battling Nolscm is probably the most noted ; of \ni -lean ring champions. Ho ts Iwtoty- ■ | four years of age, and extremely beywb in | estimated that over £80.000 has been paid to sec him in his various contests. Mr. Harry Lauder, in the course of a letter to the London “ Daily Mail.’ says: .... ; . “ I have read a list of salaries, ld-Vbioh. my name is mentioned as one of the stars getting £120 per week. I have never yet received half of that sum. My salary for working three halls, sometimes four perform- ances a might, with tho Tivoli Syndicate is £55. . During 1 tho last five years at the Tivoli Syndicate halls my weekly salary has been often half what I mention for four halls a night. , . . “I don’t say I am not. hooked o play for the Syndicate KaJ.'» at. £ 1 ’ 0 . but th»* dore not haimon until 1909. Then I mav be dead. “I have packed Mr. Stoll's houses for him for veers at £9. £12, £15, £25, and £30 r pea-week.” [ Proprietors and managers, he continues, should not talk about “star” salar'Cs at. oi'- Thev don’t got more than their j value, whatever lees. Tlie Federation are 1 not differing about salaries. JANUARY W 1907 THE MUSIC HALL BATTLE. STRIKE MAY REACH GLASGOW. ROTH SIDES SANGUINE. There are fears that the effects of the r I London music-hall strilco "will soon reach 1 Scotland. It seems certain that all the | I members of the Federation will be loyal to J any orders they may get, and should Hie * | corn man d to “come out” be made it is safe | ■ to say that it will not be in vain. The managers in Glasgow, although they . do not appear to be displaying any concern, | flare said to bo taking precautions agaanet I : J any eventuality. Instructions, we believe. | 3 ! Iuq "* been received by the Syndicate man a- V 1 cryre .Vow London regarding the “charter [ already serf by, t>^o Federation dealing wfcth \ future ooaa.tr acts. -As, of^ course, the em- ■ plovers mean to fight the a-rtu>tes r the matter j Is bound to come to a e!um*-;heiore long. To-dav is considered by many to be the 1- i critical one. and it i* quite probable that, j t&Mea in the Syndicate halls will be called [ out/' biit, as we have already etateo, tne t managers have been preparing for this, and j undoubtedly There a.ro artistes ready to 6 ep | | on the stage at a moments notice* . , . ' Managers fend employers, it should be saui, I ;,re copfulct th:;t things will ultimately emit a to their sa I isffiption . at*d are tuH a. sac- 1 , « .mine of ,\ ictoryjas arc tho employees. ' 3 InGrviewod S.y a representative of tho ■ ■ “Daily Record ; thvl Mail,' 1 hit*. I '■ ' ! Hunter/! otmofka.p,' declared llimeeLf as •f n ., W ao»utH wi-renft -a v*jl «i*'va • 1 . oq .H puafot. "IWHL IT'W’l ep.huuho^' 1 -v wrov zrelp dnj ro! ,r|«oO «kl X,«too«y .»S> 5° t*?* 31 ** y ; oq cft| t»}vp uo *p.unoJfiI OHaifilV 9 ' ® j S zonal mil l*« ’ouoWA ozstuam }o punozS » «za id ^ I saifinon ’A fitzoihlA ^ UlS -a’ szaW- pfczWI-^I"^ , I AiozdLno oip zoj zuup' jaug-iuios I ' -oouojop atom puos RO'qi | mi (war.) uosduxogx P u0 P u,i 'B iitnzqoT 1IH popuedsna ozo.w («HIA »«) ■ p>ua (tuzaioi A “^,9) ’ qhioz zoj'nqfiiu i«a[ ao»(!iu«H a l PI*** V.L 1 Tunf oz/^uaT mn P Smioou. . W Mvaa ana holcdc aatHsastvKvn •ZB3PM pzv ‘A«i®ztata ‘uoetn^HX ‘•“HS.T't Si pua 'puo^O iw^-.ft./apzu^ TRANSFER OE THEATRES. IMPORTANT PROPOSALS. A BIG DEAL. 1 GLASGOW “ HOUSES ” AFFECTED. Last night the following circular was issued to the shareholders of Messrs How- ard & Wyndham, Ltd. : — “The directors of this company wish to submit to the shareholders a proposal which has been put before them by p?o- ^ posod purcha&era, represented by Mr R. O. Buchanan, of Edinburgh and Glasgow, and Mr Ernest Stevens, of London, who arc de- sirous of forming a company to acquire and carry on the business of. this company and of certain other companies, and who have asked the directors to give them an option until May 15, 1907, to purchase the whole undertaking and property of this company at the price of £146,000. It is estimated that this price would be suffi- cient to ‘pay off the Debenture debt and other liabilities of the company, to repay the Preference shares at par, and to pay to the Ordinary shareholders a 6 um of about £6 5s per share. The Transfer Would be Made THE STzVGE STRIKE. as at February 28, 1907, when the company’s financial year closed. The cash in hand LIKELY TO SPREAD. (From Our Own Correspondent.) London, Thursday. — There is every indica tion that the stage strike is about to spread, ( and that extensively, if no early settlement j is, reached, for at yesterday’s meeting of music-hall proprietors and managers no | fewer than 38 London and provincial halls j were added to those already in the associa- [ tion. The 38 include houses in Northamp- | ton. Liverpool, Leeds, Brighton, Ports- j mouth, Belfast, Dublin, and elsewhere, but I no Scotch houses are mentioned. The per- I ’formers have great belief as to what they i do in the provinces against the mana- ! gers, trades unionism being better organised there than in London, and the performers, believing that trades unionists throughout the land will give them the support. In London interest in the strike has to a considerable extent disappeared, because quite presentable shows are oeing given at | the boycotted houses, not one of which is j shnt. There should be interesting developments ; when the pantomimes close, because the ; great majority of the more highly-paid j music-hall people are at present in panto- mime here or in the provinces. Not only does the strike fail to affect these stars financially as yet, but they continue in re- ceipt of their pantomime salaries, which deal higher than JANUARY 31, 1907. are a good deal higher than those they receive at the halls. J _ transfer* and * dividends to February THE HELENSBURGH NEWS! 1907, on both preferred and Ordinary shares j would be paid to the shareholders whose |-gj name© are on the register at that date. “Tho proposed purchasers have paid tho ... sum of £50(f to the company as the con- j sideration for the option, and if the option i should not be exercised this sum will not L." be returnable. # W. “The director© have given this proposal their careful consideration, and they are of | opinion that a sale of the undertaking on the terms suggested should be carried j, • through. Under the articles of associa • tion The Directors Have Power PICKARD’S MUSEUM, Trongate, ~ GLASGOW. Special Engagement at Enormous Cost of AMERICA’S CHAMPION FAT GIRL. 40st 71bs. OF YOUTH AND BEAUTY. A SIGHT NEVER TO BE FORGOTTEN. ALL THE WORLD IN WAX. JUST ADDED- A SIR HENRY CAMPBELL-BANNERMAN. AHEAD OF THE TIMES. Sole* Proprietor ! ’. ’. '. . . . . A. E. Pickard, Unlimited. to deal with the matter, but they think it j ? right to give Ihe shareholders an oppor- tunity of expresing their opinion before the gj company is committed. “We enclose a copy of an agreement j^. which has been entered into, and you will see uiat this agreement is conditional upon ; its being approved of by the shareholders [4 of the company at an extraordinary general ; meeting. You are accordingly requested j to attend an extraordinary general meeting > of the shareholders of this company, to be > held at No. 5 St Andrew Square, Edin- j buygh, on Friday, February 15, 1907. at 2.30 1 p.m., for the purpose of considering and, 1 if so resolved, passing the resolution of . which a copy i© subjoined.” The proposed transference was the sub- I ject of much conversation and conjeoture in commercial and other circles v in the city to-day, and various and many were : the suggestions offered as accounting for , the step. A gentleman, who has consider able interest in Messrs Howard and Wynd- ( ham’s ventures was interviewed by a ■“News” representative this, forenoon. Though very reticent on the matter gener- ally, he admitted that the principal object of the proposed transference was a desire , for the cenfraTTsation of theatrical manage- ment in Scotland. If the sale was carried out, the shareholders of Howard and Wynd- ham would, of course, have an opportunity I of aoquiring a like interest in the new com- pany, but that opportunity might not | necessarily be of a preferential nature. Mr R. C. Buchanan, in the course of conversation, said that tho arrangements, so far as they had gone, had been mutually arrived at. He agreed with the statement I made in the previous paragraph, a© to tho object of the transference. As is well known, Messrs Howard & Wyndham control the Theatre-Roval, the I Royalty, and King’s Theatre, Glasgow; the Lyceum and Theatre-Royal, Edinburgh, and the Tyne Theatre, Newcastle. Mr R. 0. Buchanan is the managing director of the Grand Theatre. Glasgow, the King’s Theatre, Edinburgh, and a large number of theatres in the provinces. Mr Ernest Stevens is of | the Marlborough Theatre, London. ST. BERNARD MONK’S OPERA. [Prom our own Correspondent.! Geneva, January 30- j A Grand St. Bernard monk named J. JOrtWs has composed an opera cailod “ Lo . |D , Vieux Valois,” which will bo played j jfo the first time in Geneva next Tuesday. ■i The opera is in five acts, and all thej g rt pongs and music arc the work of the monk. ._ Uvho has also designed many of the ancient • costumes which aro worn in tho play. J | The jie-riod is the seventeenth century, and - B t-h-’ vih-e 1 the- ancient cu-'oms of the in- habit ‘a of the Canton of Valois. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.67 Title A name given to the resource BP01.67 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 67 Description An account of the resource Newspaper cuttings about A.E. Pickard£1249.55s museum, a music hall strike, an opera by a St Bernard monk, and the business of Messrs, Howard, and Wyndham Ltd. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. museum music-hall strike https://www.pickardspapers.gla.ac.uk/files/original/44a96151659516cf5b21c07098a8969e.jpg af39e5450b65a36bc52d6c6e4d14a966 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Daily Record and Mail, Evening Citizen, Glasgow News Date Date of newspaper article January 1907, February 1907 Text Any textual data included in the document DAILY REC ORD AND MAIL, EVENING CITIZEN, .JANUARY*^, 1907. GLASGOW N "few S, PATTY RE CORD AND MA IL, ~ JANUARY 31. 1907 r MUSIC HALL FAIL DRASTIC ACTION BY MANAGERS. CONFERENCE OF GLASGOW ARTISTES. As far as the public is concerned the con- ! dition. of affairs in tho war between tho mu.-io-hall artistes and their employers re- mains unchanged. I Tho London Entertainments Protection j Association, after a long meeting yesterday afternoon, passed an important resolution which means the intensifying of tho struggle and its extension to tho whole country. Tbo resolution confirmed tho decision conio to at the last meeting, and pledged tho mem- bers during tho strike to loyally assist each, other by lending, when possible, artistes, fjtago hands, and musicians. It was agreed not to come to any arrange- ments with the National Alliance or any of tho leaders who have initiated the strike without reference to tho general body or tho exooutivo of tho Association. It, was saoertaiiMXi that no loss than 88. London N$md provincial halls wore added j yesterday to the Association. Among tho 1 latest recruits are the managements of New ' Palace Theahne, Northampton ; the Liver- pool, 3t, Helens, Leeds, Brighton, Birming- ham, Portsmouth, and Belfast Hippodromes; j the Tivoli. Dublin ; and tho Manchester . | Variety Theatre. { Mr. Wifi. Johnson, one of tho joint . ‘ secretaries of the Alliance, on being informed of the above facts, said tho war would now . I E£s undoubtedly bo carried into tho provinces, V | ; and would be conducted on a much greater MUSIC-HALL ABTISTES* STRIKE. PROBABLE EFFECT IN GLASGOW. LAUDER’S SALARY. The Scotch Comedian on Hnslc.Hall Strike. I scale than had been possiblo in London. It is said that at tbo bal’s controlled by Mr. Payno and Mr. Gibbons there ha been, notwithstanding the absence of the “ stare,” hardly any difference in the dra 1 in.es, and - the,.sa!aries list will, of course, be much less. These proprietors are busily engaged in booking for the future. UNCERTAINTY. i: In Glasgow the feeling of uncertainty con- itimies to prevail among managers. Con- trary to expectation in many quarters, thero " were no local developments yesterday, and ‘the performances at all balls went off as usual. .At the matinee at the Zoo-IIippo- N dirctne there were two “ extra " turns, one of which wes of special excellence. This may or may not mean preparation for sud- den vacancies. To-morrow a Glasgow meeting of rho Federation will be held at the “ Palace,” Ren field Street — the local headquarters. So far Trades Unions, as represented by i tho Glasgow Trades Council, have taken no | aotiom tho matter. Tho question, how- j over, bean considered by tho officials, I and it is likely that should no settlement J bo arrived at soon the Council will inter- fere. A number of -they^&rtiates may be Interviewed in the course of the next few ^ days. | Mr. Herbert Lloyd, the well-known artist, denounces the extra matinees now in vogue, f i for .which no payment is made, es a | ,, «haar!e. ,! Speaking to a representative of the “Daily Record and Mail ” lnet evening, he stated I that although ho personally had been very I lucky in ••■ Hi had been required of him bv I his employers, ho vet felt that many of tho I artiste had distinct grievances, and he was I quite willing to join the strikers if the I Federation (of which ho is a member) asked | him to do to. He is of opinion that the strike is a wise I step, and is confident that the artistes will I in the long run get tho best of things. The I •ays, “will stick on” to their I present attitude for tho benefit of the less I fortunate member* of their profession. 8 v l must not. forgoi. lo say, said Mr. Lloyd I 'hat T have always been vary | sonorously treated myself.” THE BARRING CLAUSE. Li a letter to the ‘‘Daily Record and I Mail” Mr. Harry Mountford eays:— -“Anl ounce of fact is worth a ton of theory (from I , any of the interested Trust managers on I I the subjeot. T “On Mopday night (January 28th), a. turn, I a member of our Federation, had a contract! to appe;"’ fct Crouch End, owned by Mr.f Burney. lie reoeived an intimation from! Mr. Oswald Stoll forbidding him to work! thore because he held a oontract with Mr.B Stoll to appear at the Empire, Holloway, to* commence two years end a half from now. I The consequence was that under the Barring* Clause the gentleman, who is not a b>gf ‘turn,’ did not appear at, Mr. Burney’s hall.B ‘‘When you consider that, both Mr. Burney | and Mr. Stoll are members of the London I Entertainment Protection Association, who! last week passed a resolution that they would! unite together, etc., comment is superfluous. J l l ca -plot, understand how any indepen-l dent manager fails to see that wo aro fight- 1 ing his cause as well as our own a -gainst. I these gigantic Trusts. The only hope of I salvation for any independent manager is I to, sign the ‘Charter.’ If wo fail to suo-T coed in our endeavour, I am sure that in 12 1 months thero will not be a single indepen- 1 dent hall left in Great Britain.” fhuiwakT 1 . nm. 35A. FF.BBrABT V igt. NEW TALEN'I IN THE THE STAGE STRIKE. We understand that there is a probability that the effects of the present strike among music-hall artistes in London, and which it is recommended by the profession should be carried into the provinces, may soon reach Glasgow. It is stated to-day that the local managers here are in reoeipt of official communications, making stipulation* for future engagements, and intimating that if these are not accepted immediately, the strike “will follow at once.” POSITION IN GLASGOW. REASSURING INTIMATION. \ There is little chanoe of the strike of music-hall artists spreading to the pro- There were no indications in any Tyneside pvusio-hal 1 yesterday that the strike of per* formers and musician* would extend to the North. The entertainments proceeded in the ordi- nary fashion, and managers seem to have no doubt that contracts will not be broken. Mr Harry Lauder, who i&aippearing in pantomime at tho Tyne Theatre, Newcastle, sends the following letter to the “North Mail”:— ‘T have toad in connection with the music- hall 6trike a ist of salaries alleged to be paid to performers. My name is mentioned as one of the ‘stare’ at a. salary of £120 per week. This, I may say, Is a lie. “I have never vet Received half of that sum. My salary for working three halls, four per- Vinces. Griff, the well-known entertainer, was about to take the chair at a meeting of the profession in the Pavilion, Atenfleld St., to- day, when a “News” representative asked. if it was the intention of the meeting to dis- cuss the strike, and whether there was any likelihood of it extending to ,-asgow? “ This,” said Griff, “ is an ordinary weekly meeting of the music-hall artists. Tho stride may be discussed in the ordinary course of the business, but I can tell you that there is no prospect of the strike extending to | Stoll’s nails in the provinces. I have re- ceived a telegram from London to that effect this morning. “ You can see for yourself that if the artists in the provinces came out, neither they, nor their friends in London, would have anything to live on. I am afraid tnat j i..e Labour M.P.’s would hardly be able to : give us the salaries we are accustomed to. I “Out intention is to strike a blow in Lon- I don. If we succeed there, the provinces will naturally follow. And you can take it | from me that there will ~e no strike in Glasgow.” added Griff, in conclusion, “not I tins week, at anyrate.” -M form&nce© per night, with the Tivoli Syndi- • ” is £55, i * /•? '? a Z cate Halle, is £55, and during the last five years with the Tivoli Syndicate my salary has been half of what I mention, and I have had to do three and four turns per night for that. On a Saturday I had two matinees and four night performances. In foot., I had to work Like a Turk, as tho saying goes. “I do not say I could not book now to play for the syndicate at £120, but I will have no opportunity till 1909. Then I may be dead. “But that dread climax would not be due to a lack of medical attention on the part of the Tivoli Syndicate. “They will send me a doctor free of charge. Why? I was indisposed Last autumn. I sene my doctor’ soertificate, but that did not satisfy tbo management. They were evi- « dently anxious, and sent their own doctor to jet amine me. If I had been the heir- 1 apparent, they could not hove been more 1 solicitous. I “What would any sensible man think of & management who did that? ‘If I had been a weak-minded man, they might, by their action, have bullied me to go on and perform, when I might have mined my voice for the remainder of my life. “Now as to salaries. Mr Stoll will not pay any artiste a penny ncre than he is really worth. In fact, I d > not know of any man- agement that tli row sits money away. I ha’s packed My Stoll’s houses for him for nine, i tv'elve. twenty -five, and thirty pounds per i week, and had I secured my full value I vould havo been a rich man to-dav. •‘I know ho has paid fabulous salaries to book show sof other people who did not draw the public. “Proprietors and managers should not talk alrout salaries at all. We (the V.A.F.) are not differing abort salaries. It is f airplay. “I guarantee if I had a contract to sign to- morrow I would bo allowed to scratch and scribble out al conditions I did not like. I wish I had the ohance. “I trust the public will look upon the V.A.F. demands as honourable between em- ployer and man.” GRAMOPHONE MARVELS. The gramophone has been 90 much im- proved of late as to moke it a source of ; great delight and enjoyment. Where tho score musical of us 6omc yoore ago smiled the smile of tolerant contempt on hearing it, it lias now vindicated its existence as not only the most marvellous invention of the age and one of the greatest usefulness as a faithful j -©carder of music, but as an edi’cator to th • atudent and as a very artistic performer where | repertoire is unlimited. I The Latest improvement is the addition of ; what is known as the “ Auxcto,” the mvon- , tion of the Hon. Charles Pareons of turbine fume. This ingenious invention adds addi- 1 tional power to tho ordinary gramophone aim ! also purifies tho tone in tho process. | The “ Auxoto ’’-Gram ophone differs from : the ordinary in there being a column cf ax j foroed against a series of reeds. These ro. ds ' control tho pressure of air-current, and arc in turn controlled by the sound waive vibra- tions transmitted by the needle to tl e sous box. For this purpose a silect electrio motor is employed. , The mrusio conveyed by the needle to urn sound box is thus given a current of- rushinr air on which to carry its melodies, and the recced is given as much air to waft itseU . : upon as the original sound had when sung i * bv the artiste. ( ; ‘ Messrs. J- B. Galbraith & Sons are the - Glasgow agents, and the nrotrument may be hoard a.t any time in their warehouse in, Recifiald Street. HALLS. STRIKE TAKES IN FIVE MORE HOUSES. A CAUSTIC REPLY. LOCAL PREPARATIONS. Fivo moro London music halls came into the area of tlio strike last night. They were the London (Shoroditcb), Collins (Islington), Cambridge (Commercial Street), ! ' Hippodrome (Crouoh End), and Palace (Stoke Newington). The artistes belonging to the Strikers’ Federation were called out of each hail, but none of tho houses was closed os a oon6c- quenoe, emergency “ turns ” being provided in every oase. Tho orchestras were considerably doplested, and some curious eoenoa retail tod. The worst had evidently been prepared for by [ Messrs. BurtiOy and Richards, the managers j of the “ London,” Shoreditch, whoa at 6-15 j they found that tho regular artistes bad had | their “ notices ” from tho Rational Alliance. - Tho management tapped <t secret. store of ' talent, which they had bpen accumulating j for the past week. Seventeen performers appeared, all anonymously, and tlio secret of tho bounce of tbo new •* turns ” was not • divulged to anyone. Of tlio original programme, which in- ; eluded Qhcrrgwin amd Mira Marie Lloyd ; only two nirtiFtes appeared, and these inad- j vertemtly. FIVE INSTEAD OF FIFTEEN. At the Stoke Newington Palace a full | two-hours performance was given at both the first acid second “ houses, ” despite Hu' ! ' fact thait only fivo litoas out of an adve*- f tised programme of 15 wero presented j Miss Maine Daiaitoai was tilso most notable 1 aibfcoaitec. The entire orchestra at the Car bridge Theatre of Varieties, Oomundirial Street, j : failod to put irn an appearance at the first 1 i pcrfoitnonce. Moot of the c-rt-iflteg wero there, but they I could not perform without a Iximd. At CoUiiue’s Music Hall, lriimgton, Green, I tho mcmagjement, -with a few excej-tions, wore ' ! able to carry out- a full programme. Speaking at the Scala Theatre last night ! 'to an audience of 'musio-haU strikers, ^Ir. | lion Ti Hot woloomed tho artistes as comrades ! with himself aud other- organised workers, j In taking this stop, ho si^id, they were 1 ; adding to thoir dignity, not detracting from ! it. Their contracts, side by ckki with (,h-> ( compound contracts in Bjui ii Afr?ea for the Cfiiincsc, cortainlv compared to tbo ad- j vantago of tho latt<'r. ilo do*pi<*e<i tbcj »ec win-. « -t >ii ] • l draw up such contracts, ami L I would despise tlio moo who signed it. | I if they failed .the Trades Unionist* of Great I Britain would promuc to t<Mcd up the cudgels I on their behalf. MR. STOLL’S ANSWER. Yesiordav aft«rnoon Mr. Of weld S:/J f/1 I received Lie Charter and a contiuct . I front the National Alliance, with a i-y r I |.9U9gest4ug that ho reoeivo th ^ I I put. t. ion to discuss olw> same. Mr. Sroli, however, took no noting * , ■ ontmu i.aiion, and contents him ” ' va I nraklng the following statement :- I “Tho Charter has boon delivr A * I I I I have been gl«d, a»* my r ply, f lock pout • bo | I ar'iV-rs who wou ld allow rutl a 4 ,1 It-' l vi • • twsd! I) n< ?"' iiuadiOib J of %>m n - -to lt8 foI1 ~ v I .-uid dishonesty. _. . . , , H “The firt=r clause of ^ 1 I actually blose tho I.dn « n H>PPodrc*ne bj 1 1 reason cf it« matinoOi, , c ft -Tho (*coe<l claW 6 ** 05 * 4 that tra-nslers I of artitiM fro.,, rfn, »'« bom tnade v,itlioui.Atoia ».«*. *h«h 1 | cover haiypened “ 1 e ™ «»*•«««• I 1 “ The third o!a>» »•' rr»t» 'hat to ™. taJ<o tho ton - n '>» program"© oil «w| I wool; that I., >' c:: a-Hoco.‘«l to thoot ool tho Mordo.*. *> «“* fnr ,1 ’-y f,vc or ,. t< '"l I mimatoe’ »- »!»?; ““I I five or te-n flinwtes m t.hc building. 1 I “The fith douse attempts to _ {bind down! I n€gotiati<A» to a flw&rfbed barring dause. I I “I lis^o : a id before^ ond 1 repeat, that if I I I as a manager un dsked to enter into a I J future joon tract I should be free to name I I t.ho conditions upon which I aim willing to I I do so- 8 I •* Ae to tho ninth 'blause, to emter into «■ I | contract, to use a form of contract designed I j by poo plo who nepQdiate contraota would I I bo grotesque. I I “If tlio artortes think the band and stage I I hands should be betrqir paid let them make I I thoir 5 per cent. Icvjf upon their own e* I cos si vo salaries aiucl dKstril tribute it among the I musicians, etc., and tfcus bring about peace I and honour. Our dividends are already | too low to bear a groutor strain.” THE PROVINCES. It is reportofl that tho music-hall managers I I in Birmingham. arc on th© side of tho London I I Entertairrmeni Protection Association. A I I strike in Birmingham would not oom© as a I I surprise, and precautionary measure© have I [ been taken by tlio management of ono of I I the principal halls. j I To-day, in GLasgo.v, ts wo have already I I ©fated, a meeting of tho Federation is to be I I bold. The managers continue to fortify them- r I fcclvce against .the “call out” which is re- 1 I ga-rdod as inevitable Moro than one local I J artiste is at present receiving a “ retainer ” I I to secure bis sendees tho moment they arc I 1 required. ft I It is undoubted that tho strugglo will bo I I a bitter one ; both ‘idee, continue equally com- 1 I fidemt of victory. The strikers are circulating I 1 largo quantities of literature, aoi earnout tha,: I I they arc neglecting nothin g that may ae*sibtl I their oause. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.68 Title A name given to the resource BP01.68 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 68 Description An account of the resource Newspaper cuttings about a music hall strike and the gramophone. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. gramophone music-hall strike https://www.pickardspapers.gla.ac.uk/files/original/fa5719d7389f771be35f2711b4389f0d.jpg 34194a3e3a563a981df9846dd7774ee2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Daily Telegraph, Daily Record and Mail, Weekly Record, Forward, The Greenock Herald Date Date of newspaper article February 1 1907, February 2 1907 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.69 Title A name given to the resource BP01.69 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 69 Description An account of the resource Newspaper cuttings about The Britannia Panopticon and museum, a music hall strike , and the business of music hall/museum performers or exhibits. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. dwarf marriage music-hall strike variety https://www.pickardspapers.gla.ac.uk/files/original/3ab4f601f3f73299cce3833de22f8938.jpg 987c626003315989a15924e2c57ff9d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given The Glasgow News, Sunday Chronicle, London Tribune Date Date of newspaper article October 1906, November 1906 Text Any textual data included in the document .r '“One Be&ute’s After t 12 feet k were rcm shook haj crowd v better Outside TroLgate evert ; ii people, i was tho policcme: as coul d pectatior days ago liio visit* the mat encLarige: manager anything But tli ence of i as a ha force to | lieved ti feat of Certain 1; night h< ho witt, those an seom^l danger. He w; knowlcd; began ti: that Hie He be exactly ; managei fast h&» former's author it *' hard* 1 This Beaute, faltering of being When drank ; tho oor of those conversi his sc Record fairly fi nine w underta This gone i stitutes 32 day Tieco'td ^ TTcUts. /Vov b& /(job. dmon | Job S-UAula+l JhToV. Record rKlfacfi Jfov. J h iyob. ! FASTING MAN’S FEAT. RctotcL % M&iJ' fi/ov. 10 1 H)ob. WHY HE FASTED. MON'S. LIVES 39 DAYS ON SODA, AND ] SMOKE. I — FORCED TO TAKE FOOD. BEAUTE \ TELLS STORY. HIS LIKE STARVING FOR MONEY. Fasting 1 Man Given Up by ' Doctor. mao ” — which Mona, j 4 4 The fasting I BenatcA popular title* — lias ended his fast. 1 After being shut up in a wooden hut some j| i The “ Fasting Man” still attracts crowds j J to Mr. Pickard’s establishment in Trong&te, -j: i! Glasgow, although his fast is actually over. | Ho will remain ai his present headquarters J J for some time to come. At half-past three yesterday afternoon j i Mons. Beaute ate iiis first meal, which con- ji j sieted of bovril, oats, and a glass of iron 1 ‘Drew. A large number of people were ! present on the occasion, and speeches were j i made, Mono. Beaute intimating that in the !j | 12 feet long by 9, the rivete, bolts, and bars j |i <>ourso q£ twelve months he will attempt to I were removed at. midnight last night, and | fast for a period of 50 days. 1 shook hands through the window with asm-all | ! During the fast just concluded, a “ Daily f ] crowd who cheered and hoped for .him i mm Record and Mail” man was informed, Mona.] i “better luck next time.” i| \j 'Boa-ute only slept on an average 3g hours ; Outside Mr. A Pickard's establishment in \WM '-'vvif 2 t*. ^ th *’ stra ' n S cs * feature of the I Tiron, gate there was a big crowd waiting the «$& ' vho | e * h * n « thafc w® troubled with evont ; inside Acre were about two score of |S headaches on the I nday of each week. j -ft- was a strange circumstance that led him 1 M. Beaute has -$een causing the doctors and magistrates q 2 Glasgow, where he has H been fasting, some anxiety. The magistrates met t gk consider what f stops it would be r prudent to take in view r of Beaute’s determination to go on for l; forty-six days. *, The medical man in attendance had given 1 him up, and his conditioifwas regarded by c? the authorities as very grave, .although p- Beaute himself felt no cdhcern#'re marking that he knew his conditioh better than the f? doctors did. y '» / - Lest they should endanger th e*T licence, I which some of the magistrates ^were in- k dined to withdraw', tho management of the £ building where he appeared promised to k o excited looking as the man who ]| reason of their presence. Two \ people, was tho policemen represented tho authorities, so as could be ascertained, and, contrary to cx- j pec tat ion, there were no doctors. 'Three I days ago the attending doctor had withdrawn J hii> visits, and then the authorities took up the matter, urging that Mons. Beeuto was; emidangerirug his life, and threatening the || manage meant of the place with liability if | anything serious should occur. But the fasting man treated the interior- vS enoe of the authorities not as a kindness but as a hardship, and when tho fast had per- |8 force to cease, he wa6 annoyed, as he be- 1 lieved that ho could have accomplished the 8 feat of remaining for 46 days without food IK Certainly, when he emerged from his hut last I night ho seemed fit. And ho himself said k J he wie, em phasing his statement by giving r j those around him a handshake which hardly i| seemed that of a man whose life was in j| { danger. j He was thin, no doubt, but without- the | I knowledge that he had lost 2st. 31b. since ho j' t began the ordeal one would not have guessed 1: | that such a change hod taken place, i He began on 1st. October, when he was list, g 1 exactly ; now ho is 3st. 111b. Mr. Mitchell, n | manager for Mr. Pickard, explained that tho | fast had been given up against the per- r. former's wish, and at the request of the authorities, and characterised the fact as I ‘ hard lines.” This expression was endorsed by Hons. * Beaute. who in a speech, delivered in an ur.- j| faltering voice, said ho was quite confident of being able to fulfil' the self-imposed task. | When he came out of the “ house ” he fl 1 drank a half cup of Bovril, and received g tho congratulations— rand the sympathies— j of those present with smiling face, and after conversing for a few- minutes he returned to I 1 Iiis -collision, -whore he told a Daily Record and Mail ” man that he was feeling | fairlv fir. and that in 'the course of eight or . | nine" weeks he would be ready again to undertake another fast of 1 46 days or longer. - This is the nineteenth fast, he has under gone in public, and his achievement con- stitutes a record, the previous longest being 32 days. — I take to fasting as a “profession.” He is ] j; a man slightly under average height, with | sallow features adorned by an ample mous- ! i tache, and his gestures -and accent when 1 • j speaking at once intimate his foreign birth. ( Ho is a. Swiss, hailing from Zurich, where | ji ho was born 31 years ago. To look at his !_ J, thin frame one would never suspect that. | ;j about seven years ago he was a stout man, p !| turning the scale at about 16 stones. It waft | If this superabundance of adipose tissue that? ■ ji led to his being “ a fasting man.’* 1 wanted to reduce my stoutness, ao j j fasted privately — first for six days, then f or Jf , nine, and then for 13 days. I am a chemist V I by profession, and have many medical men ij j among my friends- and they doubted the jti ij truth of my statements. So I offered to fast- f j in public, and I have done bo several times | now — nineteen in all. I have been fasting | t jl in towns in Germany, Belgium, and Holland- j[ I and this is my fourth performance in Britain, | but first in Sootland. The other places in } J this country were Brighton, 24 days; South- | j end-on-Sca, 28 days; and New Brighton . Tower, 24 days. The longest fast I ever j previously did was 32 days, done IS months j ago in Halle. I Mons. Beaute will not dine in first-class l style henoeforth right away. It will take j him eight or nine weeks to regain his ii strength, so that ho will bo able to make i another attempt. His diet during that | period will be principally Bovril for break - j fast and “ tea,” with perhaps a biscuit, and ] for dinner boiled rice will bo added, with ! duck eggs now and then. jSfei put an end to the long fast when thirty ® nine full days have been completed. I H During the fast, a number of youths held ft up dainties to Beaute in his “ cage.” The ji tant&lisation was short-lived/ however* for 1‘ the youths were speedily ejected. * He has lost 2st. 31b. since he began his [ long fast. I Zoi+doi* TtiJrtunl. Nov 7. /5 06 37 DAYS WITHOUT e FOOD. GLASGOW AUTHORITIES ORDER FAST TO BE STOPPED. News. OckoW- THE FASTING JIAN. IMPROVED CONDITION. Mons Beaute, who is undergoing a fast at Pickard’s Museum in Txongate. was stated yesterday to he in a very weak condition, and it was decided that if his condition was siill unfavourable this morning, the fast would be abandoned. Several medical gentlemen paid a visit this forenoon, and after examination, it was found that his condition wa3 more satisfactory, and the doctors believe that he will be able to ab- stain from food for at least another week. THE FASTING MAN. DOCTOR REFUSES TO TAKE ANY FURTHER RESPONSIBILITY'. Mot!©. Beaute, the fasting man whose test of endurance at Pickard’s Museum in Tron- gate, Glasgow, has reached the thirty-seventh day. goes on now at his own risk. Dr. John P. Grainger, who has been watching the pro*, gross of the experiment throughout, threw up all responsibility between two and three o’clock this morning. Tho doctor, who had paid three visits to Mons. Beaute yesterday, beoa-me anxious as the evening went on, and in the early hours of the morning personally warned the ex- perimentalist and wrote a letter to the management stating that the experiment had entered on “dangerous” ground, and that “ the fast nyist cease.” Mons Beaute, however, refused to aban- don the test-, saying good-humouredly, “You frightened! All r-r-ighc. I no frightened. All r-r- : ghtl” He expressed emphatically hie determination to go on, and ; tho affair now takes on a new end exciting 1 aspect. It is, however, not •improbable that I the authorities may interfere in the cir- cumstances. One of the sensations of the past month in Glasgow has been the exhibition of M. Victor Beaute, a Swiss, who undertook to break all fasting records by remaining without food for forty-six days- Beaute was taken to Glasgow by Mr. A. E. Pickard, and has been attracting great crowds at Pickard’s American Museum, Trongate. He completed the thirty-seventn . day of his fast .yesterday afternoon, but the doctor who at- tended him since the commencement had ceased his professional services, being of opinion that- should the fast continue the patient would be endangering himself. Yester- day afternoon Mr. Pickard received a letter from the Procurator Fiscal for Lanarkshire intima- tiiuL^hat the exhibition must be stopped. It vHfi ra jkied that in the event of the death of Beaiiue as the result of the fasting Mr. Pickard would be held criminally liable. Mr. Pickard stated yesterday that since receiving the letter he had done all he could to induce Beaute to take food, but that Beaute insisted on complet- ing his forty-six days’ fast. Eveni'VLfl Til f£f>. 0c t ^ o6< THE FASTING MAN. Glasgow, October 29. g^-I should like to know- why such a thing as this is allowed in the city of Glasgow, and in a civilised country? Tho man is doing nothing else than attempting suicide. People will talk and argue that “this man has a free will, and his life is his own. and he is harming nobody although he were to die before his 46 days are up.” I maintain that ho is in a worse position than a man who throws himself in the Clyde and attempts suicide. Tho only differ- ence is that the half-drowned man gets 14 daj-s imprisonment as soon as ho recovers, and the starved man gets the applause of the people. The drowning man has a free will, his life is hi, own and ho harms nobody oven if he did drown. Why put the law on one and not on the j other? — I am, etc., \ox Poptjli. jl * NoV£nu^r mi ^ THE FASTING MAN. Quite a large gathering of the* public was present yesterday when at ' haJf-past three Mons. Beaute ato his first meal after his long fast. It was not what might be called a sumptuous repast. The menu consisted of bovril, oats, and a gloss of Iron Brew. Then followed a bit of after-dinner oratory, Mon*. Beaute stating that he would attempt a- fifty days’ fast during the course ' ’ i twelve months. the next U ZOUdoh No* lit lyob. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.7 Title A name given to the resource BP01.7 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 7 Description An account of the resource Newspaper cuttings about A.E. Pickard's exhibit 'The Fasting Man'. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. fasting record https://www.pickardspapers.gla.ac.uk/files/original/2ab57f35dbc27e5c3e07819458e7486c.jpg 34194a3e3a563a981df9846dd7774ee2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given Glasgow News, The Evening Times, Daily Record and Mail, The Era Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.70 Title A name given to the resource BP01.70 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 70 Description An account of the resource Newspaper cuttings about the programme of The Britannia Panopticon and museum, and a music hall strike. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. music-hall strike variety https://www.pickardspapers.gla.ac.uk/files/original/00d740773b8a36fa4d6db9f9411b30dc.jpg a12207fa766beb9f9d0743601cdf5dfb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.8 Title A name given to the resource BP01.8 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 8 Description An account of the resource Reference letter from The New Interchangeable Automatic Machine Company for A.E.Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/7157e73dfb270ac6d07dd0ff35dcc80f.jpg 3e2102d9b0ca28b2ddcf0ba590bc086a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP01 Panopticon Museum Vol 1 Subject The topic of the resource Social History Music Hall Waxworks Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Berta Ramos Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP01 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Description An account of the resource This scrapbook covers the early history of the Britannia Panopticon under Pickard's management. Newspaper cutting Newspaper Title of the newspaper, if given London Daily Chronicle, Scottish Referee, Lloyd's London, Glasgow Citizen, Greenock Herald, The Glasgow News, Daily Express (London). Date Date of newspaper article October 1906, November 1906 Text Any textual data included in the document | : The Glasgow polioe interfered last evening in ■Ttlie e*o of M Beaute. who has fasted for thirty. ^ seven days, and is determined to hold out far ftfKy- six days. • ; Tho police intimate that they will hold the j manager' criminally responsible in the event of •|Beaute’s death. The medical attendant says the d ’ aKtor Wlli dl0 . and he has thrown over his reuoon y Bibility. I I Beaute, however, is resisting- aH attempts *o ‘ j force food into his stomach. Oct isi Ijob. A REMARKABLE FEAT. [j ATTEMPTED WORLD’S RECORD FAST. U One of the moat remarkable feats of en- H durance yet undertaken bv any man ie to i be seen at Mr A E. Pickard’s Museum in ||the Irongate. Within that, establishment II . here is at present a gentleman endeavour- SJiug to undergo a fast of forty-six days’ jy. duration. He is known by the name of wH 0 . ns : B <?aute, and is a .native of Zurich. SlPp 18 n<>t ‘he first time that he has under- | taken to fast for a considerable period. On iff ‘“8 occasion, however, if he accomplishes (3 the feat, a. Worlds record for faetinv will J be established. Up to last night, fourteen J days of his euduranoo had gone, and hie j. condition is considered highly eatisfactory by lus medical adviser. Since the oom- || niencoinent of the fast, he has lost sixteen a pounds lq weight, but his health neverthe- VMoeo is remarkable. Bulletins of bus oondi- tiou are issued daily, and every one up to ; the present has proved gratifying. He lives c entirely on soda water, and of cigarettes, oh ! - an average, he smokes eight a dav. At the , end of the first three daye he had 'lost Silhs, j ■ - the seventh day tills had increased ,• V,, ,9 n tBe e isbth day he complained , slightly of headache. Of the eoda water be I , consumes about one pint bottle a day. The I f little cabin in which Mods. Beaute is living ; -is specially constructed with glaee on all L sle «Ptn? apartment being divisioned h ™ce the commencement of the fast Mr Pickard’s eetabliehment has been crowded daily with curious and interested ■ spectators. This feat of endurance Is caus- ing widespread interest, and when be has f- reached half way in his task no doubt the ■ interest will be increased. Nov ttk 190 ^* * * . * j The fast of M. Beaute has been stopped by the Glasgow magistrates at the I Fortieth day. Surely this is an interfer- . jence with the liberty of the subject. It' | is • not illegal to be a teetotaller, why yehpuld it So illegal to be a total abstainer^; .in the fullest semie of the word? *- ,v,» *. • - • — - I POLICE & A PAST AT GLASGOW j One of the sensations of the past ‘ month in Glasgow has been the exlii- ' bition or M. Victor Beaute, a Swiss, j who undertook to break all fasting : records by remaining without food ■■ for 46 days. Beaute was taken to 1 Glasgow by Mr d A. E. Pickard, and has been attracting great crowds at Pickard’s American Museum, Tron- gate. On Tuesday he completed the 37th day of his_ fast, but the doctor who attended him since the commence- I* | meat liad ceased his professional ser- * I vices, being of ODinion that should the , j fast continue the patient would be i j endangering himself. 1 In .the afternoon Mr. Pickard i". .j received a letter from the Procurator " S I t fiscal ffc- Lanarkshire intimating that i I the exhibition must be stopped. It 1 was added that in the event of the j ; I death of Beaute as . the result of the . : I fasting Mr. Pickard would be held ] •’ if criminally liable. j Mr. Pickard stated that since receiv- | ln " tne letter he had done all he could ■ if. to induce Beaute to take food, but that Be_aute insisted on completing his j ’ if 46 days fast. -ywJ-Qit-ur Alov 190& THE FISTING MAN. A VISIT FROM THE POLICE.. \ M. Beaute, the fasting man at- Pickaras.! j Mu seam, accomplished his thirty-third- day's 1 . abstinence from food, yesterday, thus break- l ing his previous best record of. thirty- two [ ! days. He was so very weak yesterday [ morning- that he was ordered * | to bed. by Dr’ Granger, as stated in the “Citi- | zen, M informed the management that if his J patient was no better this morning; he would give him up for a bad job. 1 It seems that, last week, on several days, \ j Beaute suffered very much from headache, j backache, and swimming in the head, and his { medical adviser feared then that, he ‘would ! \ have to relinquish the attempt, to last out 3 forty-six days. An inspector of polioe and two other ! < fficers called last nigr.t to warn the, man-a-ge- S ment of tho possible consequences of a fatal J issue to the long fast. • The management disclaimed responsibility, j pointing out that Beaute was determined i to accomplish the feat, and that a medical | man had been provided to warn him when This condition gave cause for anxiety i ; Upon making his usual examination this ja morning. Dr Granger found that. Beaute had jd improved considerably with the rest and Asleep enjoyed by him. and expressed the (opinion that the patient might possihlv go ^lon for five or si* dnvs yet without endangor- jintr his future health. • Beaute. although very much emaneiated- llooking. and so weak as to be almost in can able of walking, has only lost 1 stone 13£ jibs, since his self-imposed task was entered ipon. He drank a bottle of spda yesterday, md .smoked four cigarettes. Oct 10 4 ILL EASTING MAN IN GLASGOW. MARVELLOUS FEAT. As everyone knows the latest novelty in Glasgow is a fasting man. M. Victor Beaute has been brought i to the city by Mr A. E. Pickard specially to break I the record in the longest fast endured by any man 1 who survived the ordeal. M. Beaute has undertaken to do without food foi? | forty-six days. There was a considerable crowd of j spectators on the 1st inst., in Pickard's American j Museum, Trongate, Glasgow, when M. Biaute l entered the little cabin from which he will not issue ! again for a month and a half, or, to be quite precise, until Wednesday, the 15th November next. This cabin, which has been specially made for the ! fasting man, is built of wood with glazed windows on ( all four sides, ro that, he is open to view both by night ; and by day. It is divided into two parts by hanging curtains — one part containing an iron bedstead with mattress bed, the other an arm-chair, one small chair, a small chest of drawers, and a table with toilet requisites. 1 There is no door in the cabin, and when M. Beaute ; stepped inside through one of the windows, the gap was closed up with glass, and he was, as some one remarked, “ cut off from the world.” There he will remain until the end of his long trial of endurance, ■ under the supervision of Mr Harry Hill, foreman to i Mr Pickard. 1 Every morning the gauze covering a small sliding panel will be removed, bis temperature will be taken 1 by the doctor in attendance, and his weight will also be taken. The medical man will then fasten the Jianel again and seal it as he leaves it day by day. M. Beaute has visited the Royal Infirmary and surprised the doctors there by the soundness of his j health and the strength of his bone and muscle after undergoing so much fasting a8 he has done. As a guarantee of good faith he gives them permission to come down and examine the contents of his stomach | on the expiry of 46 days. M. Beaute is a dapper little man, 5 feet 5 inches in height, and weighing II st. 7 lbs, when he entered his trial on 1st inst. He is 31 years of age, and a native of Zurich, Switzerland. He is single, he says, ! with a laugh, which conveys the impression that the fact goes without saying. This is the nineteenth I time he has put himself to such a strain, but only the i fourth time in Britain. He gave performances of all kinds all over Ger- i many, Holland, and Belgium. In England he fasted for 24 days in Brighton, 28 days in Southend, and 24 days in New Brighton. His longest fast hitherto has been 32 days. Whilst fasting he lives entirely on cigarettes, cf which he smokes ten a day, more or less, and on I water. The cigarettes have been supplied by Messrs j M‘Kenzie & Co., tobacco manufacturers, 40 Royal j Exchange Square, Glasgow. Before undergoing the I fast he lived for a fortnight entirely on beef tea. Mr Pickard invites any medical man to come down and see M. Beaute any time either by day or by night | during the fast. §lai4oi<r , j Tho worst thing about this fasting | seems to be the danger of becoming a. I slave to tho habit. Even the orders of rtho J?rocurator-Fiscal seem to be unavail- Laug, ( to break Victor Beauto off tho, prac- 30% Oct tyob< V 30 DAYS WITHOUT FOOD. Mons. Beaute, the fasting man, has now reached the 30th day of his 46 days’ fast, i He has still 16 days to go ere hie unique ■ task is at an end. The report issued by his ‘ j medical adviser last night was highly fav^i 1 ourable, showing little change in his oonL dition, and Mons. Beaute is determined that' he will achieve success. He looks remark, ably well. When he commenced' the fast at the beginning of this month his ■weight was 11 stone, and he hae by'absti- ; nence reduced himself to 9 stone. He con- ! sumee about three-quarters of a bottle of i soda-water a day, but for the past few days | ho uas left off smoking. Large crowds ‘ a visit Mr Pickard’s museum daily, and view ? Mons. Beaute with curious interest. | ^ -m—— ii^— -A Daily London. ' No J. 8 % FASTING S HOW TO "JEND. The management of Pickard's American Museum in Glasgow, where Beaute, the Swiss fasting man, has been trying to go forty-six days without food, liave decided, in deference to public 6entiment, to put an end to the exhibition at midnight to-nigKF; Beaute will then have completed foirty days' fast, and the action of the museum managers in preventing him from fasting any longer is taken much against his will. The Glasgow magistrates met yesterday to discuss a proposal to insist on the exhibi- tion being stopped, but the meeting was adjourned until to-day. Arrangements have beeu made to render instant aid to Beaute if he should collapse in the mean- ) time. I Cih/Tj&rv TVotf & ^ I job. THE FASTING MAN. The Procurator- Fiscal Intervenes. Mr Hart, the Procurator-Fiscal fori it, ©’j County has this afternoon written to Mr . Pickard that frqnj information received, j' there seemed to be reason to believe that the .* lift- of _Mons. Beaute was now in sonic danger. He therefore begged to intimate that the 'exhibition must now be stopped and that “in tho event of the death of 1 Monsieur Beaute, as the result of tho fasting i you will in, criminally liable.” Mr Pickard this afternoon informed . our i representative thu$ he was powerless in tli« I matter. He has -i... u; 1( , t .;, e from the doctor, r-'ol ilia i.ove, communica- tion done all he could to induce Mona. Beaute to acoept of food. That, gentleman still j persists in completing his fibrty-six d B ,*' fasti MONS. BEAUTE’S 18ih DAY OP ms .WORLD’S RECORD FAST PICKARD'S ‘MUSEUM, 101 TRONGATF.. Sole Proprietor — A. E. PICKARD, tinli.-nit. 1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP01.9 Title A name given to the resource BP01.9 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 9 Description An account of the resource Newspaper cuttings about A.E.Pickard's exhibit 'The Fasting Man'. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. fasting record https://www.pickardspapers.gla.ac.uk/files/original/b24b40bcf54f5a103b044a364468c52c.jpg 88158fd484b71e2d21127e9a2a3cca86 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02 Inside back cover Title A name given to the resource BP02 Inside back cover Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Drawing of A.E Pickard in a kilt and a small Christmas wishes note. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/2326acaccd1e510264ba5ea26edbf1f3.jpg f47732173a3efaeb86c8263459ed72d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02 Inside front cover Title A name given to the resource BP02 Inside front cover Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/510a96b9fbe61539f6541b741b18354a.jpg 444c344adbecb5af6cc2ebf9bf57bba2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.0 Title A name given to the resource BP02.0 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Handwritten lndex Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/6ba4f133165d9a46f5c66f600dceea91.jpg c98c8a429027a59c5bf7e5b00627ad09 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.1 Title A name given to the resource BP02.1 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the business of Moss Empires Ltd, its founder Sir Henry Moss, and the history of the business. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/c66181aea6c1f670b88ab18f3ab38fe8.jpg e18708609672945ea443feffef060bae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.10 Title A name given to the resource BP02.10 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a music hall strike, cases of fasting, plus a notice about police presence in the Canterbury Theatre. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/96fb3508fdb73c0e4df9bb066a703db2.jpg a4e1a6dda579c0c1d7fe346e51dae0cd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.11 Title A name given to the resource BP02.11 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the opening night of the Scala Theatre and a music hall strike. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.12 Title A name given to the resource BP02.12 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a music hall strike, and a meeting of Howard & Wyndham shareholders. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/032e1679c39dc424806b994b075ebcdb.jpg 2358fc58c4def8da2f61a3e2f127c29c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.13 Title A name given to the resource BP02.13 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, plus a newspaper drawing about Howard and Wyndham. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/3874faa0ed03b36f5402006e77146668.jpg 0ef86afdf1338576855834f226eab131 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.14 Title A name given to the resource BP02.14 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, and a music hall strike. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/87aeee56420edb6076f8d283f209c5da.jpg cb6468be15aae858aa11e5cd1051f47b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.15 Title A name given to the resource BP02.15 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about a sale at Rothesay Aquarium, the bankruptcy of music hall proprietor Bernard Armstrong, the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a music hall strike, a potential new amusement place for Glasgow, plus an advert for a husband, and a letter addressed to Miss Lucy Moore (one of Pickardﾒs exhibits). Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/4c545f433fff59ecc170c10c0d24f714.jpg 2b85cbde4fb84bd37b820d9281e8889f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.16 Title A name given to the resource BP02.16 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, the Scala Theatre, a music hall strike, the assault of the Pavilion Theatre manager, plus a photograph and article about Mr R.C. Buchanan ﾖ the MD of the Grand Theatre in Glasgow and his acquisition of the Howard and Wyndham theatres. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/6d2be9aefecd47c3854b37877bf889e3.jpg 8cafffcd9e8ef292dcb4eab47822c878 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.17 Title A name given to the resource BP02.17 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper drawing and article about a fair in Gallowgate, Glasgow. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/3502589b0193785d594fecedd027508f.jpg 1c4373626f99866b3e0a2e0e197d613d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.18 Title A name given to the resource BP02.18 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about A.E. Pickardﾒs Britannia Panopticon and museum, a music hall dispute, Rothesay Aquarium, food and fasting, a pea eating contest, and Johnny Trundley ﾓthe Peckham fat boyﾔ. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/dc203dac82eac718fc801db65af9ca86.jpg cc8fb1d4833f460b092c7835d48d9c10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.19 Title A name given to the resource BP02.19 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, the Waterloo Rooms in Glasgow, plus an advert for a husband for Miss Lucy Moore ﾖ one of Pickardﾒs exhibits. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/c2ec008dc702446589bf67ec1f8b38ae.jpg 7ac31d3029abe09ad163a35d27d5fdd0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.2 Title A name given to the resource BP02.2 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a music hall strike, and fire at the Palace of Varieties in Lancaster. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/f48f1519389626a1d5dec8c4ce631868.jpg 7ab1105d8998610be3f906c6289876ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.20 Title A name given to the resource BP02.20 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, Johnny Trundley ﾓthe fatboy of Peckhamﾔ, the end of a music hall strike, controversy surrounding the screening of the Berlin steamship disaster, plus an article about food and fasting. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/7d1324ab66ecffda7820c9f3d55972d7.jpg 7a08a8cdbe1cd164aecaa8b57caadadc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.21 Title A name given to the resource BP02.21 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a palmistry fraud case, a charity show for families affected by the steamship Berlin sinking disaster, a man falling off a theatre balcony, the programme of the Waterloo Rooms, plus an article about a clothes auctioneer. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/b697deeff0414542e9712414a449feee.jpg bf8e7543d106a1c731699aedbaae5f9d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.22 Title A name given to the resource BP02.22 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and Museum, a disturbance at the Regent Theatre, dancer Jules Renaudin ﾓValentine the Bonelessﾔ, plus an exhibit at Stewarts waxworks. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/491238a29e5e6153c5c181b7ec86acad.jpg 84e21880d94272167318b03c8b9f0747 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.23 Title A name given to the resource BP02.23 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme and availability of A.E. Pickard�s Britannia Panopticon and museum, the programme of the Waterloo Rooms in Glasgow, the Signor Pathe Fr�res disc machine, plus a man able to lift the weight of a horse and seven men. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/909f96f14aa5183d1c7c5e4d03d91c09.jpg 7127743cf0200dd3afac30b98a2799e1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.24 Title A name given to the resource BP02.24 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about physical training and strength, the prophecy of human flight in the 18th century, Daniel Lambert who was born in 1770 and grew up to be over 52 stones, an American invention of a summersaulting car, a dinner in honour of ex Baillie Henry Stevenson J. P., and the programme of A.E. Pickardﾒs Britannia Panopticon and museum. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/6cbcdecdcf0cd818a0d423a51f1cb84f.jpg 45baf8fec947a2f98c380ea8af2581e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.25 Title A name given to the resource BP02.25 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource A newspaper cutting about skinners at work. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/8d1508897e689ffa725c5d0e4c6ca3b9.jpg 09052ab27db5f7a44840241896ed7a8c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.26 Title A name given to the resource BP02.26 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a woman Marie Fassnauer who is 8ft and over 24 stones, music hall disturbances and disputes, plus a handwritten label. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/866125cfb42ee244f9af7219ba096f5c.jpg a885eca3ecb76cc9425fe6a150f655f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.27 Title A name given to the resource BP02.27 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, music hall disputes/accidents, and a woman Marie Fassnauer who is 8ft and over 24 stones. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/788ef99215a999f8dd33b31fd27afe38.jpg 04d0ff30397000905113551753cc135e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.28 Title A name given to the resource BP02.28 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper drawing of an old part of Glasgow. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/1f199a39aa5c0883f11480afbfad3a4d.jpg 544840a1e0eef106d50f8c65d5f5b2a7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.29 Title A name given to the resource BP02.29 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, and a woman Marie Fassnauer who is 8ft and over 24 stones. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/0e7a45f45c624780e478582093b5de06.jpg ab23db6e2be7e6a45a5cdb2441d3f22a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.3 Title A name given to the resource BP02.3 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings with image about the Royal Aquarium, Rothesay. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/ec5a7cea785b83f245e402bd6d07b738.jpg 8b04662369830b7950764087c26353de Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.30 Title A name given to the resource BP02.30 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper drawing and article about the arrest of a 17 year old woman during a suffragette demonstration. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/266c97d94b711ba58ce9c571bdb8204b.jpg ab2583e862cb347a34c81faf67b0e55c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.31 Title A name given to the resource BP02.31 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, Sunday culture in Glasgow, a music hall dispute, and the quest of an man over 8ft tall to romance a music hall performer also over 8ft tall. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/1ea7679e37d5e1084a5cbfcbcf58953a.jpg 0976acab416792061f9db80730858639 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.32 Title A name given to the resource BP02.32 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a dinner for the Scottish Billposters Association, the purchase of the Victoria Hall by E.H. Bostock, the meaning behind traditional sailor tattoos, and Jamie Trundley - a 17 stone 8 year old. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/99824a51ad617ab552aac847250bc3e4.jpg e02b2c1e6a7a5db4935b1bffb4959653 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.33 Title A name given to the resource BP02.33 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, Wilmotﾒs Carnival, music hall disturbances, and a fasting exhibition at Stewartﾒs Waxwork. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/6e238c9b9a0ca624832db5b8548a9a4c.jpg 771b4e407adfdcab487a6582c2184df7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.34 Title A name given to the resource BP02.34 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper photographs and drawings of tall people. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/260db03ca5dca2417c356a7e19b0b04c.jpg 20ee59cfa0801788af7d8ee6028c9a14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.35 Title A name given to the resource BP02.35 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about very tall people ﾓgiantsﾔ and the programme of A.E. Pickardﾒs Britannia Panopticon and museum. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/8554552ce12e67bfeb80d180cae14db3.jpg 7be26c861a563ff761a64ff8fb6d0646 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.36 Title A name given to the resource BP02.36 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, the salaries of music hall performers, plus a disturbance in a music hall over the screening of a hippo being skinned on film. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/b82a21b9a05e498a24ea0ec9f7c1b37c.jpg 4646532dd360afae48b4118215c0800d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.37 Title A name given to the resource BP02.37 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a wresting challenge posted by Pickard on behalf of Lucy Moore (one of his exhibits), and general entertainment news. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/da746aa7d8d9db323aa0089e3896a610.jpg 08e75fb932cd6b4a4b65fe9e13d9e4ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.38 Title A name given to the resource BP02.38 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a wresting challenge posted by Pickard on behalf of Lucy Moore (one of his exhibits), a fasting exhibition at Stewartﾒs Waxwork, a 103 year old person, and general entertainment news. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/aea1486ff28fef22741c89e4801a07ba.jpg 7aa6ca5dc04065b4f468faef3061376d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.39 Title A name given to the resource BP02.39 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, Pickardﾒs use of the Chronophone, and a letter about electric lighting charges. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/4f134aec3870a03de181a80a00080cb8.jpg 36782c024df9ecbbd3ab4580c34182ef Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.4 Title A name given to the resource BP02.4 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a music hall strike, and Sacco ﾓthe fasting manﾔ. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/1a66d24ce5378ad6c526726399c6b67e.jpg add3ef44148f1b7eeada5d7563990729 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.40 Title A name given to the resource BP02.40 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a fast in Stewartﾒs waxworks, the Chronophone, and a fatal railway accident. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/a0a2ea1045125acc1baa9dfb2fd7e884.jpg b22ade4cedf43432e03c7ddfb75a81b0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.41 Title A name given to the resource BP02.41 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about a visit to Glasgow by the Prince and Princess of Wales, plus a disturbance in a music hall over the screening of a hippo being skinned on film. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/77f734b6165ca457c48e2b581c10ed0c.jpg 4c6cb05ee6538ac542147d9e1c615bfd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.42 Title A name given to the resource BP02.42 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a visit to Glasgow by the Prince and Princess of Wales, the death of a 150 year old person, a failure to sell the London Coliseum, and a music hall dispute. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/756d0f25683fbbc65a7008215479eb2b.jpg 00a48c8d9c70614e1564e6e70c45c682 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.43 Title A name given to the resource BP02.43 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, living statuary, a fire in Glasgow at J and R Whyte (wire cloth and brush manufacturers), and plans for the London Coliseum to be reopened as a music hall. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/9bc4885f99fec0f4ec38773e4d6a442b.jpg 2b89efc3bc3be1ece4aa600affc6fc48 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.44 Title A name given to the resource BP02.44 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, and living statuary. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/98e0e38803f2ab66aa73248154f1d830.jpg 33bac4a078d25b604947c3e6e047a170 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.45 Title A name given to the resource BP02.45 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a disturbance at the Empire Palace Theatre in Edinburgh, a potential new entertainment resort in Glasgow, music hall morality , and a violation of the Employment of Children Act (1903). Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/8dc1ca6564a74909febeca9eb57594f8.jpg f3db1b833bea412e96f3cb2c6107f24d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.46 Title A name given to the resource BP02.46 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about living statuary. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/9804ed293be4169fbc7b53aa8b26e28c.jpg 62bb7b5ac65f32c54348e4d2d8ea94b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.47 Title A name given to the resource BP02.47 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the death of Mr C. C. Fell (a previous proprietor of A.E. Pickardﾒs museum). Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/de83060f082c470dfc9a086e70aa738a.jpg 5284191ef3c28e3be03699088d02a3b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.48 Title A name given to the resource BP02.48 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper drawing and article about the Cathcart area in Glasgow. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/2f04168272790b814ad18f50bec39b3d.jpg 08ee5fefd41b67064398a0fdad874e7f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.49 Title A name given to the resource BP02.49 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, living statuary, a four legged chicken, plus the Chronophone and films at Unity Hall, Oldham. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/de7108d2d6e1289e9a95e63701c07168.jpg 1ac9ac06cf7b7755f08ebc8a9bcd1368 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.5 Title A name given to the resource BP02.5 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings with image about criminal ﾓScotch Jamieﾒsﾔ release from prison. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/36e1b599b1ff3022715249a6798db478.jpg 45ccdc1045a327ae01b6f3966c40ea8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.50 Title A name given to the resource BP02.50 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, the birth of conjoined twins, and Lady Julia ﾖ a performing ape. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/544b380d3c4b770f013ae5563d849615.jpg fecb753ab0b653be260213d1b27efcab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.51 Title A name given to the resource BP02.51 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a fasting exhibition at Stewartﾒs Waxwork and general entertainment news. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/729249685cbe0e19ec0acce722f76fa3.jpg 0d30e50f4c2ba5a6b1beda2002f046ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.52 Title A name given to the resource BP02.52 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, plus wanted adverts posted by Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/14ed1ba0b83651dfb567902989763978.jpg 3a3d2a8bfa25a47b6cb702998c6dc70e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.53 Title A name given to the resource BP02.53 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, plus wanted adverts posted by Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/e40dc66b3eb19ecb3a5dcf93b34171bc.jpg 3c8bd9390852f67a48fb79c6769b087c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.54 Title A name given to the resource BP02.54 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, living statuary, a music hall dispute, plus wanted adverts posted by Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/89bcee2fc349369bb709a0135a75488a.jpg 8413d32014d6217bca7013d8395b55f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.55 Title A name given to the resource BP02.55 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, living statuary, and Pickard as a candidate for the 9th (Blackfriars) ward. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/18181cb1a44f2ac4b4d5ac8af87f344f.jpg 4ca3fd28e975bd56629b54ae53c46ef9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.56 Title A name given to the resource BP02.56 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/3fcbc7e6d31162320e0413571e39b90f.jpg daeef04c04b1aac25fa5dd15a54873b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.57 Title A name given to the resource BP02.57 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a carnival promoted by a Mr George Green, plus a wanted advert posted by Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/876c2f369488157d1180f2a914bd8461.jpg 4d8474d979e117f32ad4775d22f1e4d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.58 Title A name given to the resource BP02.58 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, large children from New Zealand, plus a wanted advert posted by Pickard and his candidacy and loss during municipal elections. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/76ae00cf1b9430abb56a8d395c2ee7fa.jpg 46a0d55aa84124a08e014de95bb84125 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.59 Title A name given to the resource BP02.59 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, plus wanted adverts posted by Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/fab39936a6214cdcb13027487814cec4.jpg 7be106b5472d0bbbee4146c5690a1de0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.6 Title A name given to the resource BP02.6 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the death of Tom Thumb (Richard Garnsey) and a music hall strike. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/2fbce08073141111c8e76aa8e3666baf.jpg cf29f2e72ca6f25ad2515b8323296a3c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.60 Title A name given to the resource BP02.60 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, wanted adverts posted by Pickard, plus notices about Mr C.C. Fell ﾖ a previous proprietor of A.E. Pickardﾒs museum. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/a8febfb1a9043108141c3f80b59699f1.jpg c4efb722194673bbcb579123ac39cedc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.61 Title A name given to the resource BP02.61 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, plus a notice of a limerick competition run by Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/9dcd9f67302af899e7f0d9517fee5d82.jpg 9ba68436084d2c63fc6e0e686627f174 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.62 Title A name given to the resource BP02.62 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, a notice of a limerick competition run by Pickard, and the programme of Humberﾒs George Street Waxwork in Aberdeen. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/ce9749d2f5d2cadf076121648731450c.jpg 493835fec9be6398af4c9ac7e43ffb29 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.63 Title A name given to the resource BP02.63 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, small person Harold Pyott (23 inches tall), and the banning of slot machines. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/8743e3a6132580d05102b6aad5cd2f7c.jpg 17cc401629f9496391396a727c1528f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.64 Title A name given to the resource BP02.64 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Photograph of small person Harold Pyott. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/7ec267ff0a277f5e32d1cfbe2bb82192.jpg 30b2620849cea7af3e4f39fbf62d447b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.65 Title A name given to the resource BP02.65 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about small person Harold Pyott. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/aedbbb0fffd7790ce01cb526f2eef286.jpg 700877d16bed4bf0e1eaa828f690b68b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.66 Title A name given to the resource BP02.66 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, and small person Harold Pyott. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/454566efc3d52fca37d1b5902404d988.jpg fbdf40235377e27cf416570d1ba84c8a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.67 Title A name given to the resource BP02.67 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, and small person Harold Pyott. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/1643b40d016978cfbd687d771da8b830.jpg c4a0619168e8e79309152ea1ffecce59 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.68 Title A name given to the resource BP02.68 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and museum, the sale of zoo animals, and a wanted advert posted by Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/fb4829aa79ceb4f3775997db9118a462.jpg c969b0f577a5312f6dcdf07e7512a6fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.69 Title A name given to the resource BP02.69 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum, plus a handwritten note addressed to Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/e09b73e5ced7b0cc1e4e3740da62a9bf.jpg ef2875c894bcc79e5e9f7c6aaa33afb7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.7 Title A name given to the resource BP02.7 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and Saint Valentine. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/a42141cd601faaf8baf76deaec52177d.jpg 142fce1feeb66f877023c3ddfd554387 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.8 Title A name given to the resource BP02.8 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper cuttings about the programme of A.E. Pickardﾒs Britannia Panopticon and Museum, a music hall strike, theatre riots in Dublin, and the demolition of the Earls Court Wheel. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/4226bf0f876c42959679359fa94e45da.jpg 4a3ccf21a4f5044571a44552d9bb8d7c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP02 Panopticon Museum Description An account of the resource Newspaper cuttings, mostly adverts for the Britannia and for other Glasgow cinemas. Identifier An unambiguous reference to the resource within a given context BP02 Subject The topic of the resource Social history Variety theatre Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP02.9 Title A name given to the resource BP02.9 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Description An account of the resource Newspaper drawing and article about the Schipka pass in Turkey, and a subterranean fair in Gallowgate, Glasgow. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/af410f024febeb0980d302c367423254.jpg 5890ee9c112efe7435dba5aa6efd0fb9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Back cover Description An account of the resource Hard binding in red cloth. Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Date A point or period of time associated with an event in the lifecycle of the resource ca. 1907 Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. Format The file format, physical medium, or dimensions of the resource image/jpeg from paper original Identifier An unambiguous reference to the resource within a given context BP03 Back cover https://www.pickardspapers.gla.ac.uk/files/original/707b5500a9f678fa0270e954d166afd8.jpg 0cfe5d9d12f7f97ccf890440117dcb12 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Front cover Description An account of the resource Hard binding in red cloth. Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Date A point or period of time associated with an event in the lifecycle of the resource ca. 1907 Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. Format The file format, physical medium, or dimensions of the resource image/jpeg from paper original Identifier An unambiguous reference to the resource within a given context BP03 Front cover https://www.pickardspapers.gla.ac.uk/files/original/a14fc04f756373d501ec11b6381232df.jpg 4ce4af3baf368ec09bd29446005e9161 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03 Inside back cover Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Title A name given to the resource BP03 Inside Back Cover Description An account of the resource Blank page. https://www.pickardspapers.gla.ac.uk/files/original/001e5cd0e8ad0db5b98b9cc028c971af.jpg 5d03af1e48f97ba9d3850a5ed77020ab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03 Inside front cover Title A name given to the resource BP03 Inside front cover Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/ac03945bb56e18276402fc75f153afcf.jpg d569f4cde8025c67f4d7e39556b498d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Spine Description An account of the resource Spine marked by hand: Panopticon & Museum Sep. 9th 1907 - May 15th 1908. Vol. 3. Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Date A point or period of time associated with an event in the lifecycle of the resource ca. 1907 Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. Format The file format, physical medium, or dimensions of the resource image/jpeg from paper original Identifier An unambiguous reference to the resource within a given context BP03 Spine https://www.pickardspapers.gla.ac.uk/files/original/84c63956f43c5b7e06834c6c3863fdf9.jpg 9e64f8d3010318920848293c2eff186f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.1 Title A name given to the resource BP03.01 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Handwritten index. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/bfe8f11ff67dc362de0f56b4d05d333d.jpg 3544c971ef52d56a83a17111cd907a79 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.2 Title A name given to the resource BP03.02 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Handwritten note on the back of an envelope, presumably sent for limerick competition: "Postman, hurry, you lazy old sinner Move along as tho' running for dinner This yellow env'lope Contains let us hope The "Pickard's Panopticon" winner." Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 16 September 1907 https://www.pickardspapers.gla.ac.uk/files/original/0dcb815e874580668cbe45d205d45e02.jpg b9cd7e1dc519d23d24135faf6fab0373 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.2B Title A name given to the resource BP03.02B Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Postcard of women with sewing machines. Not contemporary. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/b967c6fcdf624d7944253bb6240f2e72.jpg f754c988fd5fe2eb9436a3219e6d067d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.3 Title A name given to the resource BP03.03 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum from the Glasgow News, Evening Citizen, Record & Mail, Evening Times Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 9-17 September 1907 https://www.pickardspapers.gla.ac.uk/files/original/41ee20d6e9a407e58b110db585e988f6.jpg 75a07f640eca20b2776a8bd17b4db1d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.4 Title A name given to the resource BP03.04 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum from the Evening Citizen, the Stage, the Era, Evening Times and Pollokshaws News, featuring the 'Bear Woman'. Printed flyer for 'The Irish Giant', Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/b3e537f14c27d05f1bf25c43c2cebc70.jpg dfedf98aed4d9f14cb705a3b56f82308 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.5 Title A name given to the resource BP03.05 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum from the Weekly Record, Helensburgh News, Scottish Referee, The Stage, Glasgow News, Evening Citizen, Record and Mail, and the Forward. Featuring the 'Bear Woman'. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 20 September - 5 October 1907 https://www.pickardspapers.gla.ac.uk/files/original/6a986012bea72ac27cacab5ef168b310.jpg 0e6c754209a2f08f293f9753db7afeee Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.6 Title A name given to the resource BP03.06 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E Pickard from the Evening Citizen, Daily Record, Weekly Record, Glasgow Programme, Scottish Referee, Evening Times. Also results from Pickard's Limerick competition with a winner and 43 consolation prizes listed with their address. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 28 September - 9 October 1907 https://www.pickardspapers.gla.ac.uk/files/original/c847aebc12181703ef2f33d2a55c9996.jpg 2ba267e4190f1e78e849d9c9c65b2dc4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.7 Title A name given to the resource BP03.07 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum from Glasgow News, the Era, Citizen, Evening Times, Record & Mail, Scottish Referee, Forward, Weekly Record. Still presenting the Bear Woman and the bioscope. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 8-14 October 1907 https://www.pickardspapers.gla.ac.uk/files/original/d14f9be91ad4c93c216e9bc00e09e005.jpg eb2d603a251f4cb2a25a7d69e1a56c5b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.8 Title A name given to the resource BP03.08 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum in the Evening Citizen, Glasgow News, Record and Mail, Evening Times, Glasgow Programme, The Stage, Pollokshaws News, still advertising the Bear Woman. Also classified ads in The Era looking for variety artists, "freaks, novelties and attractions", and front-of-house staff. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 12-18 October 1907 https://www.pickardspapers.gla.ac.uk/files/original/05db60b2b383e7666aa1562128500d5b.jpg b7d794900bed43c2518c9258da03ef9e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.9 Title A name given to the resource BP03.09 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings advertising Panopticon programme in the Weekly Record and Forward. Classified ads in the Era and the Stage looking for artists. Two envelopes addressed to Miss Lucy Moore. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/29eb12361741b180863bd266121f1d05.jpg 8118e24c15588fc7e59015a3eb78f517 https://www.pickardspapers.gla.ac.uk/files/original/8ed98dc2646f0140af6f303cedde0869.jpg 395070c238d2dd2d0fd546c7c36d7c68 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.10 Title A name given to the resource BP03.10 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Two letters to Lucy Moore in response to advertisement seeking husband. Newspaper cuttings about Panopticon programme in Glasgow News, Forward, Evening Citizen. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 1907 https://www.pickardspapers.gla.ac.uk/files/original/63ed31e37d36ef26d65f768dd23fdbe4.jpg 807e8146b5eeaff93c6419a6108b2ac8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.11 Title A name given to the resource BP03.11 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon, museum, a selection of wanted adverts posted by Pickard, plus letters to Miss Lucy Moore (one of Pickard's exhibits) applying to be her husband in response to a newspaper advert. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/02f7beede50b6a62b65937c61f8219e5.jpg a30492126e603cd48c538c6875953bb1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.12 Title A name given to the resource BP03.12 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Letter to Miss Lucy Moore (one of A.E. Pickard's exhibits). Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/0d81ff18c63d47ca0a00177b8b43bc1e.jpg 4dc996ea50f51a44a8da8708f71bb716 https://www.pickardspapers.gla.ac.uk/files/original/5385f57394cd4d45446aba5bd2bc192b.jpg 4d84d1d581eca7a3905ec74c5c2f5a3a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.13 Title A name given to the resource BP03.13 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum; plus a collection of wanted adverts posted by Pickard, and a humorous postcard - "Required - a Husband", which on the back has a handwritten note to Miss Lucy Moore. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/507ac88e18bb39a2aa1bf4cd616f3391.jpg 5a7878873bd59388156bf20bb3f680d8 https://www.pickardspapers.gla.ac.uk/files/original/711f661c7f269e7ac525cb02abab72e2.jpg bb1b079187323392fd2d96e106a4ab2f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.15 Title A name given to the resource BP03.15 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon, museum, and the funeral of JH Kavanagh. Also a collection of wanted adverts posted by Pickard and a handwritten addressed envelope. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.15B Title A name given to the resource BP03.15B Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon, museum, and the funeral of JH Kavanagh. Also a collection of wanted adverts posted by Pickard and a handwritten note. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/0c5ef1094fefeba9c5904ce4160092e9.jpg 3f31b01685ec6e14d2bcb426991432cd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.18 Title A name given to the resource BP03.18 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Handwritten postcard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/721627c940fb9da3047b6f549792e9be.jpg 7d49ef5742ef880c991d8777448062a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.19 Title A name given to the resource BP03.19 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon; plus a wanted advert posted by Pickard in The Music Hall trade paper looking for "freaks, novelties and attractions". Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/a63c49f7877c5643108e0e9e382a946e.jpg 739c1cba14be6a9a1bd6289d69319357 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.20 Title A name given to the resource BP03.20 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/0d7fd8c383b656ca9f7f298172a4e881.jpg bbe510a06f0780df7da1753d5cf9d948 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.21 Title A name given to the resource BP03.21 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum; plus wanted adverts posted by Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/bb2ddd982980d0f0699f62d5b47d0dd2.jpg 710855be9196a3b20d9ab46243efaf8b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.22 Title A name given to the resource BP03.22 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about: the programme of A.E. Pickard's Britannia Panopticon and museum, particularly W Ashmore Gill's world record in club swinging. Also article about the game of billiards, and wanted adverts posted by Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 18-29 November 1907 https://www.pickardspapers.gla.ac.uk/files/original/767b940e5cf943fb15beb50f69eff25d.jpg 9dae0ceef84f405ce2170985044019d6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.23 Title A name given to the resource BP03.23 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum. Including Lady Vere de Vere the Tattooed Beauty, the Chronophone, and American Bioscope. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/3dcff2c5598b5b82509686b432d5cc5f.jpg 8930897b3f27effc6f8ee189419ed29f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.24 Title A name given to the resource BP03.24 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum, plus notices about the birth of A.E. Pickard's son. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 28 October-26 November 1907 https://www.pickardspapers.gla.ac.uk/files/original/53495272b76d3c2cc5b3c1ad784d5c82.jpg b26b60297faed0d6a693da2ddae384cd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.25 Title A name given to the resource BP03.25 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum; plus wanted adverts posted by Pickard. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 14-27 December 1907 https://www.pickardspapers.gla.ac.uk/files/original/cdb7a4850d1624f2e13c1047375e1917.jpg 3420652bafea4f535b67680ddc30be75 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.26 Title A name given to the resource BP03.26 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper advert from The World's Fair for A.E. Pickard's Britannia Panopticon and museum. With three images. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 27 December 1907 https://www.pickardspapers.gla.ac.uk/files/original/29a818c50be62d69397736845ebe3bd5.jpg c58e7f9140996385b26bd9c0cb8122d0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.27 Title A name given to the resource BP03.27 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 7-26 December 1907 https://www.pickardspapers.gla.ac.uk/files/original/0725c4090199b703c42627cfda28adb7.jpg ba2b4079d701bf6434ad64d8f724e2a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.28 Title A name given to the resource BP03.28 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum in Forward, Weekly Record, Evening Citizen and Scottish Referee. Note on leaving of Harry Bowerman from Glasgow to Manchester; plus wanted adverts posted by Pickard in The Era. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 21 December 1907 - 3 January 1908 https://www.pickardspapers.gla.ac.uk/files/original/2f1f9ca93d0a8763ff2cc452dcd162e1.jpg d65dc93dabbadbb075073a6785f71850 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.29 Title A name given to the resource BP03.29 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum in the Evening Times, Daily Record, Forward, and Glasgow News. Panopticon showing film of Tommy Burns and Gunner Moir boxing match and the Chronophone. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 16-20 December 1907 https://www.pickardspapers.gla.ac.uk/files/original/5ba5baad76a752e796a2496ecf7b1395.jpg e9799fd2f3d5646b6e7c03b412747893 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.30 Title A name given to the resource BP03.30 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum in the Evening Times, Glasgow News, Record and Mail, and Citizen. Advert [presumably from the Glasgow Programme] with Pickard's portrait, advertising Carnival and Roof Gardens, and Lady Vere de Vere. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 18 November - 31 December 1908 https://www.pickardspapers.gla.ac.uk/files/original/adbe85973c34f2ee9d5a974135d74623.jpg 8624cc365f59bfb45b709ec7b366d7b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.31 Title A name given to the resource BP03.31 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum in the Evening Citizen, Record and Mail, Glasgow News, Scottish Referee, Weekly Record, and the Stage. Claiming to have had 23,565 visitors on New Year's Day. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 2-17 January 1908 https://www.pickardspapers.gla.ac.uk/files/original/06d6c99b0025b1c62b08661485055f21.jpg cf943524b98c97cb6bdb5d12cb528aeb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.32 Title A name given to the resource BP03.32 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum in the Scottish Referee, Weekly Record, Glasgow News, Evening Times, Evening Citizen, Record and Mail, ant The Stage. Featuring escape artist Empress and the Thaw Tragedy, plus chronophone. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 14-20 January 1908 https://www.pickardspapers.gla.ac.uk/files/original/51313a00ac64ece61a3096573dd931cc.jpg 8210d6901fd6331b20d6abdcaa8f6936 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.33 Title A name given to the resource BP03.33 Scrapbook page Subject The topic of the resource Social History, Variety Theatre, Pantomime Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum in the Glasgow News, Evening Citizen, Record and Mail, Evening Times. Showing the Thaw tragedy (descriptive drama), tattooed lady, chronophone, etc. Also advertisements for the pantomime at the Grand Theatre. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 14 January - 1 February 1908 https://www.pickardspapers.gla.ac.uk/files/original/05d961ed385605317730dff7e9f2b141.jpg c140a36d413334738b46f7c2e7f3bddf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.34 Title A name given to the resource BP03.34 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum in the Evening Citizen, Record and Mail, Forward, Scottish Referee, The Stage. Showing Thaw tragedy bioscope pictures, 'A night in Venice' on the chronophone, the South Sea islanders, etc. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 21-28 January 1908 https://www.pickardspapers.gla.ac.uk/files/original/6f66348f56efc2cb5743dad37ca8e8f5.jpg a66357fbe06d3212e6fceb505eda0b03 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.35 Title A name given to the resource BP03.35 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum in the Evening Times, Scottish Referee, Record and Mail, Forward. With the Thaw tragedy pictures, chronophone, South Sea islanders, etc. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. https://www.pickardspapers.gla.ac.uk/files/original/79e99b0e558c91f841e5c6c9152b3978.jpg 8f065a9266466535f2b13f36cb7c602d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.36 Title A name given to the resource BP03.36 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum from the Scottish Referee, Forward, Evening Citizen, Stage, Era, Glasgow News, Record and Mail, Evening Times. Also articles about the auxetophone, a new, louder 'talking machine', with Harry Lauder recordings. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 4-15 February 1908 https://www.pickardspapers.gla.ac.uk/files/original/2546faceefdf8ca4d4b00eedf4b295e6.jpg f797b04d263caae4e5c6984cecdd162b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BP03 Panopticon Museum Vol 3 Subject The topic of the resource Social history Variety theatre Zoo Creator An entity primarily responsible for making the resource [A. E. Pickard] Source A related resource from which the described resource is derived Pickard's Scrapbooks collection at Royal Scottish Conservatoire Archives. Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Contributor An entity responsible for making contributions to the resource Pickard's Papers Project, processed by Maria Velez-Serna. Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Format The file format, physical medium, or dimensions of the resource Original: Hard-bound paper scrapbook Language A language of the resource English Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context BP03 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Scotland Description An account of the resource Scrapbook comprising mostly newspaper cuttings of adverts and write-ups for the Panopticon music hall and Pickard's waxworks, appearing across many Glasgow periodicals between 1907 and 1908. There are also articles and adverts about Bostock's Scottish Zoo and Wombwell's menagerie, and some correspondence and other manuscripts related to advertising schemes. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BP03.37 Title A name given to the resource BP03.37 Scrapbook page Subject The topic of the resource Social History, Variety Theatre Source A related resource from which the described resource is derived Pickard's Papers: Panopticon Museum Vol 3 Description An account of the resource Newspaper cuttings about the programme of A.E. Pickard's Britannia Panopticon and museum, the auxetophone, and adverts seeking performers. Contributor An entity responsible for making contributions to the resource Britannia Panopticon Music Hall Trust Publisher An entity responsible for making the resource available Pickard's Papers project. Britannia Panopticon Music Hall Trust / University of Glasgow / Heritage Lottery Fund Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Edwardian Format The file format, physical medium, or dimensions of the resource image/jpegfrom paper original Creator An entity primarily responsible for making the resource [A. E. Pickard] Rights Information about rights held in and over the resource This material is made available for non-commercial research and education purposes, and no copyright infringement is intended. If the material is still in copyright, or contains sensitive information, please contact us and we will take it down. Date A point or period of time associated with an event in the lifecycle of the resource 11-27 February 1908